One-track mind: capitalism, technology, and the art of the pop song
Gespeichert in:
| Weitere beteiligte Personen: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
London ; New York
Routledge
2023
|
| Schriftenreihe: | Ashgate popular folk and music series
|
| Schlagwörter: | |
| Links: | https://doi.org/10.4324/9781003093206 https://doi.org/10.4324/9781003093206 |
| Abstract: | "The song remains the most basic unit of modern pop music. Shaped into being by historical forces-cultural, aesthetic, and technical-the song provides both performer and audience with a world marked off by a short, discrete, and temporally demarcated experience. One-Track Mind: Capitalism, Culture, and the Art of the Pop Song brings together sixteen writers to weigh in on sixteen iconic tracks from the history of modern popular music. Arranged chronologically in order of release of the tracks and spanning nearly five-decades, these essays zig zag across the cultural landscape to present one possible history of pop music. There are detours through psychedelic rock, Afro-pop, Latin pop, glam rock, heavy metal, punk, post-punk, adult contemporary rock, techno, hip hop, and electro-pop here. More than just deep histories of individual songs, these essays all expand far beyond the track itself to offer exciting and often counterintuitive histories of transformative moments in popular culture. Collectively, they show the undiminished power of the individual pop song, both as distillations of important flashpoints and, in their afterlives, as ghostly choes that persisted undiminished but transformed for succeeding generations. Capitalism and its principal good, capital, help us frame these stories, a fact that should surprise no one given the inextricable relationship between art and capitalism in the twentieth century. At the root readers will find here a history of pop with unexpected plot twists, colorful protagonists, and fitting denouements"-- |
| Umfang: | 1 Online-Ressource (XII, 293 Seiten) Illustrationen, Porträts |
| ISBN: | 9781003093206 |
| DOI: | 10.4324/9781003093206 |
Internformat
MARC
| LEADER | 00000nam a22000008c 4500 | ||
|---|---|---|---|
| 001 | BV049347843 | ||
| 003 | DE-604 | ||
| 005 | 20231129 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 231002s2023 xx ac|| ob||| 10||| eng d | ||
| 020 | |a 9781003093206 |c OnlineAusgabe |9 978-1-00-309320-6 | ||
| 024 | 7 | |a 10.4324/9781003093206 |2 doi | |
| 035 | |a (OCoLC)1414555475 | ||
| 035 | |a (DE-599)BVBBV049347843 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-355 | ||
| 084 | |a MUS |q DE-12 |2 fid | ||
| 245 | 1 | 0 | |a One-track mind |b capitalism, technology, and the art of the pop song |c edited by Asif Siddiqi |
| 264 | 1 | |a London ; New York |b Routledge |c 2023 | |
| 300 | |a 1 Online-Ressource (XII, 293 Seiten) |b Illustrationen, Porträts | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Ashgate popular folk and music series | |
| 505 | 8 | |a One-Track Mind. An Introduction / Asif Siddiqi -- Grand Kallé & African Jazz -- "Indépendance Cha Cha" (1960) / Simon Zagorski-Thomas -- Gerald Wilson -- "Viva Tirado" (1962) / Oliver Wang -- Moby Grape -- "Omaha" (1967) / Susan Schmidt Horning -- Led Zeppelin -- "Immigrant Song" (1970) / Esther Liberman Cuenca -- David Bowie -- "Rebel Rebel" (1974) / Glenn Hendler -- Donna Summer -- "I Feel Love" (1977) / Simon Reynolds -- X-Ray Spex -- "Oh Bondage Up Yours!" (1977) / Helen Reddington -- Prince -- "When You Were Mine" (1980) / Scott Poulson-Bryant -- Neil Young -- "Transformer Man" (1982) / George Plasketes -- The Replacements -- "Unsatisfied" (1984) / Gina Arnold -- N.W.A. -- "F- Tha Police (1988) / Austin McCoy -- Salt-N-Pepa -- "Shoop" (1993) / Amy Coddington -- Hanson -- "MMMBop" (1997) / Louie Dean Valencia -- Elton John -- "Candle in the Wind 1997" (1997) / Christine Caccipuoti -- LCD Soundsystem -- "All My Friends" (2007) / Gabrielle Cornish -- M.I.A. -- "Paper Planes" (2007) / Asif Siddiqi | |
| 520 | 3 | |a "The song remains the most basic unit of modern pop music. Shaped into being by historical forces-cultural, aesthetic, and technical-the song provides both performer and audience with a world marked off by a short, discrete, and temporally demarcated experience. One-Track Mind: Capitalism, Culture, and the Art of the Pop Song brings together sixteen writers to weigh in on sixteen iconic tracks from the history of modern popular music. Arranged chronologically in order of release of the tracks and spanning nearly five-decades, these essays zig zag across the cultural landscape to present one possible history of pop music. There are detours through psychedelic rock, Afro-pop, Latin pop, glam rock, heavy metal, punk, post-punk, adult contemporary rock, techno, hip hop, and electro-pop here. More than just deep histories of individual songs, these essays all expand far beyond the track itself to offer exciting and often counterintuitive histories of transformative moments in popular culture. Collectively, they show the undiminished power of the individual pop song, both as distillations of important flashpoints and, in their afterlives, as ghostly choes that persisted undiminished but transformed for succeeding generations. Capitalism and its principal good, capital, help us frame these stories, a fact that should surprise no one given the inextricable relationship between art and capitalism in the twentieth century. At the root readers will find here a history of pop with unexpected plot twists, colorful protagonists, and fitting denouements"-- | |
| 648 | 7 | |a Geschichte 1960-2007 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Musikalischer Stil |0 (DE-588)4170806-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Technischer Fortschritt |0 (DE-588)4059252-2 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Popsong |0 (DE-588)4126346-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Sozialer Wandel |0 (DE-588)4077587-2 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kapitalismus |0 (DE-588)4029577-1 |2 gnd |9 rswk-swf |
| 653 | 0 | |a Popular music / History and criticism | |
| 653 | 0 | |a Musique populaire / Histoire et critique | |
| 653 | 0 | |a Popular music | |
| 653 | 6 | |a Criticism, interpretation, etc | |
| 655 | 7 | |0 (DE-588)1071861417 |a Konferenzschrift |y 2019 |z New York, NY |2 gnd-content | |
| 689 | 0 | 0 | |a Popsong |0 (DE-588)4126346-7 |D s |
| 689 | 0 | 1 | |a Kapitalismus |0 (DE-588)4029577-1 |D s |
| 689 | 0 | 2 | |a Musikalischer Stil |0 (DE-588)4170806-4 |D s |
| 689 | 0 | 3 | |a Technischer Fortschritt |0 (DE-588)4059252-2 |D s |
| 689 | 0 | 4 | |a Sozialer Wandel |0 (DE-588)4077587-2 |D s |
| 689 | 0 | 5 | |a Geschichte 1960-2007 |A z |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Siddiqi, Asif A. |d 1966- |0 (DE-588)141817925 |4 edt | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Paperback |z 978-0-367-55373-9 |w (DE-604)BV048815912 |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Hardcover |z 978-0-367-55372-2 |
| 856 | 4 | 0 | |u https://doi.org/10.4324/9781003093206 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-7-TFC | ||
| 940 | 1 | |q BSB_NED_20231002 | |
| 942 | 1 | 1 | |c 781.66 |e 22/bsb |f 090511 |g 181 |
| 942 | 1 | 1 | |c 781.66 |e 22/bsb |f 0904 |g 181 |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-034608290 | |
| 966 | e | |u https://doi.org/10.4324/9781003093206 |l DE-355 |p ZDB-7-TFC |q UBR Einzelkauf 2023 |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1818991247378874368 |
|---|---|
| any_adam_object | |
| author2 | Siddiqi, Asif A. 1966- |
| author2_role | edt |
| author2_variant | a a s aa aas |
| author_GND | (DE-588)141817925 |
| author_facet | Siddiqi, Asif A. 1966- |
| building | Verbundindex |
| bvnumber | BV049347843 |
| collection | ZDB-7-TFC |
| contents | One-Track Mind. An Introduction / Asif Siddiqi -- Grand Kallé & African Jazz -- "Indépendance Cha Cha" (1960) / Simon Zagorski-Thomas -- Gerald Wilson -- "Viva Tirado" (1962) / Oliver Wang -- Moby Grape -- "Omaha" (1967) / Susan Schmidt Horning -- Led Zeppelin -- "Immigrant Song" (1970) / Esther Liberman Cuenca -- David Bowie -- "Rebel Rebel" (1974) / Glenn Hendler -- Donna Summer -- "I Feel Love" (1977) / Simon Reynolds -- X-Ray Spex -- "Oh Bondage Up Yours!" (1977) / Helen Reddington -- Prince -- "When You Were Mine" (1980) / Scott Poulson-Bryant -- Neil Young -- "Transformer Man" (1982) / George Plasketes -- The Replacements -- "Unsatisfied" (1984) / Gina Arnold -- N.W.A. -- "F- Tha Police (1988) / Austin McCoy -- Salt-N-Pepa -- "Shoop" (1993) / Amy Coddington -- Hanson -- "MMMBop" (1997) / Louie Dean Valencia -- Elton John -- "Candle in the Wind 1997" (1997) / Christine Caccipuoti -- LCD Soundsystem -- "All My Friends" (2007) / Gabrielle Cornish -- M.I.A. -- "Paper Planes" (2007) / Asif Siddiqi |
| ctrlnum | (OCoLC)1414555475 (DE-599)BVBBV049347843 |
| doi_str_mv | 10.4324/9781003093206 |
| era | Geschichte 1960-2007 gnd |
| era_facet | Geschichte 1960-2007 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05113nam a22006258c 4500</leader><controlfield tag="001">BV049347843</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20231129 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">231002s2023 xx ac|| ob||| 10||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781003093206</subfield><subfield code="c">OnlineAusgabe</subfield><subfield code="9">978-1-00-309320-6</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.4324/9781003093206</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1414555475</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049347843</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-355</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">One-track mind</subfield><subfield code="b">capitalism, technology, and the art of the pop song</subfield><subfield code="c">edited by Asif Siddiqi</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London ; New York</subfield><subfield code="b">Routledge</subfield><subfield code="c">2023</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (XII, 293 Seiten)</subfield><subfield code="b">Illustrationen, Porträts</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Ashgate popular folk and music series</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">One-Track Mind. An Introduction / Asif Siddiqi -- Grand Kallé & African Jazz -- "Indépendance Cha Cha" (1960) / Simon Zagorski-Thomas -- Gerald Wilson -- "Viva Tirado" (1962) / Oliver Wang -- Moby Grape -- "Omaha" (1967) / Susan Schmidt Horning -- Led Zeppelin -- "Immigrant Song" (1970) / Esther Liberman Cuenca -- David Bowie -- "Rebel Rebel" (1974) / Glenn Hendler -- Donna Summer -- "I Feel Love" (1977) / Simon Reynolds -- X-Ray Spex -- "Oh Bondage Up Yours!" (1977) / Helen Reddington -- Prince -- "When You Were Mine" (1980) / Scott Poulson-Bryant -- Neil Young -- "Transformer Man" (1982) / George Plasketes -- The Replacements -- "Unsatisfied" (1984) / Gina Arnold -- N.W.A. -- "F- Tha Police (1988) / Austin McCoy -- Salt-N-Pepa -- "Shoop" (1993) / Amy Coddington -- Hanson -- "MMMBop" (1997) / Louie Dean Valencia -- Elton John -- "Candle in the Wind 1997" (1997) / Christine Caccipuoti -- LCD Soundsystem -- "All My Friends" (2007) / Gabrielle Cornish -- M.I.A. -- "Paper Planes" (2007) / Asif Siddiqi</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"The song remains the most basic unit of modern pop music. Shaped into being by historical forces-cultural, aesthetic, and technical-the song provides both performer and audience with a world marked off by a short, discrete, and temporally demarcated experience. One-Track Mind: Capitalism, Culture, and the Art of the Pop Song brings together sixteen writers to weigh in on sixteen iconic tracks from the history of modern popular music. Arranged chronologically in order of release of the tracks and spanning nearly five-decades, these essays zig zag across the cultural landscape to present one possible history of pop music. There are detours through psychedelic rock, Afro-pop, Latin pop, glam rock, heavy metal, punk, post-punk, adult contemporary rock, techno, hip hop, and electro-pop here. More than just deep histories of individual songs, these essays all expand far beyond the track itself to offer exciting and often counterintuitive histories of transformative moments in popular culture. Collectively, they show the undiminished power of the individual pop song, both as distillations of important flashpoints and, in their afterlives, as ghostly choes that persisted undiminished but transformed for succeeding generations. Capitalism and its principal good, capital, help us frame these stories, a fact that should surprise no one given the inextricable relationship between art and capitalism in the twentieth century. At the root readers will find here a history of pop with unexpected plot twists, colorful protagonists, and fitting denouements"--</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1960-2007</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikalischer Stil</subfield><subfield code="0">(DE-588)4170806-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Technischer Fortschritt</subfield><subfield code="0">(DE-588)4059252-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Popsong</subfield><subfield code="0">(DE-588)4126346-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Sozialer Wandel</subfield><subfield code="0">(DE-588)4077587-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kapitalismus</subfield><subfield code="0">(DE-588)4029577-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Popular music / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Musique populaire / Histoire et critique</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Popular music</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Criticism, interpretation, etc</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)1071861417</subfield><subfield code="a">Konferenzschrift</subfield><subfield code="y">2019</subfield><subfield code="z">New York, NY</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Popsong</subfield><subfield code="0">(DE-588)4126346-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Kapitalismus</subfield><subfield code="0">(DE-588)4029577-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Musikalischer Stil</subfield><subfield code="0">(DE-588)4170806-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Technischer Fortschritt</subfield><subfield code="0">(DE-588)4059252-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Sozialer Wandel</subfield><subfield code="0">(DE-588)4077587-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Geschichte 1960-2007</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Siddiqi, Asif A.</subfield><subfield code="d">1966-</subfield><subfield code="0">(DE-588)141817925</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Paperback</subfield><subfield code="z">978-0-367-55373-9</subfield><subfield code="w">(DE-604)BV048815912</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Hardcover</subfield><subfield code="z">978-0-367-55372-2</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.4324/9781003093206</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-7-TFC</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20231002</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.66</subfield><subfield code="e">22/bsb</subfield><subfield code="f">090511</subfield><subfield code="g">181</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.66</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">181</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034608290</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.4324/9781003093206</subfield><subfield code="l">DE-355</subfield><subfield code="p">ZDB-7-TFC</subfield><subfield code="q">UBR Einzelkauf 2023</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| genre | (DE-588)1071861417 Konferenzschrift 2019 New York, NY gnd-content |
| genre_facet | Konferenzschrift 2019 New York, NY |
| id | DE-604.BV049347843 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T20:07:14Z |
| institution | BVB |
| isbn | 9781003093206 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034608290 |
| oclc_num | 1414555475 |
| open_access_boolean | |
| owner | DE-355 DE-BY-UBR |
| owner_facet | DE-355 DE-BY-UBR |
| physical | 1 Online-Ressource (XII, 293 Seiten) Illustrationen, Porträts |
| psigel | ZDB-7-TFC BSB_NED_20231002 ZDB-7-TFC UBR Einzelkauf 2023 |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Routledge |
| record_format | marc |
| series2 | Ashgate popular folk and music series |
| spelling | One-track mind capitalism, technology, and the art of the pop song edited by Asif Siddiqi London ; New York Routledge 2023 1 Online-Ressource (XII, 293 Seiten) Illustrationen, Porträts txt rdacontent c rdamedia cr rdacarrier Ashgate popular folk and music series One-Track Mind. An Introduction / Asif Siddiqi -- Grand Kallé & African Jazz -- "Indépendance Cha Cha" (1960) / Simon Zagorski-Thomas -- Gerald Wilson -- "Viva Tirado" (1962) / Oliver Wang -- Moby Grape -- "Omaha" (1967) / Susan Schmidt Horning -- Led Zeppelin -- "Immigrant Song" (1970) / Esther Liberman Cuenca -- David Bowie -- "Rebel Rebel" (1974) / Glenn Hendler -- Donna Summer -- "I Feel Love" (1977) / Simon Reynolds -- X-Ray Spex -- "Oh Bondage Up Yours!" (1977) / Helen Reddington -- Prince -- "When You Were Mine" (1980) / Scott Poulson-Bryant -- Neil Young -- "Transformer Man" (1982) / George Plasketes -- The Replacements -- "Unsatisfied" (1984) / Gina Arnold -- N.W.A. -- "F- Tha Police (1988) / Austin McCoy -- Salt-N-Pepa -- "Shoop" (1993) / Amy Coddington -- Hanson -- "MMMBop" (1997) / Louie Dean Valencia -- Elton John -- "Candle in the Wind 1997" (1997) / Christine Caccipuoti -- LCD Soundsystem -- "All My Friends" (2007) / Gabrielle Cornish -- M.I.A. -- "Paper Planes" (2007) / Asif Siddiqi "The song remains the most basic unit of modern pop music. Shaped into being by historical forces-cultural, aesthetic, and technical-the song provides both performer and audience with a world marked off by a short, discrete, and temporally demarcated experience. One-Track Mind: Capitalism, Culture, and the Art of the Pop Song brings together sixteen writers to weigh in on sixteen iconic tracks from the history of modern popular music. Arranged chronologically in order of release of the tracks and spanning nearly five-decades, these essays zig zag across the cultural landscape to present one possible history of pop music. There are detours through psychedelic rock, Afro-pop, Latin pop, glam rock, heavy metal, punk, post-punk, adult contemporary rock, techno, hip hop, and electro-pop here. More than just deep histories of individual songs, these essays all expand far beyond the track itself to offer exciting and often counterintuitive histories of transformative moments in popular culture. Collectively, they show the undiminished power of the individual pop song, both as distillations of important flashpoints and, in their afterlives, as ghostly choes that persisted undiminished but transformed for succeeding generations. Capitalism and its principal good, capital, help us frame these stories, a fact that should surprise no one given the inextricable relationship between art and capitalism in the twentieth century. At the root readers will find here a history of pop with unexpected plot twists, colorful protagonists, and fitting denouements"-- Geschichte 1960-2007 gnd rswk-swf Musikalischer Stil (DE-588)4170806-4 gnd rswk-swf Technischer Fortschritt (DE-588)4059252-2 gnd rswk-swf Popsong (DE-588)4126346-7 gnd rswk-swf Sozialer Wandel (DE-588)4077587-2 gnd rswk-swf Kapitalismus (DE-588)4029577-1 gnd rswk-swf Popular music / History and criticism Musique populaire / Histoire et critique Popular music Criticism, interpretation, etc (DE-588)1071861417 Konferenzschrift 2019 New York, NY gnd-content Popsong (DE-588)4126346-7 s Kapitalismus (DE-588)4029577-1 s Musikalischer Stil (DE-588)4170806-4 s Technischer Fortschritt (DE-588)4059252-2 s Sozialer Wandel (DE-588)4077587-2 s Geschichte 1960-2007 z DE-604 Siddiqi, Asif A. 1966- (DE-588)141817925 edt Erscheint auch als Druck-Ausgabe, Paperback 978-0-367-55373-9 (DE-604)BV048815912 Erscheint auch als Druck-Ausgabe, Hardcover 978-0-367-55372-2 https://doi.org/10.4324/9781003093206 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | One-track mind capitalism, technology, and the art of the pop song One-Track Mind. An Introduction / Asif Siddiqi -- Grand Kallé & African Jazz -- "Indépendance Cha Cha" (1960) / Simon Zagorski-Thomas -- Gerald Wilson -- "Viva Tirado" (1962) / Oliver Wang -- Moby Grape -- "Omaha" (1967) / Susan Schmidt Horning -- Led Zeppelin -- "Immigrant Song" (1970) / Esther Liberman Cuenca -- David Bowie -- "Rebel Rebel" (1974) / Glenn Hendler -- Donna Summer -- "I Feel Love" (1977) / Simon Reynolds -- X-Ray Spex -- "Oh Bondage Up Yours!" (1977) / Helen Reddington -- Prince -- "When You Were Mine" (1980) / Scott Poulson-Bryant -- Neil Young -- "Transformer Man" (1982) / George Plasketes -- The Replacements -- "Unsatisfied" (1984) / Gina Arnold -- N.W.A. -- "F- Tha Police (1988) / Austin McCoy -- Salt-N-Pepa -- "Shoop" (1993) / Amy Coddington -- Hanson -- "MMMBop" (1997) / Louie Dean Valencia -- Elton John -- "Candle in the Wind 1997" (1997) / Christine Caccipuoti -- LCD Soundsystem -- "All My Friends" (2007) / Gabrielle Cornish -- M.I.A. -- "Paper Planes" (2007) / Asif Siddiqi Musikalischer Stil (DE-588)4170806-4 gnd Technischer Fortschritt (DE-588)4059252-2 gnd Popsong (DE-588)4126346-7 gnd Sozialer Wandel (DE-588)4077587-2 gnd Kapitalismus (DE-588)4029577-1 gnd |
| subject_GND | (DE-588)4170806-4 (DE-588)4059252-2 (DE-588)4126346-7 (DE-588)4077587-2 (DE-588)4029577-1 (DE-588)1071861417 |
| title | One-track mind capitalism, technology, and the art of the pop song |
| title_auth | One-track mind capitalism, technology, and the art of the pop song |
| title_exact_search | One-track mind capitalism, technology, and the art of the pop song |
| title_full | One-track mind capitalism, technology, and the art of the pop song edited by Asif Siddiqi |
| title_fullStr | One-track mind capitalism, technology, and the art of the pop song edited by Asif Siddiqi |
| title_full_unstemmed | One-track mind capitalism, technology, and the art of the pop song edited by Asif Siddiqi |
| title_short | One-track mind |
| title_sort | one track mind capitalism technology and the art of the pop song |
| title_sub | capitalism, technology, and the art of the pop song |
| topic | Musikalischer Stil (DE-588)4170806-4 gnd Technischer Fortschritt (DE-588)4059252-2 gnd Popsong (DE-588)4126346-7 gnd Sozialer Wandel (DE-588)4077587-2 gnd Kapitalismus (DE-588)4029577-1 gnd |
| topic_facet | Musikalischer Stil Technischer Fortschritt Popsong Sozialer Wandel Kapitalismus Konferenzschrift 2019 New York, NY |
| url | https://doi.org/10.4324/9781003093206 |
| work_keys_str_mv | AT siddiqiasifa onetrackmindcapitalismtechnologyandtheartofthepopsong |