Music and citizenship:
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
New York
Oxford University Press
2023
|
| Schriftenreihe: | Oxford theory in ethnomusicology series
|
| Schlagwörter: | |
| Abstract: | "Citizenship is a fantasy of political community without others. How is it faring in today's world of authoritarianism, failed states, and climate crisis? In a world where democratic experiment is, by now, a networked and global proposition? What might we learn from music - and from ethnomusicology? The relationship between the idea of citizenship and music is long-standing, but it has not yet been looked at from a perspective informed by postcolonialism and today's decolonizing debates. The case studies in this volume are, consequently, drawn from across Latin America, Africa, Asia and Europe. Its first chapter locates the current ethnomusicological interest in citizenship in broad critical landscape, focusing on approaches to audience, media, voice and performance. The second surveys a growing body of recent ethnomusicological literature on citizenship, theorized in terms of identity, technocracy, and intimacy. The third comprises case studies developing an approach to citizenship and political subjectivity beyond conventional liberal categories, defined by mobility ('the citizen on his bike'), collectivity ('the citizen in the crowd') and activism ('the citizen in the square'). The conclusion offers an argument about the implications for citizenship studies of today's thinking in ethnomusicology, musicology and sound studies, reflecting on the hardening rhetoric of political belonging in Europe." |
| Umfang: | X, 181 Seiten 21 cm |
| ISBN: | 9780197555194 9780197555187 |
Internformat
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| 505 | 8 | |a Introduction. How Musical is the Citizen? -- Ethnomusicology of Citizenship, Ethnomusicology as Citizenship -- Citizenship Resounding -- Conclusion | |
| 520 | 3 | |a "Citizenship is a fantasy of political community without others. How is it faring in today's world of authoritarianism, failed states, and climate crisis? In a world where democratic experiment is, by now, a networked and global proposition? What might we learn from music - and from ethnomusicology? The relationship between the idea of citizenship and music is long-standing, but it has not yet been looked at from a perspective informed by postcolonialism and today's decolonizing debates. The case studies in this volume are, consequently, drawn from across Latin America, Africa, Asia and Europe. Its first chapter locates the current ethnomusicological interest in citizenship in broad critical landscape, focusing on approaches to audience, media, voice and performance. The second surveys a growing body of recent ethnomusicological literature on citizenship, theorized in terms of identity, technocracy, and intimacy. The third comprises case studies developing an approach to citizenship and political subjectivity beyond conventional liberal categories, defined by mobility ('the citizen on his bike'), collectivity ('the citizen in the crowd') and activism ('the citizen in the square'). The conclusion offers an argument about the implications for citizenship studies of today's thinking in ethnomusicology, musicology and sound studies, reflecting on the hardening rhetoric of political belonging in Europe." | |
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Datensatz im Suchindex
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|---|---|
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| author | Stokes, Martin 1961- |
| author_GND | (DE-588)143349082 |
| author_facet | Stokes, Martin 1961- |
| author_role | aut |
| author_sort | Stokes, Martin 1961- |
| author_variant | m s ms |
| building | Verbundindex |
| bvnumber | BV048979156 |
| classification_rvk | LS 18600 |
| contents | Introduction. How Musical is the Citizen? -- Ethnomusicology of Citizenship, Ethnomusicology as Citizenship -- Citizenship Resounding -- Conclusion |
| ctrlnum | (OCoLC)1391637030 (DE-599)BVBBV048979156 |
| discipline | Musikwissenschaft |
| format | Book |
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| id | DE-604.BV048979156 |
| illustrated | Not Illustrated |
| indexdate | 2025-02-20T11:00:49Z |
| institution | BVB |
| isbn | 9780197555194 9780197555187 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034242650 |
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| physical | X, 181 Seiten 21 cm |
| psigel | BSB_NED_20240111 |
| publishDate | 2023 |
| publishDateSearch | 2023 |
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| publisher | Oxford University Press |
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| series2 | Oxford theory in ethnomusicology series |
| spelling | Stokes, Martin 1961- Verfasser (DE-588)143349082 aut Music and citizenship Martin Stokes New York Oxford University Press 2023 X, 181 Seiten 21 cm txt rdacontent n rdamedia nc rdacarrier Oxford theory in ethnomusicology series Introduction. How Musical is the Citizen? -- Ethnomusicology of Citizenship, Ethnomusicology as Citizenship -- Citizenship Resounding -- Conclusion "Citizenship is a fantasy of political community without others. How is it faring in today's world of authoritarianism, failed states, and climate crisis? In a world where democratic experiment is, by now, a networked and global proposition? What might we learn from music - and from ethnomusicology? The relationship between the idea of citizenship and music is long-standing, but it has not yet been looked at from a perspective informed by postcolonialism and today's decolonizing debates. The case studies in this volume are, consequently, drawn from across Latin America, Africa, Asia and Europe. Its first chapter locates the current ethnomusicological interest in citizenship in broad critical landscape, focusing on approaches to audience, media, voice and performance. The second surveys a growing body of recent ethnomusicological literature on citizenship, theorized in terms of identity, technocracy, and intimacy. The third comprises case studies developing an approach to citizenship and political subjectivity beyond conventional liberal categories, defined by mobility ('the citizen on his bike'), collectivity ('the citizen in the crowd') and activism ('the citizen in the square'). The conclusion offers an argument about the implications for citizenship studies of today's thinking in ethnomusicology, musicology and sound studies, reflecting on the hardening rhetoric of political belonging in Europe." Staatsangehörigkeit (DE-588)4056630-4 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Internationaler Vergleich (DE-588)4120509-1 gnd rswk-swf Nationalbewusstsein (DE-588)4041282-9 gnd rswk-swf Music / Political aspects Music / Social aspects Citizenship Ethnomusicology Musik (DE-588)4040802-4 s Staatsangehörigkeit (DE-588)4056630-4 s Nationalbewusstsein (DE-588)4041282-9 s Internationaler Vergleich (DE-588)4120509-1 s DE-604 Erscheint auch als Online-Ausgabe 978-0-19-755520-0 Erscheint auch als Online-Ausgabe 978-0-19-755522-4 |
| spellingShingle | Stokes, Martin 1961- Music and citizenship Introduction. How Musical is the Citizen? -- Ethnomusicology of Citizenship, Ethnomusicology as Citizenship -- Citizenship Resounding -- Conclusion Staatsangehörigkeit (DE-588)4056630-4 gnd Musik (DE-588)4040802-4 gnd Internationaler Vergleich (DE-588)4120509-1 gnd Nationalbewusstsein (DE-588)4041282-9 gnd |
| subject_GND | (DE-588)4056630-4 (DE-588)4040802-4 (DE-588)4120509-1 (DE-588)4041282-9 |
| title | Music and citizenship |
| title_auth | Music and citizenship |
| title_exact_search | Music and citizenship |
| title_full | Music and citizenship Martin Stokes |
| title_fullStr | Music and citizenship Martin Stokes |
| title_full_unstemmed | Music and citizenship Martin Stokes |
| title_short | Music and citizenship |
| title_sort | music and citizenship |
| topic | Staatsangehörigkeit (DE-588)4056630-4 gnd Musik (DE-588)4040802-4 gnd Internationaler Vergleich (DE-588)4120509-1 gnd Nationalbewusstsein (DE-588)4041282-9 gnd |
| topic_facet | Staatsangehörigkeit Musik Internationaler Vergleich Nationalbewusstsein |
| work_keys_str_mv | AT stokesmartin musicandcitizenship |