Maya Christian murals of early modern Yucatán:
Gespeichert in:
| Beteiligte Personen: | , |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Austin
University of Texas Press
2024
|
| Ausgabe: | First edition |
| Schlagwörter: | |
| Abstract: | "This multidisciplinary project studies religious murals that were painted by Christianized Maya artists in the first centuries after the conquest of Mexico. Solari and Williams study the paintings, all of which are based in the Yucatán Peninsula, from an art history perspective, along with the printed sources referencing the murals. At the same time, they examine the chemical signatures left by the murals' pigments and the techniques used in their production through state-of-the-art imaging technologies. By using these methodologies, the authors seek to explain the many ways in which cultural and material exchange took place between the Spanish and Maya peoples. At first glance, murals depicting Spanish ideals of Western Christianity would appear to be an obvious and frequent tool of oppression in the Yucatán, as they were elsewhere in the Americas, but they were also a form of agency for Indigenous people as a means to shape these narratives with their own subtle imagery and ideas drawn from Mayan cosmologies and cultural traditions. These painters used European pictorial techniques, such as perspective, while also using local materials to create vivid pigments and colors never before seen in murals in Europe. The authors seek to trace how the initial and continued use of these material sources to create these images led to a much more localized form of Catholicism that continues to be practiced by Mayan speakers today"-- |
| Umfang: | xi, 221 pages illustrations, map 29 cm |
| ISBN: | 9781477329689 |
Internformat
MARC
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| 001 | BV050120332 | ||
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| 020 | |a 9781477329689 |9 9781477329689 | ||
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| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
| 100 | 1 | |a Solari, Amara |d 1978- |e Verfasser |0 (DE-588)1203751869 |4 aut | |
| 245 | 1 | 0 | |a Maya Christian murals of early modern Yucatán |c Amara Solari and Linda K. Williams |
| 250 | |a First edition | ||
| 264 | 1 | |a Austin |b University of Texas Press |c 2024 | |
| 300 | |a xi, 221 pages |b illustrations, map |c 29 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 336 | |b sti |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 505 | 8 | |a List of illustrations -- Introducing Catholic murals in an art historical context / Amara Solari and Linda K. Williams -- Creating the corpus / Amara Solari and Linda K. Williams -- The extirpation of color at the Convento of Saint Michael Archangel, Mani / Amara Solari -- The transformation of sacred materials in the sacristy of Saint Michael Archangel, Temax / Linda K. Williams and Amara Solari -- Franciscan and Maya contemplation the Convento of Saint John the Baptist, Motul / Amara Solari -- Performing Christ's Passion at the Convento of Saint Clare in Dzidzantun / Amara Solari -- Visualizing healing at the Convento of Saint Anthony of Padua, Izamal / Linda K. Williams -- Local practice and trans-Atlantic theology through the seventeenth century / Linda K. Williams -- Epilogue. The enduring medium / Amara Solari and Linda K. Williams | |
| 520 | 3 | |a "This multidisciplinary project studies religious murals that were painted by Christianized Maya artists in the first centuries after the conquest of Mexico. Solari and Williams study the paintings, all of which are based in the Yucatán Peninsula, from an art history perspective, along with the printed sources referencing the murals. At the same time, they examine the chemical signatures left by the murals' pigments and the techniques used in their production through state-of-the-art imaging technologies. By using these methodologies, the authors seek to explain the many ways in which cultural and material exchange took place between the Spanish and Maya peoples. At first glance, murals depicting Spanish ideals of Western Christianity would appear to be an obvious and frequent tool of oppression in the Yucatán, as they were elsewhere in the Americas, but they were also a form of agency for Indigenous people as a means to shape these narratives with their own subtle imagery and ideas drawn from Mayan cosmologies and cultural traditions. These painters used European pictorial techniques, such as perspective, while also using local materials to create vivid pigments and colors never before seen in murals in Europe. The authors seek to trace how the initial and continued use of these material sources to create these images led to a much more localized form of Catholicism that continues to be practiced by Mayan speakers today"-- | |
| 653 | 0 | |a Maya painting / Yucatán Peninsula / 17th century / Religious aspects | |
| 653 | 0 | |a Mural painting and decoration / Yucatán Peninsula / 17th century / Religious aspects | |
| 653 | 0 | |a Cultural fusion and the arts / Yucatán Peninsula / 17th century / Religious aspects | |
| 653 | 0 | |a Christian art and symbolism / Yucatán Peninsula / 17th century | |
| 653 | 0 | |a Mayas / Yucatán Peninsula / Religion / 17th century | |
| 653 | 0 | |a Pigments / Analysis | |
| 653 | 0 | |a Pigments / Analyse | |
| 653 | 0 | |a Peinture maya / Yucatán (Péninsule) / 17e siècle / Aspect religieux | |
| 653 | 0 | |a Peinture et décoration murales / Yucatán (Péninsule) / 17e siècle / Aspect religieux | |
| 653 | 0 | |a Double appartenance (Sciences sociales) et arts / Yucatán (Péninsule) / 17e siècle / Aspect religieux | |
| 653 | 0 | |a Mayas / Yucatán (Péninsule) / Religion / 17e siècle | |
| 653 | 0 | |a Christian art and symbolism | |
| 653 | 0 | |a Mayas / Religion | |
| 653 | 0 | |a Pigments / Analysis | |
| 653 | 2 | |a Central America / Yucatán Peninsula / https://id.oclc.org/worldcat/entity/E39PBJhGWMxmDC7gCtQDqrYByd | |
| 653 | 0 | |a HISTORY / Americas (North, Central, South, West Indies) | |
| 653 | 4 | |a 1600-1699 | |
| 700 | 1 | |a Williams, Linda K. |d 1961- |e Verfasser |0 (DE-588)1028216904 |4 aut | |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035457184 | |
Datensatz im Suchindex
| _version_ | 1821381467310129152 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Solari, Amara 1978- Williams, Linda K. 1961- |
| author_GND | (DE-588)1203751869 (DE-588)1028216904 |
| author_facet | Solari, Amara 1978- Williams, Linda K. 1961- |
| author_role | aut aut |
| author_sort | Solari, Amara 1978- |
| author_variant | a s as l k w lk lkw |
| building | Verbundindex |
| bvnumber | BV050120332 |
| contents | List of illustrations -- Introducing Catholic murals in an art historical context / Amara Solari and Linda K. Williams -- Creating the corpus / Amara Solari and Linda K. Williams -- The extirpation of color at the Convento of Saint Michael Archangel, Mani / Amara Solari -- The transformation of sacred materials in the sacristy of Saint Michael Archangel, Temax / Linda K. Williams and Amara Solari -- Franciscan and Maya contemplation the Convento of Saint John the Baptist, Motul / Amara Solari -- Performing Christ's Passion at the Convento of Saint Clare in Dzidzantun / Amara Solari -- Visualizing healing at the Convento of Saint Anthony of Padua, Izamal / Linda K. Williams -- Local practice and trans-Atlantic theology through the seventeenth century / Linda K. Williams -- Epilogue. The enduring medium / Amara Solari and Linda K. Williams |
| ctrlnum | (DE-599)BVBBV050120332 |
| edition | First edition |
| format | Book |
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| id | DE-604.BV050120332 |
| illustrated | Illustrated |
| indexdate | 2025-01-16T05:18:45Z |
| institution | BVB |
| isbn | 9781477329689 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035457184 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | xi, 221 pages illustrations, map 29 cm |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | University of Texas Press |
| record_format | marc |
| spelling | Solari, Amara 1978- Verfasser (DE-588)1203751869 aut Maya Christian murals of early modern Yucatán Amara Solari and Linda K. Williams First edition Austin University of Texas Press 2024 xi, 221 pages illustrations, map 29 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier List of illustrations -- Introducing Catholic murals in an art historical context / Amara Solari and Linda K. Williams -- Creating the corpus / Amara Solari and Linda K. Williams -- The extirpation of color at the Convento of Saint Michael Archangel, Mani / Amara Solari -- The transformation of sacred materials in the sacristy of Saint Michael Archangel, Temax / Linda K. Williams and Amara Solari -- Franciscan and Maya contemplation the Convento of Saint John the Baptist, Motul / Amara Solari -- Performing Christ's Passion at the Convento of Saint Clare in Dzidzantun / Amara Solari -- Visualizing healing at the Convento of Saint Anthony of Padua, Izamal / Linda K. Williams -- Local practice and trans-Atlantic theology through the seventeenth century / Linda K. Williams -- Epilogue. The enduring medium / Amara Solari and Linda K. Williams "This multidisciplinary project studies religious murals that were painted by Christianized Maya artists in the first centuries after the conquest of Mexico. Solari and Williams study the paintings, all of which are based in the Yucatán Peninsula, from an art history perspective, along with the printed sources referencing the murals. At the same time, they examine the chemical signatures left by the murals' pigments and the techniques used in their production through state-of-the-art imaging technologies. By using these methodologies, the authors seek to explain the many ways in which cultural and material exchange took place between the Spanish and Maya peoples. At first glance, murals depicting Spanish ideals of Western Christianity would appear to be an obvious and frequent tool of oppression in the Yucatán, as they were elsewhere in the Americas, but they were also a form of agency for Indigenous people as a means to shape these narratives with their own subtle imagery and ideas drawn from Mayan cosmologies and cultural traditions. These painters used European pictorial techniques, such as perspective, while also using local materials to create vivid pigments and colors never before seen in murals in Europe. The authors seek to trace how the initial and continued use of these material sources to create these images led to a much more localized form of Catholicism that continues to be practiced by Mayan speakers today"-- Maya painting / Yucatán Peninsula / 17th century / Religious aspects Mural painting and decoration / Yucatán Peninsula / 17th century / Religious aspects Cultural fusion and the arts / Yucatán Peninsula / 17th century / Religious aspects Christian art and symbolism / Yucatán Peninsula / 17th century Mayas / Yucatán Peninsula / Religion / 17th century Pigments / Analysis Pigments / Analyse Peinture maya / Yucatán (Péninsule) / 17e siècle / Aspect religieux Peinture et décoration murales / Yucatán (Péninsule) / 17e siècle / Aspect religieux Double appartenance (Sciences sociales) et arts / Yucatán (Péninsule) / 17e siècle / Aspect religieux Mayas / Yucatán (Péninsule) / Religion / 17e siècle Christian art and symbolism Mayas / Religion Central America / Yucatán Peninsula / https://id.oclc.org/worldcat/entity/E39PBJhGWMxmDC7gCtQDqrYByd HISTORY / Americas (North, Central, South, West Indies) 1600-1699 Williams, Linda K. 1961- Verfasser (DE-588)1028216904 aut |
| spellingShingle | Solari, Amara 1978- Williams, Linda K. 1961- Maya Christian murals of early modern Yucatán List of illustrations -- Introducing Catholic murals in an art historical context / Amara Solari and Linda K. Williams -- Creating the corpus / Amara Solari and Linda K. Williams -- The extirpation of color at the Convento of Saint Michael Archangel, Mani / Amara Solari -- The transformation of sacred materials in the sacristy of Saint Michael Archangel, Temax / Linda K. Williams and Amara Solari -- Franciscan and Maya contemplation the Convento of Saint John the Baptist, Motul / Amara Solari -- Performing Christ's Passion at the Convento of Saint Clare in Dzidzantun / Amara Solari -- Visualizing healing at the Convento of Saint Anthony of Padua, Izamal / Linda K. Williams -- Local practice and trans-Atlantic theology through the seventeenth century / Linda K. Williams -- Epilogue. The enduring medium / Amara Solari and Linda K. Williams |
| title | Maya Christian murals of early modern Yucatán |
| title_auth | Maya Christian murals of early modern Yucatán |
| title_exact_search | Maya Christian murals of early modern Yucatán |
| title_full | Maya Christian murals of early modern Yucatán Amara Solari and Linda K. Williams |
| title_fullStr | Maya Christian murals of early modern Yucatán Amara Solari and Linda K. Williams |
| title_full_unstemmed | Maya Christian murals of early modern Yucatán Amara Solari and Linda K. Williams |
| title_short | Maya Christian murals of early modern Yucatán |
| title_sort | maya christian murals of early modern yucatan |
| work_keys_str_mv | AT solariamara mayachristianmuralsofearlymodernyucatan AT williamslindak mayachristianmuralsofearlymodernyucatan |