The crossings: defining Slave to the rhythm
The album Slave to the Rhythm is typical of the exaltation of pop stars but atypical in its presentation and interaction with biographical material. Three crossings are considered in this assessment of the work: technological, cultural, and structural. These are presented with a detailed track-by-tr...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2023
|
| Schlagwörter: | |
| Links: | https://doi.org/10.1017/9781009071079 https://doi.org/10.1017/9781009071079 https://doi.org/10.1017/9781009071079 |
| Zusammenfassung: | The album Slave to the Rhythm is typical of the exaltation of pop stars but atypical in its presentation and interaction with biographical material. Three crossings are considered in this assessment of the work: technological, cultural, and structural. These are presented with a detailed track-by-track analysis using a range of signal processing techniques, some adapted specifically for this project. This Element focuses on the combination of digital, novel, and analogue technology that was used, and the organisational and transformational treatments of recorded material it offered, along with their associated musical cultures. The way in which studio technology functions, and offers interaction with its users, has a direct influence over the sound of the music that is created with it. To understand how that influence is manifested in Slave, there is considerable focus on the development and use of music technology |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 26 Oct 2023) |
| Umfang: | 1 Online-Ressource (82 Seiten) |
| ISBN: | 9781009071079 |
| DOI: | 10.1017/9781009071079 |
Internformat
MARC
| LEADER | 00000nam a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV049561419 | ||
| 003 | DE-604 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 240208s2023 xx o|||| 00||| eng d | ||
| 020 | |a 9781009071079 |c Online |9 978-1-009-07107-9 | ||
| 024 | 7 | |a 10.1017/9781009071079 |2 doi | |
| 035 | |a (ZDB-20-CBO)CR9781009071079 | ||
| 035 | |a (OCoLC)1422497256 | ||
| 035 | |a (DE-599)BVBBV049561419 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-473 | ||
| 082 | 0 | |a 781.660973 | |
| 100 | 1 | |a Wells, Jeremy J. |0 (DE-588)1203163738 |4 aut | |
| 245 | 1 | 0 | |a The crossings |b defining Slave to the rhythm |c Jeremy J. Wells |
| 264 | 1 | |a Cambridge |b Cambridge University Press |c 2023 | |
| 300 | |a 1 Online-Ressource (82 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Title from publisher's bibliographic system (viewed on 26 Oct 2023) | ||
| 520 | |a The album Slave to the Rhythm is typical of the exaltation of pop stars but atypical in its presentation and interaction with biographical material. Three crossings are considered in this assessment of the work: technological, cultural, and structural. These are presented with a detailed track-by-track analysis using a range of signal processing techniques, some adapted specifically for this project. This Element focuses on the combination of digital, novel, and analogue technology that was used, and the organisational and transformational treatments of recorded material it offered, along with their associated musical cultures. The way in which studio technology functions, and offers interaction with its users, has a direct influence over the sound of the music that is created with it. To understand how that influence is manifested in Slave, there is considerable focus on the development and use of music technology | ||
| 600 | 1 | 4 | |a Jones, Grace |
| 600 | 1 | 7 | |a Jones, Grace |d 1948- |0 (DE-588)133276570 |2 gnd |9 rswk-swf |
| 650 | 4 | |a Rock music / United States / 1981-1990 / History and criticism | |
| 650 | 4 | |a Popular music / Production and direction / History / 20th century | |
| 650 | 4 | |a Sound recordings / History / 20th century | |
| 650 | 0 | 7 | |a Musikproduktion |0 (DE-588)4235850-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Album |0 (DE-588)4543648-4 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Jones, Grace |d 1948- |0 (DE-588)133276570 |D p |
| 689 | 0 | 1 | |a Album |0 (DE-588)4543648-4 |D s |
| 689 | 0 | 2 | |a Musikproduktion |0 (DE-588)4235850-4 |D s |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-1-009-45443-8 |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-1-009-06908-3 |
| 856 | 4 | 0 | |u https://doi.org/10.1017/9781009071079 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-20-CBO | ||
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-034906857 | |
| 966 | e | |u https://doi.org/10.1017/9781009071079 |l DE-12 |p ZDB-20-CBO |q BSB_PDA_CBO |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1017/9781009071079 |l DE-473 |p ZDB-20-CBO |q UBG_PDA_CBO |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1820981436998483968 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Wells, Jeremy J. |
| author_GND | (DE-588)1203163738 |
| author_facet | Wells, Jeremy J. |
| author_role | aut |
| author_sort | Wells, Jeremy J. |
| author_variant | j j w jj jjw |
| building | Verbundindex |
| bvnumber | BV049561419 |
| collection | ZDB-20-CBO |
| ctrlnum | (ZDB-20-CBO)CR9781009071079 (OCoLC)1422497256 (DE-599)BVBBV049561419 |
| dewey-full | 781.660973 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.660973 |
| dewey-search | 781.660973 |
| dewey-sort | 3781.660973 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/9781009071079 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000zc 4500</leader><controlfield tag="001">BV049561419</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">240208s2023 xx o|||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781009071079</subfield><subfield code="c">Online</subfield><subfield code="9">978-1-009-07107-9</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1017/9781009071079</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-20-CBO)CR9781009071079</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1422497256</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049561419</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-473</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">781.660973</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Wells, Jeremy J.</subfield><subfield code="0">(DE-588)1203163738</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The crossings</subfield><subfield code="b">defining Slave to the rhythm</subfield><subfield code="c">Jeremy J. Wells</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge</subfield><subfield code="b">Cambridge University Press</subfield><subfield code="c">2023</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (82 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Title from publisher's bibliographic system (viewed on 26 Oct 2023)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The album Slave to the Rhythm is typical of the exaltation of pop stars but atypical in its presentation and interaction with biographical material. Three crossings are considered in this assessment of the work: technological, cultural, and structural. These are presented with a detailed track-by-track analysis using a range of signal processing techniques, some adapted specifically for this project. This Element focuses on the combination of digital, novel, and analogue technology that was used, and the organisational and transformational treatments of recorded material it offered, along with their associated musical cultures. The way in which studio technology functions, and offers interaction with its users, has a direct influence over the sound of the music that is created with it. To understand how that influence is manifested in Slave, there is considerable focus on the development and use of music technology</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Jones, Grace</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Jones, Grace</subfield><subfield code="d">1948-</subfield><subfield code="0">(DE-588)133276570</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Rock music / United States / 1981-1990 / History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Popular music / Production and direction / History / 20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Sound recordings / History / 20th century</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikproduktion</subfield><subfield code="0">(DE-588)4235850-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Album</subfield><subfield code="0">(DE-588)4543648-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Jones, Grace</subfield><subfield code="d">1948-</subfield><subfield code="0">(DE-588)133276570</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Album</subfield><subfield code="0">(DE-588)4543648-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Musikproduktion</subfield><subfield code="0">(DE-588)4235850-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-1-009-45443-8</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-1-009-06908-3</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1017/9781009071079</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-20-CBO</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034906857</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781009071079</subfield><subfield code="l">DE-12</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">BSB_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781009071079</subfield><subfield code="l">DE-473</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBG_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV049561419 |
| illustrated | Not Illustrated |
| indexdate | 2025-01-11T19:20:27Z |
| institution | BVB |
| isbn | 9781009071079 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034906857 |
| oclc_num | 1422497256 |
| open_access_boolean | |
| owner | DE-12 DE-473 DE-BY-UBG |
| owner_facet | DE-12 DE-473 DE-BY-UBG |
| physical | 1 Online-Ressource (82 Seiten) |
| psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Cambridge University Press |
| record_format | marc |
| spelling | Wells, Jeremy J. (DE-588)1203163738 aut The crossings defining Slave to the rhythm Jeremy J. Wells Cambridge Cambridge University Press 2023 1 Online-Ressource (82 Seiten) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 26 Oct 2023) The album Slave to the Rhythm is typical of the exaltation of pop stars but atypical in its presentation and interaction with biographical material. Three crossings are considered in this assessment of the work: technological, cultural, and structural. These are presented with a detailed track-by-track analysis using a range of signal processing techniques, some adapted specifically for this project. This Element focuses on the combination of digital, novel, and analogue technology that was used, and the organisational and transformational treatments of recorded material it offered, along with their associated musical cultures. The way in which studio technology functions, and offers interaction with its users, has a direct influence over the sound of the music that is created with it. To understand how that influence is manifested in Slave, there is considerable focus on the development and use of music technology Jones, Grace Jones, Grace 1948- (DE-588)133276570 gnd rswk-swf Rock music / United States / 1981-1990 / History and criticism Popular music / Production and direction / History / 20th century Sound recordings / History / 20th century Musikproduktion (DE-588)4235850-4 gnd rswk-swf Album (DE-588)4543648-4 gnd rswk-swf Jones, Grace 1948- (DE-588)133276570 p Album (DE-588)4543648-4 s Musikproduktion (DE-588)4235850-4 s DE-604 Erscheint auch als Druck-Ausgabe 978-1-009-45443-8 Erscheint auch als Druck-Ausgabe 978-1-009-06908-3 https://doi.org/10.1017/9781009071079 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Wells, Jeremy J. The crossings defining Slave to the rhythm Jones, Grace Jones, Grace 1948- (DE-588)133276570 gnd Rock music / United States / 1981-1990 / History and criticism Popular music / Production and direction / History / 20th century Sound recordings / History / 20th century Musikproduktion (DE-588)4235850-4 gnd Album (DE-588)4543648-4 gnd |
| subject_GND | (DE-588)133276570 (DE-588)4235850-4 (DE-588)4543648-4 |
| title | The crossings defining Slave to the rhythm |
| title_auth | The crossings defining Slave to the rhythm |
| title_exact_search | The crossings defining Slave to the rhythm |
| title_full | The crossings defining Slave to the rhythm Jeremy J. Wells |
| title_fullStr | The crossings defining Slave to the rhythm Jeremy J. Wells |
| title_full_unstemmed | The crossings defining Slave to the rhythm Jeremy J. Wells |
| title_short | The crossings |
| title_sort | the crossings defining slave to the rhythm |
| title_sub | defining Slave to the rhythm |
| topic | Jones, Grace Jones, Grace 1948- (DE-588)133276570 gnd Rock music / United States / 1981-1990 / History and criticism Popular music / Production and direction / History / 20th century Sound recordings / History / 20th century Musikproduktion (DE-588)4235850-4 gnd Album (DE-588)4543648-4 gnd |
| topic_facet | Jones, Grace Jones, Grace 1948- Rock music / United States / 1981-1990 / History and criticism Popular music / Production and direction / History / 20th century Sound recordings / History / 20th century Musikproduktion Album |
| url | https://doi.org/10.1017/9781009071079 |
| work_keys_str_mv | AT wellsjeremyj thecrossingsdefiningslavetotherhythm |