Sounds as they are: the unwritten music in classical recordings
In a recording, what sounds count as music? Sounds made by a musician's body -including inhales, finger taps, and grunts - have for decades been dismissed as extraneous noises. In 'Sounds as They Are', Richard Beaudoin pioneers a field of inquiry into non-notated sounds in recordings...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
New York, NY
Oxford University Press
[2024]
|
| Schriftenreihe: | Oxford studies in music theory
Oxford scholarship online |
| Schlagwörter: | |
| Links: | https://doi.org/10.1093/oso/9780197659281.001.0001 https://doi.org/10.1093/oso/9780197659281.001.0001 https://doi.org/10.1093/oso/9780197659281.001.0001 |
| Zusammenfassung: | In a recording, what sounds count as music? Sounds made by a musician's body -including inhales, finger taps, and grunts - have for decades been dismissed as extraneous noises. In 'Sounds as They Are', Richard Beaudoin pioneers a field of inquiry into non-notated sounds in recordings of classical music, recognizing often-overlooked sounds made by the bodies of performers and their recording equipment as music |
| Beschreibung: | Also issued in print: 2024. - Includes bibliographical references, discography and index |
| Umfang: | 1 Online-Ressource (xii, 277 Seiten) Illustrationen |
| ISBN: | 9780197659311 |
| DOI: | 10.1093/oso/9780197659281.001.0001 |
Internformat
MARC
| LEADER | 00000nam a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV049515790 | ||
| 003 | DE-604 | ||
| 005 | 20240603 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 240124s2024 xx a||| o|||| 00||| eng d | ||
| 020 | |a 9780197659311 |c Online |9 978-0-19-765931-1 | ||
| 024 | 7 | |a 10.1093/oso/9780197659281.001.0001 |2 doi | |
| 035 | |a (ZDB-28-OSM)9780197659311 | ||
| 035 | |a (OCoLC)1422444141 | ||
| 035 | |a (DE-599)BVBBV049515790 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-739 | ||
| 082 | 0 | |a 781.17 | |
| 084 | |a MUS |q DE-12 |2 fid | ||
| 100 | 1 | |a Beaudoin, Richard |d 1975- |e Verfasser |0 (DE-588)1043595449 |4 aut | |
| 245 | 1 | 0 | |a Sounds as they are |b the unwritten music in classical recordings |c Richard Beaudoin |
| 264 | 1 | |a New York, NY |b Oxford University Press |c [2024] | |
| 264 | 4 | |c ©2024 | |
| 300 | |a 1 Online-Ressource (xii, 277 Seiten) |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Oxford studies in music theory | |
| 490 | 0 | |a Oxford scholarship online | |
| 500 | |a Also issued in print: 2024. - Includes bibliographical references, discography and index | ||
| 520 | |a In a recording, what sounds count as music? Sounds made by a musician's body -including inhales, finger taps, and grunts - have for decades been dismissed as extraneous noises. In 'Sounds as They Are', Richard Beaudoin pioneers a field of inquiry into non-notated sounds in recordings of classical music, recognizing often-overlooked sounds made by the bodies of performers and their recording equipment as music | ||
| 650 | 4 | |a Music / ukslc | |
| 650 | 4 | |a Music / thema | |
| 650 | 4 | |a Sound recordings / Aesthetics | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-0-19-765928-1 |
| 856 | 4 | 0 | |u https://doi.org/10.1093/oso/9780197659281.001.0001 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-28-OSM | ||
| 912 | |a ZDB-1-UMC | ||
| 912 | |a ZDB-28-OSD | ||
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-034861742 | |
| 966 | e | |u https://doi.org/10.1093/oso/9780197659281.001.0001 |l DE-12 |p ZDB-1-UMC |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1093/oso/9780197659281.001.0001 |l DE-12 |p ZDB-28-OSM |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1093/oso/9780197659281.001.0001 |l DE-739 |p ZDB-28-OSD |q UPA_PDA_OSD_Kauf2023 |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1818991690122264576 |
|---|---|
| any_adam_object | |
| author | Beaudoin, Richard 1975- |
| author_GND | (DE-588)1043595449 |
| author_facet | Beaudoin, Richard 1975- |
| author_role | aut |
| author_sort | Beaudoin, Richard 1975- |
| author_variant | r b rb |
| building | Verbundindex |
| bvnumber | BV049515790 |
| collection | ZDB-28-OSM ZDB-1-UMC ZDB-28-OSD |
| ctrlnum | (ZDB-28-OSM)9780197659311 (OCoLC)1422444141 (DE-599)BVBBV049515790 |
| dewey-full | 781.17 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.17 |
| dewey-search | 781.17 |
| dewey-sort | 3781.17 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1093/oso/9780197659281.001.0001 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02345nam a2200493zc 4500</leader><controlfield tag="001">BV049515790</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240603 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">240124s2024 xx a||| o|||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780197659311</subfield><subfield code="c">Online</subfield><subfield code="9">978-0-19-765931-1</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1093/oso/9780197659281.001.0001</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-28-OSM)9780197659311</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1422444141</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049515790</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-739</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">781.17</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Beaudoin, Richard</subfield><subfield code="d">1975-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1043595449</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Sounds as they are</subfield><subfield code="b">the unwritten music in classical recordings</subfield><subfield code="c">Richard Beaudoin</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York, NY</subfield><subfield code="b">Oxford University Press</subfield><subfield code="c">[2024]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2024</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (xii, 277 Seiten)</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Oxford studies in music theory</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Oxford scholarship online</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Also issued in print: 2024. - Includes bibliographical references, discography and index</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">In a recording, what sounds count as music? Sounds made by a musician's body -including inhales, finger taps, and grunts - have for decades been dismissed as extraneous noises. In 'Sounds as They Are', Richard Beaudoin pioneers a field of inquiry into non-notated sounds in recordings of classical music, recognizing often-overlooked sounds made by the bodies of performers and their recording equipment as music</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music / ukslc</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music / thema</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Sound recordings / Aesthetics</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-0-19-765928-1</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1093/oso/9780197659281.001.0001</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-28-OSM</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-1-UMC</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-28-OSD</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034861742</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1093/oso/9780197659281.001.0001</subfield><subfield code="l">DE-12</subfield><subfield code="p">ZDB-1-UMC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1093/oso/9780197659281.001.0001</subfield><subfield code="l">DE-12</subfield><subfield code="p">ZDB-28-OSM</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1093/oso/9780197659281.001.0001</subfield><subfield code="l">DE-739</subfield><subfield code="p">ZDB-28-OSD</subfield><subfield code="q">UPA_PDA_OSD_Kauf2023</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV049515790 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T20:14:16Z |
| institution | BVB |
| isbn | 9780197659311 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034861742 |
| oclc_num | 1422444141 |
| open_access_boolean | |
| owner | DE-12 DE-739 |
| owner_facet | DE-12 DE-739 |
| physical | 1 Online-Ressource (xii, 277 Seiten) Illustrationen |
| psigel | ZDB-28-OSM ZDB-1-UMC ZDB-28-OSD ZDB-28-OSD UPA_PDA_OSD_Kauf2023 |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | Oxford University Press |
| record_format | marc |
| series2 | Oxford studies in music theory Oxford scholarship online |
| spelling | Beaudoin, Richard 1975- Verfasser (DE-588)1043595449 aut Sounds as they are the unwritten music in classical recordings Richard Beaudoin New York, NY Oxford University Press [2024] ©2024 1 Online-Ressource (xii, 277 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Oxford studies in music theory Oxford scholarship online Also issued in print: 2024. - Includes bibliographical references, discography and index In a recording, what sounds count as music? Sounds made by a musician's body -including inhales, finger taps, and grunts - have for decades been dismissed as extraneous noises. In 'Sounds as They Are', Richard Beaudoin pioneers a field of inquiry into non-notated sounds in recordings of classical music, recognizing often-overlooked sounds made by the bodies of performers and their recording equipment as music Music / ukslc Music / thema Sound recordings / Aesthetics Erscheint auch als Druck-Ausgabe 978-0-19-765928-1 https://doi.org/10.1093/oso/9780197659281.001.0001 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Beaudoin, Richard 1975- Sounds as they are the unwritten music in classical recordings Music / ukslc Music / thema Sound recordings / Aesthetics |
| title | Sounds as they are the unwritten music in classical recordings |
| title_auth | Sounds as they are the unwritten music in classical recordings |
| title_exact_search | Sounds as they are the unwritten music in classical recordings |
| title_full | Sounds as they are the unwritten music in classical recordings Richard Beaudoin |
| title_fullStr | Sounds as they are the unwritten music in classical recordings Richard Beaudoin |
| title_full_unstemmed | Sounds as they are the unwritten music in classical recordings Richard Beaudoin |
| title_short | Sounds as they are |
| title_sort | sounds as they are the unwritten music in classical recordings |
| title_sub | the unwritten music in classical recordings |
| topic | Music / ukslc Music / thema Sound recordings / Aesthetics |
| topic_facet | Music / ukslc Music / thema Sound recordings / Aesthetics |
| url | https://doi.org/10.1093/oso/9780197659281.001.0001 |
| work_keys_str_mv | AT beaudoinrichard soundsastheyaretheunwrittenmusicinclassicalrecordings |