Revisions: Francis Bacon in the act of painting
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Main Authors: | , |
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Other Authors: | |
Format: | Book |
Language: | English |
Published: |
London
Thames & Hudson Ltd
2024
London EFB Publishing |
Subjects: | |
Abstract: | The manner in which Bacon’s paintings evolved was misunderstood during his lifetime. Since he always painted alone in his studios, there were no witnesses to the emergence of his visceral imagery. His insistence on privacy helped generate considerable speculation about his painting process, most of it erroneous. Bacon did make one clear statement about the genesis of his paintings: ‘I sketch out very roughly on the canvas with a brush, just a vague outline of something, and then I go to work…’. Yet this fundamentally accurate summation of his technique ran counter to the received wisdom and was misunderstood or ignored. Martin Harrison's introductory essay begins by demonstrating exactly what Bacon meant, and what he did: it will show what ‘rough sketching’ signified. It also deploys X-ray and infrared images that reveal under-drawing, and analyses other features that elucidate Bacon’s methodology. Photographs of paintings briefly arrested at intermediate points before completion – taken by the few visitors to the studio allowed the privilege – help to explain later stages in painting process. Sophie Pretorius's survey incorporates every one of the images that have hitherto remained unseen, illustrating the transitional states of all the paintings recorded in photographs, arranged thematically. A reference section includes thumbnail images of all the paintings discussed here, arranged in chronological order. This is consistent with the layout of Francis Bacon: Catalogue Raisonné (2016), to which this volume may be regarded as a supplement, publishing significant new information |
Physical Description: | 167 Seiten Illustrationen (überwiegend farbig) 31,7 x 25,2 cm |
ISBN: | 9780500966280 |
Staff View
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520 | 3 | |a The manner in which Bacon’s paintings evolved was misunderstood during his lifetime. Since he always painted alone in his studios, there were no witnesses to the emergence of his visceral imagery. His insistence on privacy helped generate considerable speculation about his painting process, most of it erroneous. Bacon did make one clear statement about the genesis of his paintings: ‘I sketch out very roughly on the canvas with a brush, just a vague outline of something, and then I go to work…’. Yet this fundamentally accurate summation of his technique ran counter to the received wisdom and was misunderstood or ignored. Martin Harrison's introductory essay begins by demonstrating exactly what Bacon meant, and what he did: it will show what ‘rough sketching’ signified. It also deploys X-ray and infrared images that reveal under-drawing, and analyses other features that elucidate Bacon’s methodology. Photographs of paintings briefly arrested at intermediate points before completion – taken by the few visitors to the studio allowed the privilege – help to explain later stages in painting process. Sophie Pretorius's survey incorporates every one of the images that have hitherto remained unseen, illustrating the transitional states of all the paintings recorded in photographs, arranged thematically. A reference section includes thumbnail images of all the paintings discussed here, arranged in chronological order. This is consistent with the layout of Francis Bacon: Catalogue Raisonné (2016), to which this volume may be regarded as a supplement, publishing significant new information | |
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author | Harrison, Martin 1945- Pretorius, Sophie |
author2 | Bacon, Francis 1909-1992 |
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illustrated | Illustrated |
indexdate | 2025-04-17T20:02:18Z |
institution | BVB |
isbn | 9780500966280 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035457125 |
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physical | 167 Seiten Illustrationen (überwiegend farbig) 31,7 x 25,2 cm |
publishDate | 2024 |
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publisher | Thames & Hudson Ltd EFB Publishing |
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spelling | Harrison, Martin 1945- Verfasser (DE-588)115575952 aut Revisions Francis Bacon in the act of painting Martin Harrison and Sophie Pretorius Francis Bacon in the act of painting London Thames & Hudson Ltd 2024 London EFB Publishing 167 Seiten Illustrationen (überwiegend farbig) 31,7 x 25,2 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier The manner in which Bacon’s paintings evolved was misunderstood during his lifetime. Since he always painted alone in his studios, there were no witnesses to the emergence of his visceral imagery. His insistence on privacy helped generate considerable speculation about his painting process, most of it erroneous. Bacon did make one clear statement about the genesis of his paintings: ‘I sketch out very roughly on the canvas with a brush, just a vague outline of something, and then I go to work…’. Yet this fundamentally accurate summation of his technique ran counter to the received wisdom and was misunderstood or ignored. Martin Harrison's introductory essay begins by demonstrating exactly what Bacon meant, and what he did: it will show what ‘rough sketching’ signified. It also deploys X-ray and infrared images that reveal under-drawing, and analyses other features that elucidate Bacon’s methodology. Photographs of paintings briefly arrested at intermediate points before completion – taken by the few visitors to the studio allowed the privilege – help to explain later stages in painting process. Sophie Pretorius's survey incorporates every one of the images that have hitherto remained unseen, illustrating the transitional states of all the paintings recorded in photographs, arranged thematically. A reference section includes thumbnail images of all the paintings discussed here, arranged in chronological order. This is consistent with the layout of Francis Bacon: Catalogue Raisonné (2016), to which this volume may be regarded as a supplement, publishing significant new information Bacon, Francis 1909-1992 (DE-588)11850570X gnd rswk-swf Kreativität (DE-588)4032903-3 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Maltechnik (DE-588)4125812-5 gnd rswk-swf Kreatives Denken (DE-588)4165549-7 gnd rswk-swf Bacon, Francis / 1909-1992 Painting, Modern / 20th century Peinture / 20e siècle Bacon, Francis 1909-1992 (DE-588)11850570X p Maltechnik (DE-588)4125812-5 s Malerei (DE-588)4037220-0 s Kreatives Denken (DE-588)4165549-7 s Kreativität (DE-588)4032903-3 s DE-604 Pretorius, Sophie Verfasser (DE-588)1220295655 aut Bacon, Francis 1909-1992 (DE-588)11850570X ill |
spellingShingle | Harrison, Martin 1945- Pretorius, Sophie Revisions Francis Bacon in the act of painting Bacon, Francis 1909-1992 (DE-588)11850570X gnd Kreativität (DE-588)4032903-3 gnd Malerei (DE-588)4037220-0 gnd Maltechnik (DE-588)4125812-5 gnd Kreatives Denken (DE-588)4165549-7 gnd |
subject_GND | (DE-588)11850570X (DE-588)4032903-3 (DE-588)4037220-0 (DE-588)4125812-5 (DE-588)4165549-7 |
title | Revisions Francis Bacon in the act of painting |
title_alt | Francis Bacon in the act of painting |
title_auth | Revisions Francis Bacon in the act of painting |
title_exact_search | Revisions Francis Bacon in the act of painting |
title_full | Revisions Francis Bacon in the act of painting Martin Harrison and Sophie Pretorius |
title_fullStr | Revisions Francis Bacon in the act of painting Martin Harrison and Sophie Pretorius |
title_full_unstemmed | Revisions Francis Bacon in the act of painting Martin Harrison and Sophie Pretorius |
title_short | Revisions |
title_sort | revisions francis bacon in the act of painting |
title_sub | Francis Bacon in the act of painting |
topic | Bacon, Francis 1909-1992 (DE-588)11850570X gnd Kreativität (DE-588)4032903-3 gnd Malerei (DE-588)4037220-0 gnd Maltechnik (DE-588)4125812-5 gnd Kreatives Denken (DE-588)4165549-7 gnd |
topic_facet | Bacon, Francis 1909-1992 Kreativität Malerei Maltechnik Kreatives Denken |
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