Minimalism: art and polemics in the sixties
"In this highly readable history of minimalist art James Meyer argues that "minimalism" was not a coherent movement but a field of overlapping and sometimes opposed practices. He traces in comprehensive detail the emergence of six figures associated with the development-- Carl Andre,...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
New Haven
Yale University Press
[2001]
|
| Schlagwörter: | |
| Links: | https://aaeportal.com/?id=-31637 https://aaeportal.com/?id=-31637 |
| Zusammenfassung: | "In this highly readable history of minimalist art James Meyer argues that "minimalism" was not a coherent movement but a field of overlapping and sometimes opposed practices. He traces in comprehensive detail the emergence of six figures associated with the development-- Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Robert Morris, and Anne Truitt-- and how the notion of minimalism came to be constructed around their art in the 1960s. Despite distinctive differences in method and points of view, Meyer shows, these artists became equated in a series of important exhibitions and texts that led to their designation as minimalists"--Publisher's description |
| Beschreibung: | Description based on print version record and online resource (A&AePortal, viewed on December 1, 2023) |
| Umfang: | 1 Online-Ressource (viii, 340 Seiten) 175 Illustrationen (some color), Pläne |
| ISBN: | 0300277075 9780300277074 |
Internformat
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| 520 | |a "In this highly readable history of minimalist art James Meyer argues that "minimalism" was not a coherent movement but a field of overlapping and sometimes opposed practices. He traces in comprehensive detail the emergence of six figures associated with the development-- Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Robert Morris, and Anne Truitt-- and how the notion of minimalism came to be constructed around their art in the 1960s. Despite distinctive differences in method and points of view, Meyer shows, these artists became equated in a series of important exhibitions and texts that led to their designation as minimalists"--Publisher's description | ||
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Datensatz im Suchindex
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| isbn | 0300277075 9780300277074 |
| language | English |
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| spelling | Meyer, James Sampson 1962- Verfasser aut Minimalism art and polemics in the sixties James Meyer New Haven Yale University Press [2001] 1 Online-Ressource (viii, 340 Seiten) 175 Illustrationen (some color), Pläne txt rdacontent c rdamedia cr rdacarrier Description based on print version record and online resource (A&AePortal, viewed on December 1, 2023) "In this highly readable history of minimalist art James Meyer argues that "minimalism" was not a coherent movement but a field of overlapping and sometimes opposed practices. He traces in comprehensive detail the emergence of six figures associated with the development-- Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Robert Morris, and Anne Truitt-- and how the notion of minimalism came to be constructed around their art in the 1960s. Despite distinctive differences in method and points of view, Meyer shows, these artists became equated in a series of important exhibitions and texts that led to their designation as minimalists"--Publisher's description 1900-1999 fast Geschichte 1960-1970 gnd rswk-swf Geschichte 1959-1968 gnd rswk-swf Art, American fast Minimal art fast Minimal Art gnd Art, American / 20th century Minimal art / United States Kunst (DE-588)4114333-4 gnd rswk-swf Minimal Art (DE-588)4228187-8 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Minimal Art (DE-588)4228187-8 s Geschichte 1960-1970 z DE-604 Kunst (DE-588)4114333-4 s Geschichte 1959-1968 z Erscheint auch als Druck-Ausgabe 9780300081558 Erscheint auch als Druck-Ausgabe 9780300105902 https://aaeportal.com/?id=-31637 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Meyer, James Sampson 1962- Minimalism art and polemics in the sixties Art, American fast Minimal art fast Minimal Art gnd Art, American / 20th century Minimal art / United States Kunst (DE-588)4114333-4 gnd Minimal Art (DE-588)4228187-8 gnd |
| subject_GND | (DE-588)4114333-4 (DE-588)4228187-8 (DE-588)4078704-7 |
| title | Minimalism art and polemics in the sixties |
| title_auth | Minimalism art and polemics in the sixties |
| title_exact_search | Minimalism art and polemics in the sixties |
| title_full | Minimalism art and polemics in the sixties James Meyer |
| title_fullStr | Minimalism art and polemics in the sixties James Meyer |
| title_full_unstemmed | Minimalism art and polemics in the sixties James Meyer |
| title_short | Minimalism |
| title_sort | minimalism art and polemics in the sixties |
| title_sub | art and polemics in the sixties |
| topic | Art, American fast Minimal art fast Minimal Art gnd Art, American / 20th century Minimal art / United States Kunst (DE-588)4114333-4 gnd Minimal Art (DE-588)4228187-8 gnd |
| topic_facet | Art, American Minimal art Minimal Art Art, American / 20th century Minimal art / United States Kunst USA |
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