Artists as beholders: drawings after sculptures as a medium and source for the experience of art
Gespeichert in:
Beteilige Person: | |
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Format: | Elektronisch E-Book |
Sprache: | Deutsch |
Veröffentlicht: |
Heidelberg
Universitätsbibliothek der Universität Heidelberg
2006
|
Schriftenreihe: | Schriften von Raphael Rosenberg
14 |
Schlagwörter: | |
Links: | https://nbn-resolving.org/urn:nbn:de:bsz:16-artdok-6812 |
Beschreibung: | Wissenschaftl. Aufsatz. - In: Thomas Frangenberg und Robert Williams (Hg.), The Beholder. The Experience of Art in Early Modern Europe, Aldershot 2006, S. 103-122 Online publiziert: 2009 |
Umfang: | Online-Ressource |
Internformat
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Datensatz im Suchindex
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author_facet | Rosenberg, Raphael 1962- |
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author_sort | Rosenberg, Raphael 1962- |
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indexdate | 2024-12-20T20:19:34Z |
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series2 | Schriften von Raphael Rosenberg |
spelling | Rosenberg, Raphael 1962- Verfasser (DE-588)140270795 aut Artists as beholders drawings after sculptures as a medium and source for the experience of art Raphael Rosenberg Heidelberg Universitätsbibliothek der Universität Heidelberg 2006 Online-Ressource txt rdacontent c rdamedia cr rdacarrier Schriften von Raphael Rosenberg 14 Wissenschaftl. Aufsatz. - In: Thomas Frangenberg und Robert Williams (Hg.), The Beholder. The Experience of Art in Early Modern Europe, Aldershot 2006, S. 103-122 Online publiziert: 2009 2009 |2009|||||||||| Rezeption (DE-588)4049716-1 gnd rswk-swf Kunstbetrachtung (DE-588)4125321-8 gnd rswk-swf Kopie (DE-588)4032423-0 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Plastik (DE-588)4046277-8 gnd rswk-swf Kunsterlebnis (DE-588)4166024-9 gnd rswk-swf Zeichnung (DE-588)4127900-1 gnd rswk-swf Florenz (DE-588)4017581-9 gnd rswk-swf Florenz (DE-588)4017581-9 g Kunst (DE-588)4114333-4 s Plastik (DE-588)4046277-8 s Rezeption (DE-588)4049716-1 s Zeichnung (DE-588)4127900-1 s Kopie (DE-588)4032423-0 s Kunstbetrachtung (DE-588)4125321-8 s Kunsterlebnis (DE-588)4166024-9 s (DE-627) Druckausg. Rosenberg, Raphael, 1962 - Artists as beholders 2006 application/pdf https://nbn-resolving.org/urn:nbn:de:bsz:16-artdok-6812 Resolving-System kostenfrei Volltext |
spellingShingle | Rosenberg, Raphael 1962- Artists as beholders drawings after sculptures as a medium and source for the experience of art Rezeption (DE-588)4049716-1 gnd Kunstbetrachtung (DE-588)4125321-8 gnd Kopie (DE-588)4032423-0 gnd Kunst (DE-588)4114333-4 gnd Plastik (DE-588)4046277-8 gnd Kunsterlebnis (DE-588)4166024-9 gnd Zeichnung (DE-588)4127900-1 gnd |
subject_GND | (DE-588)4049716-1 (DE-588)4125321-8 (DE-588)4032423-0 (DE-588)4114333-4 (DE-588)4046277-8 (DE-588)4166024-9 (DE-588)4127900-1 (DE-588)4017581-9 |
title | Artists as beholders drawings after sculptures as a medium and source for the experience of art |
title_auth | Artists as beholders drawings after sculptures as a medium and source for the experience of art |
title_exact_search | Artists as beholders drawings after sculptures as a medium and source for the experience of art |
title_full | Artists as beholders drawings after sculptures as a medium and source for the experience of art Raphael Rosenberg |
title_fullStr | Artists as beholders drawings after sculptures as a medium and source for the experience of art Raphael Rosenberg |
title_full_unstemmed | Artists as beholders drawings after sculptures as a medium and source for the experience of art Raphael Rosenberg |
title_short | Artists as beholders |
title_sort | artists as beholders drawings after sculptures as a medium and source for the experience of art |
title_sub | drawings after sculptures as a medium and source for the experience of art |
topic | Rezeption (DE-588)4049716-1 gnd Kunstbetrachtung (DE-588)4125321-8 gnd Kopie (DE-588)4032423-0 gnd Kunst (DE-588)4114333-4 gnd Plastik (DE-588)4046277-8 gnd Kunsterlebnis (DE-588)4166024-9 gnd Zeichnung (DE-588)4127900-1 gnd |
topic_facet | Rezeption Kunstbetrachtung Kopie Kunst Plastik Kunsterlebnis Zeichnung Florenz |
url | https://nbn-resolving.org/urn:nbn:de:bsz:16-artdok-6812 |
work_keys_str_mv | AT rosenbergraphael artistsasbeholdersdrawingsaftersculpturesasamediumandsourcefortheexperienceofart |