Notes on Franz Wickhoff’s School and Max Dvořák’s Italian Renaissance studies based on new archival materials:
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch Paper |
| Sprache: | Englisch |
| Veröffentlicht: |
December 2023
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| Links: | https://doi.org/10.48352/uobxjah.00004355 |
| Abstract: | The article deals with Franz Wickhoff's influence on Max Dvořák's formulation of his late method of art history today widely known as ‘Kunstgeschichte als Geistesgeschichte’. The article proposes a thesis that already in Wickhoff's thinking an inclination toward the ‘geistesgeschichtliche’ interpretation of art history can be evident, as shown on a comparison between his and Dvořák's interest in the Italian Renaissance art. The other way of Wickhoff's influence on Dvořák's art history is shown as grounded in their deep personal relationship that is documented in their mutual correspondence from the early 20th century, recently rediscovered in the Archive of the Institute of Art History of the Vienna University. |
| Umfang: | 1 Online-Ressource (16 Seiten) Illustrationen |
| ISSN: | 2042-4752 |
| DOI: | 10.48352/uobxjah.00004355 |
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| 520 | 3 | |a The article deals with Franz Wickhoff's influence on Max Dvořák's formulation of his late method of art history today widely known as ‘Kunstgeschichte als Geistesgeschichte’. The article proposes a thesis that already in Wickhoff's thinking an inclination toward the ‘geistesgeschichtliche’ interpretation of art history can be evident, as shown on a comparison between his and Dvořák's interest in the Italian Renaissance art. The other way of Wickhoff's influence on Dvořák's art history is shown as grounded in their deep personal relationship that is documented in their mutual correspondence from the early 20th century, recently rediscovered in the Archive of the Institute of Art History of the Vienna University. | |
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| id | DE-604.BV049524984 |
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| institution | BVB |
| issn | 2042-4752 |
| language | English |
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| spelling | Murár, Tomáš 1990- Verfasser (DE-588)1073707555 aut Notes on Franz Wickhoff’s School and Max Dvořák’s Italian Renaissance studies based on new archival materials Tomáš Murár December 2023 1 Online-Ressource (16 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier The article deals with Franz Wickhoff's influence on Max Dvořák's formulation of his late method of art history today widely known as ‘Kunstgeschichte als Geistesgeschichte’. The article proposes a thesis that already in Wickhoff's thinking an inclination toward the ‘geistesgeschichtliche’ interpretation of art history can be evident, as shown on a comparison between his and Dvořák's interest in the Italian Renaissance art. The other way of Wickhoff's influence on Dvořák's art history is shown as grounded in their deep personal relationship that is documented in their mutual correspondence from the early 20th century, recently rediscovered in the Archive of the Institute of Art History of the Vienna University. number:29 year:2023 Journal of art historiography Glasgow, 2023 Heft 29 (2023), Supplement 2 (DE-604)BV035944348 2042-4752 (DE-600)2532257-6 https://doi.org/10.48352/uobxjah.00004355 Verlag kostenfrei Volltext |
| spellingShingle | Murár, Tomáš 1990- Notes on Franz Wickhoff’s School and Max Dvořák’s Italian Renaissance studies based on new archival materials |
| title | Notes on Franz Wickhoff’s School and Max Dvořák’s Italian Renaissance studies based on new archival materials |
| title_auth | Notes on Franz Wickhoff’s School and Max Dvořák’s Italian Renaissance studies based on new archival materials |
| title_exact_search | Notes on Franz Wickhoff’s School and Max Dvořák’s Italian Renaissance studies based on new archival materials |
| title_full | Notes on Franz Wickhoff’s School and Max Dvořák’s Italian Renaissance studies based on new archival materials Tomáš Murár |
| title_fullStr | Notes on Franz Wickhoff’s School and Max Dvořák’s Italian Renaissance studies based on new archival materials Tomáš Murár |
| title_full_unstemmed | Notes on Franz Wickhoff’s School and Max Dvořák’s Italian Renaissance studies based on new archival materials Tomáš Murár |
| title_short | Notes on Franz Wickhoff’s School and Max Dvořák’s Italian Renaissance studies based on new archival materials |
| title_sort | notes on franz wickhoff s school and max dvorak s italian renaissance studies based on new archival materials |
| url | https://doi.org/10.48352/uobxjah.00004355 |
| work_keys_str_mv | AT murartomas notesonfranzwickhoffsschoolandmaxdvoraksitalianrenaissancestudiesbasedonnewarchivalmaterials |