Called to the camera: Black American studio photographers
Gespeichert in:
Weitere beteiligte Personen: | |
---|---|
Format: | Buch |
Sprache: | Englisch |
Veröffentlicht: |
[New Orleans, La.]
NOMA, New Orleans Museum of Art
[2023]
|
Schlagwörter: | |
Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034315501&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
Abstract: | "From photography's beginnings in the United States, Black studio photographers operated on the developing edge of popular media to produce affirming portraits for their clients, as well as a wide range of photographic work rooted in their communities. Called to the Camera offers a comprehensive history of this work, from the nineteenth-century daguerreotypes of James Presley Ball to the height of Black studios in the mid-twentieth century, and considers contemporary photographers responding to Black studio traditions today. In addition to showcasing famous photographers such as Ball, James Van Der Zee, and Addison Scurlock, this volume brings attention to dozens of other artists across the country, including Florestine Perrault Collins, Austin Hansen, and Henry Clay Anderson. The book features more than one hundred extraordinary vintage photographs, many of them unique objects and some, like those by the Hooks Brothers Studio, published here for the first time. Highlighting Black subjects on both sides of the camera, Called to the Camera presents a broader and more inclusive history of photography." |
Beschreibung: | Frontispizseite: "Exhibition dates: New Orleans Museum of Art, September 15, 2022 - January 8, 2023" |
Umfang: | 226 Seiten 29 cm |
ISBN: | 9780300267389 |
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520 | 3 | |a "From photography's beginnings in the United States, Black studio photographers operated on the developing edge of popular media to produce affirming portraits for their clients, as well as a wide range of photographic work rooted in their communities. Called to the Camera offers a comprehensive history of this work, from the nineteenth-century daguerreotypes of James Presley Ball to the height of Black studios in the mid-twentieth century, and considers contemporary photographers responding to Black studio traditions today. In addition to showcasing famous photographers such as Ball, James Van Der Zee, and Addison Scurlock, this volume brings attention to dozens of other artists across the country, including Florestine Perrault Collins, Austin Hansen, and Henry Clay Anderson. The book features more than one hundred extraordinary vintage photographs, many of them unique objects and some, like those by the Hooks Brothers Studio, published here for the first time. Highlighting Black subjects on both sides of the camera, Called to the Camera presents a broader and more inclusive history of photography." | |
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Datensatz im Suchindex
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adam_text |
CALLED
TO
THE
CAMERA
BLACK AMERICAN
STUDIO PHOTOGRAPHERS
BRIAN PIPER
WITH
JOHN
EDWIN MASON,
CARLA
WILLIAMS,
AND
RUSSELL LORD
FOREWORD BY
SUSAN TAYLOR
NEW ORLEANS MUSEUM
OF
ART
DISTRIBUTED
BY
YALE UNIVERSITY PRESS
NEW HAVEN
AND
LONDON
NOMA
NEW
ORLEANS MUSEUM
OF
ART
CONTENTS
7 LENDERS
TO
THE
EXHIBITION
9 DIRECTOR'S
FORWARD
SUSAN
M.
TAYLOR
13
INTRODUCTION
RUSSELL
LORD
17
"WHERE THERE'S BEAUTY WE TAKE IT,
AND WHERE THERE'S NONE WE
CAN
MAKE IT:"
THE
WORK
OF
BLACK AMERICAN PHOTOGRAPHY STUDIOS
BRIAN
PIPER
45 NOBODY'S
"FAITHFUL
SERVANT:"
HENRY
MARTIN
REPRESENTS
HIMSELF
JOHN
EDWIN
MASON
49
THE
ART
OF
SEEING
AS
BEING SEEN
CARLA
WILLIAMS
PLATES
53 FOUNDATIONS
77
THE
PORTRAITS
111
INSIDE
THE
STUDIO
139 BEYOND
THE
STUDIO
183 REFLECTIONS
AND
REFRACTIONS
200
EXHIBITION
CATALOG
218
NOTES
223
ACKNOWLEDGEMENTS
226 CREDITS
HOOKS BROTHERS STUDIO
HOOKS
PHOTOGRAPHY SCHOOL
STUDENTS
AT PRINT DRYER
(DETAIL), CA.
1950
GELATIN SILVER PRINT
'/AV
Q
5
J.
Q
CL,
FF(
~O
5 |
any_adam_object | 1 |
author2 | Taylor, Susan M. |
author2_role | aui |
author2_variant | s m t sm smt |
author_GND | (DE-588)1308998066 (DE-588)1334539111 (DE-588)188482644 (DE-588)136364225 (DE-588)1334539278 |
author_facet | Taylor, Susan M. |
building | Verbundindex |
bvnumber | BV049053207 |
contents | Director's foreword / Susan M. Taylor -- Introduction / Russell Lord -- "Where there's beauty we take it, and where there's none we can make it:" the work of Black American photography studios / Brian Piper -- Nobody's "faithful servant:" Henry Martin represents himself / John Edwin Mason -- The art of seeing as being seen / Carla Williams |
ctrlnum | (OCoLC)1390901884 (DE-599)BVBBV049053207 |
era | Geschichte 1850-2019 gnd |
era_facet | Geschichte 1850-2019 |
format | Book |
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spelling | Called to the camera Black American studio photographers Brian Piper with John Edwin Mason, Carla Williams, and Russell Lord ; foreword by Susan Taylor Black American studio photographers [New Orleans, La.] NOMA, New Orleans Museum of Art [2023] New Haven ; London Yale University Press 226 Seiten 29 cm sti rdacontent txt rdacontent n rdamedia nc rdacarrier Frontispizseite: "Exhibition dates: New Orleans Museum of Art, September 15, 2022 - January 8, 2023" Director's foreword / Susan M. Taylor -- Introduction / Russell Lord -- "Where there's beauty we take it, and where there's none we can make it:" the work of Black American photography studios / Brian Piper -- Nobody's "faithful servant:" Henry Martin represents himself / John Edwin Mason -- The art of seeing as being seen / Carla Williams "From photography's beginnings in the United States, Black studio photographers operated on the developing edge of popular media to produce affirming portraits for their clients, as well as a wide range of photographic work rooted in their communities. Called to the Camera offers a comprehensive history of this work, from the nineteenth-century daguerreotypes of James Presley Ball to the height of Black studios in the mid-twentieth century, and considers contemporary photographers responding to Black studio traditions today. In addition to showcasing famous photographers such as Ball, James Van Der Zee, and Addison Scurlock, this volume brings attention to dozens of other artists across the country, including Florestine Perrault Collins, Austin Hansen, and Henry Clay Anderson. The book features more than one hundred extraordinary vintage photographs, many of them unique objects and some, like those by the Hooks Brothers Studio, published here for the first time. Highlighting Black subjects on both sides of the camera, Called to the Camera presents a broader and more inclusive history of photography." Geschichte 1850-2019 gnd rswk-swf Fotostudio (DE-588)4003354-5 gnd rswk-swf Schwarze Motiv (DE-588)4116434-9 gnd rswk-swf Porträtfotografie (DE-588)4046840-9 gnd rswk-swf Schwarze (DE-588)4116433-7 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf African American portrait photographers / Exhibitions African American photographers / Exhibitions African Americans / Portraits / Exhibitions Portrait photography / United States / History / Exhibitions Photography History United States Exhibition catalogs Photobooks (DE-588)4135467-9 Ausstellungskatalog New Orleans Museum of Art 15.09.2022-08.01.2023 New Orleans, La. gnd-content (DE-588)4145395-5 Bildband gnd-content USA (DE-588)4078704-7 g Schwarze (DE-588)4116433-7 s Fotostudio (DE-588)4003354-5 s Porträtfotografie (DE-588)4046840-9 s Geschichte 1850-2019 z DE-604 Schwarze Motiv (DE-588)4116434-9 s Piper, Brian (DE-588)1308998066 wst Mason, John Edwin (DE-588)1334539111 wst Williams, Carla 1965- (DE-588)188482644 wst Lord, Russell (DE-588)136364225 wst Taylor, Susan M. (DE-588)1334539278 aui New Orleans Museum of Art (DE-588)1092217-9 his isb V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034315501&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Called to the camera Black American studio photographers Director's foreword / Susan M. Taylor -- Introduction / Russell Lord -- "Where there's beauty we take it, and where there's none we can make it:" the work of Black American photography studios / Brian Piper -- Nobody's "faithful servant:" Henry Martin represents himself / John Edwin Mason -- The art of seeing as being seen / Carla Williams Fotostudio (DE-588)4003354-5 gnd Schwarze Motiv (DE-588)4116434-9 gnd Porträtfotografie (DE-588)4046840-9 gnd Schwarze (DE-588)4116433-7 gnd |
subject_GND | (DE-588)4003354-5 (DE-588)4116434-9 (DE-588)4046840-9 (DE-588)4116433-7 (DE-588)4078704-7 (DE-588)4135467-9 (DE-588)4145395-5 |
title | Called to the camera Black American studio photographers |
title_alt | Black American studio photographers |
title_auth | Called to the camera Black American studio photographers |
title_exact_search | Called to the camera Black American studio photographers |
title_full | Called to the camera Black American studio photographers Brian Piper with John Edwin Mason, Carla Williams, and Russell Lord ; foreword by Susan Taylor |
title_fullStr | Called to the camera Black American studio photographers Brian Piper with John Edwin Mason, Carla Williams, and Russell Lord ; foreword by Susan Taylor |
title_full_unstemmed | Called to the camera Black American studio photographers Brian Piper with John Edwin Mason, Carla Williams, and Russell Lord ; foreword by Susan Taylor |
title_short | Called to the camera |
title_sort | called to the camera black american studio photographers |
title_sub | Black American studio photographers |
topic | Fotostudio (DE-588)4003354-5 gnd Schwarze Motiv (DE-588)4116434-9 gnd Porträtfotografie (DE-588)4046840-9 gnd Schwarze (DE-588)4116433-7 gnd |
topic_facet | Fotostudio Schwarze Motiv Porträtfotografie Schwarze USA Ausstellungskatalog New Orleans Museum of Art 15.09.2022-08.01.2023 New Orleans, La. Bildband |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034315501&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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