Collecting and constructing classic Veracruz: Earl Stendahl, Guillermo Echániz, and the market for Mesoamerican stone ballgame objects
Gespeichert in:
Beteiligte Personen: | , |
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Format: | Elektronisch Paper |
Sprache: | Englisch |
Veröffentlicht: |
2023-12-21
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Schlagwörter: | |
Links: | https://www.fokum-jams.org/index.php/jams/article/view/145 https://doi.org/10.23690/jams.v7i1.145 |
Abstract: | The role of the international art market in the looting, trafficking, and sale of Latin American antiquities has shaped the currently accepted canon of pre-Hispanic art to a degree that remains underrecognized. In the case of Classic Veracruz materials, Los Angeles-based Stendahl Art Galleries deftly exploited both a history of illicit excavations and an avant-garde collecting aesthetic to market archaeologically decontextualized objects. Beginning in the late 1930s, the Stendahls and their suppliers brought portable stone Mesoamerican ballgame equipment (yokes, palmas, and hachas) to the fore, which not only perpetuated the looting in Veracruz that robbed scholars and descendant communities of knowledge about the cultures that made them, but also of the opportunity to document, study, and view traditions of monumental stone sculpture that, as a result, are now largely overlooked, or even erased. This article provides a brief history of the collection and classification of Central Veracruz materials; an examination of the Stendahls’ entrance into this market via bibliophile and antiquarian Guillermo Echániz; and a consideration of the practices that shaped prominent institutional and private collections and, in turn, the art historical canon |
Umfang: | 1 Online-Ressource (20 Seiten) 8 Illustrationen |
ISSN: | 2511-7602 |
DOI: | 10.23690/jams.v7i1.145 |
Internformat
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520 | 3 | |a The role of the international art market in the looting, trafficking, and sale of Latin American antiquities has shaped the currently accepted canon of pre-Hispanic art to a degree that remains underrecognized. In the case of Classic Veracruz materials, Los Angeles-based Stendahl Art Galleries deftly exploited both a history of illicit excavations and an avant-garde collecting aesthetic to market archaeologically decontextualized objects. Beginning in the late 1930s, the Stendahls and their suppliers brought portable stone Mesoamerican ballgame equipment (yokes, palmas, and hachas) to the fore, which not only perpetuated the looting in Veracruz that robbed scholars and descendant communities of knowledge about the cultures that made them, but also of the opportunity to document, study, and view traditions of monumental stone sculpture that, as a result, are now largely overlooked, or even erased. This article provides a brief history of the collection and classification of Central Veracruz materials; an examination of the Stendahls’ entrance into this market via bibliophile and antiquarian Guillermo Echániz; and a consideration of the practices that shaped prominent institutional and private collections and, in turn, the art historical canon | |
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author | Turner, Andrew Quintanilla, Payton Phillips |
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spelling | Turner, Andrew Verfasser (DE-588)1140614126 aut Collecting and constructing classic Veracruz Earl Stendahl, Guillermo Echániz, and the market for Mesoamerican stone ballgame objects Andrew D. Turner, Payton Phillips Quintanilla 2023-12-21 1 Online-Ressource (20 Seiten) 8 Illustrationen txt rdacontent c rdamedia cr rdacarrier The role of the international art market in the looting, trafficking, and sale of Latin American antiquities has shaped the currently accepted canon of pre-Hispanic art to a degree that remains underrecognized. In the case of Classic Veracruz materials, Los Angeles-based Stendahl Art Galleries deftly exploited both a history of illicit excavations and an avant-garde collecting aesthetic to market archaeologically decontextualized objects. Beginning in the late 1930s, the Stendahls and their suppliers brought portable stone Mesoamerican ballgame equipment (yokes, palmas, and hachas) to the fore, which not only perpetuated the looting in Veracruz that robbed scholars and descendant communities of knowledge about the cultures that made them, but also of the opportunity to document, study, and view traditions of monumental stone sculpture that, as a result, are now largely overlooked, or even erased. This article provides a brief history of the collection and classification of Central Veracruz materials; an examination of the Stendahls’ entrance into this market via bibliophile and antiquarian Guillermo Echániz; and a consideration of the practices that shaped prominent institutional and private collections and, in turn, the art historical canon Stendahl, Earl Leopold 1888-1966 (DE-588)1019565675 gnd rswk-swf Echániz, Guillermo M. -1965 (DE-588)1333360673 gnd rswk-swf Volkskunst (DE-588)4063851-0 gnd rswk-swf Indigenes Volk (DE-588)4187207-1 gnd rswk-swf Kunstmarkt (DE-588)4120630-7 gnd rswk-swf Kunstraub (DE-588)4134168-5 gnd rswk-swf Kunsthandel (DE-588)4033647-5 gnd rswk-swf Mexiko (DE-588)4039058-5 gnd rswk-swf Staat Veracruz (DE-588)4062533-3 gnd rswk-swf Echániz, Guillermo M. -1965 (DE-588)1333360673 p Stendahl, Earl Leopold 1888-1966 (DE-588)1019565675 p Mexiko (DE-588)4039058-5 g Staat Veracruz (DE-588)4062533-3 g Indigenes Volk (DE-588)4187207-1 s Volkskunst (DE-588)4063851-0 s Kunstraub (DE-588)4134168-5 s Kunstmarkt (DE-588)4120630-7 s Kunsthandel (DE-588)4033647-5 s DE-604 Quintanilla, Payton Phillips Verfasser aut volume:7 number:1 year:2023 Journal for art market studies Berlin, 2023 Volume 7, number 1 (2023) (DE-604)BV044041269 2511-7602 (DE-600)2884071-9 https://www.fokum-jams.org/index.php/jams/article/view/145 Verlag kostenfrei Volltext https://doi.org/10.23690/jams.v7i1.145 Resolving-System kostenfrei Volltext |
spellingShingle | Turner, Andrew Quintanilla, Payton Phillips Collecting and constructing classic Veracruz Earl Stendahl, Guillermo Echániz, and the market for Mesoamerican stone ballgame objects Stendahl, Earl Leopold 1888-1966 (DE-588)1019565675 gnd Echániz, Guillermo M. -1965 (DE-588)1333360673 gnd Volkskunst (DE-588)4063851-0 gnd Indigenes Volk (DE-588)4187207-1 gnd Kunstmarkt (DE-588)4120630-7 gnd Kunstraub (DE-588)4134168-5 gnd Kunsthandel (DE-588)4033647-5 gnd |
subject_GND | (DE-588)1019565675 (DE-588)1333360673 (DE-588)4063851-0 (DE-588)4187207-1 (DE-588)4120630-7 (DE-588)4134168-5 (DE-588)4033647-5 (DE-588)4039058-5 (DE-588)4062533-3 |
title | Collecting and constructing classic Veracruz Earl Stendahl, Guillermo Echániz, and the market for Mesoamerican stone ballgame objects |
title_auth | Collecting and constructing classic Veracruz Earl Stendahl, Guillermo Echániz, and the market for Mesoamerican stone ballgame objects |
title_exact_search | Collecting and constructing classic Veracruz Earl Stendahl, Guillermo Echániz, and the market for Mesoamerican stone ballgame objects |
title_full | Collecting and constructing classic Veracruz Earl Stendahl, Guillermo Echániz, and the market for Mesoamerican stone ballgame objects Andrew D. Turner, Payton Phillips Quintanilla |
title_fullStr | Collecting and constructing classic Veracruz Earl Stendahl, Guillermo Echániz, and the market for Mesoamerican stone ballgame objects Andrew D. Turner, Payton Phillips Quintanilla |
title_full_unstemmed | Collecting and constructing classic Veracruz Earl Stendahl, Guillermo Echániz, and the market for Mesoamerican stone ballgame objects Andrew D. Turner, Payton Phillips Quintanilla |
title_short | Collecting and constructing classic Veracruz |
title_sort | collecting and constructing classic veracruz earl stendahl guillermo echaniz and the market for mesoamerican stone ballgame objects |
title_sub | Earl Stendahl, Guillermo Echániz, and the market for Mesoamerican stone ballgame objects |
topic | Stendahl, Earl Leopold 1888-1966 (DE-588)1019565675 gnd Echániz, Guillermo M. -1965 (DE-588)1333360673 gnd Volkskunst (DE-588)4063851-0 gnd Indigenes Volk (DE-588)4187207-1 gnd Kunstmarkt (DE-588)4120630-7 gnd Kunstraub (DE-588)4134168-5 gnd Kunsthandel (DE-588)4033647-5 gnd |
topic_facet | Stendahl, Earl Leopold 1888-1966 Echániz, Guillermo M. -1965 Volkskunst Indigenes Volk Kunstmarkt Kunstraub Kunsthandel Mexiko Staat Veracruz |
url | https://www.fokum-jams.org/index.php/jams/article/view/145 https://doi.org/10.23690/jams.v7i1.145 |
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