Brassroots democracy: maroon ecologies and the jazz commons
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Middletown, Connecticut
Wesleyan University Press
[2024]
|
| Schriftenreihe: | Music/culture
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035260488&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Abstract: | "The author delivers new understandings of jazz history through a fine-grained social history of African American musicians, from the Civil War until the onset of Jim Crow, placing New Orleans in a global context and exploring Black Atlantic critiques of slavery, racism, and capitalism"-- "Brassroots Democracy recasts the birth of jazz, unearthing vibrant narratives of New Orleans musicians to reveal how early jazz was inextricably tied to the mass mobilization of freedpeople during Reconstruction and the decades that followed. Benjamin Barson presents a "music history from below," following the musicians as they built communes, performed at Civil Rights rallies, and participated in general strikes. Perhaps most importantly, Barson locates the first emancipatory revolution in the Americas--Haiti--as a nexus for cultural and political change in nineteenth-century Louisiana. In dialogue with the work of recent historians who have inverted traditional histories of Latin American and Caribbean independence by centering the influence of Haitian activists abroad, this work traces the impact of Haitian culture in New Orleans and its legacy in movements for liberation. Brassroots Democracy demonstrates how Black musicians infused participatory music practice with innovative forms of grassroots democracy. Late nineteenth-century Black brass bands and activists rehearsed these participatory models through collective performance that embodied the democratic ethos of Black Reconstruction. Termed "Brassroots Democracy," this fusion of political and musical spheres revolutionized both. Brassroots Democracy illuminates the Black Atlantic struggles that informed music-as-world-making from the Haitian Revolution through Reconstruction to the jazz revolution. The work theorizes the roots of the New Orleans brass band tradition in the social relations grown in maroon ecologies across the Americas. Their fruits contributed to the socio-sonic commons of the music we call jazz today." -- Publisher's website |
| Umfang: | x, 406 Seiten Illustrationen, Notenbeispiele, Porträts 24 cm |
| ISBN: | 9780819501127 0819501123 9780819501141 081950114X |
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| 264 | 1 | |a Middletown, Connecticut |b Wesleyan University Press |c [2024] | |
| 264 | 4 | |c © 2024 | |
| 300 | |a x, 406 Seiten |b Illustrationen, Notenbeispiele, Porträts |c 24 cm | ||
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| 505 | 8 | |a Introduction. A Long Song from Haiti -- The Common Wind's Second Gale : The Desdunes Family -- Mamie Desdunes in the Neo-Plantation : Legacies of Black Feminism among Storyville's Blues People -- La Frontera Sónica : Mexican Revolutions in Borderlands Jazz -- Sowing Freedom : Abolitionist Agroecology in Afro-Louisiana -- Black Reconstruction and Brassroots Democracy : Sonic Assembly in the Post-Civil War South -- Black Unions and the Blues : Dockworkers' Activism and New Orleans Jazz -- Conclusion. Telegrams from the Spiritual Plane | |
| 520 | 3 | |a "The author delivers new understandings of jazz history through a fine-grained social history of African American musicians, from the Civil War until the onset of Jim Crow, placing New Orleans in a global context and exploring Black Atlantic critiques of slavery, racism, and capitalism"-- | |
| 520 | 3 | |a "Brassroots Democracy recasts the birth of jazz, unearthing vibrant narratives of New Orleans musicians to reveal how early jazz was inextricably tied to the mass mobilization of freedpeople during Reconstruction and the decades that followed. Benjamin Barson presents a "music history from below," following the musicians as they built communes, performed at Civil Rights rallies, and participated in general strikes. Perhaps most importantly, Barson locates the first emancipatory revolution in the Americas--Haiti--as a nexus for cultural and political change in nineteenth-century Louisiana. In dialogue with the work of recent historians who have inverted traditional histories of Latin American and Caribbean independence by centering the influence of Haitian activists abroad, this work traces the impact of Haitian culture in New Orleans and its legacy in movements for liberation. Brassroots Democracy demonstrates how Black musicians infused participatory music practice with innovative forms of grassroots democracy. Late nineteenth-century Black brass bands and activists rehearsed these participatory models through collective performance that embodied the democratic ethos of Black Reconstruction. Termed "Brassroots Democracy," this fusion of political and musical spheres revolutionized both. Brassroots Democracy illuminates the Black Atlantic struggles that informed music-as-world-making from the Haitian Revolution through Reconstruction to the jazz revolution. The work theorizes the roots of the New Orleans brass band tradition in the social relations grown in maroon ecologies across the Americas. Their fruits contributed to the socio-sonic commons of the music we call jazz today." -- Publisher's website | |
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| 653 | 0 | |a Brass bands / Louisiana / New Orleans / History | |
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| 856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035260488&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
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Datensatz im Suchindex
| _version_ | 1822520891459764224 |
|---|---|
| adam_text |
CONTENTS Acknowledgments ix introduction one A Long Song from Haiti i The Common Wind’s Second Gale: The Desdunes Family 35 TWO Mamie Desdunes in the Neo-Plantation: Legacies of Black Feminism among Storyville’s Blues People 81 THREE La Frontera Sônica: Mexican Revolutions in Borderlands Jazz 118 FOUR Sowing Freedom: Abolitionist Agroecology in Afro-Louisiana 170 Black Reconstruction and Brassroots Democracy: Sonic Assembly in the Post-Civil War South 211 five s IX Black Unions and the Blues: Dockworkers' Activism and New Orleans Jazz 238 conclusion Telegrams from the Spiritual Plane 273 Notes 283 Bibliography 331 Index 391 |
| any_adam_object | 1 |
| author | Barson, Benjamin |
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| author_sort | Barson, Benjamin |
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| bvnumber | BV049921925 |
| contents | Introduction. A Long Song from Haiti -- The Common Wind's Second Gale : The Desdunes Family -- Mamie Desdunes in the Neo-Plantation : Legacies of Black Feminism among Storyville's Blues People -- La Frontera Sónica : Mexican Revolutions in Borderlands Jazz -- Sowing Freedom : Abolitionist Agroecology in Afro-Louisiana -- Black Reconstruction and Brassroots Democracy : Sonic Assembly in the Post-Civil War South -- Black Unions and the Blues : Dockworkers' Activism and New Orleans Jazz -- Conclusion. Telegrams from the Spiritual Plane |
| ctrlnum | (OCoLC)1455282141 (DE-599)BVBBV049921925 |
| era | Geschichte 1880-1930 gnd |
| era_facet | Geschichte 1880-1930 |
| format | Book |
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| geographic_facet | New Orleans, La. |
| id | DE-604.BV049921925 |
| illustrated | Illustrated |
| indexdate | 2025-01-28T19:09:24Z |
| institution | BVB |
| isbn | 9780819501127 0819501123 9780819501141 081950114X |
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| physical | x, 406 Seiten Illustrationen, Notenbeispiele, Porträts 24 cm |
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| publishDateSort | 2024 |
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| record_format | marc |
| series2 | Music/culture |
| spelling | Barson, Benjamin Verfasser (DE-588)1350225541 aut Brassroots democracy maroon ecologies and the jazz commons Benjamin Barson Middletown, Connecticut Wesleyan University Press [2024] © 2024 x, 406 Seiten Illustrationen, Notenbeispiele, Porträts 24 cm txt rdacontent n rdamedia nc rdacarrier Music/culture Introduction. A Long Song from Haiti -- The Common Wind's Second Gale : The Desdunes Family -- Mamie Desdunes in the Neo-Plantation : Legacies of Black Feminism among Storyville's Blues People -- La Frontera Sónica : Mexican Revolutions in Borderlands Jazz -- Sowing Freedom : Abolitionist Agroecology in Afro-Louisiana -- Black Reconstruction and Brassroots Democracy : Sonic Assembly in the Post-Civil War South -- Black Unions and the Blues : Dockworkers' Activism and New Orleans Jazz -- Conclusion. Telegrams from the Spiritual Plane "The author delivers new understandings of jazz history through a fine-grained social history of African American musicians, from the Civil War until the onset of Jim Crow, placing New Orleans in a global context and exploring Black Atlantic critiques of slavery, racism, and capitalism"-- "Brassroots Democracy recasts the birth of jazz, unearthing vibrant narratives of New Orleans musicians to reveal how early jazz was inextricably tied to the mass mobilization of freedpeople during Reconstruction and the decades that followed. Benjamin Barson presents a "music history from below," following the musicians as they built communes, performed at Civil Rights rallies, and participated in general strikes. Perhaps most importantly, Barson locates the first emancipatory revolution in the Americas--Haiti--as a nexus for cultural and political change in nineteenth-century Louisiana. In dialogue with the work of recent historians who have inverted traditional histories of Latin American and Caribbean independence by centering the influence of Haitian activists abroad, this work traces the impact of Haitian culture in New Orleans and its legacy in movements for liberation. Brassroots Democracy demonstrates how Black musicians infused participatory music practice with innovative forms of grassroots democracy. Late nineteenth-century Black brass bands and activists rehearsed these participatory models through collective performance that embodied the democratic ethos of Black Reconstruction. Termed "Brassroots Democracy," this fusion of political and musical spheres revolutionized both. Brassroots Democracy illuminates the Black Atlantic struggles that informed music-as-world-making from the Haitian Revolution through Reconstruction to the jazz revolution. The work theorizes the roots of the New Orleans brass band tradition in the social relations grown in maroon ecologies across the Americas. Their fruits contributed to the socio-sonic commons of the music we call jazz today." -- Publisher's website Louisiana (DE-588)16298342-6 gnd rswk-swf Geschichte 1880-1930 gnd rswk-swf Jazz (DE-588)4028532-7 gnd rswk-swf Haitianischer Einwanderer (DE-588)4429907-2 gnd rswk-swf Schwarze (DE-588)4116433-7 gnd rswk-swf New Orleans, La. (DE-588)4042008-5 gnd rswk-swf African Americans / Music / History and criticism African American musicians / Social conditions Jazz / Louisiana / New Orleans / To 1921 / History and criticism Brass bands / Louisiana / New Orleans / History Desdunes, Rodolphe Lucien Desdunes, Daniel / approximately 1870-1929 Civil rights movements / United States / History / 19th century Haitians / United States Musiciens noirs américains / Conditions sociales Jazz / Louisiane / La Nouvelle-Orléans / Jusqu'à 1921 / Histoire et critique Fanfares (Orchestres) / Louisiane / La Nouvelle-Orléans / Histoire Mouvements des droits de l'homme / États-Unis / Histoire / 19e siècle Louisiana (DE-588)16298342-6 b New Orleans, La. (DE-588)4042008-5 g Haitianischer Einwanderer (DE-588)4429907-2 s Schwarze (DE-588)4116433-7 s Jazz (DE-588)4028532-7 s Geschichte 1880-1930 z DE-604 Äquivalent Druck-Ausgabe, Paperback 978-0-8195-0114-1 Online version Barson, Benjamin Brassroots democracy [First.] Middletown, Connecticut : Wesleyan University Press, 2024 9780819501134 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035260488&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Barson, Benjamin Brassroots democracy maroon ecologies and the jazz commons Introduction. A Long Song from Haiti -- The Common Wind's Second Gale : The Desdunes Family -- Mamie Desdunes in the Neo-Plantation : Legacies of Black Feminism among Storyville's Blues People -- La Frontera Sónica : Mexican Revolutions in Borderlands Jazz -- Sowing Freedom : Abolitionist Agroecology in Afro-Louisiana -- Black Reconstruction and Brassroots Democracy : Sonic Assembly in the Post-Civil War South -- Black Unions and the Blues : Dockworkers' Activism and New Orleans Jazz -- Conclusion. Telegrams from the Spiritual Plane Louisiana (DE-588)16298342-6 gnd Jazz (DE-588)4028532-7 gnd Haitianischer Einwanderer (DE-588)4429907-2 gnd Schwarze (DE-588)4116433-7 gnd |
| subject_GND | (DE-588)16298342-6 (DE-588)4028532-7 (DE-588)4429907-2 (DE-588)4116433-7 (DE-588)4042008-5 |
| title | Brassroots democracy maroon ecologies and the jazz commons |
| title_auth | Brassroots democracy maroon ecologies and the jazz commons |
| title_exact_search | Brassroots democracy maroon ecologies and the jazz commons |
| title_full | Brassroots democracy maroon ecologies and the jazz commons Benjamin Barson |
| title_fullStr | Brassroots democracy maroon ecologies and the jazz commons Benjamin Barson |
| title_full_unstemmed | Brassroots democracy maroon ecologies and the jazz commons Benjamin Barson |
| title_short | Brassroots democracy |
| title_sort | brassroots democracy maroon ecologies and the jazz commons |
| title_sub | maroon ecologies and the jazz commons |
| topic | Louisiana (DE-588)16298342-6 gnd Jazz (DE-588)4028532-7 gnd Haitianischer Einwanderer (DE-588)4429907-2 gnd Schwarze (DE-588)4116433-7 gnd |
| topic_facet | Louisiana Jazz Haitianischer Einwanderer Schwarze New Orleans, La. |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035260488&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT barsonbenjamin brassrootsdemocracymaroonecologiesandthejazzcommons |