Eccentric Renaissance: El Greco, Michaēl Damaskēnos, Geōrgios Klontzas
The Byzantine icon has long remained marginal to the study of art's history, only emerging from Giorgio Vasari's condemnation of the gilded, unnatural style of Byzantine painting (maniera greca) when his theories were challenged in the early twentieth century. 'Eccentric Renaissance...
Gespeichert in:
Beteilige Person: | |
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Format: | Elektronisch E-Book |
Sprache: | Englisch |
Veröffentlicht: |
New York, NY
Oxford University Press
[2024]
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Schriftenreihe: | Oxford scholarship online
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Schlagwörter: | |
Links: | https://doi.org/10.1093/oso/9780190209001.001.0001 https://doi.org/10.1093/oso/9780190209001.001.0001 |
Zusammenfassung: | The Byzantine icon has long remained marginal to the study of art's history, only emerging from Giorgio Vasari's condemnation of the gilded, unnatural style of Byzantine painting (maniera greca) when his theories were challenged in the early twentieth century. 'Eccentric Renaissance' focuses on an earlier reaction to Vasari's narrative and discusses three artists who shaped distinct responses to the hegemonic sway of sixteenth-century Italian art. Domenikos Theotokopoulos (more familiarly known as El Greco), Michael Damaskenos, and Georgios Klontzas were contemporary icon painters on the Venetian colony of Crete. Trained in the rich tradition of Cretan painting, these artists differed from their forebears in asserting a self-conscious creativity in their work. They renewed the art of icon painting in the context of Venetian colonialism by reconsidering how their art might address the contemporary world |
Beschreibung: | Includes bibliographical references and index |
Umfang: | 1 Online-Ressource (XVIII, 317 Seiten) Illustrationen |
ISBN: | 9780190209025 |
DOI: | 10.1093/oso/9780190209001.001.0001 |
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520 | |a The Byzantine icon has long remained marginal to the study of art's history, only emerging from Giorgio Vasari's condemnation of the gilded, unnatural style of Byzantine painting (maniera greca) when his theories were challenged in the early twentieth century. 'Eccentric Renaissance' focuses on an earlier reaction to Vasari's narrative and discusses three artists who shaped distinct responses to the hegemonic sway of sixteenth-century Italian art. Domenikos Theotokopoulos (more familiarly known as El Greco), Michael Damaskenos, and Georgios Klontzas were contemporary icon painters on the Venetian colony of Crete. Trained in the rich tradition of Cretan painting, these artists differed from their forebears in asserting a self-conscious creativity in their work. They renewed the art of icon painting in the context of Venetian colonialism by reconsidering how their art might address the contemporary world | ||
600 | 1 | 4 | |a Greco |x 1541?-1614 |
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650 | 4 | |a Art and Design / ukslc | |
650 | 4 | |a Fine arts: treatments & subjects / thema | |
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Datensatz im Suchindex
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author | Barber, Charles 1964- |
author_GND | (DE-588)124286348 |
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author_variant | c b cb |
building | Verbundindex |
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dewey-ones | 759 - History, geographic treatment, biography |
dewey-raw | 759.495 |
dewey-search | 759.495 |
dewey-sort | 3759.495 |
dewey-tens | 750 - Painting and paintings |
discipline | Kunstgeschichte |
doi_str_mv | 10.1093/oso/9780190209001.001.0001 |
format | Electronic eBook |
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language | English |
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spelling | Barber, Charles 1964- (DE-588)124286348 aut Eccentric Renaissance El Greco, Michaēl Damaskēnos, Geōrgios Klontzas Charles Barber New York, NY Oxford University Press [2024] 1 Online-Ressource (XVIII, 317 Seiten) Illustrationen txt rdacontent sti rdacontent c rdamedia cr rdacarrier Oxford scholarship online Includes bibliographical references and index The Byzantine icon has long remained marginal to the study of art's history, only emerging from Giorgio Vasari's condemnation of the gilded, unnatural style of Byzantine painting (maniera greca) when his theories were challenged in the early twentieth century. 'Eccentric Renaissance' focuses on an earlier reaction to Vasari's narrative and discusses three artists who shaped distinct responses to the hegemonic sway of sixteenth-century Italian art. Domenikos Theotokopoulos (more familiarly known as El Greco), Michael Damaskenos, and Georgios Klontzas were contemporary icon painters on the Venetian colony of Crete. Trained in the rich tradition of Cretan painting, these artists differed from their forebears in asserting a self-conscious creativity in their work. They renewed the art of icon painting in the context of Venetian colonialism by reconsidering how their art might address the contemporary world Greco 1541?-1614 Klontzas, Geōrgios approximately 1540-1608 Damaskēnos, Michaēl approximately 1530-1593 Art and Design / ukslc Fine arts: treatments & subjects / thema Painting, Greek Greece Crete 16th century Painting, Renaissance Greece Crete 16th century Art and society Greece Crete History 16th century Crete (Greece) History Venetian rule, 1204-1669 Erscheint auch als Druck-Ausgabe 9780190209001 https://doi.org/10.1093/oso/9780190209001.001.0001 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Barber, Charles 1964- Eccentric Renaissance El Greco, Michaēl Damaskēnos, Geōrgios Klontzas Greco 1541?-1614 Klontzas, Geōrgios approximately 1540-1608 Damaskēnos, Michaēl approximately 1530-1593 Art and Design / ukslc Fine arts: treatments & subjects / thema Painting, Greek Greece Crete 16th century Painting, Renaissance Greece Crete 16th century Art and society Greece Crete History 16th century |
title | Eccentric Renaissance El Greco, Michaēl Damaskēnos, Geōrgios Klontzas |
title_auth | Eccentric Renaissance El Greco, Michaēl Damaskēnos, Geōrgios Klontzas |
title_exact_search | Eccentric Renaissance El Greco, Michaēl Damaskēnos, Geōrgios Klontzas |
title_full | Eccentric Renaissance El Greco, Michaēl Damaskēnos, Geōrgios Klontzas Charles Barber |
title_fullStr | Eccentric Renaissance El Greco, Michaēl Damaskēnos, Geōrgios Klontzas Charles Barber |
title_full_unstemmed | Eccentric Renaissance El Greco, Michaēl Damaskēnos, Geōrgios Klontzas Charles Barber |
title_short | Eccentric Renaissance |
title_sort | eccentric renaissance el greco michael damaskenos georgios klontzas |
title_sub | El Greco, Michaēl Damaskēnos, Geōrgios Klontzas |
topic | Greco 1541?-1614 Klontzas, Geōrgios approximately 1540-1608 Damaskēnos, Michaēl approximately 1530-1593 Art and Design / ukslc Fine arts: treatments & subjects / thema Painting, Greek Greece Crete 16th century Painting, Renaissance Greece Crete 16th century Art and society Greece Crete History 16th century |
topic_facet | Greco 1541?-1614 Klontzas, Geōrgios approximately 1540-1608 Damaskēnos, Michaēl approximately 1530-1593 Art and Design / ukslc Fine arts: treatments & subjects / thema Painting, Greek Greece Crete 16th century Painting, Renaissance Greece Crete 16th century Art and society Greece Crete History 16th century Crete (Greece) History Venetian rule, 1204-1669 |
url | https://doi.org/10.1093/oso/9780190209001.001.0001 |
work_keys_str_mv | AT barbercharles eccentricrenaissanceelgrecomichaeldamaskenosgeorgiosklontzas |