Gender and action films 1980-2000: beauty in motion
Sylvester Stallone's action thriller, First Blood, hit cinema screens in 1982, leading to the cementing of what can be called the Action Movie Canon. With films like Die Hard, Under Siege and Total Recall pioneering post-millennial Action Movies such as Tomb Raider, The Bourne Identity and Atom...
Gespeichert in:
Weitere beteiligte Personen: | , |
---|---|
Format: | E-Book |
Sprache: | Englisch |
Veröffentlicht: |
Bingley, U.K.
Emerald Publishing Limited
2022
|
Schriftenreihe: | Emerald studies in popular culture and gender
|
Links: | https://doi.org/10.1108/9781801175067 |
Zusammenfassung: | Sylvester Stallone's action thriller, First Blood, hit cinema screens in 1982, leading to the cementing of what can be called the Action Movie Canon. With films like Die Hard, Under Siege and Total Recall pioneering post-millennial Action Movies such as Tomb Raider, The Bourne Identity and Atomic Blonde, there is a clear trajectorial line showing that the Action Movie has radically altered to incorporate much more complex portrayals of both 'hero' and 'heroine': the Action Movie Hero. Examining the changing face of Action Movies and their representations of gender since the release of First Blood, Gender and Action Films 1980-2000 examines masculinity and anxiety through subjects ranging from gender spaces in action films to the buddy cop film. From transformative femininity, motherhood and machoism, action women in contemporary Colombian cinema, reconsidering gender in Jurassic Park, to gender, politics and 80s action - the chapters dive into everything from sword-playing and gun-shooting women and rainbow-coloured riots on Hollywood boulevard. Gender and Action Films 1980-2000 offers a comprehensive insight into the intertwined concepts of gender and action, and how their portrayal developed in the Action Movie genre during the final two decades of the twentieth century. A necessity for academics, students and lovers of film and media and those interested in gender studies. |
Umfang: | 1 Online-Ressource (300 Seiten) |
ISBN: | 9781801175081 |
Internformat
MARC
LEADER | 00000nam a2200000Ii 4500 | ||
---|---|---|---|
001 | ZDB-55-ELD-9781801175081 | ||
003 | UtOrBLW | ||
005 | 20221115171338.0 | ||
006 | m o d | ||
007 | cr un||||||||| | ||
008 | 221115t20222023enk ob 001 0 eng d | ||
020 | |a 9781801175081 | ||
080 | |a 791 | ||
245 | 0 | 0 | |a Gender and action films 1980-2000 |b beauty in motion |c edited by Steven Gerrard (Leeds Beckett University, UK) and Renée Middlemost (University of Wollongong, Australia) |
264 | 1 | |a Bingley, U.K. |b Emerald Publishing Limited |c 2022 | |
264 | 4 | |c ©2023 | |
300 | |a 1 Online-Ressource (300 Seiten) | ||
336 | |b txt | ||
337 | |b c | ||
338 | |b cr | ||
490 | 1 | |a Emerald studies in popular culture and gender | |
520 | |a Sylvester Stallone's action thriller, First Blood, hit cinema screens in 1982, leading to the cementing of what can be called the Action Movie Canon. With films like Die Hard, Under Siege and Total Recall pioneering post-millennial Action Movies such as Tomb Raider, The Bourne Identity and Atomic Blonde, there is a clear trajectorial line showing that the Action Movie has radically altered to incorporate much more complex portrayals of both 'hero' and 'heroine': the Action Movie Hero. Examining the changing face of Action Movies and their representations of gender since the release of First Blood, Gender and Action Films 1980-2000 examines masculinity and anxiety through subjects ranging from gender spaces in action films to the buddy cop film. From transformative femininity, motherhood and machoism, action women in contemporary Colombian cinema, reconsidering gender in Jurassic Park, to gender, politics and 80s action - the chapters dive into everything from sword-playing and gun-shooting women and rainbow-coloured riots on Hollywood boulevard. Gender and Action Films 1980-2000 offers a comprehensive insight into the intertwined concepts of gender and action, and how their portrayal developed in the Action Movie genre during the final two decades of the twentieth century. A necessity for academics, students and lovers of film and media and those interested in gender studies. | ||
700 | 1 | |a Gerrard, Steven | |
700 | 1 | |a Middlemost, Renée | |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 9781801175067 |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 9781801175074 |
966 | 4 | 0 | |l DE-91 |p ZDB-55-ELD |q TUM_PDA_ELD |u https://doi.org/10.1108/9781801175067 |3 Volltext |
912 | |a ZDB-55-ELD | ||
912 | |a ZDB-55-ELD | ||
049 | |a DE-91 |
Datensatz im Suchindex
DE-BY-TUM_katkey | ZDB-55-ELD-9781801175081 |
---|---|
_version_ | 1825578281095659520 |
adam_text | |
any_adam_object | |
author2 | Gerrard, Steven Middlemost, Renée |
author2_role | |
author2_variant | s g sg r m rm |
author_facet | Gerrard, Steven Middlemost, Renée |
author_sort | Gerrard, Steven |
building | Verbundindex |
bvnumber | localTUM |
collection | ZDB-55-ELD |
format | eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02396nam a2200301Ii 4500</leader><controlfield tag="001">ZDB-55-ELD-9781801175081</controlfield><controlfield tag="003">UtOrBLW</controlfield><controlfield tag="005">20221115171338.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr un|||||||||</controlfield><controlfield tag="008">221115t20222023enk ob 001 0 eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781801175081</subfield></datafield><datafield tag="080" ind1=" " ind2=" "><subfield code="a">791</subfield></datafield><datafield tag="245" ind1="0" ind2="0"><subfield code="a">Gender and action films 1980-2000</subfield><subfield code="b">beauty in motion</subfield><subfield code="c">edited by Steven Gerrard (Leeds Beckett University, UK) and Renée Middlemost (University of Wollongong, Australia)</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Bingley, U.K.</subfield><subfield code="b">Emerald Publishing Limited</subfield><subfield code="c">2022</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2023</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (300 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Emerald studies in popular culture and gender</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Sylvester Stallone's action thriller, First Blood, hit cinema screens in 1982, leading to the cementing of what can be called the Action Movie Canon. With films like Die Hard, Under Siege and Total Recall pioneering post-millennial Action Movies such as Tomb Raider, The Bourne Identity and Atomic Blonde, there is a clear trajectorial line showing that the Action Movie has radically altered to incorporate much more complex portrayals of both 'hero' and 'heroine': the Action Movie Hero. Examining the changing face of Action Movies and their representations of gender since the release of First Blood, Gender and Action Films 1980-2000 examines masculinity and anxiety through subjects ranging from gender spaces in action films to the buddy cop film. From transformative femininity, motherhood and machoism, action women in contemporary Colombian cinema, reconsidering gender in Jurassic Park, to gender, politics and 80s action - the chapters dive into everything from sword-playing and gun-shooting women and rainbow-coloured riots on Hollywood boulevard. Gender and Action Films 1980-2000 offers a comprehensive insight into the intertwined concepts of gender and action, and how their portrayal developed in the Action Movie genre during the final two decades of the twentieth century. A necessity for academics, students and lovers of film and media and those interested in gender studies.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Gerrard, Steven</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Middlemost, Renée</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">9781801175067</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">9781801175074</subfield></datafield><datafield tag="966" ind1="4" ind2="0"><subfield code="l">DE-91</subfield><subfield code="p">ZDB-55-ELD</subfield><subfield code="q">TUM_PDA_ELD</subfield><subfield code="u">https://doi.org/10.1108/9781801175067</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-55-ELD</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-55-ELD</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-91</subfield></datafield></record></collection> |
id | ZDB-55-ELD-9781801175081 |
illustrated | Not Illustrated |
indexdate | 2025-03-03T13:05:19Z |
institution | BVB |
isbn | 9781801175081 |
language | English |
open_access_boolean | |
owner | DE-91 DE-BY-TUM |
owner_facet | DE-91 DE-BY-TUM |
physical | 1 Online-Ressource (300 Seiten) |
psigel | ZDB-55-ELD TUM_PDA_ELD ZDB-55-ELD |
publishDate | 2022 |
publishDateSearch | 2022 |
publishDateSort | 2022 |
publisher | Emerald Publishing Limited |
record_format | marc |
series2 | Emerald studies in popular culture and gender |
spelling | Gender and action films 1980-2000 beauty in motion edited by Steven Gerrard (Leeds Beckett University, UK) and Renée Middlemost (University of Wollongong, Australia) Bingley, U.K. Emerald Publishing Limited 2022 ©2023 1 Online-Ressource (300 Seiten) txt c cr Emerald studies in popular culture and gender Sylvester Stallone's action thriller, First Blood, hit cinema screens in 1982, leading to the cementing of what can be called the Action Movie Canon. With films like Die Hard, Under Siege and Total Recall pioneering post-millennial Action Movies such as Tomb Raider, The Bourne Identity and Atomic Blonde, there is a clear trajectorial line showing that the Action Movie has radically altered to incorporate much more complex portrayals of both 'hero' and 'heroine': the Action Movie Hero. Examining the changing face of Action Movies and their representations of gender since the release of First Blood, Gender and Action Films 1980-2000 examines masculinity and anxiety through subjects ranging from gender spaces in action films to the buddy cop film. From transformative femininity, motherhood and machoism, action women in contemporary Colombian cinema, reconsidering gender in Jurassic Park, to gender, politics and 80s action - the chapters dive into everything from sword-playing and gun-shooting women and rainbow-coloured riots on Hollywood boulevard. Gender and Action Films 1980-2000 offers a comprehensive insight into the intertwined concepts of gender and action, and how their portrayal developed in the Action Movie genre during the final two decades of the twentieth century. A necessity for academics, students and lovers of film and media and those interested in gender studies. Gerrard, Steven Middlemost, Renée Erscheint auch als Druck-Ausgabe 9781801175067 Erscheint auch als Druck-Ausgabe 9781801175074 |
spellingShingle | Gender and action films 1980-2000 beauty in motion |
title | Gender and action films 1980-2000 beauty in motion |
title_auth | Gender and action films 1980-2000 beauty in motion |
title_exact_search | Gender and action films 1980-2000 beauty in motion |
title_full | Gender and action films 1980-2000 beauty in motion edited by Steven Gerrard (Leeds Beckett University, UK) and Renée Middlemost (University of Wollongong, Australia) |
title_fullStr | Gender and action films 1980-2000 beauty in motion edited by Steven Gerrard (Leeds Beckett University, UK) and Renée Middlemost (University of Wollongong, Australia) |
title_full_unstemmed | Gender and action films 1980-2000 beauty in motion edited by Steven Gerrard (Leeds Beckett University, UK) and Renée Middlemost (University of Wollongong, Australia) |
title_short | Gender and action films 1980-2000 |
title_sort | gender and action films 1980 2000 beauty in motion |
title_sub | beauty in motion |
work_keys_str_mv | AT gerrardsteven genderandactionfilms19802000beautyinmotion AT middlemostrenee genderandactionfilms19802000beautyinmotion |