Prehistoric pictures and American modernism: abstract art at MoMA 1937-1939
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
London
Bloomsbury Visual Arts
2023
|
| Schriftenreihe: | Bloomsbury collections
|
| Schlagwörter: | |
| Links: | https://doi.org/10.5040/9781350185272?locatt=label:secondary_bloomsburyCollections https://doi.org/10.5040/9781350185272 https://doi.org/10.5040/9781350185272?locatt=label:secondary_bloomsburyCollections |
| Abstract: | "In April 1937, the Museum of Modern Art in New York hosted an exhibition that served as a catalyst for the appropriation of prehistoric rock art in postwar abstract painting. With the title Prehistoric Rock Pictures in Europe and Africa, it displayed a range of copies from the influential collection of the German ethnologist Leo Frobenius. Largely disregarded in modern American art history up until now, this book highlights the importance of this exhibition to artists such as Josef Albers, Adolph Gottlieb, David Smith, and the American Abstracts Artists group, who sought inspiration from the prehistoric images’ primordial creativity. With a transnational scope, the book brings to the surface new facts about the transatlantic connections between Paris and New York and the importance of communication and collaboration between them. In doing so, Seibert reveals that this debate was about more than just legitimizing abstract art forms from the past, but also about recognizing an autonomous American abstract art. Presenting unseen archival material, letters, and exhibition documentation, Prehistoric Pictures and American Modernism offers a new reading of the development of modern American abstraction, and will hold an important place in the historiography of the movement, its global traditions, and its legacy. This book is about the connection of prehistory and US-American modernism in the first half of Twentieth century, particularly at the Museum of Modern Art.It aims to initiate a valuable collaboration to the historiography of European and Us American art history, cultural history, visual culture, global history, and anthropology. MoMA curator Alfred Barr’s exhibition Prehistoric Rock Pictures in Europe and Africa (April 28–May 30, 1937) served as a catalyst for the appropriation of prehistoric rock painting [...]." |
| Umfang: | 1 Online-Ressource (xiv, 236 Seiten) Illustrationen |
| ISBN: | 9781350185272 9781350185258 9781350185265 |
| DOI: | 10.5040/9781350185272 |
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Datensatz im Suchindex
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| any_adam_object | |
| author | Seibert, Elke 1967- |
| author_GND | (DE-588)118067508 |
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| author_sort | Seibert, Elke 1967- |
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| ctrlnum | (OCoLC)1401217693 (DE-599)BVBBV049320359 |
| doi_str_mv | 10.5040/9781350185272 |
| era | Geschichte 1937-1939 gnd |
| era_facet | Geschichte 1937-1939 |
| format | Electronic eBook |
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| indexdate | 2024-12-20T20:06:28Z |
| institution | BVB |
| isbn | 9781350185272 9781350185258 9781350185265 |
| language | English |
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| spelling | Seibert, Elke 1967- Verfasser (DE-588)118067508 aut Prehistoric pictures and American modernism abstract art at MoMA 1937-1939 Elke Seibert London Bloomsbury Visual Arts 2023 1 Online-Ressource (xiv, 236 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Bloomsbury collections "In April 1937, the Museum of Modern Art in New York hosted an exhibition that served as a catalyst for the appropriation of prehistoric rock art in postwar abstract painting. With the title Prehistoric Rock Pictures in Europe and Africa, it displayed a range of copies from the influential collection of the German ethnologist Leo Frobenius. Largely disregarded in modern American art history up until now, this book highlights the importance of this exhibition to artists such as Josef Albers, Adolph Gottlieb, David Smith, and the American Abstracts Artists group, who sought inspiration from the prehistoric images’ primordial creativity. With a transnational scope, the book brings to the surface new facts about the transatlantic connections between Paris and New York and the importance of communication and collaboration between them. In doing so, Seibert reveals that this debate was about more than just legitimizing abstract art forms from the past, but also about recognizing an autonomous American abstract art. Presenting unseen archival material, letters, and exhibition documentation, Prehistoric Pictures and American Modernism offers a new reading of the development of modern American abstraction, and will hold an important place in the historiography of the movement, its global traditions, and its legacy. This book is about the connection of prehistory and US-American modernism in the first half of Twentieth century, particularly at the Museum of Modern Art.It aims to initiate a valuable collaboration to the historiography of European and Us American art history, cultural history, visual culture, global history, and anthropology. MoMA curator Alfred Barr’s exhibition Prehistoric Rock Pictures in Europe and Africa (April 28–May 30, 1937) served as a catalyst for the appropriation of prehistoric rock painting [...]." The Museum of Modern Art New York, NY (DE-588)1007559-8 gnd rswk-swf Geschichte 1937-1939 gnd rswk-swf Vor- und Frühgeschichte (DE-588)4078951-2 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Abstrakte Kunst (DE-588)4141146-8 gnd rswk-swf Felsbild (DE-588)4016718-5 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Painting, Abstract / United States Painting, American / 20th century Art, Prehistoric / Influences Prehistoric Rock Pictures in Europe and Africa (1937 : Museum of Modern Art (New York, N.Y.)) Painting, Abstract Painting, American United States 1900-1999 USA (DE-588)4078704-7 g Felsbild (DE-588)4016718-5 s The Museum of Modern Art New York, NY (DE-588)1007559-8 b Vor- und Frühgeschichte (DE-588)4078951-2 s Rezeption (DE-588)4049716-1 s Abstrakte Kunst (DE-588)4141146-8 s Geschichte 1937-1939 z DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-1-350-18524-1 https://doi.org/10.5040/9781350185272?locatt=label:secondary_bloomsburyCollections Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Seibert, Elke 1967- Prehistoric pictures and American modernism abstract art at MoMA 1937-1939 The Museum of Modern Art New York, NY (DE-588)1007559-8 gnd Vor- und Frühgeschichte (DE-588)4078951-2 gnd Rezeption (DE-588)4049716-1 gnd Abstrakte Kunst (DE-588)4141146-8 gnd Felsbild (DE-588)4016718-5 gnd |
| subject_GND | (DE-588)1007559-8 (DE-588)4078951-2 (DE-588)4049716-1 (DE-588)4141146-8 (DE-588)4016718-5 (DE-588)4078704-7 |
| title | Prehistoric pictures and American modernism abstract art at MoMA 1937-1939 |
| title_auth | Prehistoric pictures and American modernism abstract art at MoMA 1937-1939 |
| title_exact_search | Prehistoric pictures and American modernism abstract art at MoMA 1937-1939 |
| title_full | Prehistoric pictures and American modernism abstract art at MoMA 1937-1939 Elke Seibert |
| title_fullStr | Prehistoric pictures and American modernism abstract art at MoMA 1937-1939 Elke Seibert |
| title_full_unstemmed | Prehistoric pictures and American modernism abstract art at MoMA 1937-1939 Elke Seibert |
| title_short | Prehistoric pictures and American modernism |
| title_sort | prehistoric pictures and american modernism abstract art at moma 1937 1939 |
| title_sub | abstract art at MoMA 1937-1939 |
| topic | The Museum of Modern Art New York, NY (DE-588)1007559-8 gnd Vor- und Frühgeschichte (DE-588)4078951-2 gnd Rezeption (DE-588)4049716-1 gnd Abstrakte Kunst (DE-588)4141146-8 gnd Felsbild (DE-588)4016718-5 gnd |
| topic_facet | The Museum of Modern Art New York, NY Vor- und Frühgeschichte Rezeption Abstrakte Kunst Felsbild USA |
| url | https://doi.org/10.5040/9781350185272?locatt=label:secondary_bloomsburyCollections |
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