Keos XI: Wall Paintings and Social Context. the Northeast Bastion at Ayia Irini
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Philadelphia
Institute for Aegean Prehistory Press
2020
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| Ausgabe: | 1st ed |
| Schlagwörter: | |
| Links: | https://ebookcentral.proquest.com/lib/bsbfidaltertumswissenschaften/detail.action?docID=6480138 |
| Umfang: | 1 Online-Ressource (644 Seiten) |
| ISBN: | 9781623034214 |
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| 245 | 1 | 0 | |a Keos XI |b Wall Paintings and Social Context. the Northeast Bastion at Ayia Irini |
| 250 | |a 1st ed | ||
| 264 | 1 | |a Philadelphia |b Institute for Aegean Prehistory Press |c 2020 | |
| 264 | 4 | |c ©2020 | |
| 300 | |a 1 Online-Ressource (644 Seiten) | ||
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| 505 | 8 | |a Intro -- Figure 1.1. Map showing sites mentioned in the book. Image R. Robertson. -- Figure 1.2. Map of northern Kea. Image R. Robertson. -- Figure 1.3. View of Ayia Irini and the bay looking south. Photo L. Morgan. -- Figure 1.4. Ayia Irini in Period VI (LC I/LM IA), showing the locations of wall paintings. Adapted by the author from the site plan by R.L. Holzen, showing the walls according to the current state of research on stratigraphy. -- Figure 1.5. Site plan of Ayia Irini showing the locations of representational wall paintings in Period VII (LC II/LM IB). Adapted from the site plan by R.L. Holzen. -- Figure 1.6. Northern Sector in Periods V and VI: (a) Period V, Phase 1 -- (b) Period V, Phase 2 -- (c) Period VI. Adapted from Davis 1986, pls. 2, 3, 5, 15 and the site plan by R.L. Holzen . -- Figure 1.7. Northeast Bastion: (a) version of upper floor plan with proposed windows -- (b) version of upper floor plan with hypothetical dividing wall and cupboards -- (c) ground floor with surviving walls. Images L. Morgan and S. Laidlaw (a, b) -- adapted fro -- Figure 2.1. Details from the Miniature Frieze, Room 5, West House Akrotiri: (a) "Meeting on the Hill," north wall -- (b) woman with a pot, north wall -- (c) men meeting across a river, south wall. Scale ca. 1:2. Doumas 1992, pls. 27, 28, 44, details. -- Figure 2.2. Fragments of the Miniature Frieze, Ayia Irini, Kea (2, 6, and detail of 67). Scale 1:2 (for 1:1 scale, see Pls. 1, 2, and 7). -- Figure 2.4. Men in the Tylissos miniature painting. Scale ca. 1:2. After Evans 1921-1935, III, 35-36, figs. 17, 19. -- Figure 2.5. Seal impression from Haghia Triada. Seal area ca. 2.35 x 1.3 cm. CMS II.6, no. 29. -- Figure 2.6. Sealstone (a) and seal impression (b): (a) Vapheio, sardonyx amygdaloid, 1.1 x 2.2 cm, CMS I, no. 226 | |
| 505 | 8 | |a (b) Knossos (LM I), surviving seal area 1.25 x 1.25 cm, CMS II.8:1, no. 266. -- Figure 2.7. Sealstone (a, b) and ring impression (c): (a) Knossos(?) jasper amygdaloid, 3.5 x 1.3 cm, CMS VI, no. 318 -- (b) Vapheio, jasper lentoid, 0.9 x 1.85 cm, CMS I, no. 225 -- (c) Hagia Triada, surviving area 1.45 x 1.2 cm, CMS II.6, no. 12. -- Figure 3.2. Flagship, detail from the south wall of the Miniature Frieze, Room 5, West House, Akrotiri, Thera. Scale ca. 1:4. Doumas 1992, pl. 36, detail. -- Figure 3.3. Early Cycladic depiction of a boat on a ceramic pan. Not to scale. After Coleman 1985, 199, ill. 5, no. 27. -- Figure 3.4. Seal impression from Knossos (LM I-II). Seal area ca. 2.8 x 2.1 cm. CMS II.8:1, no. 133. -- Figure 3.6. Scenes of chariots on rings and a sealstone: (a) gold ring from Shaft Grave IV (LH I), 3.45 x 2.1 cm, CMS I, no. 15 -- (b) clay impression from a ring found in Delta 18b at Akrotiri (LM I), originally 3.0 x 1.85 cm, CMS V, Suppl. 3.2, no. 391 -- ( -- Figure 3.7. Reconstruction of a wall painting from Knossos. Cameron 1967b, fig. 12. -- Figure 4.1. Details of buildings in the Ayia Irini Miniature Frieze: (a) from Figure 7.1 -- (b, c) from Figure 7.2. Scale 1:2. Drawings L. Morgan. -- Figure 4.2. View of Chora, Kea. Photo L. Morgan. -- Figure 4.3. Details of buildings in the Thera Miniature Frieze, Room 5, West House, Akrotiri, Thera: (a) Town II building and man, north wall, scale 1:2 -- (b) Town II and warrior, north wall, scale 1:2 -- (c) Town II at coast, north wall, scale 1:2 -- (d) Tow -- Figure 4.4. Departure Town (Town IV), detail from the south wall of the Miniature Frieze, Room 5, West House, Akrotiri, Thera. Scale ca. 1:4. Doumas 1992, pl. 35, detail. -- Figure 4.5. Arrival Town (Town V), detail from the south wall of the Miniature Frieze Room 5, West House, Akrotiri, Thera. Scale ca. 1:4. Doumas 1992, pl. 35, detail | |
| 505 | 8 | |a Figure 4.6. Town Mosaic faience plaques from Knossos, visualized as a group by C. Palyvou (2005b, pl. 50). -- Figure 4.7. Silver Siege Rhyton, Shaft Grave IV at Mycenae: detail of the town. After Smith 1965, fig. 84, detail. Drawing S.E. Chapman. -- Figure 4.8. Ivory plaque from the Royal Road, Knossos. After Palyvou 2005b, pl. 53:2a. -- Figure 4.9. Fragment of a building from the Tylissos Miniature Frieze. After Evans 1921-1935, III, fig. 49. -- Figure 4.10. "Master Impression" sealing from Chania, original ring area 2.75 x 2.0 cm. CMS V, Suppl. 1A, no. 142. -- Figure 4.13. Syrian fortifications, Tomb of Amenmose (TT 42). After de Garis Davies 1933, 30, pl. XXXVI, detail. -- Figure 4.14. Details of a house on Kea with projections on the roof: (a) seen from the front -- (b) seen from an angle. Photos L. Morgan. -- Figure 4.15. Reconstruction of Building P at Kommos. Shaw and Shaw, eds., 2006, 962, pl. 1.12. -- Figure 5.1. Color drawings of the deer and dogs, reconstructed from fragments 178-181 (right) and 182, 183, 189-191 (left) -- cf. Figure 7.17. Scale 1:2. L. Morgan. -- Figure 5.2. Details of deer from the Miniature Frieze, Room 5, West House, Akrotiri, Thera: (a) deer (hunted by griffin) in riverine landscape, east wall -- (b) deer (hunted by lion) on hilltop, south wall. Scale 1:2. Doumas 1992, pls. 32, 36, details. -- Figure 5.3. Sealstone (a) and seal/ring(?) impressions (b-d) with deer and dogs: (a) Knossos, Hogarth's tombs, amethyst lentoid, LM I-II, 1.05 x 1.2 cm, CMS II.3, no. 74 -- (b) Pylos, LB I-II, 2.0 x 2.4 cm, CMS I, no. 308 -- (c) Akrotiri, Thera, LM I, origina -- Figure 5.4. Herding scene, detail from the north wall of the Miniature Frieze, Room 5, West House, Akrotiri, Thera. Scale 1:2. Doumas 1992, 28, detail. -- Figure 6.1:a, b. Reeds and stream, details from the Reed Bed painting, Xeste 3, Akrotiri. Photos L. Morgan | |
| 505 | 8 | |a Figure 6.2. A view toward Ayia Irini through coastal reeds. Photo L. Morgan. -- Figure 7.1A. Visualization of the town by a river. Scale 1:3. Watercolor L. Morgan. -- Figure 7.1B. Fragments from the town by a river. Scale 1:3. Outline L. Morgan. -- Figure 7.2. Watercolor visualization (top) and outline (bottom) of buildings. Scale 1:3. Image L. Morgan. -- Figure 7.3. Watercolor visualization (top) and outline (bottom) of women and buildings. Scale 1:3. Image L. Morgan. -- Figure 7.4. Watercolor visualization (top) and outline (bottom) of thistles and descending rocks. Scale 1:3. Image L. Morgan. -- Figure 7.5. Watercolor visualization (top) and outline (bottom) of building and plants. Scale 1:3. Image L. Morgan. -- Figure 7.6. Watercolor visualization (top) and outline (bottom) of horse and building. Scale 1:3. Image L. Morgan. -- Figure 7.7 Watercolor visualization (top) and outline (bottom) of herder with goat. Scale 1:3. Image L. Morgan. -- Figure 7.8. Watercolor visualization (top) and outline (bottom) of cauldrons and ships scene. Scale 1:4. Image L. Morgan. -- Figure 7.8:detail. Overlapping men (59) in cauldron and ships scene at 1:2 scale. Image L. Morgan. -- Figure 7.9. Paddlers (63). Scale 1:3. Image L. Morgan. -- Figure 7.10. Chariot: (a) simple box type, curved -- (b) simple box type, straight -- (c) dual type -- (d) outline. Scale 1:3. Image L. Morgan. -- Figure 7.11. Watercolor visualization (top) and outline (bottom) of procession of men. Scale 1:3. Image L. Morgan. -- Figure 7.12. Watercolor visualization (top) and outline (bottom) of men by river. Scale 1:3. Image L. Morgan. -- Figure 7.13. Watercolor visualization (top) and outline (bot-tom) of men by rocks or sea. Scale 1:3. Image L. Morgan. -- Figure 7.14. Watercolor visualization (top) and outline (bottom) of men by rocks. Scale 1:3. Image L. Morgan | |
| 505 | 8 | |a Figure 7.15. Fragments of men: (a) man with upraised arms (18) -- (b) man wearing kilt or shorts (47). Scale 1:3. Image L. Morgan. -- Figure 7.16. Hunter with prey (44). Scale 1:3. Image L. Morgan. -- Figure 7.17A. Visualization of deer and dogs. Scale 1:3. Watercolor L. Morgan. -- Figure 7.17B. Deer and dogs. Scale 1:3. Outline L. Morgan. -- Figure 7.18. Watercolor visualization (top two) of alternative orientations of scene with rocks: (a) sea and rocks with men -- (b) sky and descending rocks -- and outline (bottom) of upper orientation. Scale 1:3. Image L. Morgan. -- Figure 7.19. Watercolor visualization (top) and outline (bottom) of Marsh A: descending rock, river, marsh, and sea with inlets. Scale 1:4. Image L. Morgan. -- Figure 7.20. Watercolor visualization (top) and outline (bottom) of Marsh B: river, marsh, and sea with spray. Scale 1:3. Image L. Morgan. -- Figure 7.21. Watercolor visualization (top) and outline (bottom) of Marsh C: river, marsh, and sea. Scale 1:3. Image L. Morgan. -- Figure 7.22. Marsh landscape (Figs. 7.19-7.21 joined). Scale 1:8. Image L. Morgan. -- Figure 7.23. Watercolor visualization (top) and outline (bottom) of Marsh D: marsh and grasses. Scale 1:3. Image L. Morgan. -- Figure 7.24. Watercolor visualization (top) and outline (bottom) of Marsh E: marsh and sea. Scale 1:3. Image L. Morgan. -- Figure 7.25. Watercolor visualization (top) and outline (bottom) of rocky landscape. Scale 1:4. Image L. Morgan. -- Figure 7.26. Visualization of the cauldrons and ships scene with the rocky landscape. Scale 1:8. Image L. Morgan. -- Figure 7.27. Visualization of the way Room N.20 might have looked, viewed toward the southeast. Design and watercolor paintings L. Morgan -- computer realization N. Math. -- Figure 7.28. Rooms N.18 and N.20, showing the angle of viewing for Figure 7.27 | |
| 505 | 8 | |a Figure 8.1A. Visualization of bramble and myrtle A. Scale 1:3. Watercolor L. Morgan | |
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Datensatz im Suchindex
| _version_ | 1818990551809130496 |
|---|---|
| any_adam_object | |
| author | Morgan, Lyvia |
| author_facet | Morgan, Lyvia |
| author_role | aut |
| author_sort | Morgan, Lyvia |
| author_variant | l m lm |
| building | Verbundindex |
| bvnumber | BV048934881 |
| classification_rvk | LF 2403 |
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| contents | Intro -- Figure 1.1. Map showing sites mentioned in the book. Image R. Robertson. -- Figure 1.2. Map of northern Kea. Image R. Robertson. -- Figure 1.3. View of Ayia Irini and the bay looking south. Photo L. Morgan. -- Figure 1.4. Ayia Irini in Period VI (LC I/LM IA), showing the locations of wall paintings. Adapted by the author from the site plan by R.L. Holzen, showing the walls according to the current state of research on stratigraphy. -- Figure 1.5. Site plan of Ayia Irini showing the locations of representational wall paintings in Period VII (LC II/LM IB). Adapted from the site plan by R.L. Holzen. -- Figure 1.6. Northern Sector in Periods V and VI: (a) Period V, Phase 1 -- (b) Period V, Phase 2 -- (c) Period VI. Adapted from Davis 1986, pls. 2, 3, 5, 15 and the site plan by R.L. Holzen . -- Figure 1.7. Northeast Bastion: (a) version of upper floor plan with proposed windows -- (b) version of upper floor plan with hypothetical dividing wall and cupboards -- (c) ground floor with surviving walls. Images L. Morgan and S. Laidlaw (a, b) -- adapted fro -- Figure 2.1. Details from the Miniature Frieze, Room 5, West House Akrotiri: (a) "Meeting on the Hill," north wall -- (b) woman with a pot, north wall -- (c) men meeting across a river, south wall. Scale ca. 1:2. Doumas 1992, pls. 27, 28, 44, details. -- Figure 2.2. Fragments of the Miniature Frieze, Ayia Irini, Kea (2, 6, and detail of 67). Scale 1:2 (for 1:1 scale, see Pls. 1, 2, and 7). -- Figure 2.4. Men in the Tylissos miniature painting. Scale ca. 1:2. After Evans 1921-1935, III, 35-36, figs. 17, 19. -- Figure 2.5. Seal impression from Haghia Triada. Seal area ca. 2.35 x 1.3 cm. CMS II.6, no. 29. -- Figure 2.6. Sealstone (a) and seal impression (b): (a) Vapheio, sardonyx amygdaloid, 1.1 x 2.2 cm, CMS I, no. 226 (b) Knossos (LM I), surviving seal area 1.25 x 1.25 cm, CMS II.8:1, no. 266. -- Figure 2.7. Sealstone (a, b) and ring impression (c): (a) Knossos(?) jasper amygdaloid, 3.5 x 1.3 cm, CMS VI, no. 318 -- (b) Vapheio, jasper lentoid, 0.9 x 1.85 cm, CMS I, no. 225 -- (c) Hagia Triada, surviving area 1.45 x 1.2 cm, CMS II.6, no. 12. -- Figure 3.2. Flagship, detail from the south wall of the Miniature Frieze, Room 5, West House, Akrotiri, Thera. Scale ca. 1:4. Doumas 1992, pl. 36, detail. -- Figure 3.3. Early Cycladic depiction of a boat on a ceramic pan. Not to scale. After Coleman 1985, 199, ill. 5, no. 27. -- Figure 3.4. Seal impression from Knossos (LM I-II). Seal area ca. 2.8 x 2.1 cm. CMS II.8:1, no. 133. -- Figure 3.6. Scenes of chariots on rings and a sealstone: (a) gold ring from Shaft Grave IV (LH I), 3.45 x 2.1 cm, CMS I, no. 15 -- (b) clay impression from a ring found in Delta 18b at Akrotiri (LM I), originally 3.0 x 1.85 cm, CMS V, Suppl. 3.2, no. 391 -- ( -- Figure 3.7. Reconstruction of a wall painting from Knossos. Cameron 1967b, fig. 12. -- Figure 4.1. Details of buildings in the Ayia Irini Miniature Frieze: (a) from Figure 7.1 -- (b, c) from Figure 7.2. Scale 1:2. Drawings L. Morgan. -- Figure 4.2. View of Chora, Kea. Photo L. Morgan. -- Figure 4.3. Details of buildings in the Thera Miniature Frieze, Room 5, West House, Akrotiri, Thera: (a) Town II building and man, north wall, scale 1:2 -- (b) Town II and warrior, north wall, scale 1:2 -- (c) Town II at coast, north wall, scale 1:2 -- (d) Tow -- Figure 4.4. Departure Town (Town IV), detail from the south wall of the Miniature Frieze, Room 5, West House, Akrotiri, Thera. Scale ca. 1:4. Doumas 1992, pl. 35, detail. -- Figure 4.5. Arrival Town (Town V), detail from the south wall of the Miniature Frieze Room 5, West House, Akrotiri, Thera. Scale ca. 1:4. Doumas 1992, pl. 35, detail Figure 4.6. Town Mosaic faience plaques from Knossos, visualized as a group by C. Palyvou (2005b, pl. 50). -- Figure 4.7. Silver Siege Rhyton, Shaft Grave IV at Mycenae: detail of the town. After Smith 1965, fig. 84, detail. Drawing S.E. Chapman. -- Figure 4.8. Ivory plaque from the Royal Road, Knossos. After Palyvou 2005b, pl. 53:2a. -- Figure 4.9. Fragment of a building from the Tylissos Miniature Frieze. After Evans 1921-1935, III, fig. 49. -- Figure 4.10. "Master Impression" sealing from Chania, original ring area 2.75 x 2.0 cm. CMS V, Suppl. 1A, no. 142. -- Figure 4.13. Syrian fortifications, Tomb of Amenmose (TT 42). After de Garis Davies 1933, 30, pl. XXXVI, detail. -- Figure 4.14. Details of a house on Kea with projections on the roof: (a) seen from the front -- (b) seen from an angle. Photos L. Morgan. -- Figure 4.15. Reconstruction of Building P at Kommos. Shaw and Shaw, eds., 2006, 962, pl. 1.12. -- Figure 5.1. Color drawings of the deer and dogs, reconstructed from fragments 178-181 (right) and 182, 183, 189-191 (left) -- cf. Figure 7.17. Scale 1:2. L. Morgan. -- Figure 5.2. Details of deer from the Miniature Frieze, Room 5, West House, Akrotiri, Thera: (a) deer (hunted by griffin) in riverine landscape, east wall -- (b) deer (hunted by lion) on hilltop, south wall. Scale 1:2. Doumas 1992, pls. 32, 36, details. -- Figure 5.3. Sealstone (a) and seal/ring(?) impressions (b-d) with deer and dogs: (a) Knossos, Hogarth's tombs, amethyst lentoid, LM I-II, 1.05 x 1.2 cm, CMS II.3, no. 74 -- (b) Pylos, LB I-II, 2.0 x 2.4 cm, CMS I, no. 308 -- (c) Akrotiri, Thera, LM I, origina -- Figure 5.4. Herding scene, detail from the north wall of the Miniature Frieze, Room 5, West House, Akrotiri, Thera. Scale 1:2. Doumas 1992, 28, detail. -- Figure 6.1:a, b. Reeds and stream, details from the Reed Bed painting, Xeste 3, Akrotiri. Photos L. Morgan Figure 6.2. A view toward Ayia Irini through coastal reeds. Photo L. Morgan. -- Figure 7.1A. Visualization of the town by a river. Scale 1:3. Watercolor L. Morgan. -- Figure 7.1B. Fragments from the town by a river. Scale 1:3. Outline L. Morgan. -- Figure 7.2. Watercolor visualization (top) and outline (bottom) of buildings. Scale 1:3. Image L. Morgan. -- Figure 7.3. Watercolor visualization (top) and outline (bottom) of women and buildings. Scale 1:3. Image L. Morgan. -- Figure 7.4. Watercolor visualization (top) and outline (bottom) of thistles and descending rocks. Scale 1:3. Image L. Morgan. -- Figure 7.5. Watercolor visualization (top) and outline (bottom) of building and plants. Scale 1:3. Image L. Morgan. -- Figure 7.6. Watercolor visualization (top) and outline (bottom) of horse and building. Scale 1:3. Image L. Morgan. -- Figure 7.7 Watercolor visualization (top) and outline (bottom) of herder with goat. Scale 1:3. Image L. Morgan. -- Figure 7.8. Watercolor visualization (top) and outline (bottom) of cauldrons and ships scene. Scale 1:4. Image L. Morgan. -- Figure 7.8:detail. Overlapping men (59) in cauldron and ships scene at 1:2 scale. Image L. Morgan. -- Figure 7.9. Paddlers (63). Scale 1:3. Image L. Morgan. -- Figure 7.10. Chariot: (a) simple box type, curved -- (b) simple box type, straight -- (c) dual type -- (d) outline. Scale 1:3. Image L. Morgan. -- Figure 7.11. Watercolor visualization (top) and outline (bottom) of procession of men. Scale 1:3. Image L. Morgan. -- Figure 7.12. Watercolor visualization (top) and outline (bottom) of men by river. Scale 1:3. Image L. Morgan. -- Figure 7.13. Watercolor visualization (top) and outline (bot-tom) of men by rocks or sea. Scale 1:3. Image L. Morgan. -- Figure 7.14. Watercolor visualization (top) and outline (bottom) of men by rocks. Scale 1:3. Image L. Morgan Figure 7.15. Fragments of men: (a) man with upraised arms (18) -- (b) man wearing kilt or shorts (47). Scale 1:3. Image L. Morgan. -- Figure 7.16. Hunter with prey (44). Scale 1:3. Image L. Morgan. -- Figure 7.17A. Visualization of deer and dogs. Scale 1:3. Watercolor L. Morgan. -- Figure 7.17B. Deer and dogs. Scale 1:3. Outline L. Morgan. -- Figure 7.18. Watercolor visualization (top two) of alternative orientations of scene with rocks: (a) sea and rocks with men -- (b) sky and descending rocks -- and outline (bottom) of upper orientation. Scale 1:3. Image L. Morgan. -- Figure 7.19. Watercolor visualization (top) and outline (bottom) of Marsh A: descending rock, river, marsh, and sea with inlets. Scale 1:4. Image L. Morgan. -- Figure 7.20. Watercolor visualization (top) and outline (bottom) of Marsh B: river, marsh, and sea with spray. Scale 1:3. Image L. Morgan. -- Figure 7.21. Watercolor visualization (top) and outline (bottom) of Marsh C: river, marsh, and sea. Scale 1:3. Image L. Morgan. -- Figure 7.22. Marsh landscape (Figs. 7.19-7.21 joined). Scale 1:8. Image L. Morgan. -- Figure 7.23. Watercolor visualization (top) and outline (bottom) of Marsh D: marsh and grasses. Scale 1:3. Image L. Morgan. -- Figure 7.24. Watercolor visualization (top) and outline (bottom) of Marsh E: marsh and sea. Scale 1:3. Image L. Morgan. -- Figure 7.25. Watercolor visualization (top) and outline (bottom) of rocky landscape. Scale 1:4. Image L. Morgan. -- Figure 7.26. Visualization of the cauldrons and ships scene with the rocky landscape. Scale 1:8. Image L. Morgan. -- Figure 7.27. Visualization of the way Room N.20 might have looked, viewed toward the southeast. Design and watercolor paintings L. Morgan -- computer realization N. Math. -- Figure 7.28. Rooms N.18 and N.20, showing the angle of viewing for Figure 7.27 Figure 8.1A. Visualization of bramble and myrtle A. Scale 1:3. Watercolor L. Morgan |
| ctrlnum | (ZDB-1-PQC)EBC6480138 (ZDB-30-PAD)EBC6480138 (ZDB-89-EBL)EBL6480138 (OCoLC)1237865528 (DE-599)BVBBV048934881 |
| discipline | Klassische Archäologie |
| edition | 1st ed |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>11238nam a2200565 c 4500</leader><controlfield tag="001">BV048934881</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">230509s2020 xx o|||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781623034214</subfield><subfield code="q">electronic bk.</subfield><subfield code="9">978-1-62303-421-4</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-1-PQC)EBC6480138</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-30-PAD)EBC6480138</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-89-EBL)EBL6480138</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1237865528</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048934881</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">ALT</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LF 2403</subfield><subfield code="0">(DE-625)91374:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Morgan, Lyvia</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Keos XI</subfield><subfield code="b">Wall Paintings and Social Context. the Northeast Bastion at Ayia Irini</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">1st ed</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Philadelphia</subfield><subfield code="b">Institute for Aegean Prehistory Press</subfield><subfield code="c">2020</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (644 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Intro -- Figure 1.1. Map showing sites mentioned in the book. Image R. Robertson. -- Figure 1.2. Map of northern Kea. Image R. Robertson. -- Figure 1.3. View of Ayia Irini and the bay looking south. Photo L. Morgan. -- Figure 1.4. Ayia Irini in Period VI (LC I/LM IA), showing the locations of wall paintings. Adapted by the author from the site plan by R.L. Holzen, showing the walls according to the current state of research on stratigraphy. -- Figure 1.5. Site plan of Ayia Irini showing the locations of representational wall paintings in Period VII (LC II/LM IB). Adapted from the site plan by R.L. Holzen. -- Figure 1.6. Northern Sector in Periods V and VI: (a) Period V, Phase 1 -- (b) Period V, Phase 2 -- (c) Period VI. Adapted from Davis 1986, pls. 2, 3, 5, 15 and the site plan by R.L. Holzen . -- Figure 1.7. Northeast Bastion: (a) version of upper floor plan with proposed windows -- (b) version of upper floor plan with hypothetical dividing wall and cupboards -- (c) ground floor with surviving walls. Images L. Morgan and S. Laidlaw (a, b) -- adapted fro -- Figure 2.1. Details from the Miniature Frieze, Room 5, West House Akrotiri: (a) "Meeting on the Hill," north wall -- (b) woman with a pot, north wall -- (c) men meeting across a river, south wall. Scale ca. 1:2. Doumas 1992, pls. 27, 28, 44, details. -- Figure 2.2. Fragments of the Miniature Frieze, Ayia Irini, Kea (2, 6, and detail of 67). Scale 1:2 (for 1:1 scale, see Pls. 1, 2, and 7). -- Figure 2.4. Men in the Tylissos miniature painting. Scale ca. 1:2. After Evans 1921-1935, III, 35-36, figs. 17, 19. -- Figure 2.5. Seal impression from Haghia Triada. Seal area ca. 2.35 x 1.3 cm. CMS II.6, no. 29. -- Figure 2.6. Sealstone (a) and seal impression (b): (a) Vapheio, sardonyx amygdaloid, 1.1 x 2.2 cm, CMS I, no. 226</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">(b) Knossos (LM I), surviving seal area 1.25 x 1.25 cm, CMS II.8:1, no. 266. -- Figure 2.7. Sealstone (a, b) and ring impression (c): (a) Knossos(?) jasper amygdaloid, 3.5 x 1.3 cm, CMS VI, no. 318 -- (b) Vapheio, jasper lentoid, 0.9 x 1.85 cm, CMS I, no. 225 -- (c) Hagia Triada, surviving area 1.45 x 1.2 cm, CMS II.6, no. 12. -- Figure 3.2. Flagship, detail from the south wall of the Miniature Frieze, Room 5, West House, Akrotiri, Thera. Scale ca. 1:4. Doumas 1992, pl. 36, detail. -- Figure 3.3. Early Cycladic depiction of a boat on a ceramic pan. Not to scale. After Coleman 1985, 199, ill. 5, no. 27. -- Figure 3.4. Seal impression from Knossos (LM I-II). Seal area ca. 2.8 x 2.1 cm. CMS II.8:1, no. 133. -- Figure 3.6. Scenes of chariots on rings and a sealstone: (a) gold ring from Shaft Grave IV (LH I), 3.45 x 2.1 cm, CMS I, no. 15 -- (b) clay impression from a ring found in Delta 18b at Akrotiri (LM I), originally 3.0 x 1.85 cm, CMS V, Suppl. 3.2, no. 391 -- ( -- Figure 3.7. Reconstruction of a wall painting from Knossos. Cameron 1967b, fig. 12. -- Figure 4.1. Details of buildings in the Ayia Irini Miniature Frieze: (a) from Figure 7.1 -- (b, c) from Figure 7.2. Scale 1:2. Drawings L. Morgan. -- Figure 4.2. View of Chora, Kea. Photo L. Morgan. -- Figure 4.3. Details of buildings in the Thera Miniature Frieze, Room 5, West House, Akrotiri, Thera: (a) Town II building and man, north wall, scale 1:2 -- (b) Town II and warrior, north wall, scale 1:2 -- (c) Town II at coast, north wall, scale 1:2 -- (d) Tow -- Figure 4.4. Departure Town (Town IV), detail from the south wall of the Miniature Frieze, Room 5, West House, Akrotiri, Thera. Scale ca. 1:4. Doumas 1992, pl. 35, detail. -- Figure 4.5. Arrival Town (Town V), detail from the south wall of the Miniature Frieze Room 5, West House, Akrotiri, Thera. Scale ca. 1:4. Doumas 1992, pl. 35, detail</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Figure 4.6. Town Mosaic faience plaques from Knossos, visualized as a group by C. Palyvou (2005b, pl. 50). -- Figure 4.7. Silver Siege Rhyton, Shaft Grave IV at Mycenae: detail of the town. After Smith 1965, fig. 84, detail. Drawing S.E. Chapman. -- Figure 4.8. Ivory plaque from the Royal Road, Knossos. After Palyvou 2005b, pl. 53:2a. -- Figure 4.9. Fragment of a building from the Tylissos Miniature Frieze. After Evans 1921-1935, III, fig. 49. -- Figure 4.10. "Master Impression" sealing from Chania, original ring area 2.75 x 2.0 cm. CMS V, Suppl. 1A, no. 142. -- Figure 4.13. Syrian fortifications, Tomb of Amenmose (TT 42). After de Garis Davies 1933, 30, pl. XXXVI, detail. -- Figure 4.14. Details of a house on Kea with projections on the roof: (a) seen from the front -- (b) seen from an angle. Photos L. Morgan. -- Figure 4.15. Reconstruction of Building P at Kommos. Shaw and Shaw, eds., 2006, 962, pl. 1.12. -- Figure 5.1. Color drawings of the deer and dogs, reconstructed from fragments 178-181 (right) and 182, 183, 189-191 (left) -- cf. Figure 7.17. Scale 1:2. L. Morgan. -- Figure 5.2. Details of deer from the Miniature Frieze, Room 5, West House, Akrotiri, Thera: (a) deer (hunted by griffin) in riverine landscape, east wall -- (b) deer (hunted by lion) on hilltop, south wall. Scale 1:2. Doumas 1992, pls. 32, 36, details. -- Figure 5.3. Sealstone (a) and seal/ring(?) impressions (b-d) with deer and dogs: (a) Knossos, Hogarth's tombs, amethyst lentoid, LM I-II, 1.05 x 1.2 cm, CMS II.3, no. 74 -- (b) Pylos, LB I-II, 2.0 x 2.4 cm, CMS I, no. 308 -- (c) Akrotiri, Thera, LM I, origina -- Figure 5.4. Herding scene, detail from the north wall of the Miniature Frieze, Room 5, West House, Akrotiri, Thera. Scale 1:2. Doumas 1992, 28, detail. -- Figure 6.1:a, b. Reeds and stream, details from the Reed Bed painting, Xeste 3, Akrotiri. Photos L. Morgan</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Figure 6.2. A view toward Ayia Irini through coastal reeds. Photo L. Morgan. -- Figure 7.1A. Visualization of the town by a river. Scale 1:3. Watercolor L. Morgan. -- Figure 7.1B. Fragments from the town by a river. Scale 1:3. Outline L. Morgan. -- Figure 7.2. Watercolor visualization (top) and outline (bottom) of buildings. Scale 1:3. Image L. Morgan. -- Figure 7.3. Watercolor visualization (top) and outline (bottom) of women and buildings. Scale 1:3. Image L. Morgan. -- Figure 7.4. Watercolor visualization (top) and outline (bottom) of thistles and descending rocks. Scale 1:3. Image L. Morgan. -- Figure 7.5. Watercolor visualization (top) and outline (bottom) of building and plants. Scale 1:3. Image L. Morgan. -- Figure 7.6. Watercolor visualization (top) and outline (bottom) of horse and building. Scale 1:3. Image L. Morgan. -- Figure 7.7 Watercolor visualization (top) and outline (bottom) of herder with goat. Scale 1:3. Image L. Morgan. -- Figure 7.8. Watercolor visualization (top) and outline (bottom) of cauldrons and ships scene. Scale 1:4. Image L. Morgan. -- Figure 7.8:detail. Overlapping men (59) in cauldron and ships scene at 1:2 scale. Image L. Morgan. -- Figure 7.9. Paddlers (63). Scale 1:3. Image L. Morgan. -- Figure 7.10. Chariot: (a) simple box type, curved -- (b) simple box type, straight -- (c) dual type -- (d) outline. Scale 1:3. Image L. Morgan. -- Figure 7.11. Watercolor visualization (top) and outline (bottom) of procession of men. Scale 1:3. Image L. Morgan. -- Figure 7.12. Watercolor visualization (top) and outline (bottom) of men by river. Scale 1:3. Image L. Morgan. -- Figure 7.13. Watercolor visualization (top) and outline (bot-tom) of men by rocks or sea. Scale 1:3. Image L. Morgan. -- Figure 7.14. Watercolor visualization (top) and outline (bottom) of men by rocks. Scale 1:3. Image L. Morgan</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Figure 7.15. Fragments of men: (a) man with upraised arms (18) -- (b) man wearing kilt or shorts (47). Scale 1:3. Image L. Morgan. -- Figure 7.16. Hunter with prey (44). Scale 1:3. Image L. Morgan. -- Figure 7.17A. Visualization of deer and dogs. Scale 1:3. Watercolor L. Morgan. -- Figure 7.17B. Deer and dogs. Scale 1:3. Outline L. Morgan. -- Figure 7.18. Watercolor visualization (top two) of alternative orientations of scene with rocks: (a) sea and rocks with men -- (b) sky and descending rocks -- and outline (bottom) of upper orientation. Scale 1:3. Image L. Morgan. -- Figure 7.19. Watercolor visualization (top) and outline (bottom) of Marsh A: descending rock, river, marsh, and sea with inlets. Scale 1:4. Image L. Morgan. -- Figure 7.20. Watercolor visualization (top) and outline (bottom) of Marsh B: river, marsh, and sea with spray. Scale 1:3. Image L. Morgan. -- Figure 7.21. Watercolor visualization (top) and outline (bottom) of Marsh C: river, marsh, and sea. Scale 1:3. Image L. Morgan. -- Figure 7.22. Marsh landscape (Figs. 7.19-7.21 joined). Scale 1:8. Image L. Morgan. -- Figure 7.23. Watercolor visualization (top) and outline (bottom) of Marsh D: marsh and grasses. Scale 1:3. Image L. Morgan. -- Figure 7.24. Watercolor visualization (top) and outline (bottom) of Marsh E: marsh and sea. Scale 1:3. Image L. Morgan. -- Figure 7.25. Watercolor visualization (top) and outline (bottom) of rocky landscape. Scale 1:4. Image L. Morgan. -- Figure 7.26. Visualization of the cauldrons and ships scene with the rocky landscape. Scale 1:8. Image L. Morgan. -- Figure 7.27. Visualization of the way Room N.20 might have looked, viewed toward the southeast. Design and watercolor paintings L. Morgan -- computer realization N. Math. -- Figure 7.28. Rooms N.18 and N.20, showing the angle of viewing for Figure 7.27</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Figure 8.1A. Visualization of bramble and myrtle A. Scale 1:3. Watercolor L. Morgan</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Minoische Kultur</subfield><subfield code="0">(DE-588)4074845-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Wandmalerei</subfield><subfield code="0">(DE-588)4064542-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Agia Irini</subfield><subfield code="0">(DE-588)4086163-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Electronic books</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Agia Irini</subfield><subfield code="0">(DE-588)4086163-6</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Minoische Kultur</subfield><subfield code="0">(DE-588)4074845-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Wandmalerei</subfield><subfield code="0">(DE-588)4064542-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="a">Morgan, Lyvia</subfield><subfield code="t">Keos XI</subfield><subfield code="d">Philadelphia : Institute for Aegean Prehistory Press,c2020</subfield><subfield code="z">9781931534970</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-1-PQC</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-30-PQE</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">gbd_1</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034198750</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://ebookcentral.proquest.com/lib/bsbfidaltertumswissenschaften/detail.action?docID=6480138</subfield><subfield code="l">DE-12</subfield><subfield code="p">ZDB-1-PQC</subfield><subfield code="q">BSB_PDA_PQC</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| geographic | Agia Irini (DE-588)4086163-6 gnd |
| geographic_facet | Agia Irini |
| id | DE-604.BV048934881 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T19:56:10Z |
| institution | BVB |
| isbn | 9781623034214 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034198750 |
| oclc_num | 1237865528 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 1 Online-Ressource (644 Seiten) |
| psigel | ZDB-1-PQC ZDB-30-PQE gbd_1 ZDB-1-PQC BSB_PDA_PQC |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Institute for Aegean Prehistory Press |
| record_format | marc |
| spelling | Morgan, Lyvia Verfasser aut Keos XI Wall Paintings and Social Context. the Northeast Bastion at Ayia Irini 1st ed Philadelphia Institute for Aegean Prehistory Press 2020 ©2020 1 Online-Ressource (644 Seiten) txt rdacontent c rdamedia cr rdacarrier Intro -- Figure 1.1. Map showing sites mentioned in the book. Image R. Robertson. -- Figure 1.2. Map of northern Kea. Image R. Robertson. -- Figure 1.3. View of Ayia Irini and the bay looking south. Photo L. Morgan. -- Figure 1.4. Ayia Irini in Period VI (LC I/LM IA), showing the locations of wall paintings. Adapted by the author from the site plan by R.L. Holzen, showing the walls according to the current state of research on stratigraphy. -- Figure 1.5. Site plan of Ayia Irini showing the locations of representational wall paintings in Period VII (LC II/LM IB). Adapted from the site plan by R.L. Holzen. -- Figure 1.6. Northern Sector in Periods V and VI: (a) Period V, Phase 1 -- (b) Period V, Phase 2 -- (c) Period VI. Adapted from Davis 1986, pls. 2, 3, 5, 15 and the site plan by R.L. Holzen . -- Figure 1.7. Northeast Bastion: (a) version of upper floor plan with proposed windows -- (b) version of upper floor plan with hypothetical dividing wall and cupboards -- (c) ground floor with surviving walls. Images L. Morgan and S. Laidlaw (a, b) -- adapted fro -- Figure 2.1. Details from the Miniature Frieze, Room 5, West House Akrotiri: (a) "Meeting on the Hill," north wall -- (b) woman with a pot, north wall -- (c) men meeting across a river, south wall. Scale ca. 1:2. Doumas 1992, pls. 27, 28, 44, details. -- Figure 2.2. Fragments of the Miniature Frieze, Ayia Irini, Kea (2, 6, and detail of 67). Scale 1:2 (for 1:1 scale, see Pls. 1, 2, and 7). -- Figure 2.4. Men in the Tylissos miniature painting. Scale ca. 1:2. After Evans 1921-1935, III, 35-36, figs. 17, 19. -- Figure 2.5. Seal impression from Haghia Triada. Seal area ca. 2.35 x 1.3 cm. CMS II.6, no. 29. -- Figure 2.6. Sealstone (a) and seal impression (b): (a) Vapheio, sardonyx amygdaloid, 1.1 x 2.2 cm, CMS I, no. 226 (b) Knossos (LM I), surviving seal area 1.25 x 1.25 cm, CMS II.8:1, no. 266. -- Figure 2.7. Sealstone (a, b) and ring impression (c): (a) Knossos(?) jasper amygdaloid, 3.5 x 1.3 cm, CMS VI, no. 318 -- (b) Vapheio, jasper lentoid, 0.9 x 1.85 cm, CMS I, no. 225 -- (c) Hagia Triada, surviving area 1.45 x 1.2 cm, CMS II.6, no. 12. -- Figure 3.2. Flagship, detail from the south wall of the Miniature Frieze, Room 5, West House, Akrotiri, Thera. Scale ca. 1:4. Doumas 1992, pl. 36, detail. -- Figure 3.3. Early Cycladic depiction of a boat on a ceramic pan. Not to scale. After Coleman 1985, 199, ill. 5, no. 27. -- Figure 3.4. Seal impression from Knossos (LM I-II). Seal area ca. 2.8 x 2.1 cm. CMS II.8:1, no. 133. -- Figure 3.6. Scenes of chariots on rings and a sealstone: (a) gold ring from Shaft Grave IV (LH I), 3.45 x 2.1 cm, CMS I, no. 15 -- (b) clay impression from a ring found in Delta 18b at Akrotiri (LM I), originally 3.0 x 1.85 cm, CMS V, Suppl. 3.2, no. 391 -- ( -- Figure 3.7. Reconstruction of a wall painting from Knossos. Cameron 1967b, fig. 12. -- Figure 4.1. Details of buildings in the Ayia Irini Miniature Frieze: (a) from Figure 7.1 -- (b, c) from Figure 7.2. Scale 1:2. Drawings L. Morgan. -- Figure 4.2. View of Chora, Kea. Photo L. Morgan. -- Figure 4.3. Details of buildings in the Thera Miniature Frieze, Room 5, West House, Akrotiri, Thera: (a) Town II building and man, north wall, scale 1:2 -- (b) Town II and warrior, north wall, scale 1:2 -- (c) Town II at coast, north wall, scale 1:2 -- (d) Tow -- Figure 4.4. Departure Town (Town IV), detail from the south wall of the Miniature Frieze, Room 5, West House, Akrotiri, Thera. Scale ca. 1:4. Doumas 1992, pl. 35, detail. -- Figure 4.5. Arrival Town (Town V), detail from the south wall of the Miniature Frieze Room 5, West House, Akrotiri, Thera. Scale ca. 1:4. Doumas 1992, pl. 35, detail Figure 4.6. Town Mosaic faience plaques from Knossos, visualized as a group by C. Palyvou (2005b, pl. 50). -- Figure 4.7. Silver Siege Rhyton, Shaft Grave IV at Mycenae: detail of the town. After Smith 1965, fig. 84, detail. Drawing S.E. Chapman. -- Figure 4.8. Ivory plaque from the Royal Road, Knossos. After Palyvou 2005b, pl. 53:2a. -- Figure 4.9. Fragment of a building from the Tylissos Miniature Frieze. After Evans 1921-1935, III, fig. 49. -- Figure 4.10. "Master Impression" sealing from Chania, original ring area 2.75 x 2.0 cm. CMS V, Suppl. 1A, no. 142. -- Figure 4.13. Syrian fortifications, Tomb of Amenmose (TT 42). After de Garis Davies 1933, 30, pl. XXXVI, detail. -- Figure 4.14. Details of a house on Kea with projections on the roof: (a) seen from the front -- (b) seen from an angle. Photos L. Morgan. -- Figure 4.15. Reconstruction of Building P at Kommos. Shaw and Shaw, eds., 2006, 962, pl. 1.12. -- Figure 5.1. Color drawings of the deer and dogs, reconstructed from fragments 178-181 (right) and 182, 183, 189-191 (left) -- cf. Figure 7.17. Scale 1:2. L. Morgan. -- Figure 5.2. Details of deer from the Miniature Frieze, Room 5, West House, Akrotiri, Thera: (a) deer (hunted by griffin) in riverine landscape, east wall -- (b) deer (hunted by lion) on hilltop, south wall. Scale 1:2. Doumas 1992, pls. 32, 36, details. -- Figure 5.3. Sealstone (a) and seal/ring(?) impressions (b-d) with deer and dogs: (a) Knossos, Hogarth's tombs, amethyst lentoid, LM I-II, 1.05 x 1.2 cm, CMS II.3, no. 74 -- (b) Pylos, LB I-II, 2.0 x 2.4 cm, CMS I, no. 308 -- (c) Akrotiri, Thera, LM I, origina -- Figure 5.4. Herding scene, detail from the north wall of the Miniature Frieze, Room 5, West House, Akrotiri, Thera. Scale 1:2. Doumas 1992, 28, detail. -- Figure 6.1:a, b. Reeds and stream, details from the Reed Bed painting, Xeste 3, Akrotiri. Photos L. Morgan Figure 6.2. A view toward Ayia Irini through coastal reeds. Photo L. Morgan. -- Figure 7.1A. Visualization of the town by a river. Scale 1:3. Watercolor L. Morgan. -- Figure 7.1B. Fragments from the town by a river. Scale 1:3. Outline L. Morgan. -- Figure 7.2. Watercolor visualization (top) and outline (bottom) of buildings. Scale 1:3. Image L. Morgan. -- Figure 7.3. Watercolor visualization (top) and outline (bottom) of women and buildings. Scale 1:3. Image L. Morgan. -- Figure 7.4. Watercolor visualization (top) and outline (bottom) of thistles and descending rocks. Scale 1:3. Image L. Morgan. -- Figure 7.5. Watercolor visualization (top) and outline (bottom) of building and plants. Scale 1:3. Image L. Morgan. -- Figure 7.6. Watercolor visualization (top) and outline (bottom) of horse and building. Scale 1:3. Image L. Morgan. -- Figure 7.7 Watercolor visualization (top) and outline (bottom) of herder with goat. Scale 1:3. Image L. Morgan. -- Figure 7.8. Watercolor visualization (top) and outline (bottom) of cauldrons and ships scene. Scale 1:4. Image L. Morgan. -- Figure 7.8:detail. Overlapping men (59) in cauldron and ships scene at 1:2 scale. Image L. Morgan. -- Figure 7.9. Paddlers (63). Scale 1:3. Image L. Morgan. -- Figure 7.10. Chariot: (a) simple box type, curved -- (b) simple box type, straight -- (c) dual type -- (d) outline. Scale 1:3. Image L. Morgan. -- Figure 7.11. Watercolor visualization (top) and outline (bottom) of procession of men. Scale 1:3. Image L. Morgan. -- Figure 7.12. Watercolor visualization (top) and outline (bottom) of men by river. Scale 1:3. Image L. Morgan. -- Figure 7.13. Watercolor visualization (top) and outline (bot-tom) of men by rocks or sea. Scale 1:3. Image L. Morgan. -- Figure 7.14. Watercolor visualization (top) and outline (bottom) of men by rocks. Scale 1:3. Image L. Morgan Figure 7.15. Fragments of men: (a) man with upraised arms (18) -- (b) man wearing kilt or shorts (47). Scale 1:3. Image L. Morgan. -- Figure 7.16. Hunter with prey (44). Scale 1:3. Image L. Morgan. -- Figure 7.17A. Visualization of deer and dogs. Scale 1:3. Watercolor L. Morgan. -- Figure 7.17B. Deer and dogs. Scale 1:3. Outline L. Morgan. -- Figure 7.18. Watercolor visualization (top two) of alternative orientations of scene with rocks: (a) sea and rocks with men -- (b) sky and descending rocks -- and outline (bottom) of upper orientation. Scale 1:3. Image L. Morgan. -- Figure 7.19. Watercolor visualization (top) and outline (bottom) of Marsh A: descending rock, river, marsh, and sea with inlets. Scale 1:4. Image L. Morgan. -- Figure 7.20. Watercolor visualization (top) and outline (bottom) of Marsh B: river, marsh, and sea with spray. Scale 1:3. Image L. Morgan. -- Figure 7.21. Watercolor visualization (top) and outline (bottom) of Marsh C: river, marsh, and sea. Scale 1:3. Image L. Morgan. -- Figure 7.22. Marsh landscape (Figs. 7.19-7.21 joined). Scale 1:8. Image L. Morgan. -- Figure 7.23. Watercolor visualization (top) and outline (bottom) of Marsh D: marsh and grasses. Scale 1:3. Image L. Morgan. -- Figure 7.24. Watercolor visualization (top) and outline (bottom) of Marsh E: marsh and sea. Scale 1:3. Image L. Morgan. -- Figure 7.25. Watercolor visualization (top) and outline (bottom) of rocky landscape. Scale 1:4. Image L. Morgan. -- Figure 7.26. Visualization of the cauldrons and ships scene with the rocky landscape. Scale 1:8. Image L. Morgan. -- Figure 7.27. Visualization of the way Room N.20 might have looked, viewed toward the southeast. Design and watercolor paintings L. Morgan -- computer realization N. Math. -- Figure 7.28. Rooms N.18 and N.20, showing the angle of viewing for Figure 7.27 Figure 8.1A. Visualization of bramble and myrtle A. Scale 1:3. Watercolor L. Morgan Minoische Kultur (DE-588)4074845-5 gnd rswk-swf Wandmalerei (DE-588)4064542-3 gnd rswk-swf Agia Irini (DE-588)4086163-6 gnd rswk-swf Electronic books Agia Irini (DE-588)4086163-6 g Minoische Kultur (DE-588)4074845-5 s Wandmalerei (DE-588)4064542-3 s DE-604 Erscheint auch als Druck-Ausgabe Morgan, Lyvia Keos XI Philadelphia : Institute for Aegean Prehistory Press,c2020 9781931534970 |
| spellingShingle | Morgan, Lyvia Keos XI Wall Paintings and Social Context. the Northeast Bastion at Ayia Irini Intro -- Figure 1.1. Map showing sites mentioned in the book. Image R. Robertson. -- Figure 1.2. Map of northern Kea. Image R. Robertson. -- Figure 1.3. View of Ayia Irini and the bay looking south. Photo L. Morgan. -- Figure 1.4. Ayia Irini in Period VI (LC I/LM IA), showing the locations of wall paintings. Adapted by the author from the site plan by R.L. Holzen, showing the walls according to the current state of research on stratigraphy. -- Figure 1.5. Site plan of Ayia Irini showing the locations of representational wall paintings in Period VII (LC II/LM IB). Adapted from the site plan by R.L. Holzen. -- Figure 1.6. Northern Sector in Periods V and VI: (a) Period V, Phase 1 -- (b) Period V, Phase 2 -- (c) Period VI. Adapted from Davis 1986, pls. 2, 3, 5, 15 and the site plan by R.L. Holzen . -- Figure 1.7. Northeast Bastion: (a) version of upper floor plan with proposed windows -- (b) version of upper floor plan with hypothetical dividing wall and cupboards -- (c) ground floor with surviving walls. Images L. Morgan and S. Laidlaw (a, b) -- adapted fro -- Figure 2.1. Details from the Miniature Frieze, Room 5, West House Akrotiri: (a) "Meeting on the Hill," north wall -- (b) woman with a pot, north wall -- (c) men meeting across a river, south wall. Scale ca. 1:2. Doumas 1992, pls. 27, 28, 44, details. -- Figure 2.2. Fragments of the Miniature Frieze, Ayia Irini, Kea (2, 6, and detail of 67). Scale 1:2 (for 1:1 scale, see Pls. 1, 2, and 7). -- Figure 2.4. Men in the Tylissos miniature painting. Scale ca. 1:2. After Evans 1921-1935, III, 35-36, figs. 17, 19. -- Figure 2.5. Seal impression from Haghia Triada. Seal area ca. 2.35 x 1.3 cm. CMS II.6, no. 29. -- Figure 2.6. Sealstone (a) and seal impression (b): (a) Vapheio, sardonyx amygdaloid, 1.1 x 2.2 cm, CMS I, no. 226 (b) Knossos (LM I), surviving seal area 1.25 x 1.25 cm, CMS II.8:1, no. 266. -- Figure 2.7. Sealstone (a, b) and ring impression (c): (a) Knossos(?) jasper amygdaloid, 3.5 x 1.3 cm, CMS VI, no. 318 -- (b) Vapheio, jasper lentoid, 0.9 x 1.85 cm, CMS I, no. 225 -- (c) Hagia Triada, surviving area 1.45 x 1.2 cm, CMS II.6, no. 12. -- Figure 3.2. Flagship, detail from the south wall of the Miniature Frieze, Room 5, West House, Akrotiri, Thera. Scale ca. 1:4. Doumas 1992, pl. 36, detail. -- Figure 3.3. Early Cycladic depiction of a boat on a ceramic pan. Not to scale. After Coleman 1985, 199, ill. 5, no. 27. -- Figure 3.4. Seal impression from Knossos (LM I-II). Seal area ca. 2.8 x 2.1 cm. CMS II.8:1, no. 133. -- Figure 3.6. Scenes of chariots on rings and a sealstone: (a) gold ring from Shaft Grave IV (LH I), 3.45 x 2.1 cm, CMS I, no. 15 -- (b) clay impression from a ring found in Delta 18b at Akrotiri (LM I), originally 3.0 x 1.85 cm, CMS V, Suppl. 3.2, no. 391 -- ( -- Figure 3.7. Reconstruction of a wall painting from Knossos. Cameron 1967b, fig. 12. -- Figure 4.1. Details of buildings in the Ayia Irini Miniature Frieze: (a) from Figure 7.1 -- (b, c) from Figure 7.2. Scale 1:2. Drawings L. Morgan. -- Figure 4.2. View of Chora, Kea. Photo L. Morgan. -- Figure 4.3. Details of buildings in the Thera Miniature Frieze, Room 5, West House, Akrotiri, Thera: (a) Town II building and man, north wall, scale 1:2 -- (b) Town II and warrior, north wall, scale 1:2 -- (c) Town II at coast, north wall, scale 1:2 -- (d) Tow -- Figure 4.4. Departure Town (Town IV), detail from the south wall of the Miniature Frieze, Room 5, West House, Akrotiri, Thera. Scale ca. 1:4. Doumas 1992, pl. 35, detail. -- Figure 4.5. Arrival Town (Town V), detail from the south wall of the Miniature Frieze Room 5, West House, Akrotiri, Thera. Scale ca. 1:4. Doumas 1992, pl. 35, detail Figure 4.6. Town Mosaic faience plaques from Knossos, visualized as a group by C. Palyvou (2005b, pl. 50). -- Figure 4.7. Silver Siege Rhyton, Shaft Grave IV at Mycenae: detail of the town. After Smith 1965, fig. 84, detail. Drawing S.E. Chapman. -- Figure 4.8. Ivory plaque from the Royal Road, Knossos. After Palyvou 2005b, pl. 53:2a. -- Figure 4.9. Fragment of a building from the Tylissos Miniature Frieze. After Evans 1921-1935, III, fig. 49. -- Figure 4.10. "Master Impression" sealing from Chania, original ring area 2.75 x 2.0 cm. CMS V, Suppl. 1A, no. 142. -- Figure 4.13. Syrian fortifications, Tomb of Amenmose (TT 42). After de Garis Davies 1933, 30, pl. XXXVI, detail. -- Figure 4.14. Details of a house on Kea with projections on the roof: (a) seen from the front -- (b) seen from an angle. Photos L. Morgan. -- Figure 4.15. Reconstruction of Building P at Kommos. Shaw and Shaw, eds., 2006, 962, pl. 1.12. -- Figure 5.1. Color drawings of the deer and dogs, reconstructed from fragments 178-181 (right) and 182, 183, 189-191 (left) -- cf. Figure 7.17. Scale 1:2. L. Morgan. -- Figure 5.2. Details of deer from the Miniature Frieze, Room 5, West House, Akrotiri, Thera: (a) deer (hunted by griffin) in riverine landscape, east wall -- (b) deer (hunted by lion) on hilltop, south wall. Scale 1:2. Doumas 1992, pls. 32, 36, details. -- Figure 5.3. Sealstone (a) and seal/ring(?) impressions (b-d) with deer and dogs: (a) Knossos, Hogarth's tombs, amethyst lentoid, LM I-II, 1.05 x 1.2 cm, CMS II.3, no. 74 -- (b) Pylos, LB I-II, 2.0 x 2.4 cm, CMS I, no. 308 -- (c) Akrotiri, Thera, LM I, origina -- Figure 5.4. Herding scene, detail from the north wall of the Miniature Frieze, Room 5, West House, Akrotiri, Thera. Scale 1:2. Doumas 1992, 28, detail. -- Figure 6.1:a, b. Reeds and stream, details from the Reed Bed painting, Xeste 3, Akrotiri. Photos L. Morgan Figure 6.2. A view toward Ayia Irini through coastal reeds. Photo L. Morgan. -- Figure 7.1A. Visualization of the town by a river. Scale 1:3. Watercolor L. Morgan. -- Figure 7.1B. Fragments from the town by a river. Scale 1:3. Outline L. Morgan. -- Figure 7.2. Watercolor visualization (top) and outline (bottom) of buildings. Scale 1:3. Image L. Morgan. -- Figure 7.3. Watercolor visualization (top) and outline (bottom) of women and buildings. Scale 1:3. Image L. Morgan. -- Figure 7.4. Watercolor visualization (top) and outline (bottom) of thistles and descending rocks. Scale 1:3. Image L. Morgan. -- Figure 7.5. Watercolor visualization (top) and outline (bottom) of building and plants. Scale 1:3. Image L. Morgan. -- Figure 7.6. Watercolor visualization (top) and outline (bottom) of horse and building. Scale 1:3. Image L. Morgan. -- Figure 7.7 Watercolor visualization (top) and outline (bottom) of herder with goat. Scale 1:3. Image L. Morgan. -- Figure 7.8. Watercolor visualization (top) and outline (bottom) of cauldrons and ships scene. Scale 1:4. Image L. Morgan. -- Figure 7.8:detail. Overlapping men (59) in cauldron and ships scene at 1:2 scale. Image L. Morgan. -- Figure 7.9. Paddlers (63). Scale 1:3. Image L. Morgan. -- Figure 7.10. Chariot: (a) simple box type, curved -- (b) simple box type, straight -- (c) dual type -- (d) outline. Scale 1:3. Image L. Morgan. -- Figure 7.11. Watercolor visualization (top) and outline (bottom) of procession of men. Scale 1:3. Image L. Morgan. -- Figure 7.12. Watercolor visualization (top) and outline (bottom) of men by river. Scale 1:3. Image L. Morgan. -- Figure 7.13. Watercolor visualization (top) and outline (bot-tom) of men by rocks or sea. Scale 1:3. Image L. Morgan. -- Figure 7.14. Watercolor visualization (top) and outline (bottom) of men by rocks. Scale 1:3. Image L. Morgan Figure 7.15. Fragments of men: (a) man with upraised arms (18) -- (b) man wearing kilt or shorts (47). Scale 1:3. Image L. Morgan. -- Figure 7.16. Hunter with prey (44). Scale 1:3. Image L. Morgan. -- Figure 7.17A. Visualization of deer and dogs. Scale 1:3. Watercolor L. Morgan. -- Figure 7.17B. Deer and dogs. Scale 1:3. Outline L. Morgan. -- Figure 7.18. Watercolor visualization (top two) of alternative orientations of scene with rocks: (a) sea and rocks with men -- (b) sky and descending rocks -- and outline (bottom) of upper orientation. Scale 1:3. Image L. Morgan. -- Figure 7.19. Watercolor visualization (top) and outline (bottom) of Marsh A: descending rock, river, marsh, and sea with inlets. Scale 1:4. Image L. Morgan. -- Figure 7.20. Watercolor visualization (top) and outline (bottom) of Marsh B: river, marsh, and sea with spray. Scale 1:3. Image L. Morgan. -- Figure 7.21. Watercolor visualization (top) and outline (bottom) of Marsh C: river, marsh, and sea. Scale 1:3. Image L. Morgan. -- Figure 7.22. Marsh landscape (Figs. 7.19-7.21 joined). Scale 1:8. Image L. Morgan. -- Figure 7.23. Watercolor visualization (top) and outline (bottom) of Marsh D: marsh and grasses. Scale 1:3. Image L. Morgan. -- Figure 7.24. Watercolor visualization (top) and outline (bottom) of Marsh E: marsh and sea. Scale 1:3. Image L. Morgan. -- Figure 7.25. Watercolor visualization (top) and outline (bottom) of rocky landscape. Scale 1:4. Image L. Morgan. -- Figure 7.26. Visualization of the cauldrons and ships scene with the rocky landscape. Scale 1:8. Image L. Morgan. -- Figure 7.27. Visualization of the way Room N.20 might have looked, viewed toward the southeast. Design and watercolor paintings L. Morgan -- computer realization N. Math. -- Figure 7.28. Rooms N.18 and N.20, showing the angle of viewing for Figure 7.27 Figure 8.1A. Visualization of bramble and myrtle A. Scale 1:3. Watercolor L. Morgan Minoische Kultur (DE-588)4074845-5 gnd Wandmalerei (DE-588)4064542-3 gnd |
| subject_GND | (DE-588)4074845-5 (DE-588)4064542-3 (DE-588)4086163-6 |
| title | Keos XI Wall Paintings and Social Context. the Northeast Bastion at Ayia Irini |
| title_auth | Keos XI Wall Paintings and Social Context. the Northeast Bastion at Ayia Irini |
| title_exact_search | Keos XI Wall Paintings and Social Context. the Northeast Bastion at Ayia Irini |
| title_full | Keos XI Wall Paintings and Social Context. the Northeast Bastion at Ayia Irini |
| title_fullStr | Keos XI Wall Paintings and Social Context. the Northeast Bastion at Ayia Irini |
| title_full_unstemmed | Keos XI Wall Paintings and Social Context. the Northeast Bastion at Ayia Irini |
| title_short | Keos XI |
| title_sort | keos xi wall paintings and social context the northeast bastion at ayia irini |
| title_sub | Wall Paintings and Social Context. the Northeast Bastion at Ayia Irini |
| topic | Minoische Kultur (DE-588)4074845-5 gnd Wandmalerei (DE-588)4064542-3 gnd |
| topic_facet | Minoische Kultur Wandmalerei Agia Irini |
| work_keys_str_mv | AT morganlyvia keosxiwallpaintingsandsocialcontextthenortheastbastionatayiairini |