Impressionists on paper: Degas to Toulouse-Lautrec
Gespeichert in:
| Beteiligte Personen: | , , , |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
London
Royal Academy of Arts
[2023]
|
| Schlagwörter: | |
| Abstract: | Best known for their superlative oils on canvas, Degas, Cézanne, Renoir, Toulouse-Lautrec, Van Gogh and their contemporaries also regularly used paper as a base for their works. They experimented with materials including watercolor, gouache, pencil, ink and the temperamental pastel. The Impressionists and Post-Impressionists often found working on paper to be a better conveyance of the fluctuating surroundings they sought to capture. Their practices transformed the status of these works from preparatory studies left in the studio to works of art in their own right. Indeed, prints and drawings were hung alongside oil paintings in all eight canonical Impressionist exhibitions held between 1874 and 1886. At the last of these, Degas exclusively exhibited pastels on paper. This sumptuous collection of some 70 works on paper, exhibited at the Royal Academy of Arts, London, includes sketches for well-known masterpieces such as George Seurat’s figure of a youth for The Bathers at Asnières (1883) to scenes with no known painted counterpart such as Van Gogh’s Entrance to the Pawn Bank, The Hague (1882). Insightful texts by Royal Academy curators and experts in 19th-century European art explore three topics: the artistic development of the Impressionists through their works on paper; the role of drawing in arts education; and commercial innovations to artist’s materials that made paper a more popular option. The catalog is arranged chronologically from the 1860s to the 1900s, charting the rapid progress of techniques and subject matter. The bold innovations of the Impressionists and Post-Impressionists challenged traditional attitudes and radically transformed the future direction of art, ultimately paving the way for later movements such as Abstract Expressionism |
| Beschreibung: | Rückseite Titelblatt: First published on the occasion of the exhibition "Impressionists on Paper: Degas to Toulouse-Lautrec", Royal Academy of Arts, London, 25 November 2023 - 10 March 2024 |
| Umfang: | 147 Seiten, 5 ungezählte Seiten 26 cm |
| ISBN: | 9781912520978 1912520974 |
Internformat
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| 500 | |a Rückseite Titelblatt: First published on the occasion of the exhibition "Impressionists on Paper: Degas to Toulouse-Lautrec", Royal Academy of Arts, London, 25 November 2023 - 10 March 2024 | ||
| 505 | 8 | |a Impressionists on paper: Degas to Toulouse-Lautrec / Christopher Lloyd -- The rising status of drawing from the 1870s to the 1890s / Leïla Jarbouai -- Reciprocal invention: how material innovations catalysed the ascendance of drawing in nineteenth-century France / Harriet K. Stratis -- Catalogue plates / with section introduction by Ann Dumas | |
| 520 | 3 | |a Best known for their superlative oils on canvas, Degas, Cézanne, Renoir, Toulouse-Lautrec, Van Gogh and their contemporaries also regularly used paper as a base for their works. They experimented with materials including watercolor, gouache, pencil, ink and the temperamental pastel. The Impressionists and Post-Impressionists often found working on paper to be a better conveyance of the fluctuating surroundings they sought to capture. Their practices transformed the status of these works from preparatory studies left in the studio to works of art in their own right. Indeed, prints and drawings were hung alongside oil paintings in all eight canonical Impressionist exhibitions held between 1874 and 1886. At the last of these, Degas exclusively exhibited pastels on paper. This sumptuous collection of some 70 works on paper, exhibited at the Royal Academy of Arts, London, includes sketches for well-known masterpieces such as George Seurat’s figure of a youth for The Bathers at Asnières (1883) to scenes with no known painted counterpart such as Van Gogh’s Entrance to the Pawn Bank, The Hague (1882). Insightful texts by Royal Academy curators and experts in 19th-century European art explore three topics: the artistic development of the Impressionists through their works on paper; the role of drawing in arts education; and commercial innovations to artist’s materials that made paper a more popular option. The catalog is arranged chronologically from the 1860s to the 1900s, charting the rapid progress of techniques and subject matter. The bold innovations of the Impressionists and Post-Impressionists challenged traditional attitudes and radically transformed the future direction of art, ultimately paving the way for later movements such as Abstract Expressionism | |
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Datensatz im Suchindex
| _version_ | 1820977267880230912 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Dumas, Ann 1955- Jarbouai, Leïla 1980- Lloyd, Christopher 1945- Stratis, Harriet K. 1960- |
| author_GND | (DE-588)143174401 (DE-588)137602758 (DE-588)123918006 (DE-588)13673152X |
| author_facet | Dumas, Ann 1955- Jarbouai, Leïla 1980- Lloyd, Christopher 1945- Stratis, Harriet K. 1960- |
| author_role | aut aut aut aut |
| author_sort | Dumas, Ann 1955- |
| author_variant | a d ad l j lj c l cl h k s hk hks |
| building | Verbundindex |
| bvnumber | BV049503459 |
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| contents | Impressionists on paper: Degas to Toulouse-Lautrec / Christopher Lloyd -- The rising status of drawing from the 1870s to the 1890s / Leïla Jarbouai -- Reciprocal invention: how material innovations catalysed the ascendance of drawing in nineteenth-century France / Harriet K. Stratis -- Catalogue plates / with section introduction by Ann Dumas |
| ctrlnum | (OCoLC)1419440457 (DE-599)BVBBV049503459 |
| discipline | Kunstgeschichte |
| era | Geschichte 1860-1910 gnd |
| era_facet | Geschichte 1860-1910 |
| format | Book |
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| genre_facet | Ausstellungskatalog Royal Academy of Arts 25.11.2023-10.03.2024 London |
| id | DE-604.BV049503459 |
| illustrated | Not Illustrated |
| indexdate | 2025-01-11T18:14:10Z |
| institution | BVB |
| institution_GND | (DE-588)1023738-0 |
| isbn | 9781912520978 1912520974 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034848550 |
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| physical | 147 Seiten, 5 ungezählte Seiten 26 cm |
| publishDate | 2023 |
| publishDateSearch | 2023 |
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| publisher | Royal Academy of Arts |
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| spelling | Impressionists on paper Degas to Toulouse-Lautrec [text by] Ann Dumas, Leïla Jarbouai, Christopher Lloyd, Harriet K. Stratis London Royal Academy of Arts [2023] 147 Seiten, 5 ungezählte Seiten 26 cm sti rdacontent txt rdacontent n rdamedia nc rdacarrier Rückseite Titelblatt: First published on the occasion of the exhibition "Impressionists on Paper: Degas to Toulouse-Lautrec", Royal Academy of Arts, London, 25 November 2023 - 10 March 2024 Impressionists on paper: Degas to Toulouse-Lautrec / Christopher Lloyd -- The rising status of drawing from the 1870s to the 1890s / Leïla Jarbouai -- Reciprocal invention: how material innovations catalysed the ascendance of drawing in nineteenth-century France / Harriet K. Stratis -- Catalogue plates / with section introduction by Ann Dumas Best known for their superlative oils on canvas, Degas, Cézanne, Renoir, Toulouse-Lautrec, Van Gogh and their contemporaries also regularly used paper as a base for their works. They experimented with materials including watercolor, gouache, pencil, ink and the temperamental pastel. The Impressionists and Post-Impressionists often found working on paper to be a better conveyance of the fluctuating surroundings they sought to capture. Their practices transformed the status of these works from preparatory studies left in the studio to works of art in their own right. Indeed, prints and drawings were hung alongside oil paintings in all eight canonical Impressionist exhibitions held between 1874 and 1886. At the last of these, Degas exclusively exhibited pastels on paper. This sumptuous collection of some 70 works on paper, exhibited at the Royal Academy of Arts, London, includes sketches for well-known masterpieces such as George Seurat’s figure of a youth for The Bathers at Asnières (1883) to scenes with no known painted counterpart such as Van Gogh’s Entrance to the Pawn Bank, The Hague (1882). Insightful texts by Royal Academy curators and experts in 19th-century European art explore three topics: the artistic development of the Impressionists through their works on paper; the role of drawing in arts education; and commercial innovations to artist’s materials that made paper a more popular option. The catalog is arranged chronologically from the 1860s to the 1900s, charting the rapid progress of techniques and subject matter. The bold innovations of the Impressionists and Post-Impressionists challenged traditional attitudes and radically transformed the future direction of art, ultimately paving the way for later movements such as Abstract Expressionism Geschichte 1860-1910 gnd rswk-swf Impressionismus (DE-588)4026679-5 gnd rswk-swf Grafik (DE-588)4021845-4 gnd rswk-swf Impressionism (Art) / France / Exhibitions Drawing, French / 19th century / Exhibitions Impressionist artists Impressionism (Art) Impressionnistes Impressionnisme (Art) Impressionnisme (Art) / France / Expositions Dessin français / 19e siècle / Expositions Exhibition catalogs Catalogues d'exposition (DE-588)4135467-9 Ausstellungskatalog Royal Academy of Arts 25.11.2023-10.03.2024 London gnd-content Grafik (DE-588)4021845-4 s Impressionismus (DE-588)4026679-5 s Geschichte 1860-1910 z DE-604 Dumas, Ann 1955- (DE-588)143174401 aut Jarbouai, Leïla 1980- (DE-588)137602758 aut Lloyd, Christopher 1945- (DE-588)123918006 aut Stratis, Harriet K. 1960- (DE-588)13673152X aut Royal Academy of Arts (DE-588)1023738-0 his isb |
| spellingShingle | Dumas, Ann 1955- Jarbouai, Leïla 1980- Lloyd, Christopher 1945- Stratis, Harriet K. 1960- Impressionists on paper Degas to Toulouse-Lautrec Impressionists on paper: Degas to Toulouse-Lautrec / Christopher Lloyd -- The rising status of drawing from the 1870s to the 1890s / Leïla Jarbouai -- Reciprocal invention: how material innovations catalysed the ascendance of drawing in nineteenth-century France / Harriet K. Stratis -- Catalogue plates / with section introduction by Ann Dumas Impressionismus (DE-588)4026679-5 gnd Grafik (DE-588)4021845-4 gnd |
| subject_GND | (DE-588)4026679-5 (DE-588)4021845-4 (DE-588)4135467-9 |
| title | Impressionists on paper Degas to Toulouse-Lautrec |
| title_auth | Impressionists on paper Degas to Toulouse-Lautrec |
| title_exact_search | Impressionists on paper Degas to Toulouse-Lautrec |
| title_full | Impressionists on paper Degas to Toulouse-Lautrec [text by] Ann Dumas, Leïla Jarbouai, Christopher Lloyd, Harriet K. Stratis |
| title_fullStr | Impressionists on paper Degas to Toulouse-Lautrec [text by] Ann Dumas, Leïla Jarbouai, Christopher Lloyd, Harriet K. Stratis |
| title_full_unstemmed | Impressionists on paper Degas to Toulouse-Lautrec [text by] Ann Dumas, Leïla Jarbouai, Christopher Lloyd, Harriet K. Stratis |
| title_short | Impressionists on paper |
| title_sort | impressionists on paper degas to toulouse lautrec |
| title_sub | Degas to Toulouse-Lautrec |
| topic | Impressionismus (DE-588)4026679-5 gnd Grafik (DE-588)4021845-4 gnd |
| topic_facet | Impressionismus Grafik Ausstellungskatalog Royal Academy of Arts 25.11.2023-10.03.2024 London |
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