Visualising slavery: art across the African diaspora
The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the Black diaspora. Living and working on both sides of th...
Gespeichert in:
| Beteiligte Personen: | , |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Liverpool
Liverpool University Press
2021
|
| Ausgabe: | Paperback edition |
| Schriftenreihe: | Liverpool studies in international slavery
9 |
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035002536&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Zusammenfassung: | The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the Black diaspora. Living and working on both sides of the Atlantic, as these scholars, curators and practitioners demonstrate, African diasporic artists adopt radical and revisionist practices by which to confront the difficult aesthetic and political realities surrounding the social and cultural legacies let alone national and mythical memories of Transatlantic Slavery and the international Slave Trade. Adopting a comparative perspective, this book investigates the diverse body of works produced by black artists as these contributors come to grips with the ways in which their neglected and repeatedly unexamined similarities and differences bear witness to the existence of an African diasporic visual arts tradition. As in-depth investigations into the diverse resistance strategies at work within these artists' vast bodies of work testify, theirs is an ongoing fight for the right to art for art's sake as they challenge mainstream tendencies towards examining their works solely for their sociological and political dimensions. This book adopts a cross- cultural perspective to draw together artists, curators, academics, and public researchers in order to provide an interdisciplinary examination into the eclectic and experimental oeuvre produced by black artists working within the United States, the United Kingdom and across the African diaspora. The overall aim of this book is to re-examine complex yet under-researched theoretical paradigms vis-a-vis the patterns of influence and cross-cultural exchange across both America and a black diasporic visual arts tradition, a vastly neglected field of study |
| Beschreibung: | "Visualising Slavery: Art Across the African Diaspora is the result of an international symposium generously funded by the Terra Foundation for American Art and held at the University of Oxford in 2013" - Seite xv |
| Umfang: | xvi, 291 Seiten, 16 ungezählte Seiten Bildtafeln Illustrationen 24 cm |
| ISBN: | 9781800349216 |
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| 490 | 1 | |a Liverpool studies in international slavery |v 9 | |
| 500 | |a "Visualising Slavery: Art Across the African Diaspora is the result of an international symposium generously funded by the Terra Foundation for American Art and held at the University of Oxford in 2013" - Seite xv | ||
| 505 | 8 | |a Includes bibliographical references and index | |
| 520 | |a The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the Black diaspora. Living and working on both sides of the Atlantic, as these scholars, curators and practitioners demonstrate, African diasporic artists adopt radical and revisionist practices by which to confront the difficult aesthetic and political realities surrounding the social and cultural legacies let alone national and mythical memories of Transatlantic Slavery and the international Slave Trade. Adopting a comparative perspective, this book investigates the diverse body of works produced by black artists as these contributors come to grips with the ways in which their neglected and repeatedly unexamined similarities and differences bear witness to the existence of an African diasporic visual arts tradition. As in-depth investigations into the diverse resistance strategies at work within these artists' vast bodies of work testify, theirs is an ongoing fight for the right to art for art's sake as they challenge mainstream tendencies towards examining their works solely for their sociological and political dimensions. This book adopts a cross- cultural perspective to draw together artists, curators, academics, and public researchers in order to provide an interdisciplinary examination into the eclectic and experimental oeuvre produced by black artists working within the United States, the United Kingdom and across the African diaspora. The overall aim of this book is to re-examine complex yet under-researched theoretical paradigms vis-a-vis the patterns of influence and cross-cultural exchange across both America and a black diasporic visual arts tradition, a vastly neglected field of study | ||
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| 689 | 0 | 3 | |a Geschichte 1700-2010 |A z |
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| 700 | 1 | |a Bernier, Celeste-Marie |d 1975- |0 (DE-588)136912052 |4 edt |4 win |4 aut | |
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| 775 | 0 | 8 | |i Äquivalent |n Druck-Ausgabe, Hardcover |z 978-1-78138-267-7 |
| 830 | 0 | |a Liverpool studies in international slavery |v 9 |w (DE-604)BV035545289 |9 9 | |
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Datensatz im Suchindex
| _version_ | 1818991943787479040 |
|---|---|
| any_adam_object | 1 |
| author | Bernier, Celeste-Marie 1975- Durkin, Hannah ca. 20./21. Jh |
| author2 | Bernier, Celeste-Marie 1975- Durkin, Hannah ca. 20./21. Jh |
| author2_role | edt edt |
| author2_variant | c m b cmb h d hd |
| author_GND | (DE-588)136912052 (DE-588)1102373052 |
| author_facet | Bernier, Celeste-Marie 1975- Durkin, Hannah ca. 20./21. Jh Bernier, Celeste-Marie 1975- Durkin, Hannah ca. 20./21. Jh |
| author_role | aut aut |
| author_sort | Bernier, Celeste-Marie 1975- |
| author_variant | c m b cmb h d hd |
| building | Verbundindex |
| bvnumber | BV049659247 |
| classification_rvk | LO 91990 LO 94030 |
| contents | Includes bibliographical references and index |
| ctrlnum | (OCoLC)1443581776 (DE-599)BVBBV049659247 |
| discipline | Kunstgeschichte |
| edition | Paperback edition |
| era | Geschichte 1700-2010 gnd |
| era_facet | Geschichte 1700-2010 |
| format | Book |
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| id | DE-604.BV049659247 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T20:18:18Z |
| institution | BVB |
| isbn | 9781800349216 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035002536 |
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| physical | xvi, 291 Seiten, 16 ungezählte Seiten Bildtafeln Illustrationen 24 cm |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Liverpool University Press |
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| series | Liverpool studies in international slavery |
| series2 | Liverpool studies in international slavery |
| spelling | Visualising slavery art across the African diaspora edited by Celeste-Marie Bernier and Hannah Durkin Paperback edition Liverpool Liverpool University Press 2021 xvi, 291 Seiten, 16 ungezählte Seiten Bildtafeln Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Liverpool studies in international slavery 9 "Visualising Slavery: Art Across the African Diaspora is the result of an international symposium generously funded by the Terra Foundation for American Art and held at the University of Oxford in 2013" - Seite xv Includes bibliographical references and index The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the Black diaspora. Living and working on both sides of the Atlantic, as these scholars, curators and practitioners demonstrate, African diasporic artists adopt radical and revisionist practices by which to confront the difficult aesthetic and political realities surrounding the social and cultural legacies let alone national and mythical memories of Transatlantic Slavery and the international Slave Trade. Adopting a comparative perspective, this book investigates the diverse body of works produced by black artists as these contributors come to grips with the ways in which their neglected and repeatedly unexamined similarities and differences bear witness to the existence of an African diasporic visual arts tradition. As in-depth investigations into the diverse resistance strategies at work within these artists' vast bodies of work testify, theirs is an ongoing fight for the right to art for art's sake as they challenge mainstream tendencies towards examining their works solely for their sociological and political dimensions. This book adopts a cross- cultural perspective to draw together artists, curators, academics, and public researchers in order to provide an interdisciplinary examination into the eclectic and experimental oeuvre produced by black artists working within the United States, the United Kingdom and across the African diaspora. The overall aim of this book is to re-examine complex yet under-researched theoretical paradigms vis-a-vis the patterns of influence and cross-cultural exchange across both America and a black diasporic visual arts tradition, a vastly neglected field of study Geschichte 1700-2010 gnd rswk-swf Slavery in art Slave trade in art African diaspora in art Künste (DE-588)4033422-3 gnd rswk-swf Sklaverei Motiv (DE-588)4204853-9 gnd rswk-swf Afrika (DE-588)4000695-5 gnd rswk-swf (DE-588)1071861417 Konferenzschrift 2013 Oxford gnd-content Afrika (DE-588)4000695-5 g Sklaverei Motiv (DE-588)4204853-9 s Künste (DE-588)4033422-3 s Geschichte 1700-2010 z DE-604 Bernier, Celeste-Marie 1975- (DE-588)136912052 edt win aut Durkin, Hannah ca. 20./21. Jh. (DE-588)1102373052 edt win aut Äquivalent Druck-Ausgabe, Hardcover 978-1-78138-267-7 Liverpool studies in international slavery 9 (DE-604)BV035545289 9 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035002536&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Bernier, Celeste-Marie 1975- Durkin, Hannah ca. 20./21. Jh Visualising slavery art across the African diaspora Liverpool studies in international slavery Includes bibliographical references and index Slavery in art Slave trade in art African diaspora in art Künste (DE-588)4033422-3 gnd Sklaverei Motiv (DE-588)4204853-9 gnd |
| subject_GND | (DE-588)4033422-3 (DE-588)4204853-9 (DE-588)4000695-5 (DE-588)1071861417 |
| title | Visualising slavery art across the African diaspora |
| title_auth | Visualising slavery art across the African diaspora |
| title_exact_search | Visualising slavery art across the African diaspora |
| title_full | Visualising slavery art across the African diaspora edited by Celeste-Marie Bernier and Hannah Durkin |
| title_fullStr | Visualising slavery art across the African diaspora edited by Celeste-Marie Bernier and Hannah Durkin |
| title_full_unstemmed | Visualising slavery art across the African diaspora edited by Celeste-Marie Bernier and Hannah Durkin |
| title_short | Visualising slavery |
| title_sort | visualising slavery art across the african diaspora |
| title_sub | art across the African diaspora |
| topic | Slavery in art Slave trade in art African diaspora in art Künste (DE-588)4033422-3 gnd Sklaverei Motiv (DE-588)4204853-9 gnd |
| topic_facet | Slavery in art Slave trade in art African diaspora in art Künste Sklaverei Motiv Afrika Konferenzschrift 2013 Oxford |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035002536&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV035545289 |
| work_keys_str_mv | AT berniercelestemarie visualisingslaveryartacrosstheafricandiaspora AT durkinhannah visualisingslaveryartacrosstheafricandiaspora |