Kenny Kirkland's harmonic and rhythmic language: a model for the modern jazz pianist
Gespeichert in:
| Beteiligte Personen: | , |
|---|---|
| Format: | Partitur Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
[Erscheinungsort nicht ermittelbar]
The System
[2022]
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| Schlagwörter: | |
| Abstract: | This book serves as an insight to modern jazz piano language at the turn of the 21st century by analyzing pianist Kenny Kirkland through six original transcriptions. An examination of Kirkland's collected recordings as a sideman as well as analysis of unreleased trio material showcases a large variety of Kirkland's playing. The versatility of Kirkland's playing style and recording career allow for analyses of jazz language across multiple styles and subgenres to examine characteristics of advanced modern jazz piano playing. The chosen selections of Kirkland's improvisations focus on standard jazz repertoire including blues, rhythm changes, pop and contemporary, modal music and "Giant Steps" as well as other challenging compositions. Kenny Kirkland's influence and the advanced harmonic and rhythmic devices in his playing remain relevant and in practice today. Examining these playing elements highlight advanced harmonic and rhythmic concepts in modern jazz piano and give new insight into his playing |
| Beschreibung: | Includes 34 examples of Kirkland's music transcribed by Geoffrey Dean Ch.1. Kenny Kirkland: Life and works, incluences, stylistic attributes, methodology -- Ch.2. Rhythm Changes: Harmonic substitutions, rhythmic and pianistic approaches / Transcription and analysis: "I got rhythm" from Branford Marsalis Quintet -- Ch.3. Blues harmonic language, blues reharmonizations, and implied harmonies / Transcription and analysis of "The Blues walk" from Arturo Sandoval -- Ch.4. Pop and contemporary sty;e analysis / Transcription and analysis: "Bring on the night" by Sting -- Ch.5. Advanced harmony and chord changes with constantly shifting key signatures / Transcription and analysisL "Giant steps" performed by Kenny Kirkland Trio -- Ch.6. Modal harmonic language and rhythmic devices in modal playing / Transcription and Analysis: "Chambers of tain" from Wynton Marsalis -- Ch.7 Chordal playing vs modal playing / Transcription and analysis: "Four by five" from Kenny Kirkland Trio |
| Umfang: | V, 85 Seiten 28 cm |
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| 264 | 1 | |a [Erscheinungsort nicht ermittelbar] |b The System |c [2022] | |
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| 500 | |a Includes 34 examples of Kirkland's music transcribed by Geoffrey Dean | ||
| 500 | |a Ch.1. Kenny Kirkland: Life and works, incluences, stylistic attributes, methodology -- Ch.2. Rhythm Changes: Harmonic substitutions, rhythmic and pianistic approaches / Transcription and analysis: "I got rhythm" from Branford Marsalis Quintet -- Ch.3. Blues harmonic language, blues reharmonizations, and implied harmonies / Transcription and analysis of "The Blues walk" from Arturo Sandoval -- Ch.4. Pop and contemporary sty;e analysis / Transcription and analysis: "Bring on the night" by Sting -- Ch.5. Advanced harmony and chord changes with constantly shifting key signatures / Transcription and analysisL "Giant steps" performed by Kenny Kirkland Trio -- Ch.6. Modal harmonic language and rhythmic devices in modal playing / Transcription and Analysis: "Chambers of tain" from Wynton Marsalis -- Ch.7 Chordal playing vs modal playing / Transcription and analysis: "Four by five" from Kenny Kirkland Trio | ||
| 505 | 8 | 0 | |t I got rhythm" |r composed by George Gershwin ; transcribed by Geoffrey Dean |t <<The>> Blues walk |r composed by Clifford Brown ; transcribed by Geoffrey Dean |t Bring on the night |r composed by Sting ; transcribed by Geoffrey Dean |t Giant steps |r composed by John Coltrane ; transcribed by Geoffrey Dean |t Chambers of tain |r composed by Kenny Kirkland ; transcribed by Geoffrey Dean |t Four by five |r composed by McCoy Tyner ; transcribed by Geoffrey Dean |
| 520 | 3 | |a This book serves as an insight to modern jazz piano language at the turn of the 21st century by analyzing pianist Kenny Kirkland through six original transcriptions. An examination of Kirkland's collected recordings as a sideman as well as analysis of unreleased trio material showcases a large variety of Kirkland's playing. The versatility of Kirkland's playing style and recording career allow for analyses of jazz language across multiple styles and subgenres to examine characteristics of advanced modern jazz piano playing. The chosen selections of Kirkland's improvisations focus on standard jazz repertoire including blues, rhythm changes, pop and contemporary, modal music and "Giant Steps" as well as other challenging compositions. Kenny Kirkland's influence and the advanced harmonic and rhythmic devices in his playing remain relevant and in practice today. Examining these playing elements highlight advanced harmonic and rhythmic concepts in modern jazz piano and give new insight into his playing | |
| 653 | 1 | |a Kirkland, Kenny / itr | |
| 653 | 0 | |a Jazz / Analysis, appreciation | |
| 653 | 0 | |a Musical analysis | |
| 653 | 0 | |a Analyse musicale | |
| 653 | 1 | |a Kirkland, Kenny / https://id.oclc.org/worldcat/entity/E39PBJyhcqTRpx6F8rV3Qrdmh3 | |
| 653 | 0 | |a Jazz / Analysis, appreciation | |
| 653 | 0 | |a Musical analysis | |
| 700 | 1 | |a Kirkland, Kenny |d 1955-1998 |0 (DE-588)134427149 |4 cmp |4 itr | |
| 348 | |0 (DE-588)4173447-6 |a Partitur |2 gnd-music | ||
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035083581 | |
Datensatz im Suchindex
| _version_ | 1818992092548956160 |
|---|---|
| any_adam_object | |
| author | Dean, Geoffrey Kirkland, Kenny 1955-1998 |
| author2 | Kirkland, Kenny 1955-1998 |
| author2_role | itr |
| author2_variant | k k kk |
| author_GND | (DE-588)134427149 |
| author_additional | composed by George Gershwin ; transcribed by Geoffrey Dean composed by Clifford Brown ; transcribed by Geoffrey Dean composed by Sting ; transcribed by Geoffrey Dean composed by John Coltrane ; transcribed by Geoffrey Dean composed by Kenny Kirkland ; transcribed by Geoffrey Dean composed by McCoy Tyner ; transcribed by Geoffrey Dean |
| author_facet | Dean, Geoffrey Kirkland, Kenny 1955-1998 Kirkland, Kenny 1955-1998 |
| author_role | aut cmp |
| author_sort | Dean, Geoffrey |
| author_variant | g d gd k k kk |
| building | Verbundindex |
| bvnumber | BV049741653 |
| contents | I got rhythm" <<The>> Blues walk Bring on the night Giant steps Chambers of tain Four by five |
| ctrlnum | (DE-599)BVBBV049741653 |
| format | Musical Score Book |
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| id | DE-604.BV049741653 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T20:20:40Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035083581 |
| open_access_boolean | |
| owner | DE-W89 |
| owner_facet | DE-W89 |
| physical | V, 85 Seiten 28 cm |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | The System |
| record_format | marc |
| spelling | Dean, Geoffrey aut trc Kenny Kirkland's harmonic and rhythmic language a model for the modern jazz pianist Geoffrey Dean [Erscheinungsort nicht ermittelbar] The System [2022] © V, 85 Seiten 28 cm ntm rdacontent n rdamedia nc rdacarrier Includes 34 examples of Kirkland's music transcribed by Geoffrey Dean Ch.1. Kenny Kirkland: Life and works, incluences, stylistic attributes, methodology -- Ch.2. Rhythm Changes: Harmonic substitutions, rhythmic and pianistic approaches / Transcription and analysis: "I got rhythm" from Branford Marsalis Quintet -- Ch.3. Blues harmonic language, blues reharmonizations, and implied harmonies / Transcription and analysis of "The Blues walk" from Arturo Sandoval -- Ch.4. Pop and contemporary sty;e analysis / Transcription and analysis: "Bring on the night" by Sting -- Ch.5. Advanced harmony and chord changes with constantly shifting key signatures / Transcription and analysisL "Giant steps" performed by Kenny Kirkland Trio -- Ch.6. Modal harmonic language and rhythmic devices in modal playing / Transcription and Analysis: "Chambers of tain" from Wynton Marsalis -- Ch.7 Chordal playing vs modal playing / Transcription and analysis: "Four by five" from Kenny Kirkland Trio I got rhythm" composed by George Gershwin ; transcribed by Geoffrey Dean <<The>> Blues walk composed by Clifford Brown ; transcribed by Geoffrey Dean Bring on the night composed by Sting ; transcribed by Geoffrey Dean Giant steps composed by John Coltrane ; transcribed by Geoffrey Dean Chambers of tain composed by Kenny Kirkland ; transcribed by Geoffrey Dean Four by five composed by McCoy Tyner ; transcribed by Geoffrey Dean This book serves as an insight to modern jazz piano language at the turn of the 21st century by analyzing pianist Kenny Kirkland through six original transcriptions. An examination of Kirkland's collected recordings as a sideman as well as analysis of unreleased trio material showcases a large variety of Kirkland's playing. The versatility of Kirkland's playing style and recording career allow for analyses of jazz language across multiple styles and subgenres to examine characteristics of advanced modern jazz piano playing. The chosen selections of Kirkland's improvisations focus on standard jazz repertoire including blues, rhythm changes, pop and contemporary, modal music and "Giant Steps" as well as other challenging compositions. Kenny Kirkland's influence and the advanced harmonic and rhythmic devices in his playing remain relevant and in practice today. Examining these playing elements highlight advanced harmonic and rhythmic concepts in modern jazz piano and give new insight into his playing Kirkland, Kenny / itr Jazz / Analysis, appreciation Musical analysis Analyse musicale Kirkland, Kenny / https://id.oclc.org/worldcat/entity/E39PBJyhcqTRpx6F8rV3Qrdmh3 Kirkland, Kenny 1955-1998 (DE-588)134427149 cmp itr (DE-588)4173447-6 Partitur gnd-music |
| spellingShingle | Dean, Geoffrey Kirkland, Kenny 1955-1998 Kenny Kirkland's harmonic and rhythmic language a model for the modern jazz pianist I got rhythm" <<The>> Blues walk Bring on the night Giant steps Chambers of tain Four by five |
| title | Kenny Kirkland's harmonic and rhythmic language a model for the modern jazz pianist |
| title_alt | I got rhythm" <<The>> Blues walk Bring on the night Giant steps Chambers of tain Four by five |
| title_auth | Kenny Kirkland's harmonic and rhythmic language a model for the modern jazz pianist |
| title_exact_search | Kenny Kirkland's harmonic and rhythmic language a model for the modern jazz pianist |
| title_full | Kenny Kirkland's harmonic and rhythmic language a model for the modern jazz pianist Geoffrey Dean |
| title_fullStr | Kenny Kirkland's harmonic and rhythmic language a model for the modern jazz pianist Geoffrey Dean |
| title_full_unstemmed | Kenny Kirkland's harmonic and rhythmic language a model for the modern jazz pianist Geoffrey Dean |
| title_short | Kenny Kirkland's harmonic and rhythmic language |
| title_sort | kenny kirkland s harmonic and rhythmic language a model for the modern jazz pianist |
| title_sub | a model for the modern jazz pianist |
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