Sound as popular culture: a research companion
The wide-ranging texts in this book take as their premise the idea that sound is a subject through which popular culture can be analyzed in an innovative way. From an infant's gurgles over a baby monitor to the roar of the crowd in a stadium to the sub-bass frequencies produced by sound systems...
Gespeichert in:
| Weitere beteiligte Personen: | , |
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| Format: | E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Cambridge, Massachusetts
The MIT Press
[2016]
|
| Links: | https://doi.org/10.7551/mitpress/9975.001.0001?locatt=mode:legacy |
| Zusammenfassung: | The wide-ranging texts in this book take as their premise the idea that sound is a subject through which popular culture can be analyzed in an innovative way. From an infant's gurgles over a baby monitor to the roar of the crowd in a stadium to the sub-bass frequencies produced by sound systems in the disco era, sound - no necessarily aestheticized as music - is inextricably part of the many domains of popular culture. Expanding the view taken by many scholars of cultural studies, the contributors consider cultural practices concerning sound not merely as semiotic or signifying processes but as material, physical, perceptual, and sensory processes that integrate a multitude or cultural traditions and forms of knowledge. The chapters discuss conceptual issues as well as terminologies and research methods; analyze historical and contemporary practices of sound generation are applied in the diverse fields in which sounds are produced, mastered, distorted, processed, and enhanced. The chapters are not only about sound; they offer a study through sound - echoes from the past, resonances of the present, and the contradictions and discontinuities that suggest the future. -- from dust jacket. |
| Umfang: | 1 Online-Ressource (xiii, 432 Seiten) Illustrationen |
| ISBN: | 0262334275 9780262334273 |
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| spelling | Sound as popular culture a research companion edited by Jens Gerrit Papenburg and Holger Schulze Cambridge, Massachusetts The MIT Press [2016] 1 Online-Ressource (xiii, 432 Seiten) Illustrationen txt c cr The wide-ranging texts in this book take as their premise the idea that sound is a subject through which popular culture can be analyzed in an innovative way. From an infant's gurgles over a baby monitor to the roar of the crowd in a stadium to the sub-bass frequencies produced by sound systems in the disco era, sound - no necessarily aestheticized as music - is inextricably part of the many domains of popular culture. Expanding the view taken by many scholars of cultural studies, the contributors consider cultural practices concerning sound not merely as semiotic or signifying processes but as material, physical, perceptual, and sensory processes that integrate a multitude or cultural traditions and forms of knowledge. The chapters discuss conceptual issues as well as terminologies and research methods; analyze historical and contemporary practices of sound generation are applied in the diverse fields in which sounds are produced, mastered, distorted, processed, and enhanced. The chapters are not only about sound; they offer a study through sound - echoes from the past, resonances of the present, and the contradictions and discontinuities that suggest the future. -- from dust jacket. Papenburg, Jens Gerrit Schulze, Holger Erscheint auch als Druck-Ausgabe 0262033909 Erscheint auch als Druck-Ausgabe 9780262033909 |
| spellingShingle | Sound as popular culture a research companion |
| title | Sound as popular culture a research companion |
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