Entangled pasts, 1768 - now: art, colonialism and change
Gespeichert in:
| Beteiligte Personen: | , , , |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
London
Royal Academy of Arts
[2024]
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034873875&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Abstract: | Informed by ongoing research, this handsome publication features the work of artists connected with the Royal Academy in an exploration of migration, exchange, artistic traditions, identity and belonging. Contemporary and historical works are brought together as part of a conversation about art and its role in shaping narratives of empire, enslavement, abolition and colonialism, and how it may help set a course for the future. The life-size painted cut-out figures of Lubaina Himid's installation Naming the Money; Hew Locke's Armada, a flotilla of "votive boats" recalling different periods and places; paintings, photographs, sculptures, drawings and prints by Sonia Boyce, Frank Bowling, John Akomfrah, Isaac Julien, El Anatsui, Kerry James Marshall, Kara Walker, Shahzia Sikander, Mohini Chandra and Betye Saar; and historical works by artists such as Joshua Reynolds, J.M.W. Turner and John Singleton Copley create connections across time that examine questions of power, representation and history |
| Beschreibung: | Rückseite Titelblatt: First published on the occasion of the exhibition 'Entangled Pasts, 1768-Now: Art, Colonialism and Change', Royal Academy of Arts, London, 3 February - 28 April 2024 |
| Umfang: | 205 Seiten |
| ISBN: | 9781912520992 1912520990 |
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| 500 | |a Rückseite Titelblatt: First published on the occasion of the exhibition 'Entangled Pasts, 1768-Now: Art, Colonialism and Change', Royal Academy of Arts, London, 3 February - 28 April 2024 | ||
| 520 | 3 | |a Informed by ongoing research, this handsome publication features the work of artists connected with the Royal Academy in an exploration of migration, exchange, artistic traditions, identity and belonging. Contemporary and historical works are brought together as part of a conversation about art and its role in shaping narratives of empire, enslavement, abolition and colonialism, and how it may help set a course for the future. The life-size painted cut-out figures of Lubaina Himid's installation Naming the Money; Hew Locke's Armada, a flotilla of "votive boats" recalling different periods and places; paintings, photographs, sculptures, drawings and prints by Sonia Boyce, Frank Bowling, John Akomfrah, Isaac Julien, El Anatsui, Kerry James Marshall, Kara Walker, Shahzia Sikander, Mohini Chandra and Betye Saar; and historical works by artists such as Joshua Reynolds, J.M.W. Turner and John Singleton Copley create connections across time that examine questions of power, representation and history | |
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Datensatz im Suchindex
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CONTENTS President’s Foreword Acknowledgements 6 g ENTANGLED PASTS, 1968-NOW Art, Colonialism and Change Dorothy Price, with Sarah Lea 10 ‘ALL BEAUTIFUL IN WOE’: The Royal Academy and Enslavement, 1768-1840 Esther Chadwick 18 REPAIRING THE SABLE VENUS Cora Gilroy-Ware 28 FALLACIES OF HOPE Lorothy Price 38 CATALOGUE with section introductions by Sarah Lea, Rose Thompson and Alayo Akinkuybe The First Supper by Tavares Strachan 46 SITES OF POWER I: Portraits and Presence II: Conflict and Ambition Ш: Imagining India 53 6g 91 BEAUTY AND DIFFERENCE I: Landscape and Architecture II: Prints, Poetry, Sculpture and Photography III: Models, Exhibitors, Presidents: Constructing Whiteness 103 119 143 CROSSING WATERS I: The Aquatic Sublime II: Where to from here? 165 179 Biographies of Artists and Sitters Endnotes Further Reading Lenders to the Exhibition Photographic Acknowledgements Index 186 192 199 201 201 202 |
| any_adam_object | 1 |
| author | Price, Dorothy 1969- Lea, Sarah Chadwick, Esther Gilroy-Ware, Cora |
| author_GND | (DE-588)1045034886 (DE-588)1167360338 (DE-588)1212138988 |
| author_facet | Price, Dorothy 1969- Lea, Sarah Chadwick, Esther Gilroy-Ware, Cora |
| author_role | aut aut aut aut |
| author_sort | Price, Dorothy 1969- |
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| discipline | Kunstgeschichte Sozial-/Kulturanthropologie / Empirische Kulturwissenschaft |
| format | Book |
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| indexdate | 2025-02-19T09:02:13Z |
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| publisher | Royal Academy of Arts |
| record_format | marc |
| spelling | Entangled pasts, 1768 - now art, colonialism and change [essays:] Dorothy Price, with Sarah Lea, Esther Chadwick, Cora Gilroy-Ware London Royal Academy of Arts [2024] © 2024 205 Seiten txt rdacontent sti rdacontent n rdamedia nc rdacarrier Rückseite Titelblatt: First published on the occasion of the exhibition 'Entangled Pasts, 1768-Now: Art, Colonialism and Change', Royal Academy of Arts, London, 3 February - 28 April 2024 Informed by ongoing research, this handsome publication features the work of artists connected with the Royal Academy in an exploration of migration, exchange, artistic traditions, identity and belonging. Contemporary and historical works are brought together as part of a conversation about art and its role in shaping narratives of empire, enslavement, abolition and colonialism, and how it may help set a course for the future. The life-size painted cut-out figures of Lubaina Himid's installation Naming the Money; Hew Locke's Armada, a flotilla of "votive boats" recalling different periods and places; paintings, photographs, sculptures, drawings and prints by Sonia Boyce, Frank Bowling, John Akomfrah, Isaac Julien, El Anatsui, Kerry James Marshall, Kara Walker, Shahzia Sikander, Mohini Chandra and Betye Saar; and historical works by artists such as Joshua Reynolds, J.M.W. Turner and John Singleton Copley create connections across time that examine questions of power, representation and history Gallagher, Ellen 1965- (DE-588)121574997 gnd rswk-swf Reynolds, Joshua 1723-1792 (DE-588)118744771 gnd rswk-swf Turner, Joseph Mallord William 1775-1851 (DE-588)11862475X gnd rswk-swf Copley, John Singleton 1738-1815 (DE-588)118670034 gnd rswk-swf Locke, Hew 1959- (DE-588)130540811 gnd rswk-swf Shonibare, Yinka 1962- (DE-588)124663168 gnd rswk-swf Kolonialismus Motiv (DE-588)4164710-5 gnd rswk-swf Sklaverei Motiv (DE-588)4204853-9 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Imperialismus Motiv (DE-588)4299454-8 gnd rswk-swf (DE-588)4135467-9 Ausstellungskatalog Royal Academy of Arts 03.02.2024-28.04.2024 London gnd-content (DE-588)4143413-4 Aufsatzsammlung gnd-content Turner, Joseph Mallord William 1775-1851 (DE-588)11862475X p Gallagher, Ellen 1965- (DE-588)121574997 p Reynolds, Joshua 1723-1792 (DE-588)118744771 p Shonibare, Yinka 1962- (DE-588)124663168 p Copley, John Singleton 1738-1815 (DE-588)118670034 p Locke, Hew 1959- (DE-588)130540811 p Kunst (DE-588)4114333-4 s Kolonialismus Motiv (DE-588)4164710-5 s Imperialismus Motiv (DE-588)4299454-8 s Sklaverei Motiv (DE-588)4204853-9 s DE-604 Price, Dorothy 1969- (DE-588)1045034886 aut Lea, Sarah (DE-588)1167360338 aut Chadwick, Esther aut Gilroy-Ware, Cora (DE-588)1212138988 aut Royal Academy of Arts (DE-588)1023738-0 isb his Digitalisierung UB Bamberg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034873875&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Price, Dorothy 1969- Lea, Sarah Chadwick, Esther Gilroy-Ware, Cora Entangled pasts, 1768 - now art, colonialism and change Gallagher, Ellen 1965- (DE-588)121574997 gnd Reynolds, Joshua 1723-1792 (DE-588)118744771 gnd Turner, Joseph Mallord William 1775-1851 (DE-588)11862475X gnd Copley, John Singleton 1738-1815 (DE-588)118670034 gnd Locke, Hew 1959- (DE-588)130540811 gnd Shonibare, Yinka 1962- (DE-588)124663168 gnd Kolonialismus Motiv (DE-588)4164710-5 gnd Sklaverei Motiv (DE-588)4204853-9 gnd Kunst (DE-588)4114333-4 gnd Imperialismus Motiv (DE-588)4299454-8 gnd |
| subject_GND | (DE-588)121574997 (DE-588)118744771 (DE-588)11862475X (DE-588)118670034 (DE-588)130540811 (DE-588)124663168 (DE-588)4164710-5 (DE-588)4204853-9 (DE-588)4114333-4 (DE-588)4299454-8 (DE-588)4135467-9 (DE-588)4143413-4 |
| title | Entangled pasts, 1768 - now art, colonialism and change |
| title_auth | Entangled pasts, 1768 - now art, colonialism and change |
| title_exact_search | Entangled pasts, 1768 - now art, colonialism and change |
| title_full | Entangled pasts, 1768 - now art, colonialism and change [essays:] Dorothy Price, with Sarah Lea, Esther Chadwick, Cora Gilroy-Ware |
| title_fullStr | Entangled pasts, 1768 - now art, colonialism and change [essays:] Dorothy Price, with Sarah Lea, Esther Chadwick, Cora Gilroy-Ware |
| title_full_unstemmed | Entangled pasts, 1768 - now art, colonialism and change [essays:] Dorothy Price, with Sarah Lea, Esther Chadwick, Cora Gilroy-Ware |
| title_short | Entangled pasts, 1768 - now |
| title_sort | entangled pasts 1768 now art colonialism and change |
| title_sub | art, colonialism and change |
| topic | Gallagher, Ellen 1965- (DE-588)121574997 gnd Reynolds, Joshua 1723-1792 (DE-588)118744771 gnd Turner, Joseph Mallord William 1775-1851 (DE-588)11862475X gnd Copley, John Singleton 1738-1815 (DE-588)118670034 gnd Locke, Hew 1959- (DE-588)130540811 gnd Shonibare, Yinka 1962- (DE-588)124663168 gnd Kolonialismus Motiv (DE-588)4164710-5 gnd Sklaverei Motiv (DE-588)4204853-9 gnd Kunst (DE-588)4114333-4 gnd Imperialismus Motiv (DE-588)4299454-8 gnd |
| topic_facet | Gallagher, Ellen 1965- Reynolds, Joshua 1723-1792 Turner, Joseph Mallord William 1775-1851 Copley, John Singleton 1738-1815 Locke, Hew 1959- Shonibare, Yinka 1962- Kolonialismus Motiv Sklaverei Motiv Kunst Imperialismus Motiv Ausstellungskatalog Royal Academy of Arts 03.02.2024-28.04.2024 London Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034873875&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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