New rural cinema: landscape, community and poverty in recent US indie films
In the past decade, spanning from the aftermath of the 2008 financial crisis to the beginning of the Covid-19 pandemic, rural poverty in the United States has risen dramatically. The impact of the pandemic is set to intensify these inequalities as the decades of neoliberal dismantling of public heal...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Hochschulschrift/Dissertation Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Berlin ; Boston
De Gruyter
[2024]
|
| Schriftenreihe: | Film, class, society
Volume 2 |
| Schlagwörter: | |
| Links: | https://doi.org/10.1515/9783110779417 https://doi.org/10.1515/9783110779417 https://doi.org/10.1515/9783110779417 https://doi.org/10.1515/9783110779417 https://doi.org/10.1515/9783110779417 https://doi.org/10.1515/9783110779417 https://doi.org/10.1515/9783110779417 https://doi.org/10.1515/9783110779417 |
| Zusammenfassung: | In the past decade, spanning from the aftermath of the 2008 financial crisis to the beginning of the Covid-19 pandemic, rural poverty in the United States has risen dramatically. The impact of the pandemic is set to intensify these inequalities as the decades of neoliberal dismantling of public healthcare and other social institutions leave inhabitants of impoverished rural areas particularly vulnerable.Even before this current exacerbation, representations of rural landscape in American cinema have sought to spatially visualize the country's social inequalities and focus on the victims of poverty and marginalization. The films discussed in this monograph, Ballast (2008), Winter's Bone (2010), Beasts of the Southern Wild (2012), and Leave No Trace (2018), address deep rural poverty in a complex manner and facilitate an interactive, social understanding of landscape.New Rural Cinema suggest a novel way of looking at landscape in cinema that responds to and guides its readers through this recent development in American Independent film. It views the chosen films as expressions of a growing awareness of the dire inequality caused by neoliberal capitalism in the United States and the role landscape plays both in its mechanisms of social exclusion as well as in its collective contestation |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2024) |
| Umfang: | 1 Online-Ressource (237 Seiten) Illustrationen |
| ISBN: | 9783110779417 9783110779431 |
| DOI: | 10.1515/9783110779417 |
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| 520 | |a In the past decade, spanning from the aftermath of the 2008 financial crisis to the beginning of the Covid-19 pandemic, rural poverty in the United States has risen dramatically. The impact of the pandemic is set to intensify these inequalities as the decades of neoliberal dismantling of public healthcare and other social institutions leave inhabitants of impoverished rural areas particularly vulnerable.Even before this current exacerbation, representations of rural landscape in American cinema have sought to spatially visualize the country's social inequalities and focus on the victims of poverty and marginalization. The films discussed in this monograph, Ballast (2008), Winter's Bone (2010), Beasts of the Southern Wild (2012), and Leave No Trace (2018), address deep rural poverty in a complex manner and facilitate an interactive, social understanding of landscape.New Rural Cinema suggest a novel way of looking at landscape in cinema that responds to and guides its readers through this recent development in American Independent film. It views the chosen films as expressions of a growing awareness of the dire inequality caused by neoliberal capitalism in the United States and the role landscape plays both in its mechanisms of social exclusion as well as in its collective contestation | ||
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| discipline | Allgemeines Anglistik / Amerikanistik |
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| spelling | Lindemann, Tim 1987- Verfasser (DE-588)1101849789 aut New rural cinema landscape, community and poverty in recent US indie films Tim Lindemann Berlin ; Boston De Gruyter [2024] © 2024 1 Online-Ressource (237 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Film, class, society Volume 2 Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2024) Dissertation Queen Mary University of London [January 2023] In the past decade, spanning from the aftermath of the 2008 financial crisis to the beginning of the Covid-19 pandemic, rural poverty in the United States has risen dramatically. The impact of the pandemic is set to intensify these inequalities as the decades of neoliberal dismantling of public healthcare and other social institutions leave inhabitants of impoverished rural areas particularly vulnerable.Even before this current exacerbation, representations of rural landscape in American cinema have sought to spatially visualize the country's social inequalities and focus on the victims of poverty and marginalization. The films discussed in this monograph, Ballast (2008), Winter's Bone (2010), Beasts of the Southern Wild (2012), and Leave No Trace (2018), address deep rural poverty in a complex manner and facilitate an interactive, social understanding of landscape.New Rural Cinema suggest a novel way of looking at landscape in cinema that responds to and guides its readers through this recent development in American Independent film. It views the chosen films as expressions of a growing awareness of the dire inequality caused by neoliberal capitalism in the United States and the role landscape plays both in its mechanisms of social exclusion as well as in its collective contestation In English Armut im Kino Filmgeographie Ländliches Amerika US Indie Film LITERARY CRITICISM / European / General bisacsh Country life in motion pictures Poor in motion pictures (DE-588)4113937-9 Hochschulschrift gnd-content Erscheint auch als Druck-Ausgabe 978-3-11-077923-3 Film, class, society Volume 2 (DE-604)BV048322775 2 https://doi.org/10.1515/9783110779417 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Lindemann, Tim 1987- New rural cinema landscape, community and poverty in recent US indie films Film, class, society Armut im Kino Filmgeographie Ländliches Amerika US Indie Film LITERARY CRITICISM / European / General bisacsh Country life in motion pictures Poor in motion pictures |
| subject_GND | (DE-588)4113937-9 |
| title | New rural cinema landscape, community and poverty in recent US indie films |
| title_auth | New rural cinema landscape, community and poverty in recent US indie films |
| title_exact_search | New rural cinema landscape, community and poverty in recent US indie films |
| title_full | New rural cinema landscape, community and poverty in recent US indie films Tim Lindemann |
| title_fullStr | New rural cinema landscape, community and poverty in recent US indie films Tim Lindemann |
| title_full_unstemmed | New rural cinema landscape, community and poverty in recent US indie films Tim Lindemann |
| title_short | New rural cinema |
| title_sort | new rural cinema landscape community and poverty in recent us indie films |
| title_sub | landscape, community and poverty in recent US indie films |
| topic | Armut im Kino Filmgeographie Ländliches Amerika US Indie Film LITERARY CRITICISM / European / General bisacsh Country life in motion pictures Poor in motion pictures |
| topic_facet | Armut im Kino Filmgeographie Ländliches Amerika US Indie Film LITERARY CRITICISM / European / General Country life in motion pictures Poor in motion pictures Hochschulschrift |
| url | https://doi.org/10.1515/9783110779417 |
| volume_link | (DE-604)BV048322775 |
| work_keys_str_mv | AT lindemanntim newruralcinemalandscapecommunityandpovertyinrecentusindiefilms |