Cosmopolitanism and the creative activism of Public Art:
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Paper |
| Sprache: | Englisch |
| Veröffentlicht: |
2023
|
| Schlagwörter: | |
| Abstract: | Cosmopolitanism seeks a political ethics of world togetherness and a political aesthetics that can contribute to this task critically and imaginatively. Regarding political ethics, I explore the world as a "cosmopolitan mind" composed of "dialogic voices" and threatened by neoliberalism, neofascism, and other nihilistic "oracles." I also construct a criterion for determining which public artworks (1) resist oracles and (2) help us imagine a "cosmopolitan democracy" and its political ethics. The latter includes the concordance of three ethico-political virtues—solidarity, heterogeneity, and fecundity (creating new voices through the interplay among other voices)—and must appeal to different peoples worldwide. I also examine how this political ethics and aesthetics can be applied to nonhuman life and non-sentient formations in a non-anthropocentric manner; indeed, how the cosmos in its entirety and plurality can also be thought of as voices and participants in the cosmopolitan mind and its artistic expression. Moreover, I contend that my ontology of dialogic voices and proposed public art criterion, like the cosmopolitan mind itself, are "events" or "becomings." This means that there can never be an articulation of the ontology that is final nor a public art criterion that could curtail the imaginative reach of art. |
| ISSN: | 0021-8529 |
Internformat
MARC
| LEADER | 00000naa a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV049382546 | ||
| 003 | DE-604 | ||
| 005 | 20231108 | ||
| 007 | t| | ||
| 008 | 231025s2023 xx |||| 00||| eng d | ||
| 035 | |a (OCoLC)1409122012 | ||
| 035 | |a (DE-599)BVBBV049382546 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-255 | ||
| 100 | 1 | |a Evans, Fred J. |d 1944- |e Verfasser |0 (DE-588)1089290020 |4 aut | |
| 245 | 1 | 0 | |a Cosmopolitanism and the creative activism of Public Art |c Fred Evans |
| 264 | 1 | |c 2023 | |
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 520 | 3 | |a Cosmopolitanism seeks a political ethics of world togetherness and a political aesthetics that can contribute to this task critically and imaginatively. Regarding political ethics, I explore the world as a "cosmopolitan mind" composed of "dialogic voices" and threatened by neoliberalism, neofascism, and other nihilistic "oracles." I also construct a criterion for determining which public artworks (1) resist oracles and (2) help us imagine a "cosmopolitan democracy" and its political ethics. The latter includes the concordance of three ethico-political virtues—solidarity, heterogeneity, and fecundity (creating new voices through the interplay among other voices)—and must appeal to different peoples worldwide. I also examine how this political ethics and aesthetics can be applied to nonhuman life and non-sentient formations in a non-anthropocentric manner; indeed, how the cosmos in its entirety and plurality can also be thought of as voices and participants in the cosmopolitan mind and its artistic expression. Moreover, I contend that my ontology of dialogic voices and proposed public art criterion, like the cosmopolitan mind itself, are "events" or "becomings." This means that there can never be an articulation of the ontology that is final nor a public art criterion that could curtail the imaginative reach of art. | |
| 650 | 0 | 7 | |a Ästhetik |0 (DE-588)4000626-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Weltbürgertum |0 (DE-588)4189574-5 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Ästhetik |0 (DE-588)4000626-8 |D s |
| 689 | 0 | 1 | |a Weltbürgertum |0 (DE-588)4189574-5 |D s |
| 689 | 0 | |5 DE-604 | |
| 773 | 1 | 8 | |g volume:81 |g number:2 |g year:2023 |g month:06 |g pages:213-227 |
| 773 | 0 | 8 | |t The journal of aesthetics and art criticism / American Society for Aesthetics. Ed. Thomas Munro |d Hoboken, NJ, 2023 |g Volume 81, number 2 (June 2023), Seite [213]-227 |w (DE-604)BV002662422 |x 0021-8529 |o (DE-600)2930-0 |
| 941 | |b 81 |h 2 |j 2023 |m 06 |s 213-227 | ||
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-034710150 | |
Datensatz im Suchindex
| _version_ | 1818991456147210240 |
|---|---|
| any_adam_object | |
| article_link | (DE-604)BV002662422 |
| author | Evans, Fred J. 1944- |
| author_GND | (DE-588)1089290020 |
| author_facet | Evans, Fred J. 1944- |
| author_role | aut |
| author_sort | Evans, Fred J. 1944- |
| author_variant | f j e fj fje |
| building | Verbundindex |
| bvnumber | BV049382546 |
| ctrlnum | (OCoLC)1409122012 (DE-599)BVBBV049382546 |
| format | Article |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02589naa a2200337 c 4500</leader><controlfield tag="001">BV049382546</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20231108 </controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">231025s2023 xx |||| 00||| eng d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1409122012</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049382546</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Evans, Fred J.</subfield><subfield code="d">1944-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1089290020</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Cosmopolitanism and the creative activism of Public Art</subfield><subfield code="c">Fred Evans</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2023</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Cosmopolitanism seeks a political ethics of world togetherness and a political aesthetics that can contribute to this task critically and imaginatively. Regarding political ethics, I explore the world as a "cosmopolitan mind" composed of "dialogic voices" and threatened by neoliberalism, neofascism, and other nihilistic "oracles." I also construct a criterion for determining which public artworks (1) resist oracles and (2) help us imagine a "cosmopolitan democracy" and its political ethics. The latter includes the concordance of three ethico-political virtues—solidarity, heterogeneity, and fecundity (creating new voices through the interplay among other voices)—and must appeal to different peoples worldwide. I also examine how this political ethics and aesthetics can be applied to nonhuman life and non-sentient formations in a non-anthropocentric manner; indeed, how the cosmos in its entirety and plurality can also be thought of as voices and participants in the cosmopolitan mind and its artistic expression. Moreover, I contend that my ontology of dialogic voices and proposed public art criterion, like the cosmopolitan mind itself, are "events" or "becomings." This means that there can never be an articulation of the ontology that is final nor a public art criterion that could curtail the imaginative reach of art.</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Weltbürgertum</subfield><subfield code="0">(DE-588)4189574-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Weltbürgertum</subfield><subfield code="0">(DE-588)4189574-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">volume:81</subfield><subfield code="g">number:2</subfield><subfield code="g">year:2023</subfield><subfield code="g">month:06</subfield><subfield code="g">pages:213-227</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">The journal of aesthetics and art criticism / American Society for Aesthetics. Ed. Thomas Munro</subfield><subfield code="d">Hoboken, NJ, 2023</subfield><subfield code="g">Volume 81, number 2 (June 2023), Seite [213]-227</subfield><subfield code="w">(DE-604)BV002662422</subfield><subfield code="x">0021-8529</subfield><subfield code="o">(DE-600)2930-0</subfield></datafield><datafield tag="941" ind1=" " ind2=" "><subfield code="b">81</subfield><subfield code="h">2</subfield><subfield code="j">2023</subfield><subfield code="m">06</subfield><subfield code="s">213-227</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034710150</subfield></datafield></record></collection> |
| id | DE-604.BV049382546 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T20:10:33Z |
| institution | BVB |
| issn | 0021-8529 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034710150 |
| oclc_num | 1409122012 |
| open_access_boolean | |
| owner | DE-255 |
| owner_facet | DE-255 |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| record_format | marc |
| spelling | Evans, Fred J. 1944- Verfasser (DE-588)1089290020 aut Cosmopolitanism and the creative activism of Public Art Fred Evans 2023 txt rdacontent n rdamedia nc rdacarrier Cosmopolitanism seeks a political ethics of world togetherness and a political aesthetics that can contribute to this task critically and imaginatively. Regarding political ethics, I explore the world as a "cosmopolitan mind" composed of "dialogic voices" and threatened by neoliberalism, neofascism, and other nihilistic "oracles." I also construct a criterion for determining which public artworks (1) resist oracles and (2) help us imagine a "cosmopolitan democracy" and its political ethics. The latter includes the concordance of three ethico-political virtues—solidarity, heterogeneity, and fecundity (creating new voices through the interplay among other voices)—and must appeal to different peoples worldwide. I also examine how this political ethics and aesthetics can be applied to nonhuman life and non-sentient formations in a non-anthropocentric manner; indeed, how the cosmos in its entirety and plurality can also be thought of as voices and participants in the cosmopolitan mind and its artistic expression. Moreover, I contend that my ontology of dialogic voices and proposed public art criterion, like the cosmopolitan mind itself, are "events" or "becomings." This means that there can never be an articulation of the ontology that is final nor a public art criterion that could curtail the imaginative reach of art. Ästhetik (DE-588)4000626-8 gnd rswk-swf Weltbürgertum (DE-588)4189574-5 gnd rswk-swf Ästhetik (DE-588)4000626-8 s Weltbürgertum (DE-588)4189574-5 s DE-604 volume:81 number:2 year:2023 month:06 pages:213-227 The journal of aesthetics and art criticism / American Society for Aesthetics. Ed. Thomas Munro Hoboken, NJ, 2023 Volume 81, number 2 (June 2023), Seite [213]-227 (DE-604)BV002662422 0021-8529 (DE-600)2930-0 |
| spellingShingle | Evans, Fred J. 1944- Cosmopolitanism and the creative activism of Public Art Ästhetik (DE-588)4000626-8 gnd Weltbürgertum (DE-588)4189574-5 gnd |
| subject_GND | (DE-588)4000626-8 (DE-588)4189574-5 |
| title | Cosmopolitanism and the creative activism of Public Art |
| title_auth | Cosmopolitanism and the creative activism of Public Art |
| title_exact_search | Cosmopolitanism and the creative activism of Public Art |
| title_full | Cosmopolitanism and the creative activism of Public Art Fred Evans |
| title_fullStr | Cosmopolitanism and the creative activism of Public Art Fred Evans |
| title_full_unstemmed | Cosmopolitanism and the creative activism of Public Art Fred Evans |
| title_short | Cosmopolitanism and the creative activism of Public Art |
| title_sort | cosmopolitanism and the creative activism of public art |
| topic | Ästhetik (DE-588)4000626-8 gnd Weltbürgertum (DE-588)4189574-5 gnd |
| topic_facet | Ästhetik Weltbürgertum |
| work_keys_str_mv | AT evansfredj cosmopolitanismandthecreativeactivismofpublicart |