Cinema as political activism: contemporary meanings in The Spook who sat by the door
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Paper |
| Sprache: | Englisch |
| Veröffentlicht: |
2018
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| ISBN: | 978-0-253-03175-4 |
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| spelling | Yaquinto, Marilyn 1956- (DE-588)1027176755 aut Cinema as political activism contemporary meanings in The Spook who sat by the door Marilyn Yaquinto 2018 txt rdacontent n rdamedia nc rdacarrier pages:60-91 Race and the revolutionary impulse in The spook who sat by the door / edited by Michael T. Martin, David C. Wall, and Marilyn Yaquinto Bloomington, Indiana, 2018 Seite 60-91 Studies in the cinema of the black diaspora (DE-604)BV045331801 978-0-253-03175-4 |
| spellingShingle | Yaquinto, Marilyn 1956- Cinema as political activism contemporary meanings in The Spook who sat by the door |
| title | Cinema as political activism contemporary meanings in The Spook who sat by the door |
| title_auth | Cinema as political activism contemporary meanings in The Spook who sat by the door |
| title_exact_search | Cinema as political activism contemporary meanings in The Spook who sat by the door |
| title_full | Cinema as political activism contemporary meanings in The Spook who sat by the door Marilyn Yaquinto |
| title_fullStr | Cinema as political activism contemporary meanings in The Spook who sat by the door Marilyn Yaquinto |
| title_full_unstemmed | Cinema as political activism contemporary meanings in The Spook who sat by the door Marilyn Yaquinto |
| title_short | Cinema as political activism |
| title_sort | cinema as political activism contemporary meanings in the spook who sat by the door |
| title_sub | contemporary meanings in The Spook who sat by the door |
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