Ars longa vita brevis: Rembrandt's death and the status of the artist in late seventeenth-century Amsterdam
Gespeichert in:
Beteilige Person: | |
---|---|
Format: | Paper |
Sprache: | Englisch |
Veröffentlicht: |
2022
|
Schlagwörter: | |
Abstract: | It is therefore nothing short of frustrating that the passing on 4 October 1669 of Rembrandt van Rijn, long considered the greatest among seventeenth-century Dutch painters, has left scarcely any traces. In her essay Stephanie Dickey reconstructs the circumstances of the artist’s death. Her piece amounts to a cultural history of death and burial in Protestant Amsterdam. Rembrandt was buried like any other citizen. No elaborate funeral ceremony took place; no eulogies were composed; no funeral monument was erected. He ended up in a rented grave with two other men. The now lost stone slab probably only included his name. The exact location in the Westerkerk went unrecorded. As Dickey almost ruefully concludes, ‘(…) Rembrandt’s modest burial suited his standing as one established artist among many in the busy city’. |
Umfang: | Illustrationen |
ISSN: | 0169-6726 |
Internformat
MARC
LEADER | 00000naa a2200000 c 4500 | ||
---|---|---|---|
001 | BV049103680 | ||
003 | DE-604 | ||
005 | 20230824 | ||
007 | t| | ||
008 | 230817s2022 xx a||| |||| 00||| eng d | ||
035 | |a (OCoLC)1401216871 | ||
035 | |a (DE-599)BVBBV049103680 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-255 | ||
100 | 1 | |a Dickey, Stephanie |e Verfasser |0 (DE-588)188477578 |4 aut | |
245 | 1 | 0 | |a Ars longa vita brevis |b Rembrandt's death and the status of the artist in late seventeenth-century Amsterdam |c Stephanie S. Dickey |
264 | 1 | |c 2022 | |
300 | |b Illustrationen | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
520 | 3 | |a It is therefore nothing short of frustrating that the passing on 4 October 1669 of Rembrandt van Rijn, long considered the greatest among seventeenth-century Dutch painters, has left scarcely any traces. In her essay Stephanie Dickey reconstructs the circumstances of the artist’s death. Her piece amounts to a cultural history of death and burial in Protestant Amsterdam. Rembrandt was buried like any other citizen. No elaborate funeral ceremony took place; no eulogies were composed; no funeral monument was erected. He ended up in a rented grave with two other men. The now lost stone slab probably only included his name. The exact location in the Westerkerk went unrecorded. As Dickey almost ruefully concludes, ‘(…) Rembrandt’s modest burial suited his standing as one established artist among many in the busy city’. | |
600 | 0 | 7 | |a Rembrandt |c Harmensz van Rijn |d 1606-1669 |0 (DE-588)11859964X |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Bestattung |0 (DE-588)4006054-8 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Tod |0 (DE-588)4060294-1 |2 gnd |9 rswk-swf |
689 | 0 | 0 | |a Rembrandt |c Harmensz van Rijn |d 1606-1669 |0 (DE-588)11859964X |D p |
689 | 0 | 1 | |a Tod |0 (DE-588)4060294-1 |D s |
689 | 0 | 2 | |a Bestattung |0 (DE-588)4006054-8 |D s |
689 | 0 | |5 DE-604 | |
773 | 1 | 8 | |g volume:72 |g year:2022 |g pages:234-271 |
773 | 0 | 8 | |t Nederlands kunsthistorisch jaarboek |d Leiden ; Boston, 2022 |g Deel 72 (2022), Seite [234]-[271] |w (DE-604)BV002664896 |x 0169-6726 |o (DE-600)2483-1 |
941 | |b 72 |j 2022 |s 234-271 | ||
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-034365161 |
Datensatz im Suchindex
_version_ | 1820957996679692288 |
---|---|
adam_text | |
any_adam_object | |
article_link | (DE-604)BV002664896 |
author | Dickey, Stephanie |
author_GND | (DE-588)188477578 |
author_facet | Dickey, Stephanie |
author_role | aut |
author_sort | Dickey, Stephanie |
author_variant | s d sd |
building | Verbundindex |
bvnumber | BV049103680 |
ctrlnum | (OCoLC)1401216871 (DE-599)BVBBV049103680 |
format | Article |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000naa a2200000 c 4500</leader><controlfield tag="001">BV049103680</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20230824</controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">230817s2022 xx a||| |||| 00||| eng d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1401216871</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049103680</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Dickey, Stephanie</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)188477578</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Ars longa vita brevis</subfield><subfield code="b">Rembrandt's death and the status of the artist in late seventeenth-century Amsterdam</subfield><subfield code="c">Stephanie S. Dickey</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2022</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">It is therefore nothing short of frustrating that the passing on 4 October 1669 of Rembrandt van Rijn, long considered the greatest among seventeenth-century Dutch painters, has left scarcely any traces. In her essay Stephanie Dickey reconstructs the circumstances of the artist’s death. Her piece amounts to a cultural history of death and burial in Protestant Amsterdam. Rembrandt was buried like any other citizen. No elaborate funeral ceremony took place; no eulogies were composed; no funeral monument was erected. He ended up in a rented grave with two other men. The now lost stone slab probably only included his name. The exact location in the Westerkerk went unrecorded. As Dickey almost ruefully concludes, ‘(…) Rembrandt’s modest burial suited his standing as one established artist among many in the busy city’.</subfield></datafield><datafield tag="600" ind1="0" ind2="7"><subfield code="a">Rembrandt</subfield><subfield code="c">Harmensz van Rijn</subfield><subfield code="d">1606-1669</subfield><subfield code="0">(DE-588)11859964X</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Bestattung</subfield><subfield code="0">(DE-588)4006054-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Tod</subfield><subfield code="0">(DE-588)4060294-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Rembrandt</subfield><subfield code="c">Harmensz van Rijn</subfield><subfield code="d">1606-1669</subfield><subfield code="0">(DE-588)11859964X</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Tod</subfield><subfield code="0">(DE-588)4060294-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Bestattung</subfield><subfield code="0">(DE-588)4006054-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">volume:72</subfield><subfield code="g">year:2022</subfield><subfield code="g">pages:234-271</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">Nederlands kunsthistorisch jaarboek</subfield><subfield code="d">Leiden ; Boston, 2022</subfield><subfield code="g">Deel 72 (2022), Seite [234]-[271]</subfield><subfield code="w">(DE-604)BV002664896</subfield><subfield code="x">0169-6726</subfield><subfield code="o">(DE-600)2483-1</subfield></datafield><datafield tag="941" ind1=" " ind2=" "><subfield code="b">72</subfield><subfield code="j">2022</subfield><subfield code="s">234-271</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034365161</subfield></datafield></record></collection> |
id | DE-604.BV049103680 |
illustrated | Illustrated |
indexdate | 2025-01-11T13:07:52Z |
institution | BVB |
issn | 0169-6726 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034365161 |
oclc_num | 1401216871 |
open_access_boolean | |
owner | DE-255 |
owner_facet | DE-255 |
physical | Illustrationen |
publishDate | 2022 |
publishDateSearch | 2022 |
publishDateSort | 2022 |
record_format | marc |
spelling | Dickey, Stephanie Verfasser (DE-588)188477578 aut Ars longa vita brevis Rembrandt's death and the status of the artist in late seventeenth-century Amsterdam Stephanie S. Dickey 2022 Illustrationen txt rdacontent n rdamedia nc rdacarrier It is therefore nothing short of frustrating that the passing on 4 October 1669 of Rembrandt van Rijn, long considered the greatest among seventeenth-century Dutch painters, has left scarcely any traces. In her essay Stephanie Dickey reconstructs the circumstances of the artist’s death. Her piece amounts to a cultural history of death and burial in Protestant Amsterdam. Rembrandt was buried like any other citizen. No elaborate funeral ceremony took place; no eulogies were composed; no funeral monument was erected. He ended up in a rented grave with two other men. The now lost stone slab probably only included his name. The exact location in the Westerkerk went unrecorded. As Dickey almost ruefully concludes, ‘(…) Rembrandt’s modest burial suited his standing as one established artist among many in the busy city’. Rembrandt Harmensz van Rijn 1606-1669 (DE-588)11859964X gnd rswk-swf Bestattung (DE-588)4006054-8 gnd rswk-swf Tod (DE-588)4060294-1 gnd rswk-swf Rembrandt Harmensz van Rijn 1606-1669 (DE-588)11859964X p Tod (DE-588)4060294-1 s Bestattung (DE-588)4006054-8 s DE-604 volume:72 year:2022 pages:234-271 Nederlands kunsthistorisch jaarboek Leiden ; Boston, 2022 Deel 72 (2022), Seite [234]-[271] (DE-604)BV002664896 0169-6726 (DE-600)2483-1 |
spellingShingle | Dickey, Stephanie Ars longa vita brevis Rembrandt's death and the status of the artist in late seventeenth-century Amsterdam Rembrandt Harmensz van Rijn 1606-1669 (DE-588)11859964X gnd Bestattung (DE-588)4006054-8 gnd Tod (DE-588)4060294-1 gnd |
subject_GND | (DE-588)11859964X (DE-588)4006054-8 (DE-588)4060294-1 |
title | Ars longa vita brevis Rembrandt's death and the status of the artist in late seventeenth-century Amsterdam |
title_auth | Ars longa vita brevis Rembrandt's death and the status of the artist in late seventeenth-century Amsterdam |
title_exact_search | Ars longa vita brevis Rembrandt's death and the status of the artist in late seventeenth-century Amsterdam |
title_full | Ars longa vita brevis Rembrandt's death and the status of the artist in late seventeenth-century Amsterdam Stephanie S. Dickey |
title_fullStr | Ars longa vita brevis Rembrandt's death and the status of the artist in late seventeenth-century Amsterdam Stephanie S. Dickey |
title_full_unstemmed | Ars longa vita brevis Rembrandt's death and the status of the artist in late seventeenth-century Amsterdam Stephanie S. Dickey |
title_short | Ars longa vita brevis |
title_sort | ars longa vita brevis rembrandt s death and the status of the artist in late seventeenth century amsterdam |
title_sub | Rembrandt's death and the status of the artist in late seventeenth-century Amsterdam |
topic | Rembrandt Harmensz van Rijn 1606-1669 (DE-588)11859964X gnd Bestattung (DE-588)4006054-8 gnd Tod (DE-588)4060294-1 gnd |
topic_facet | Rembrandt Harmensz van Rijn 1606-1669 Bestattung Tod |
work_keys_str_mv | AT dickeystephanie arslongavitabrevisrembrandtsdeathandthestatusoftheartistinlateseventeenthcenturyamsterdam |