César Vallejo, Trilce y Dadá París: huellas de un estímulo silenciado

César Vallejo paradoxically discounted the modernist significance of his avant-garde masterpiece,<i>Trilce</i>, published in 1922. Yet, in these poems, the renowned Peruvian writer played with the Spanish language, incorporating neologisms, typographic innovations, radical syntax, symbol...

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Bibliographische Detailangaben
Beteilige Person: Fernández, Carlos 1981- (VerfasserIn)
Format: Elektronisch E-Book
Sprache:Spanisch
Veröffentlicht: Woodbridge, Suffolk, UK Tamesis 2023
Schriftenreihe:Colección Támesis. Serie A: Monografías 404
Schlagwörter:
Links:https://doi.org/10.1017/9781805430933?locatt=mode:legacy
https://doi.org/10.1017/9781805430933?locatt=mode:legacy
https://doi.org/10.1017/9781805430933?locatt=mode:legacy
https://www.cambridge.org/core/product/identifier/9781805430933/type/BOOK
Zusammenfassung:César Vallejo paradoxically discounted the modernist significance of his avant-garde masterpiece,<i>Trilce</i>, published in 1922. Yet, in these poems, the renowned Peruvian writer played with the Spanish language, incorporating neologisms, typographic innovations, radical syntax, symbols and shocking imagery
Beschreibung:Erscheinungsdatum der Online-Ausgabe: March 2024
Title from publisher's bibliographic system (viewed on 08 Mar 2024)
Umfang:1 Online-Ressource (x, 247 Seiten)
ISBN:9781805430933
DOI:10.1017/9781805430933