Cecilia Vicuña: dreaming water : a retrospective of the future (1964-...)
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Tagungsbericht Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Barcelona, Spain
RM Verlag
[2024]
|
| Schlagwörter: | |
| Abstract: | Retrospective of Chilean poet, visual artist and feminist activist Cecilia Vicuña in a Chilean museum since 1971. Born in 1948 and based in New York, United States, since 1980, the artist created the concept of "Precarious Art" in the mid-1960s, to name what disappears. Her work is considered an early vision of ecofeminism and decolonization. The traveling exhibition includes around 200 works of paintings, drawings, screenprints, collages, textiles, videos, photographs, installations, poetry, artist's books, and performances, belonging to public and private collections, in addition to the large-format installation called "Quipu menstrual (la sangre de los glaciares)" (Menstrual quipu (the blood of glaciers)). Miguel A. López's curatorship highlights Andean memory in her artistic production, as well as the impact of civil-military regimes and the catastrophic effects of neoliberalism on the social, natural and cultural landscape. Her pieces are part of prestigious collections, including the Museum of Modern Art (MoMA) in New York. Curated by Miguel A. López, the book not only delves into Vicuña's art, but also includes essays by prominent scholars and a conversation between Vicuña, Marisol de la Cadena, and Camila Marambio. Published on the occasion of the exhibition "Cecilia Vicuña: Dreaming Water" held at Malba - in collaboration with the National Museum of Fine Arts in Santiago de Chile and the Pinacoteca de São Paulo- this is the most comprehensive monographic book dedicated to Cecilia Vicuña's work to date. It features a main text by curator and editor Miguel A. López in epistolary format - a letter addressed to the artist - as well as new essays by Elizabeth A. Povinelli, Catherine de Zegher, and José de Nordenflycht. It includes two texts by Vicuña on her drawings from the "Palabrarmas" project and the activism of the group Artists for Democracy, as well as a conversation between Vicuña, Marisol de la Cadena, and Camila Marambio |
| Beschreibung: | Coedited by: MNBA, Santiago de Chile + MALBA + Pinacoteca de São Paulo |
| Umfang: | 345 pages illustrations (chiefly color), portraits 24 cm |
| ISBN: | 9788419233769 8419233765 |
Internformat
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| 505 | 8 | 0 | |t Southern cross |r Cecilia Vicuña |t Against the fear of being light: a letter to Cecilia Vicuña |r Miguel A. López |t 1964-1971 -- |t 1969-1979, 1986, 2018-2023 -- |t 1973-1979, 2021-2023 -- |t 1974-2023 -- |t The traveling word |r Cecilia Vicuña |t 1966-2023 -- |t Cecilia Vicuña: A quipu emerging from the ancestral catastrophes |r Elizabeth A. Povinelli |t La Vicuña o la loba: from the blinking eyelashes to howls for the earth |r Catherine de Zegher |t Childhood is a precarious country: the mother, a house, and its bits of trash |r José de Nordenflycht |t Organized dreaming |r Cecilia Vicuña |t Memory of water: a conversation between Cecilia Vicuña, Marisol de la Cadena and Camila Marambio |
| 520 | 3 | |a Retrospective of Chilean poet, visual artist and feminist activist Cecilia Vicuña in a Chilean museum since 1971. Born in 1948 and based in New York, United States, since 1980, the artist created the concept of "Precarious Art" in the mid-1960s, to name what disappears. Her work is considered an early vision of ecofeminism and decolonization. The traveling exhibition includes around 200 works of paintings, drawings, screenprints, collages, textiles, videos, photographs, installations, poetry, artist's books, and performances, belonging to public and private collections, in addition to the large-format installation called "Quipu menstrual (la sangre de los glaciares)" (Menstrual quipu (the blood of glaciers)). Miguel A. López's curatorship highlights Andean memory in her artistic production, as well as the impact of civil-military regimes and the catastrophic effects of neoliberalism on the social, natural and cultural landscape. Her pieces are part of prestigious collections, including the Museum of Modern Art (MoMA) in New York. Curated by Miguel A. López, the book not only delves into Vicuña's art, but also includes essays by prominent scholars and a conversation between Vicuña, Marisol de la Cadena, and Camila Marambio. Published on the occasion of the exhibition "Cecilia Vicuña: Dreaming Water" held at Malba - in collaboration with the National Museum of Fine Arts in Santiago de Chile and the Pinacoteca de São Paulo- this is the most comprehensive monographic book dedicated to Cecilia Vicuña's work to date. It features a main text by curator and editor Miguel A. López in epistolary format - a letter addressed to the artist - as well as new essays by Elizabeth A. Povinelli, Catherine de Zegher, and José de Nordenflycht. It includes two texts by Vicuña on her drawings from the "Palabrarmas" project and the activism of the group Artists for Democracy, as well as a conversation between Vicuña, Marisol de la Cadena, and Camila Marambio | |
| 653 | 1 | |a Vicuña, Cecilia / Exhibitions | |
| 653 | 0 | |a Conceptual art / Chile / Exhibitions | |
| 653 | 0 | |a Art, Chilean / 20th century / Exhibitions | |
| 653 | 0 | |a Art, Chilean / 21st century / Exhibitions | |
| 653 | 0 | |a Art conceptuel / Chili / Expositions | |
| 653 | 0 | |a Art chilien / 21e siècle / Expositions | |
| 653 | 0 | |a Art chilien / 20e siècle / Expositions | |
| 653 | 1 | |a Vicuña, Cecilia | |
| 653 | 0 | |a Conceptual art | |
| 653 | 2 | |a Chile | |
| 653 | 0 | |a Art, Chilean | |
| 653 | 4 | |a 21st century | |
| 653 | 6 | |a exhibition catalogs | |
| 653 | 6 | |a Exhibition catalogs | |
| 653 | 6 | |a Exhibition catalogs | |
| 653 | 6 | |a Catalogues d'exposition | |
| 700 | 1 | |a López, Miguel A. |d 1983- |e Sonstige |4 oth | |
| 700 | 1 | |a Povinelli, Elizabeth A. |e Sonstige |4 oth | |
| 700 | 1 | |a Zegher, M. Catherine de |e Sonstige |4 oth | |
| 700 | 1 | |a Nordenflycht Concha, José de |d 1970- |e Sonstige |4 oth | |
| 711 | 2 | |a São Paulo (Brazil : State) |b Pinacoteca do Estado |a issuing body |j Sonstige |4 oth | |
| 711 | 2 | |a Museo de Arte Latinoamericano de Buenos Aires |a issuing body |j Sonstige |4 oth | |
| 711 | 2 | |a Museo Nacional de Bellas Artes (Chile) |a host institution |j Sonstige |4 oth | |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035527687 | |
Datensatz im Suchindex
| _version_ | 1825759221809938432 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Vicuña, Cecilia |
| author_additional | Cecilia Vicuña Miguel A. López Elizabeth A. Povinelli Catherine de Zegher José de Nordenflycht |
| author_facet | Vicuña, Cecilia |
| author_role | aut |
| author_sort | Vicuña, Cecilia |
| author_variant | c v cv |
| building | Verbundindex |
| bvnumber | BV050192168 |
| contents | Southern cross Against the fear of being light: a letter to Cecilia Vicuña 1964-1971 -- 1969-1979, 1986, 2018-2023 -- 1973-1979, 2021-2023 -- 1974-2023 -- The traveling word 1966-2023 -- Cecilia Vicuña: A quipu emerging from the ancestral catastrophes La Vicuña o la loba: from the blinking eyelashes to howls for the earth Childhood is a precarious country: the mother, a house, and its bits of trash Organized dreaming Memory of water: a conversation between Cecilia Vicuña, Marisol de la Cadena and Camila Marambio |
| ctrlnum | (DE-599)BVBBV050192168 |
| format | Conference Proceeding Book |
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The traveling exhibition includes around 200 works of paintings, drawings, screenprints, collages, textiles, videos, photographs, installations, poetry, artist's books, and performances, belonging to public and private collections, in addition to the large-format installation called "Quipu menstrual (la sangre de los glaciares)" (Menstrual quipu (the blood of glaciers)). Miguel A. López's curatorship highlights Andean memory in her artistic production, as well as the impact of civil-military regimes and the catastrophic effects of neoliberalism on the social, natural and cultural landscape. Her pieces are part of prestigious collections, including the Museum of Modern Art (MoMA) in New York. Curated by Miguel A. López, the book not only delves into Vicuña's art, but also includes essays by prominent scholars and a conversation between Vicuña, Marisol de la Cadena, and Camila Marambio. 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| id | DE-604.BV050192168 |
| illustrated | Illustrated |
| indexdate | 2025-03-05T13:01:17Z |
| institution | BVB |
| isbn | 9788419233769 8419233765 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035527687 |
| open_access_boolean | |
| owner | DE-11 |
| owner_facet | DE-11 |
| physical | 345 pages illustrations (chiefly color), portraits 24 cm |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | RM Verlag |
| record_format | marc |
| spelling | Vicuña, Cecilia Verfasser aut Cecilia Vicuña dreaming water : a retrospective of the future (1964-...) edited by Miguel A. López Dreaming water Barcelona, Spain RM Verlag [2024] Buenos Aires MALBA [2024] Santiago de Chile Museo de Bellas Artes [2024] 345 pages illustrations (chiefly color), portraits 24 cm sti rdacontent txt rdacontent n rdamedia nc rdacarrier Coedited by: MNBA, Santiago de Chile + MALBA + Pinacoteca de São Paulo Southern cross Cecilia Vicuña Against the fear of being light: a letter to Cecilia Vicuña Miguel A. López 1964-1971 -- 1969-1979, 1986, 2018-2023 -- 1973-1979, 2021-2023 -- 1974-2023 -- The traveling word Cecilia Vicuña 1966-2023 -- Cecilia Vicuña: A quipu emerging from the ancestral catastrophes Elizabeth A. Povinelli La Vicuña o la loba: from the blinking eyelashes to howls for the earth Catherine de Zegher Childhood is a precarious country: the mother, a house, and its bits of trash José de Nordenflycht Organized dreaming Cecilia Vicuña Memory of water: a conversation between Cecilia Vicuña, Marisol de la Cadena and Camila Marambio Retrospective of Chilean poet, visual artist and feminist activist Cecilia Vicuña in a Chilean museum since 1971. Born in 1948 and based in New York, United States, since 1980, the artist created the concept of "Precarious Art" in the mid-1960s, to name what disappears. Her work is considered an early vision of ecofeminism and decolonization. The traveling exhibition includes around 200 works of paintings, drawings, screenprints, collages, textiles, videos, photographs, installations, poetry, artist's books, and performances, belonging to public and private collections, in addition to the large-format installation called "Quipu menstrual (la sangre de los glaciares)" (Menstrual quipu (the blood of glaciers)). Miguel A. López's curatorship highlights Andean memory in her artistic production, as well as the impact of civil-military regimes and the catastrophic effects of neoliberalism on the social, natural and cultural landscape. Her pieces are part of prestigious collections, including the Museum of Modern Art (MoMA) in New York. Curated by Miguel A. López, the book not only delves into Vicuña's art, but also includes essays by prominent scholars and a conversation between Vicuña, Marisol de la Cadena, and Camila Marambio. Published on the occasion of the exhibition "Cecilia Vicuña: Dreaming Water" held at Malba - in collaboration with the National Museum of Fine Arts in Santiago de Chile and the Pinacoteca de São Paulo- this is the most comprehensive monographic book dedicated to Cecilia Vicuña's work to date. It features a main text by curator and editor Miguel A. López in epistolary format - a letter addressed to the artist - as well as new essays by Elizabeth A. Povinelli, Catherine de Zegher, and José de Nordenflycht. It includes two texts by Vicuña on her drawings from the "Palabrarmas" project and the activism of the group Artists for Democracy, as well as a conversation between Vicuña, Marisol de la Cadena, and Camila Marambio Vicuña, Cecilia / Exhibitions Conceptual art / Chile / Exhibitions Art, Chilean / 20th century / Exhibitions Art, Chilean / 21st century / Exhibitions Art conceptuel / Chili / Expositions Art chilien / 21e siècle / Expositions Art chilien / 20e siècle / Expositions Vicuña, Cecilia Conceptual art Chile Art, Chilean 21st century exhibition catalogs Exhibition catalogs Catalogues d'exposition López, Miguel A. 1983- Sonstige oth Povinelli, Elizabeth A. Sonstige oth Zegher, M. Catherine de Sonstige oth Nordenflycht Concha, José de 1970- Sonstige oth São Paulo (Brazil : State) Pinacoteca do Estado issuing body Sonstige oth Museo de Arte Latinoamericano de Buenos Aires issuing body Sonstige oth Museo Nacional de Bellas Artes (Chile) host institution Sonstige oth |
| spellingShingle | Vicuña, Cecilia Cecilia Vicuña dreaming water : a retrospective of the future (1964-...) Southern cross Against the fear of being light: a letter to Cecilia Vicuña 1964-1971 -- 1969-1979, 1986, 2018-2023 -- 1973-1979, 2021-2023 -- 1974-2023 -- The traveling word 1966-2023 -- Cecilia Vicuña: A quipu emerging from the ancestral catastrophes La Vicuña o la loba: from the blinking eyelashes to howls for the earth Childhood is a precarious country: the mother, a house, and its bits of trash Organized dreaming Memory of water: a conversation between Cecilia Vicuña, Marisol de la Cadena and Camila Marambio |
| title | Cecilia Vicuña dreaming water : a retrospective of the future (1964-...) |
| title_alt | Dreaming water Southern cross Against the fear of being light: a letter to Cecilia Vicuña 1964-1971 -- 1969-1979, 1986, 2018-2023 -- 1973-1979, 2021-2023 -- 1974-2023 -- The traveling word 1966-2023 -- Cecilia Vicuña: A quipu emerging from the ancestral catastrophes La Vicuña o la loba: from the blinking eyelashes to howls for the earth Childhood is a precarious country: the mother, a house, and its bits of trash Organized dreaming Memory of water: a conversation between Cecilia Vicuña, Marisol de la Cadena and Camila Marambio |
| title_auth | Cecilia Vicuña dreaming water : a retrospective of the future (1964-...) |
| title_exact_search | Cecilia Vicuña dreaming water : a retrospective of the future (1964-...) |
| title_full | Cecilia Vicuña dreaming water : a retrospective of the future (1964-...) edited by Miguel A. López |
| title_fullStr | Cecilia Vicuña dreaming water : a retrospective of the future (1964-...) edited by Miguel A. López |
| title_full_unstemmed | Cecilia Vicuña dreaming water : a retrospective of the future (1964-...) edited by Miguel A. López |
| title_short | Cecilia Vicuña |
| title_sort | cecilia vicuna dreaming water a retrospective of the future 1964 |
| title_sub | dreaming water : a retrospective of the future (1964-...) |
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