How the movies got a past: a historiography of American cinema, 1894-1930
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
New York, NY
Oxford University Press
[2023]
|
| Schlagwörter: | |
| Abstract: | "This book presents a comprehensive survey of the rise of historiographical discourse on cinema in North America as it is reflected in publications, exhibitions, lectures and films about film as a technology, art and form of amusement, from its inception up to 1930. This first historiography of American movies creates a typology of genres of historical knowledge and examines the role that its articulation played in legitimating the moving image as a form of cultural heritage and a field of study. How did early studios seek to understand and promote their own activities as part of a brand-new form of entertainment with its own traditions, "founding fathers" and ambitions? How did early writers modulate between retrospection and analysis, between nostalgia and ballyhoo, between journalism and research into the fragments of the nascent film industry and what were their motivations and influence on subsequent historians? What rhetorical and material platforms were deployed to talk about and show the history of cinema and for what audiences were they meant? In teasing out answers to these and other questions, this book makes an argument for early cinema historiography as an emergent genre with its own conventions and goals instead of a "primitive" version of today's historical writing on the movies"-- |
| Umfang: | xi, 394 Seiten Illustrationen, Porträts 24,3 cm |
| ISBN: | 9780197689271 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV049347844 | ||
| 003 | DE-604 | ||
| 005 | 20240606 | ||
| 007 | t| | ||
| 008 | 231002s2023 xx ac|| b||| 00||| eng d | ||
| 020 | |a 9780197689271 |c (hardback) |9 978-0-19-768927-1 | ||
| 035 | |a (OCoLC)1397515195 | ||
| 035 | |a (DE-599)BVBBV049347844 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-29 |a DE-703 | ||
| 084 | |a AP 44984 |0 (DE-625)7516:744 |2 rvk | ||
| 100 | 1 | |a Latsis, Dimitrios |e Verfasser |0 (DE-588)1243466820 |4 aut | |
| 245 | 1 | 0 | |a How the movies got a past |b a historiography of American cinema, 1894-1930 |c Dimitrios Latsis |
| 264 | 1 | |a New York, NY |b Oxford University Press |c [2023] | |
| 300 | |a xi, 394 Seiten |b Illustrationen, Porträts |c 24,3 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 505 | 8 | |a Introduction : the evolving practice of film historiography -- A vivisection : writing the history of an emergent medium -- The first canonical histories : Ramsaye, Rotha and beyond -- Finding its voice? Sound and the (re)-writing of film history -- Through a glass darkly : early nonfiction films about the history of cinema -- Programming the classics : revivals, the little theater movement and the emergence of a canon -- The future-past of moving images : towards a pre-history of film archiving -- Exhibitions and museums : the past of cinema on display -- Invented traditions : commemorations and anniversaries -- Learning and earning : film history enters the university curriculum | |
| 520 | 3 | |a "This book presents a comprehensive survey of the rise of historiographical discourse on cinema in North America as it is reflected in publications, exhibitions, lectures and films about film as a technology, art and form of amusement, from its inception up to 1930. This first historiography of American movies creates a typology of genres of historical knowledge and examines the role that its articulation played in legitimating the moving image as a form of cultural heritage and a field of study. How did early studios seek to understand and promote their own activities as part of a brand-new form of entertainment with its own traditions, "founding fathers" and ambitions? How did early writers modulate between retrospection and analysis, between nostalgia and ballyhoo, between journalism and research into the fragments of the nascent film industry and what were their motivations and influence on subsequent historians? What rhetorical and material platforms were deployed to talk about and show the history of cinema and for what audiences were they meant? In teasing out answers to these and other questions, this book makes an argument for early cinema historiography as an emergent genre with its own conventions and goals instead of a "primitive" version of today's historical writing on the movies"-- | |
| 648 | 7 | |a Geschichte 1894-1930 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Kino |0 (DE-588)4129654-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Film |0 (DE-588)4017102-4 |2 gnd |9 rswk-swf |
| 651 | 7 | |a USA |0 (DE-588)4078704-7 |2 gnd |9 rswk-swf | |
| 653 | 0 | |a Motion pictures / United States / History / 20th century | |
| 653 | 0 | |a Motion pictures / United States / Historiography | |
| 653 | 0 | |a Motion pictures | |
| 653 | 0 | |a Motion pictures / Historiography | |
| 653 | 2 | |a United States | |
| 653 | 4 | |a 1900-1999 | |
| 653 | 6 | |a History | |
| 689 | 0 | 0 | |a USA |0 (DE-588)4078704-7 |D g |
| 689 | 0 | 1 | |a Film |0 (DE-588)4017102-4 |D s |
| 689 | 0 | 2 | |a Kino |0 (DE-588)4129654-0 |D s |
| 689 | 0 | 3 | |a Geschichte 1894-1930 |A z |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, EPUB |z 978-0-19-768928-8 |
| 940 | 1 | |q BSB_NED_20240208 | |
| 942 | 1 | 1 | |c 791.409 |e 22/bsb |f 09041 |g 73 |
| 942 | 1 | 1 | |c 791.409 |e 22/bsb |f 09043 |g 73 |
| 942 | 1 | 1 | |c 791.409 |e 22/bsb |f 09042 |g 73 |
| 942 | 1 | 1 | |c 791.409 |e 22/bsb |f 09034 |g 73 |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-034608292 | |
Datensatz im Suchindex
| _version_ | 1822588589308903424 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Latsis, Dimitrios |
| author_GND | (DE-588)1243466820 |
| author_facet | Latsis, Dimitrios |
| author_role | aut |
| author_sort | Latsis, Dimitrios |
| author_variant | d l dl |
| building | Verbundindex |
| bvnumber | BV049347844 |
| classification_rvk | AP 44984 |
| contents | Introduction : the evolving practice of film historiography -- A vivisection : writing the history of an emergent medium -- The first canonical histories : Ramsaye, Rotha and beyond -- Finding its voice? Sound and the (re)-writing of film history -- Through a glass darkly : early nonfiction films about the history of cinema -- Programming the classics : revivals, the little theater movement and the emergence of a canon -- The future-past of moving images : towards a pre-history of film archiving -- Exhibitions and museums : the past of cinema on display -- Invented traditions : commemorations and anniversaries -- Learning and earning : film history enters the university curriculum |
| ctrlnum | (OCoLC)1397515195 (DE-599)BVBBV049347844 |
| discipline | Allgemeines |
| era | Geschichte 1894-1930 gnd |
| era_facet | Geschichte 1894-1930 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV049347844</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240606</controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">231002s2023 xx ac|| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780197689271</subfield><subfield code="c">(hardback)</subfield><subfield code="9">978-0-19-768927-1</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1397515195</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049347844</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-29</subfield><subfield code="a">DE-703</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 44984</subfield><subfield code="0">(DE-625)7516:744</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Latsis, Dimitrios</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1243466820</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">How the movies got a past</subfield><subfield code="b">a historiography of American cinema, 1894-1930</subfield><subfield code="c">Dimitrios Latsis</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York, NY</subfield><subfield code="b">Oxford University Press</subfield><subfield code="c">[2023]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xi, 394 Seiten</subfield><subfield code="b">Illustrationen, Porträts</subfield><subfield code="c">24,3 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Introduction : the evolving practice of film historiography -- A vivisection : writing the history of an emergent medium -- The first canonical histories : Ramsaye, Rotha and beyond -- Finding its voice? Sound and the (re)-writing of film history -- Through a glass darkly : early nonfiction films about the history of cinema -- Programming the classics : revivals, the little theater movement and the emergence of a canon -- The future-past of moving images : towards a pre-history of film archiving -- Exhibitions and museums : the past of cinema on display -- Invented traditions : commemorations and anniversaries -- Learning and earning : film history enters the university curriculum</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"This book presents a comprehensive survey of the rise of historiographical discourse on cinema in North America as it is reflected in publications, exhibitions, lectures and films about film as a technology, art and form of amusement, from its inception up to 1930. This first historiography of American movies creates a typology of genres of historical knowledge and examines the role that its articulation played in legitimating the moving image as a form of cultural heritage and a field of study. How did early studios seek to understand and promote their own activities as part of a brand-new form of entertainment with its own traditions, "founding fathers" and ambitions? How did early writers modulate between retrospection and analysis, between nostalgia and ballyhoo, between journalism and research into the fragments of the nascent film industry and what were their motivations and influence on subsequent historians? What rhetorical and material platforms were deployed to talk about and show the history of cinema and for what audiences were they meant? In teasing out answers to these and other questions, this book makes an argument for early cinema historiography as an emergent genre with its own conventions and goals instead of a "primitive" version of today's historical writing on the movies"--</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1894-1930</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kino</subfield><subfield code="0">(DE-588)4129654-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion pictures / United States / History / 20th century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion pictures / United States / Historiography</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion pictures</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Motion pictures / Historiography</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">United States</subfield></datafield><datafield tag="653" ind1=" " ind2="4"><subfield code="a">1900-1999</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">History</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Kino</subfield><subfield code="0">(DE-588)4129654-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte 1894-1930</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, EPUB</subfield><subfield code="z">978-0-19-768928-8</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20240208</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">791.409</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09041</subfield><subfield code="g">73</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">791.409</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09043</subfield><subfield code="g">73</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">791.409</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09042</subfield><subfield code="g">73</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">791.409</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09034</subfield><subfield code="g">73</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034608292</subfield></datafield></record></collection> |
| geographic | USA (DE-588)4078704-7 gnd |
| geographic_facet | USA |
| id | DE-604.BV049347844 |
| illustrated | Illustrated |
| indexdate | 2025-01-29T13:05:26Z |
| institution | BVB |
| isbn | 9780197689271 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034608292 |
| oclc_num | 1397515195 |
| open_access_boolean | |
| owner | DE-12 DE-29 DE-703 |
| owner_facet | DE-12 DE-29 DE-703 |
| physical | xi, 394 Seiten Illustrationen, Porträts 24,3 cm |
| psigel | BSB_NED_20240208 |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Oxford University Press |
| record_format | marc |
| spelling | Latsis, Dimitrios Verfasser (DE-588)1243466820 aut How the movies got a past a historiography of American cinema, 1894-1930 Dimitrios Latsis New York, NY Oxford University Press [2023] xi, 394 Seiten Illustrationen, Porträts 24,3 cm txt rdacontent n rdamedia nc rdacarrier Introduction : the evolving practice of film historiography -- A vivisection : writing the history of an emergent medium -- The first canonical histories : Ramsaye, Rotha and beyond -- Finding its voice? Sound and the (re)-writing of film history -- Through a glass darkly : early nonfiction films about the history of cinema -- Programming the classics : revivals, the little theater movement and the emergence of a canon -- The future-past of moving images : towards a pre-history of film archiving -- Exhibitions and museums : the past of cinema on display -- Invented traditions : commemorations and anniversaries -- Learning and earning : film history enters the university curriculum "This book presents a comprehensive survey of the rise of historiographical discourse on cinema in North America as it is reflected in publications, exhibitions, lectures and films about film as a technology, art and form of amusement, from its inception up to 1930. This first historiography of American movies creates a typology of genres of historical knowledge and examines the role that its articulation played in legitimating the moving image as a form of cultural heritage and a field of study. How did early studios seek to understand and promote their own activities as part of a brand-new form of entertainment with its own traditions, "founding fathers" and ambitions? How did early writers modulate between retrospection and analysis, between nostalgia and ballyhoo, between journalism and research into the fragments of the nascent film industry and what were their motivations and influence on subsequent historians? What rhetorical and material platforms were deployed to talk about and show the history of cinema and for what audiences were they meant? In teasing out answers to these and other questions, this book makes an argument for early cinema historiography as an emergent genre with its own conventions and goals instead of a "primitive" version of today's historical writing on the movies"-- Geschichte 1894-1930 gnd rswk-swf Kino (DE-588)4129654-0 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Motion pictures / United States / History / 20th century Motion pictures / United States / Historiography Motion pictures Motion pictures / Historiography United States 1900-1999 History USA (DE-588)4078704-7 g Film (DE-588)4017102-4 s Kino (DE-588)4129654-0 s Geschichte 1894-1930 z DE-604 Erscheint auch als Online-Ausgabe, EPUB 978-0-19-768928-8 |
| spellingShingle | Latsis, Dimitrios How the movies got a past a historiography of American cinema, 1894-1930 Introduction : the evolving practice of film historiography -- A vivisection : writing the history of an emergent medium -- The first canonical histories : Ramsaye, Rotha and beyond -- Finding its voice? Sound and the (re)-writing of film history -- Through a glass darkly : early nonfiction films about the history of cinema -- Programming the classics : revivals, the little theater movement and the emergence of a canon -- The future-past of moving images : towards a pre-history of film archiving -- Exhibitions and museums : the past of cinema on display -- Invented traditions : commemorations and anniversaries -- Learning and earning : film history enters the university curriculum Kino (DE-588)4129654-0 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4129654-0 (DE-588)4017102-4 (DE-588)4078704-7 |
| title | How the movies got a past a historiography of American cinema, 1894-1930 |
| title_auth | How the movies got a past a historiography of American cinema, 1894-1930 |
| title_exact_search | How the movies got a past a historiography of American cinema, 1894-1930 |
| title_full | How the movies got a past a historiography of American cinema, 1894-1930 Dimitrios Latsis |
| title_fullStr | How the movies got a past a historiography of American cinema, 1894-1930 Dimitrios Latsis |
| title_full_unstemmed | How the movies got a past a historiography of American cinema, 1894-1930 Dimitrios Latsis |
| title_short | How the movies got a past |
| title_sort | how the movies got a past a historiography of american cinema 1894 1930 |
| title_sub | a historiography of American cinema, 1894-1930 |
| topic | Kino (DE-588)4129654-0 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Kino Film USA |
| work_keys_str_mv | AT latsisdimitrios howthemoviesgotapastahistoriographyofamericancinema18941930 |