Francis Alÿs - la dépense:
弗朗西斯·埃利斯 - 消耗
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch Chinesisch |
| Veröffentlicht: |
Berlin
Sternberg Press
[2019]
Shanghai Rockbund Art Museum |
| Schlagwörter: | |
| Abstract: | The catalogue for Francis Alÿs's first large-scale solo museum exhibition in China at the Rockbund Art Museum provides an insightful and critical look into Alÿs's practices. With his acute poetic and imaginative powers of perception, Alÿs raises questions about anthropology and geopolitics, creating works from his close observations of everyday life. The exhibition's title, "La dépense," which translates to "consumption," references French philosopher Georges Bataille's writings on the general economy and the "paradox of utility." As Yuko Hasegawa notes: "In a China transformed by a fast-paced transition to capitalism and the efficiencies of technology, excessively 'non-productive consumption' (dépense improductive) is just as important in human activity as productive consumption." La dépense presents close to 1300 works, including drafts, videos, sketches, paintings, drawings, and other preparatory works. Some of the works have never been seen by the public before, offering a rare glimpse into the artist's working methods. It includes documentation of the eponymous exhibition at the Rockbund Art Museum, along with the introductory texts by curator Yuko Hasegawa, which present Alÿs's work from four aspects: Art between Ethnography and Allegory/Fiction, To Derail the Logic of Economic Thinking, Time and Life, In Closing. The paper used in this publication has the touch and toughness of fiber. This durable material fits Francis Alÿs' reflections on a large amount of consumption in our daily life. A particular combination of Chinese and Western reading habits in the binding and typographic reading style is also a unique feature of this publication |
| Beschreibung: | Impressum: This book was published on the occasion of the exhibition "Francis Alÿs: La dépense," curated by Yuko Hasegawa at Rockund Art Museum (RAM), Shanghai, November 9, 2018 - February 24, 2019 |
| Umfang: | 79 Seiten, 41 ungezählte Seiten |
| ISBN: | 9783956794391 |
Internformat
MARC
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|---|---|---|---|
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| 100 | 1 | |a Alÿs, Francis |d 1959- |0 (DE-588)119546736 |4 art | |
| 245 | 1 | 0 | |6 880-01 |a Francis Alÿs - la dépense |c Yuko Hasegawa, curator |
| 246 | 1 | 3 | |a Francis Alÿs - la dépense |
| 264 | 1 | |a Berlin |b Sternberg Press |c [2019] | |
| 264 | 1 | |a Shanghai |b Rockbund Art Museum | |
| 300 | |a 79 Seiten, 41 ungezählte Seiten | ||
| 336 | |b sti |2 rdacontent | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Impressum: This book was published on the occasion of the exhibition "Francis Alÿs: La dépense," curated by Yuko Hasegawa at Rockund Art Museum (RAM), Shanghai, November 9, 2018 - February 24, 2019 | ||
| 520 | 3 | |a The catalogue for Francis Alÿs's first large-scale solo museum exhibition in China at the Rockbund Art Museum provides an insightful and critical look into Alÿs's practices. With his acute poetic and imaginative powers of perception, Alÿs raises questions about anthropology and geopolitics, creating works from his close observations of everyday life. The exhibition's title, "La dépense," which translates to "consumption," references French philosopher Georges Bataille's writings on the general economy and the "paradox of utility." As Yuko Hasegawa notes: "In a China transformed by a fast-paced transition to capitalism and the efficiencies of technology, excessively 'non-productive consumption' (dépense improductive) is just as important in human activity as productive consumption." La dépense presents close to 1300 works, including drafts, videos, sketches, paintings, drawings, and other preparatory works. Some of the works have never been seen by the public before, offering a rare glimpse into the artist's working methods. It includes documentation of the eponymous exhibition at the Rockbund Art Museum, along with the introductory texts by curator Yuko Hasegawa, which present Alÿs's work from four aspects: Art between Ethnography and Allegory/Fiction, To Derail the Logic of Economic Thinking, Time and Life, In Closing. The paper used in this publication has the touch and toughness of fiber. This durable material fits Francis Alÿs' reflections on a large amount of consumption in our daily life. A particular combination of Chinese and Western reading habits in the binding and typographic reading style is also a unique feature of this publication | |
| 546 | |a Text englisch und chinesisch | ||
| 546 | |b Teilweise chinesisch | ||
| 600 | 1 | 7 | |a Alÿs, Francis |d 1959- |0 (DE-588)119546736 |2 gnd |9 rswk-swf |
| 655 | 7 | |0 (DE-588)4135467-9 |a Ausstellungskatalog |x Rockbund Art Museum |y 09.11.2018-24.02.2019 |z Schanghai |2 gnd-content | |
| 655 | 7 | |0 (DE-588)4145395-5 |a Bildband |2 gnd-content | |
| 689 | 0 | 0 | |a Alÿs, Francis |d 1959- |0 (DE-588)119546736 |D p |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Hasegawa, Yuko |d 1955- |0 (DE-588)1047402033 |4 orm |4 aut | |
| 710 | 2 | |a Rockbund Art Museum |0 (DE-588)1068020784 |4 his |4 isb | |
| 880 | 1 | 0 | |6 245-01/$1 |a 弗朗西斯·埃利斯 - 消耗 |
| 940 | 1 | |f chin | |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-034843395 | |
Datensatz im Suchindex
| _version_ | 1818991660789399552 |
|---|---|
| any_adam_object | |
| author | Hasegawa, Yuko 1955- |
| author_GND | (DE-588)119546736 (DE-588)1047402033 |
| author_facet | Hasegawa, Yuko 1955- |
| author_role | aut |
| author_sort | Hasegawa, Yuko 1955- |
| author_variant | y h yh |
| building | Verbundindex |
| bvnumber | BV049498208 |
| ctrlnum | (OCoLC)1418694094 (DE-599)BVBBV049498208 |
| format | Book |
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| genre_facet | Ausstellungskatalog Rockbund Art Museum 09.11.2018-24.02.2019 Schanghai Bildband |
| id | DE-604.BV049498208 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T20:13:48Z |
| institution | BVB |
| institution_GND | (DE-588)1068020784 |
| isbn | 9783956794391 |
| language | English Chinese |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034843395 |
| oclc_num | 1418694094 |
| open_access_boolean | |
| owner | DE-255 |
| owner_facet | DE-255 |
| physical | 79 Seiten, 41 ungezählte Seiten |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Sternberg Press Rockbund Art Museum |
| record_format | marc |
| spelling | Alÿs, Francis 1959- (DE-588)119546736 art 880-01 Francis Alÿs - la dépense Yuko Hasegawa, curator Francis Alÿs - la dépense Berlin Sternberg Press [2019] Shanghai Rockbund Art Museum 79 Seiten, 41 ungezählte Seiten sti rdacontent txt rdacontent n rdamedia nc rdacarrier Impressum: This book was published on the occasion of the exhibition "Francis Alÿs: La dépense," curated by Yuko Hasegawa at Rockund Art Museum (RAM), Shanghai, November 9, 2018 - February 24, 2019 The catalogue for Francis Alÿs's first large-scale solo museum exhibition in China at the Rockbund Art Museum provides an insightful and critical look into Alÿs's practices. With his acute poetic and imaginative powers of perception, Alÿs raises questions about anthropology and geopolitics, creating works from his close observations of everyday life. The exhibition's title, "La dépense," which translates to "consumption," references French philosopher Georges Bataille's writings on the general economy and the "paradox of utility." As Yuko Hasegawa notes: "In a China transformed by a fast-paced transition to capitalism and the efficiencies of technology, excessively 'non-productive consumption' (dépense improductive) is just as important in human activity as productive consumption." La dépense presents close to 1300 works, including drafts, videos, sketches, paintings, drawings, and other preparatory works. Some of the works have never been seen by the public before, offering a rare glimpse into the artist's working methods. It includes documentation of the eponymous exhibition at the Rockbund Art Museum, along with the introductory texts by curator Yuko Hasegawa, which present Alÿs's work from four aspects: Art between Ethnography and Allegory/Fiction, To Derail the Logic of Economic Thinking, Time and Life, In Closing. The paper used in this publication has the touch and toughness of fiber. This durable material fits Francis Alÿs' reflections on a large amount of consumption in our daily life. A particular combination of Chinese and Western reading habits in the binding and typographic reading style is also a unique feature of this publication Text englisch und chinesisch Teilweise chinesisch Alÿs, Francis 1959- (DE-588)119546736 gnd rswk-swf (DE-588)4135467-9 Ausstellungskatalog Rockbund Art Museum 09.11.2018-24.02.2019 Schanghai gnd-content (DE-588)4145395-5 Bildband gnd-content Alÿs, Francis 1959- (DE-588)119546736 p DE-604 Hasegawa, Yuko 1955- (DE-588)1047402033 orm aut Rockbund Art Museum (DE-588)1068020784 his isb 245-01/$1 弗朗西斯·埃利斯 - 消耗 |
| spellingShingle | Hasegawa, Yuko 1955- Francis Alÿs - la dépense Alÿs, Francis 1959- (DE-588)119546736 gnd |
| subject_GND | (DE-588)119546736 (DE-588)4135467-9 (DE-588)4145395-5 |
| title | Francis Alÿs - la dépense |
| title_alt | Francis Alÿs - la dépense |
| title_auth | Francis Alÿs - la dépense |
| title_exact_search | Francis Alÿs - la dépense |
| title_full | Francis Alÿs - la dépense Yuko Hasegawa, curator |
| title_fullStr | Francis Alÿs - la dépense Yuko Hasegawa, curator |
| title_full_unstemmed | Francis Alÿs - la dépense Yuko Hasegawa, curator |
| title_short | Francis Alÿs - la dépense |
| title_sort | francis alys la depense |
| topic | Alÿs, Francis 1959- (DE-588)119546736 gnd |
| topic_facet | Alÿs, Francis 1959- Ausstellungskatalog Rockbund Art Museum 09.11.2018-24.02.2019 Schanghai Bildband |
| work_keys_str_mv | AT alysfrancis francisalysladepense AT hasegawayuko francisalysladepense AT rockbundartmuseum francisalysladepense |