Music as a chariot: the evolutionary origins of theatre in time, sound, and music
Music as a Chariot offers a multidisciplinary perspective whose primary proposition is that theatre is a type of music. Understanding how music enables the theatre experience helps to shape our entire approach to the performing arts. Beginning with a discussion on the origin and nature of time, the...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
New York, NY
Routledge
2018
|
| Schlagwörter: | |
| Links: | https://learning.oreilly.com/library/view/-/9781351382076/?ar |
| Zusammenfassung: | Music as a Chariot offers a multidisciplinary perspective whose primary proposition is that theatre is a type of music. Understanding how music enables the theatre experience helps to shape our entire approach to the performing arts. Beginning with a discussion on the origin and nature of time, the author takes us on an evolutionary journey to discover how music, language and mimesis co-evolved, eventually coming together to produce the complex way we experience theatre. The book integrates the evolutionary neuroscience of the human brain into this journey, offering practical implications and applications for the auditory expression of this concept--namely the fundamental techniques artists use to create sound scores for theatre. With contributions from directors, playwrights, actors and designers, Music as a Chariot explores the use of music to carry ideas into the human soul--a concept that extends beyond the theatrical to include film, video gaming, dance, or anywhere art is manipulated in time. |
| Beschreibung: | Includes bibliographical references and index |
| Umfang: | 1 Online-Ressource |
| ISBN: | 9781351382083 135138208X 9781315145631 1315145634 9781351382076 1351382071 |
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| spelling | Thomas, Richard K. 1953- VerfasserIn aut Music as a chariot the evolutionary origins of theatre in time, sound, and music Richard K. Thomas New York, NY Routledge 2018 ©2018 1 Online-Ressource Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Includes bibliographical references and index Music as a Chariot offers a multidisciplinary perspective whose primary proposition is that theatre is a type of music. Understanding how music enables the theatre experience helps to shape our entire approach to the performing arts. Beginning with a discussion on the origin and nature of time, the author takes us on an evolutionary journey to discover how music, language and mimesis co-evolved, eventually coming together to produce the complex way we experience theatre. The book integrates the evolutionary neuroscience of the human brain into this journey, offering practical implications and applications for the auditory expression of this concept--namely the fundamental techniques artists use to create sound scores for theatre. With contributions from directors, playwrights, actors and designers, Music as a Chariot explores the use of music to carry ideas into the human soul--a concept that extends beyond the theatrical to include film, video gaming, dance, or anywhere art is manipulated in time. Music in the theater Theaters Sound effects Music Philosophy and aesthetics Musique au théâtre Théâtres ; Effets sonores Musique ; Philosophie et esthétique sound effects Music ; Philosophy and aesthetics Theaters ; Sound effects 9781138295469 Erscheint auch als Druck-Ausgabe 9781138295469 |
| spellingShingle | Thomas, Richard K. 1953- Music as a chariot the evolutionary origins of theatre in time, sound, and music Music in the theater Theaters Sound effects Music Philosophy and aesthetics Musique au théâtre Théâtres ; Effets sonores Musique ; Philosophie et esthétique sound effects Music ; Philosophy and aesthetics Theaters ; Sound effects |
| title | Music as a chariot the evolutionary origins of theatre in time, sound, and music |
| title_auth | Music as a chariot the evolutionary origins of theatre in time, sound, and music |
| title_exact_search | Music as a chariot the evolutionary origins of theatre in time, sound, and music |
| title_full | Music as a chariot the evolutionary origins of theatre in time, sound, and music Richard K. Thomas |
| title_fullStr | Music as a chariot the evolutionary origins of theatre in time, sound, and music Richard K. Thomas |
| title_full_unstemmed | Music as a chariot the evolutionary origins of theatre in time, sound, and music Richard K. Thomas |
| title_short | Music as a chariot |
| title_sort | music as a chariot the evolutionary origins of theatre in time sound and music |
| title_sub | the evolutionary origins of theatre in time, sound, and music |
| topic | Music in the theater Theaters Sound effects Music Philosophy and aesthetics Musique au théâtre Théâtres ; Effets sonores Musique ; Philosophie et esthétique sound effects Music ; Philosophy and aesthetics Theaters ; Sound effects |
| topic_facet | Music in the theater Theaters Sound effects Music Philosophy and aesthetics Musique au théâtre Théâtres ; Effets sonores Musique ; Philosophie et esthétique sound effects Music ; Philosophy and aesthetics Theaters ; Sound effects |
| work_keys_str_mv | AT thomasrichardk musicasachariottheevolutionaryoriginsoftheatreintimesoundandmusic |