Jean Cocteau - the Juggler's revenge:
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Weitere beteiligte Personen: | |
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Venice
Marsilio Arte
April 2024
Venice Peggy Guggenheim Collection |
| Ausgabe: | First edition |
| Schlagwörter: | |
| Abstract: | Brilliant, surprising, and multifaceted, the French artist Jean Cocteau (1889-1963) left an enduring mark as a draftsman, filmmaker, set designer, muralist, and jewellery and clothing designer. His poetry, fundamental expression of his unmistakable spirit, is characterised by mythological, circus-like atmospheres and a disorienting writing style that would always accompany his endless creations in the most diverse fields. On the occasion of the first Cocteau retrospective in Italy, organised at the Peggy Guggenheim Collection in Venice, Marsilio Arte will release the book Jean Cocteau. La rivincita del giocoliere [The Juggler’s Revenge] by Kenneth E. Silver, with text by Blake Oetting (Orfeo, due e più volte: i riverberi queer di Jean Cocteau). The exhibition space is also a tribute to the artist’s friendship with Peggy Guggenheim. It was he, actually, who encouraged the young collector to open the Guggenheim Jeune gallery in London in 1938. She reciprocated by hosting a number of Cocteau’s works, who at the time was a friend and artistic consultant to Marcel Duchamp. Cocteau then began to be a regular visitor to the New York patron’s residence in Venice, Palazzo Vernier dei Leoni, falling in love with the city. Guggenheim often said that words were a means of expression that Cocteau wielded with the virtuosity of an acrobat. The Juggler’s Revenge refers to his ability to move through the most disparate realms with an all-encompassing regard, perspicaciously attuned to aesthetics and history and able to synthesise them. In his first novel Le grand écart (1923), Cocteau himself said he was fascinated by jugglers and circus performers. Indeed, later in his career, he placed two acrobats and a Chinese illusionist in the libretto for the ballet Parade, and the wizard Merlin in Les Chevaliers de la Table ronde. An inexhaustible font of creativity and visions, Cocteau’s genius is evident... |
| Beschreibung: | Impressum: "Jean Cocteau. The Juggler's Revenge", organized by Kenneth E. Silver, Peggy Guggenheim Collection, Venice, April 13 - September 16, 2024" |
| Umfang: | 168 Seiten, 7 ungezählte Seiten Illustrationen 27 cm |
| ISBN: | 9791254631683 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV049836896 | ||
| 003 | DE-604 | ||
| 005 | 20241004 | ||
| 007 | t| | ||
| 008 | 240828s2024 it a||| |||| 00||| eng d | ||
| 020 | |a 9791254631683 |9 979-12-5463-168-3 | ||
| 035 | |a (OCoLC)1439712879 | ||
| 035 | |a (DE-599)KXP1891481517 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 044 | |a it |c XA-IT | ||
| 049 | |a DE-255 |a DE-B170 | ||
| 082 | 0 | |a 709 |2 14 | |
| 084 | |a KUNST |q DE-14 |2 fid | ||
| 084 | |a IH 29041 |0 (DE-625)57112:11640 |2 rvk | ||
| 084 | |a LI 99999 |0 (DE-625)97471: |2 rvk | ||
| 084 | |a 1 |2 KUBA2 | ||
| 245 | 1 | 0 | |a Jean Cocteau - the Juggler's revenge |c Kenneth E. Silver ; with an essay by Blake Oetting |
| 246 | 1 | 3 | |a The Juggler's revenge |
| 250 | |a First edition | ||
| 264 | 1 | |a Venice |b Marsilio Arte |c April 2024 | |
| 264 | 1 | |a Venice |b Peggy Guggenheim Collection | |
| 300 | |a 168 Seiten, 7 ungezählte Seiten |b Illustrationen |c 27 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 336 | |b sti |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Impressum: "Jean Cocteau. The Juggler's Revenge", organized by Kenneth E. Silver, Peggy Guggenheim Collection, Venice, April 13 - September 16, 2024" | ||
| 520 | 3 | |a Brilliant, surprising, and multifaceted, the French artist Jean Cocteau (1889-1963) left an enduring mark as a draftsman, filmmaker, set designer, muralist, and jewellery and clothing designer. His poetry, fundamental expression of his unmistakable spirit, is characterised by mythological, circus-like atmospheres and a disorienting writing style that would always accompany his endless creations in the most diverse fields. On the occasion of the first Cocteau retrospective in Italy, organised at the Peggy Guggenheim Collection in Venice, Marsilio Arte will release the book Jean Cocteau. La rivincita del giocoliere [The Juggler’s Revenge] by Kenneth E. Silver, with text by Blake Oetting (Orfeo, due e più volte: i riverberi queer di Jean Cocteau). The exhibition space is also a tribute to the artist’s friendship with Peggy Guggenheim. It was he, actually, who encouraged the young collector to open the Guggenheim Jeune gallery in London in 1938. She reciprocated by hosting a number of Cocteau’s works, who at the time was a friend and artistic consultant to Marcel Duchamp. Cocteau then began to be a regular visitor to the New York patron’s residence in Venice, Palazzo Vernier dei Leoni, falling in love with the city. Guggenheim often said that words were a means of expression that Cocteau wielded with the virtuosity of an acrobat. The Juggler’s Revenge refers to his ability to move through the most disparate realms with an all-encompassing regard, perspicaciously attuned to aesthetics and history and able to synthesise them. In his first novel Le grand écart (1923), Cocteau himself said he was fascinated by jugglers and circus performers. Indeed, later in his career, he placed two acrobats and a Chinese illusionist in the libretto for the ballet Parade, and the wizard Merlin in Les Chevaliers de la Table ronde. An inexhaustible font of creativity and visions, Cocteau’s genius is evident... | |
| 600 | 1 | 7 | |a Cocteau, Jean |d 1889-1963 |0 (DE-588)118521349 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Zeichnung |0 (DE-588)4127900-1 |2 gnd |9 rswk-swf |
| 655 | 7 | |0 (DE-588)4135467-9 |a Ausstellungskatalog |x Fondazione Peggy Guggenheim |y 13.04.2024-16.09.2024 |z Venedig |2 gnd-content | |
| 689 | 0 | 0 | |a Cocteau, Jean |d 1889-1963 |0 (DE-588)118521349 |D p |
| 689 | 0 | 1 | |a Zeichnung |0 (DE-588)4127900-1 |D s |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Cocteau, Jean |d 1889-1963 |0 (DE-588)118521349 |4 art | |
| 700 | 1 | |a Silver, Kenneth E. |d 1949- |0 (DE-588)1056624639 |4 edt | |
| 700 | 1 | |a Oetting, Blake |4 aut | |
| 710 | 2 | |a Fondazione Peggy Guggenheim |0 (DE-588)1092834-0 |4 isb |4 his | |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035176890 | |
Datensatz im Suchindex
| _version_ | 1820961063669071872 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Oetting, Blake |
| author2 | Silver, Kenneth E. 1949- |
| author2_role | edt |
| author2_variant | k e s ke kes |
| author_GND | (DE-588)118521349 (DE-588)1056624639 |
| author_facet | Oetting, Blake Silver, Kenneth E. 1949- |
| author_role | aut |
| author_sort | Oetting, Blake |
| author_variant | b o bo |
| building | Verbundindex |
| bvnumber | BV049836896 |
| classification_rvk | IH 29041 LI 99999 |
| ctrlnum | (OCoLC)1439712879 (DE-599)KXP1891481517 |
| dewey-full | 709 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 709 - History, geographic treatment, biography |
| dewey-raw | 709 |
| dewey-search | 709 |
| dewey-sort | 3709 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte Romanistik |
| edition | First edition |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV049836896</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20241004</controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">240828s2024 it a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9791254631683</subfield><subfield code="9">979-12-5463-168-3</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1439712879</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)KXP1891481517</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">it</subfield><subfield code="c">XA-IT</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield><subfield code="a">DE-B170</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">709</subfield><subfield code="2">14</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">KUNST</subfield><subfield code="q">DE-14</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">IH 29041</subfield><subfield code="0">(DE-625)57112:11640</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LI 99999</subfield><subfield code="0">(DE-625)97471:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">1</subfield><subfield code="2">KUBA2</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Jean Cocteau - the Juggler's revenge</subfield><subfield code="c">Kenneth E. Silver ; with an essay by Blake Oetting</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">The Juggler's revenge</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">First edition</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Venice</subfield><subfield code="b">Marsilio Arte</subfield><subfield code="c">April 2024</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Venice</subfield><subfield code="b">Peggy Guggenheim Collection</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">168 Seiten, 7 ungezählte Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">27 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">sti</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Impressum: "Jean Cocteau. The Juggler's Revenge", organized by Kenneth E. Silver, Peggy Guggenheim Collection, Venice, April 13 - September 16, 2024"</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Brilliant, surprising, and multifaceted, the French artist Jean Cocteau (1889-1963) left an enduring mark as a draftsman, filmmaker, set designer, muralist, and jewellery and clothing designer. His poetry, fundamental expression of his unmistakable spirit, is characterised by mythological, circus-like atmospheres and a disorienting writing style that would always accompany his endless creations in the most diverse fields. On the occasion of the first Cocteau retrospective in Italy, organised at the Peggy Guggenheim Collection in Venice, Marsilio Arte will release the book Jean Cocteau. La rivincita del giocoliere [The Juggler’s Revenge] by Kenneth E. Silver, with text by Blake Oetting (Orfeo, due e più volte: i riverberi queer di Jean Cocteau). The exhibition space is also a tribute to the artist’s friendship with Peggy Guggenheim. It was he, actually, who encouraged the young collector to open the Guggenheim Jeune gallery in London in 1938. She reciprocated by hosting a number of Cocteau’s works, who at the time was a friend and artistic consultant to Marcel Duchamp. Cocteau then began to be a regular visitor to the New York patron’s residence in Venice, Palazzo Vernier dei Leoni, falling in love with the city. Guggenheim often said that words were a means of expression that Cocteau wielded with the virtuosity of an acrobat. The Juggler’s Revenge refers to his ability to move through the most disparate realms with an all-encompassing regard, perspicaciously attuned to aesthetics and history and able to synthesise them. In his first novel Le grand écart (1923), Cocteau himself said he was fascinated by jugglers and circus performers. Indeed, later in his career, he placed two acrobats and a Chinese illusionist in the libretto for the ballet Parade, and the wizard Merlin in Les Chevaliers de la Table ronde. An inexhaustible font of creativity and visions, Cocteau’s genius is evident...</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Cocteau, Jean</subfield><subfield code="d">1889-1963</subfield><subfield code="0">(DE-588)118521349</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Zeichnung</subfield><subfield code="0">(DE-588)4127900-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4135467-9</subfield><subfield code="a">Ausstellungskatalog</subfield><subfield code="x">Fondazione Peggy Guggenheim</subfield><subfield code="y">13.04.2024-16.09.2024</subfield><subfield code="z">Venedig</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Cocteau, Jean</subfield><subfield code="d">1889-1963</subfield><subfield code="0">(DE-588)118521349</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Zeichnung</subfield><subfield code="0">(DE-588)4127900-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Cocteau, Jean</subfield><subfield code="d">1889-1963</subfield><subfield code="0">(DE-588)118521349</subfield><subfield code="4">art</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Silver, Kenneth E.</subfield><subfield code="d">1949-</subfield><subfield code="0">(DE-588)1056624639</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Oetting, Blake</subfield><subfield code="4">aut</subfield></datafield><datafield tag="710" ind1="2" ind2=" "><subfield code="a">Fondazione Peggy Guggenheim</subfield><subfield code="0">(DE-588)1092834-0</subfield><subfield code="4">isb</subfield><subfield code="4">his</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-035176890</subfield></datafield></record></collection> |
| genre | (DE-588)4135467-9 Ausstellungskatalog Fondazione Peggy Guggenheim 13.04.2024-16.09.2024 Venedig gnd-content |
| genre_facet | Ausstellungskatalog Fondazione Peggy Guggenheim 13.04.2024-16.09.2024 Venedig |
| id | DE-604.BV049836896 |
| illustrated | Illustrated |
| indexdate | 2025-01-11T13:56:37Z |
| institution | BVB |
| institution_GND | (DE-588)1092834-0 |
| isbn | 9791254631683 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035176890 |
| oclc_num | 1439712879 |
| open_access_boolean | |
| owner | DE-255 DE-B170 |
| owner_facet | DE-255 DE-B170 |
| physical | 168 Seiten, 7 ungezählte Seiten Illustrationen 27 cm |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | Marsilio Arte Peggy Guggenheim Collection |
| record_format | marc |
| spelling | Jean Cocteau - the Juggler's revenge Kenneth E. Silver ; with an essay by Blake Oetting The Juggler's revenge First edition Venice Marsilio Arte April 2024 Venice Peggy Guggenheim Collection 168 Seiten, 7 ungezählte Seiten Illustrationen 27 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Impressum: "Jean Cocteau. The Juggler's Revenge", organized by Kenneth E. Silver, Peggy Guggenheim Collection, Venice, April 13 - September 16, 2024" Brilliant, surprising, and multifaceted, the French artist Jean Cocteau (1889-1963) left an enduring mark as a draftsman, filmmaker, set designer, muralist, and jewellery and clothing designer. His poetry, fundamental expression of his unmistakable spirit, is characterised by mythological, circus-like atmospheres and a disorienting writing style that would always accompany his endless creations in the most diverse fields. On the occasion of the first Cocteau retrospective in Italy, organised at the Peggy Guggenheim Collection in Venice, Marsilio Arte will release the book Jean Cocteau. La rivincita del giocoliere [The Juggler’s Revenge] by Kenneth E. Silver, with text by Blake Oetting (Orfeo, due e più volte: i riverberi queer di Jean Cocteau). The exhibition space is also a tribute to the artist’s friendship with Peggy Guggenheim. It was he, actually, who encouraged the young collector to open the Guggenheim Jeune gallery in London in 1938. She reciprocated by hosting a number of Cocteau’s works, who at the time was a friend and artistic consultant to Marcel Duchamp. Cocteau then began to be a regular visitor to the New York patron’s residence in Venice, Palazzo Vernier dei Leoni, falling in love with the city. Guggenheim often said that words were a means of expression that Cocteau wielded with the virtuosity of an acrobat. The Juggler’s Revenge refers to his ability to move through the most disparate realms with an all-encompassing regard, perspicaciously attuned to aesthetics and history and able to synthesise them. In his first novel Le grand écart (1923), Cocteau himself said he was fascinated by jugglers and circus performers. Indeed, later in his career, he placed two acrobats and a Chinese illusionist in the libretto for the ballet Parade, and the wizard Merlin in Les Chevaliers de la Table ronde. An inexhaustible font of creativity and visions, Cocteau’s genius is evident... Cocteau, Jean 1889-1963 (DE-588)118521349 gnd rswk-swf Zeichnung (DE-588)4127900-1 gnd rswk-swf (DE-588)4135467-9 Ausstellungskatalog Fondazione Peggy Guggenheim 13.04.2024-16.09.2024 Venedig gnd-content Cocteau, Jean 1889-1963 (DE-588)118521349 p Zeichnung (DE-588)4127900-1 s DE-604 Cocteau, Jean 1889-1963 (DE-588)118521349 art Silver, Kenneth E. 1949- (DE-588)1056624639 edt Oetting, Blake aut Fondazione Peggy Guggenheim (DE-588)1092834-0 isb his |
| spellingShingle | Oetting, Blake Jean Cocteau - the Juggler's revenge Cocteau, Jean 1889-1963 (DE-588)118521349 gnd Zeichnung (DE-588)4127900-1 gnd |
| subject_GND | (DE-588)118521349 (DE-588)4127900-1 (DE-588)4135467-9 |
| title | Jean Cocteau - the Juggler's revenge |
| title_alt | The Juggler's revenge |
| title_auth | Jean Cocteau - the Juggler's revenge |
| title_exact_search | Jean Cocteau - the Juggler's revenge |
| title_full | Jean Cocteau - the Juggler's revenge Kenneth E. Silver ; with an essay by Blake Oetting |
| title_fullStr | Jean Cocteau - the Juggler's revenge Kenneth E. Silver ; with an essay by Blake Oetting |
| title_full_unstemmed | Jean Cocteau - the Juggler's revenge Kenneth E. Silver ; with an essay by Blake Oetting |
| title_short | Jean Cocteau - the Juggler's revenge |
| title_sort | jean cocteau the juggler s revenge |
| topic | Cocteau, Jean 1889-1963 (DE-588)118521349 gnd Zeichnung (DE-588)4127900-1 gnd |
| topic_facet | Cocteau, Jean 1889-1963 Zeichnung Ausstellungskatalog Fondazione Peggy Guggenheim 13.04.2024-16.09.2024 Venedig |
| work_keys_str_mv | AT cocteaujean jeancocteauthejugglersrevenge AT silverkennethe jeancocteauthejugglersrevenge AT oettingblake jeancocteauthejugglersrevenge AT fondazionepeggyguggenheim jeancocteauthejugglersrevenge AT cocteaujean thejugglersrevenge AT silverkennethe thejugglersrevenge AT oettingblake thejugglersrevenge AT fondazionepeggyguggenheim thejugglersrevenge |