Widzialne i wyobrażone - historia muzeum jako przedmiot wiedzy: na marginesie pierwszego tomu "Muzeum. Historii światowej" Krzysztofa Pomiana
Gespeichert in:
| Beteilige Person: | |
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| Format: | Paper |
| Sprache: | Polnisch |
| Veröffentlicht: |
2023
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| Schlagwörter: | |
| Abstract: | The article discusses the recently published Polish translation of the first volume of Le Musée, une histoire mondiale by Krzysztof Pomian, placing it in the context of Pomian’s previous research on human beings’ relationship with time and objects. The essay recalls Pomian’s insights into the influence of material culture on the imagination of societies and his reflections on history as a discipline of knowledge. In this context, Pomian’s main theses on the nature of collecting are discussed, that is, the understanding of a collection as a place where the symbolic meanings of objects are created and multiplied, constituting unique ways of conceptualising and visualising the invisible. The essay also discusses the points in the history of collecting that mark the transition from a private collection to a public, secular museum, namely the history of the Capitoline collection in Rome and the Uffizi Gallery in Florence. It emphasises the shift inherent in the transition of collections from the hands of individuals to the ownership by legal entities and thus political bodies, thereby reorienting collections from the past to the present. |
| Umfang: | Illustrationen |
| ISSN: | 0006-3967 |
Internformat
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| 246 | 1 | 3 | |a The visible and the imaginary - Museum history as an object of knowledge |
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| 520 | 3 | |a The article discusses the recently published Polish translation of the first volume of Le Musée, une histoire mondiale by Krzysztof Pomian, placing it in the context of Pomian’s previous research on human beings’ relationship with time and objects. The essay recalls Pomian’s insights into the influence of material culture on the imagination of societies and his reflections on history as a discipline of knowledge. In this context, Pomian’s main theses on the nature of collecting are discussed, that is, the understanding of a collection as a place where the symbolic meanings of objects are created and multiplied, constituting unique ways of conceptualising and visualising the invisible. The essay also discusses the points in the history of collecting that mark the transition from a private collection to a public, secular museum, namely the history of the Capitoline collection in Rome and the Uffizi Gallery in Florence. It emphasises the shift inherent in the transition of collections from the hands of individuals to the ownership by legal entities and thus political bodies, thereby reorienting collections from the past to the present. | |
| 546 | |a Text polnisch. Zusammenfassung in englischer Sprache unter dem Titel: The visible and the imaginary - Museum history as an object of knowledge : remarks on the first volume of "Le Musée, une histoire mondiale" by Krzysztof Pomian | ||
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Datensatz im Suchindex
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| article_link | (DE-604)BV002698928 |
| author | Olechnowicz, Emilia |
| author_facet | Olechnowicz, Emilia |
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| author_sort | Olechnowicz, Emilia |
| author_variant | e o eo |
| building | Verbundindex |
| bvnumber | BV049567878 |
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| format | Article |
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| illustrated | Illustrated |
| indexdate | 2024-12-20T20:15:38Z |
| institution | BVB |
| issn | 0006-3967 |
| language | Polish |
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| spelling | Olechnowicz, Emilia Verfasser aut Widzialne i wyobrażone - historia muzeum jako przedmiot wiedzy na marginesie pierwszego tomu "Muzeum. Historii światowej" Krzysztofa Pomiana Emilia Olechnowicz The visible and the imaginary - Museum history as an object of knowledge 2023 Illustrationen txt rdacontent n rdamedia nc rdacarrier The article discusses the recently published Polish translation of the first volume of Le Musée, une histoire mondiale by Krzysztof Pomian, placing it in the context of Pomian’s previous research on human beings’ relationship with time and objects. The essay recalls Pomian’s insights into the influence of material culture on the imagination of societies and his reflections on history as a discipline of knowledge. In this context, Pomian’s main theses on the nature of collecting are discussed, that is, the understanding of a collection as a place where the symbolic meanings of objects are created and multiplied, constituting unique ways of conceptualising and visualising the invisible. The essay also discusses the points in the history of collecting that mark the transition from a private collection to a public, secular museum, namely the history of the Capitoline collection in Rome and the Uffizi Gallery in Florence. It emphasises the shift inherent in the transition of collections from the hands of individuals to the ownership by legal entities and thus political bodies, thereby reorienting collections from the past to the present. Text polnisch. Zusammenfassung in englischer Sprache unter dem Titel: The visible and the imaginary - Museum history as an object of knowledge : remarks on the first volume of "Le Musée, une histoire mondiale" by Krzysztof Pomian Pomian, Krzysztof 1934- (DE-588)118165496 gnd rswk-swf Sammeln (DE-588)4051494-8 gnd rswk-swf Museumskunde (DE-588)4170787-4 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Pomian, Krzysztof 1934- (DE-588)118165496 p Museumskunde (DE-588)4170787-4 s Kunst (DE-588)4114333-4 s Sammeln (DE-588)4051494-8 s DE-604 volume:85 number:4 year:2023 pages:141-150 Biuletyn historii sztuki / Państwowy Instytut Sztuki ; Stowarzyszenie Historyków Sztuki Warszawa, 2023 Band 85, Heft 4 (2023), Seite 141-150 (DE-604)BV002698928 0006-3967 (DE-600)127366-8 |
| spellingShingle | Olechnowicz, Emilia Widzialne i wyobrażone - historia muzeum jako przedmiot wiedzy na marginesie pierwszego tomu "Muzeum. Historii światowej" Krzysztofa Pomiana Pomian, Krzysztof 1934- (DE-588)118165496 gnd Sammeln (DE-588)4051494-8 gnd Museumskunde (DE-588)4170787-4 gnd Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)118165496 (DE-588)4051494-8 (DE-588)4170787-4 (DE-588)4114333-4 |
| title | Widzialne i wyobrażone - historia muzeum jako przedmiot wiedzy na marginesie pierwszego tomu "Muzeum. Historii światowej" Krzysztofa Pomiana |
| title_alt | The visible and the imaginary - Museum history as an object of knowledge |
| title_auth | Widzialne i wyobrażone - historia muzeum jako przedmiot wiedzy na marginesie pierwszego tomu "Muzeum. Historii światowej" Krzysztofa Pomiana |
| title_exact_search | Widzialne i wyobrażone - historia muzeum jako przedmiot wiedzy na marginesie pierwszego tomu "Muzeum. Historii światowej" Krzysztofa Pomiana |
| title_full | Widzialne i wyobrażone - historia muzeum jako przedmiot wiedzy na marginesie pierwszego tomu "Muzeum. Historii światowej" Krzysztofa Pomiana Emilia Olechnowicz |
| title_fullStr | Widzialne i wyobrażone - historia muzeum jako przedmiot wiedzy na marginesie pierwszego tomu "Muzeum. Historii światowej" Krzysztofa Pomiana Emilia Olechnowicz |
| title_full_unstemmed | Widzialne i wyobrażone - historia muzeum jako przedmiot wiedzy na marginesie pierwszego tomu "Muzeum. Historii światowej" Krzysztofa Pomiana Emilia Olechnowicz |
| title_short | Widzialne i wyobrażone - historia muzeum jako przedmiot wiedzy |
| title_sort | widzialne i wyobrazone historia muzeum jako przedmiot wiedzy na marginesie pierwszego tomu muzeum historii swiatowej krzysztofa pomiana |
| title_sub | na marginesie pierwszego tomu "Muzeum. Historii światowej" Krzysztofa Pomiana |
| topic | Pomian, Krzysztof 1934- (DE-588)118165496 gnd Sammeln (DE-588)4051494-8 gnd Museumskunde (DE-588)4170787-4 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | Pomian, Krzysztof 1934- Sammeln Museumskunde Kunst |
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