Screening war: perspectives on German suffering
Re-examines German cinema's representation of the Germans as victims during the Second World War and its aftermath. The recent "discovery" of German wartime suffering has had a particularly profound impact in German visual culture. Films from Margarethe von Trotta's Rosenstrasse...
Gespeichert in:
| Weitere beteiligte Personen: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Rochester, N.Y.
Camden House
2010
|
| Schriftenreihe: | Screen cultures
|
| Schlagwörter: | |
| Links: | https://doi.org/10.1017/9781571137142 https://doi.org/10.1017/9781571137142 https://doi.org/10.1017/9781571137142 |
| Zusammenfassung: | Re-examines German cinema's representation of the Germans as victims during the Second World War and its aftermath. The recent "discovery" of German wartime suffering has had a particularly profound impact in German visual culture. Films from Margarethe von Trotta's Rosenstrasse (2003) to Oliver Hirschbiegel's Oscar-nominated Downfall (2004) and the two-part television mini-series Dresden (2006) have shown how ordinary Germans suffered during and after the war. Such films have been presented by critics as treating a topic that had been taboo for German filmmakers. However, the representation of wartime suffering has a long tradition on the German screen. For decades, filmmakers have recontextualized images of Germans as victims to engage shifting social and ideological discourses. By focusing on this process, the present volume explores how the changing representation of Germans as victims has shaped the ways in which both of the postwar German states and the now-unified nation have attempted to facethe trauma of the past and to construct a contemporary place for themselves in the world. Contributors: SeaÌn Allan, Tim Bergfelder, Daniela Berghahn, Erica Carter, David Clarke, John E. Davidson, Sabine Hake, JenniferKapczynski, Manuel KoÌppen, Rachel Palfreyman, Brad Prager, Johannes von Moltke. Paul Cooke is Professor of German Cultural Studies at the University of Leeds and Marc Silberman is Professor of German at the University of Wisconsin |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 28 Feb 2023) Introduction: German suffering? / Paul Cooke and Marc Silberman -- Hidden screens: soldiers, martyrs, innocent German victims. Armchair warriors: heroic postures in the West German war film / Jennifer M. Kapczynski -- German martyrs: images of Christianity and resistance to national socialism in German cinema / David Clarke -- The rhetoric of victim narratives in West German films of the 1950s / Manuel Köppen -- Projection screens: disavowing loss, transforming antifascism, contesting memories. Sissi the terrible: melodrama, victimhood, and imperial nostalgia in the Sissi trilogy / Erica Carter -- Political affects: antifascism and the Second World War in Frank Beyer and Konrad Wolf / Sabine Hake -- Shadowlands: the memory of the Ostgebiete in contemporary German film and television / Tim Bergfelder -- Display screens: generational traumas, untimely passions, open wounds. Links and chains: trauma between the generations in the Heimat mode / Rachel Palfreyman -- Resistance of the heart: female suffering and victimhood in DEFA's antifascist films / Daniela Berghahn -- Suffering and sympathy in Volker Schlöndorff's Der neunte Tag and Dennis Gansel's NaPolA / Brad Prager -- Split screens: ambiguous authorities, decentered emotions, performed identities. Eberhard Fechner's history of suffering: TV talk, temporal distance, spatial displacement / John E. Davidson -- The politics of feeling: Alexander Kluge on war, film, and emotion / Johannes von Moltke -- Post-unification German-Jewish relations and the discourse of victimhood in Dani Levy's films / Seán Allan |
| Umfang: | 1 Online-Ressource (vi, 304 Seiten) |
| ISBN: | 9781571137142 |
| DOI: | 10.1017/9781571137142 |
Internformat
MARC
| LEADER | 00000nam a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV048884809 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 230331s2023 xx o|||| 00||| eng d | ||
| 020 | |a 9781571137142 |c Online |9 978-1-57113-714-2 | ||
| 024 | 7 | |a 10.1017/9781571137142 |2 doi | |
| 035 | |a (ZDB-20-CBO)CR9781571137142 | ||
| 035 | |a (OCoLC)838287818 | ||
| 035 | |a (DE-599)BVBBV048884809 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-473 | ||
| 082 | 0 | |a 791.43/6581 | |
| 084 | |a HIST |q DE-12 |2 fid | ||
| 084 | |a AP 44910 |0 (DE-625)7516:667 |2 rvk | ||
| 084 | |a AP 52700 |0 (DE-625)7718: |2 rvk | ||
| 245 | 1 | 0 | |a Screening war |b perspectives on German suffering |c edited by Paul Cooke and Marc Silberman |
| 264 | 1 | |a Rochester, N.Y. |b Camden House |c 2010 | |
| 300 | |a 1 Online-Ressource (vi, 304 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Screen cultures | |
| 500 | |a Title from publisher's bibliographic system (viewed on 28 Feb 2023) | ||
| 500 | |a Introduction: German suffering? / Paul Cooke and Marc Silberman -- Hidden screens: soldiers, martyrs, innocent German victims. Armchair warriors: heroic postures in the West German war film / Jennifer M. Kapczynski -- German martyrs: images of Christianity and resistance to national socialism in German cinema / David Clarke -- The rhetoric of victim narratives in West German films of the 1950s / Manuel Köppen -- Projection screens: disavowing loss, transforming antifascism, contesting memories. Sissi the terrible: melodrama, victimhood, and imperial nostalgia in the Sissi trilogy / Erica Carter -- Political affects: antifascism and the Second World War in Frank Beyer and Konrad Wolf / Sabine Hake -- Shadowlands: the memory of the Ostgebiete in contemporary German film and television / Tim Bergfelder -- Display screens: generational traumas, untimely passions, open wounds. Links and chains: trauma between the generations in the Heimat mode / Rachel Palfreyman -- Resistance of the heart: female suffering and victimhood in DEFA's antifascist films / Daniela Berghahn -- Suffering and sympathy in Volker Schlöndorff's Der neunte Tag and Dennis Gansel's NaPolA / Brad Prager -- Split screens: ambiguous authorities, decentered emotions, performed identities. Eberhard Fechner's history of suffering: TV talk, temporal distance, spatial displacement / John E. Davidson -- The politics of feeling: Alexander Kluge on war, film, and emotion / Johannes von Moltke -- Post-unification German-Jewish relations and the discourse of victimhood in Dani Levy's films / Seán Allan | ||
| 520 | |a Re-examines German cinema's representation of the Germans as victims during the Second World War and its aftermath. The recent "discovery" of German wartime suffering has had a particularly profound impact in German visual culture. Films from Margarethe von Trotta's Rosenstrasse (2003) to Oliver Hirschbiegel's Oscar-nominated Downfall (2004) and the two-part television mini-series Dresden (2006) have shown how ordinary Germans suffered during and after the war. Such films have been presented by critics as treating a topic that had been taboo for German filmmakers. However, the representation of wartime suffering has a long tradition on the German screen. For decades, filmmakers have recontextualized images of Germans as victims to engage shifting social and ideological discourses. By focusing on this process, the present volume explores how the changing representation of Germans as victims has shaped the ways in which both of the postwar German states and the now-unified nation have attempted to facethe trauma of the past and to construct a contemporary place for themselves in the world. Contributors: SeaÌn Allan, Tim Bergfelder, Daniela Berghahn, Erica Carter, David Clarke, John E. Davidson, Sabine Hake, JenniferKapczynski, Manuel KoÌppen, Rachel Palfreyman, Brad Prager, Johannes von Moltke. Paul Cooke is Professor of German Cultural Studies at the University of Leeds and Marc Silberman is Professor of German at the University of Wisconsin | ||
| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
| 650 | 4 | |a World War, 1939-1945 / Motion pictures and the war | |
| 650 | 4 | |a War films / Germany / History / 20th century | |
| 650 | 4 | |a Suffering in motion pictures | |
| 650 | 4 | |a Psychic trauma in motion pictures | |
| 650 | 4 | |a Germans in motion pictures | |
| 650 | 0 | 7 | |a Opfer |g Sozialpsychologie, Motiv |0 (DE-588)4512620-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Deutschlandbild |0 (DE-588)4011893-9 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Film |0 (DE-588)4017102-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Zweiter Weltkrieg |g Motiv |0 (DE-588)4133624-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Psychisches Trauma |g Motiv |0 (DE-588)4578384-6 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Deutschland |0 (DE-588)4011882-4 |2 gnd |9 rswk-swf | |
| 655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a Deutschland |0 (DE-588)4011882-4 |D g |
| 689 | 0 | 1 | |a Film |0 (DE-588)4017102-4 |D s |
| 689 | 0 | 2 | |a Deutschlandbild |0 (DE-588)4011893-9 |D s |
| 689 | 0 | 3 | |a Zweiter Weltkrieg |g Motiv |0 (DE-588)4133624-0 |D s |
| 689 | 0 | 4 | |a Opfer |g Sozialpsychologie, Motiv |0 (DE-588)4512620-3 |D s |
| 689 | 0 | 5 | |a Psychisches Trauma |g Motiv |0 (DE-588)4578384-6 |D s |
| 689 | 0 | 6 | |a Geschichte |A z |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Cooke, Paul |d 1969- |0 (DE-588)130127000 |4 edt | |
| 700 | 1 | |a Silberman, Marc |d 1948- |0 (DE-588)172374723 |4 edt | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-1-57113-437-0 |
| 856 | 4 | 0 | |u https://doi.org/10.1017/9781571137142 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-20-CBO | ||
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-034149460 | |
| 966 | e | |u https://doi.org/10.1017/9781571137142 |l DE-12 |p ZDB-20-CBO |q BSB_PDA_CBO |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1017/9781571137142 |l DE-473 |p ZDB-20-CBO |q UBG_PDA_CBO |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1818990458759544832 |
|---|---|
| any_adam_object | |
| author2 | Cooke, Paul 1969- Silberman, Marc 1948- |
| author2_role | edt edt |
| author2_variant | p c pc m s ms |
| author_GND | (DE-588)130127000 (DE-588)172374723 |
| author_facet | Cooke, Paul 1969- Silberman, Marc 1948- |
| building | Verbundindex |
| bvnumber | BV048884809 |
| classification_rvk | AP 44910 AP 52700 |
| collection | ZDB-20-CBO |
| ctrlnum | (ZDB-20-CBO)CR9781571137142 (OCoLC)838287818 (DE-599)BVBBV048884809 |
| dewey-full | 791.43/6581 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/6581 |
| dewey-search | 791.43/6581 |
| dewey-sort | 3791.43 46581 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| doi_str_mv | 10.1017/9781571137142 |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05907nam a2200697zc 4500</leader><controlfield tag="001">BV048884809</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">230331s2023 xx o|||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781571137142</subfield><subfield code="c">Online</subfield><subfield code="9">978-1-57113-714-2</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1017/9781571137142</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-20-CBO)CR9781571137142</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)838287818</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048884809</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-473</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.43/6581</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HIST</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 44910</subfield><subfield code="0">(DE-625)7516:667</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 52700</subfield><subfield code="0">(DE-625)7718:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Screening war</subfield><subfield code="b">perspectives on German suffering</subfield><subfield code="c">edited by Paul Cooke and Marc Silberman</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Rochester, N.Y.</subfield><subfield code="b">Camden House</subfield><subfield code="c">2010</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (vi, 304 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Screen cultures</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Title from publisher's bibliographic system (viewed on 28 Feb 2023)</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Introduction: German suffering? / Paul Cooke and Marc Silberman -- Hidden screens: soldiers, martyrs, innocent German victims. Armchair warriors: heroic postures in the West German war film / Jennifer M. Kapczynski -- German martyrs: images of Christianity and resistance to national socialism in German cinema / David Clarke -- The rhetoric of victim narratives in West German films of the 1950s / Manuel Köppen -- Projection screens: disavowing loss, transforming antifascism, contesting memories. Sissi the terrible: melodrama, victimhood, and imperial nostalgia in the Sissi trilogy / Erica Carter -- Political affects: antifascism and the Second World War in Frank Beyer and Konrad Wolf / Sabine Hake -- Shadowlands: the memory of the Ostgebiete in contemporary German film and television / Tim Bergfelder -- Display screens: generational traumas, untimely passions, open wounds. Links and chains: trauma between the generations in the Heimat mode / Rachel Palfreyman -- Resistance of the heart: female suffering and victimhood in DEFA's antifascist films / Daniela Berghahn -- Suffering and sympathy in Volker Schlöndorff's Der neunte Tag and Dennis Gansel's NaPolA / Brad Prager -- Split screens: ambiguous authorities, decentered emotions, performed identities. Eberhard Fechner's history of suffering: TV talk, temporal distance, spatial displacement / John E. Davidson -- The politics of feeling: Alexander Kluge on war, film, and emotion / Johannes von Moltke -- Post-unification German-Jewish relations and the discourse of victimhood in Dani Levy's films / Seán Allan</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Re-examines German cinema's representation of the Germans as victims during the Second World War and its aftermath. The recent "discovery" of German wartime suffering has had a particularly profound impact in German visual culture. Films from Margarethe von Trotta's Rosenstrasse (2003) to Oliver Hirschbiegel's Oscar-nominated Downfall (2004) and the two-part television mini-series Dresden (2006) have shown how ordinary Germans suffered during and after the war. Such films have been presented by critics as treating a topic that had been taboo for German filmmakers. However, the representation of wartime suffering has a long tradition on the German screen. For decades, filmmakers have recontextualized images of Germans as victims to engage shifting social and ideological discourses. By focusing on this process, the present volume explores how the changing representation of Germans as victims has shaped the ways in which both of the postwar German states and the now-unified nation have attempted to facethe trauma of the past and to construct a contemporary place for themselves in the world. Contributors: SeaÌn Allan, Tim Bergfelder, Daniela Berghahn, Erica Carter, David Clarke, John E. Davidson, Sabine Hake, JenniferKapczynski, Manuel KoÌppen, Rachel Palfreyman, Brad Prager, Johannes von Moltke. Paul Cooke is Professor of German Cultural Studies at the University of Leeds and Marc Silberman is Professor of German at the University of Wisconsin</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">World War, 1939-1945 / Motion pictures and the war</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">War films / Germany / History / 20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Suffering in motion pictures</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Psychic trauma in motion pictures</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Germans in motion pictures</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Opfer</subfield><subfield code="g">Sozialpsychologie, Motiv</subfield><subfield code="0">(DE-588)4512620-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Deutschlandbild</subfield><subfield code="0">(DE-588)4011893-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Zweiter Weltkrieg</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4133624-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Psychisches Trauma</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4578384-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Deutschland</subfield><subfield code="0">(DE-588)4011882-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Deutschland</subfield><subfield code="0">(DE-588)4011882-4</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Deutschlandbild</subfield><subfield code="0">(DE-588)4011893-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Zweiter Weltkrieg</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4133624-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Opfer</subfield><subfield code="g">Sozialpsychologie, Motiv</subfield><subfield code="0">(DE-588)4512620-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Psychisches Trauma</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4578384-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="6"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Cooke, Paul</subfield><subfield code="d">1969-</subfield><subfield code="0">(DE-588)130127000</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Silberman, Marc</subfield><subfield code="d">1948-</subfield><subfield code="0">(DE-588)172374723</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-1-57113-437-0</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1017/9781571137142</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-20-CBO</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034149460</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781571137142</subfield><subfield code="l">DE-12</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">BSB_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781571137142</subfield><subfield code="l">DE-473</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBG_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| geographic | Deutschland (DE-588)4011882-4 gnd |
| geographic_facet | Deutschland |
| id | DE-604.BV048884809 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T19:54:42Z |
| institution | BVB |
| isbn | 9781571137142 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034149460 |
| oclc_num | 838287818 |
| open_access_boolean | |
| owner | DE-12 DE-473 DE-BY-UBG |
| owner_facet | DE-12 DE-473 DE-BY-UBG |
| physical | 1 Online-Ressource (vi, 304 Seiten) |
| psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO |
| publishDate | 2010 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Camden House |
| record_format | marc |
| series2 | Screen cultures |
| spelling | Screening war perspectives on German suffering edited by Paul Cooke and Marc Silberman Rochester, N.Y. Camden House 2010 1 Online-Ressource (vi, 304 Seiten) txt rdacontent c rdamedia cr rdacarrier Screen cultures Title from publisher's bibliographic system (viewed on 28 Feb 2023) Introduction: German suffering? / Paul Cooke and Marc Silberman -- Hidden screens: soldiers, martyrs, innocent German victims. Armchair warriors: heroic postures in the West German war film / Jennifer M. Kapczynski -- German martyrs: images of Christianity and resistance to national socialism in German cinema / David Clarke -- The rhetoric of victim narratives in West German films of the 1950s / Manuel Köppen -- Projection screens: disavowing loss, transforming antifascism, contesting memories. Sissi the terrible: melodrama, victimhood, and imperial nostalgia in the Sissi trilogy / Erica Carter -- Political affects: antifascism and the Second World War in Frank Beyer and Konrad Wolf / Sabine Hake -- Shadowlands: the memory of the Ostgebiete in contemporary German film and television / Tim Bergfelder -- Display screens: generational traumas, untimely passions, open wounds. Links and chains: trauma between the generations in the Heimat mode / Rachel Palfreyman -- Resistance of the heart: female suffering and victimhood in DEFA's antifascist films / Daniela Berghahn -- Suffering and sympathy in Volker Schlöndorff's Der neunte Tag and Dennis Gansel's NaPolA / Brad Prager -- Split screens: ambiguous authorities, decentered emotions, performed identities. Eberhard Fechner's history of suffering: TV talk, temporal distance, spatial displacement / John E. Davidson -- The politics of feeling: Alexander Kluge on war, film, and emotion / Johannes von Moltke -- Post-unification German-Jewish relations and the discourse of victimhood in Dani Levy's films / Seán Allan Re-examines German cinema's representation of the Germans as victims during the Second World War and its aftermath. The recent "discovery" of German wartime suffering has had a particularly profound impact in German visual culture. Films from Margarethe von Trotta's Rosenstrasse (2003) to Oliver Hirschbiegel's Oscar-nominated Downfall (2004) and the two-part television mini-series Dresden (2006) have shown how ordinary Germans suffered during and after the war. Such films have been presented by critics as treating a topic that had been taboo for German filmmakers. However, the representation of wartime suffering has a long tradition on the German screen. For decades, filmmakers have recontextualized images of Germans as victims to engage shifting social and ideological discourses. By focusing on this process, the present volume explores how the changing representation of Germans as victims has shaped the ways in which both of the postwar German states and the now-unified nation have attempted to facethe trauma of the past and to construct a contemporary place for themselves in the world. Contributors: SeaÌn Allan, Tim Bergfelder, Daniela Berghahn, Erica Carter, David Clarke, John E. Davidson, Sabine Hake, JenniferKapczynski, Manuel KoÌppen, Rachel Palfreyman, Brad Prager, Johannes von Moltke. Paul Cooke is Professor of German Cultural Studies at the University of Leeds and Marc Silberman is Professor of German at the University of Wisconsin Geschichte gnd rswk-swf World War, 1939-1945 / Motion pictures and the war War films / Germany / History / 20th century Suffering in motion pictures Psychic trauma in motion pictures Germans in motion pictures Opfer Sozialpsychologie, Motiv (DE-588)4512620-3 gnd rswk-swf Deutschlandbild (DE-588)4011893-9 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Zweiter Weltkrieg Motiv (DE-588)4133624-0 gnd rswk-swf Psychisches Trauma Motiv (DE-588)4578384-6 gnd rswk-swf Deutschland (DE-588)4011882-4 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Deutschland (DE-588)4011882-4 g Film (DE-588)4017102-4 s Deutschlandbild (DE-588)4011893-9 s Zweiter Weltkrieg Motiv (DE-588)4133624-0 s Opfer Sozialpsychologie, Motiv (DE-588)4512620-3 s Psychisches Trauma Motiv (DE-588)4578384-6 s Geschichte z DE-604 Cooke, Paul 1969- (DE-588)130127000 edt Silberman, Marc 1948- (DE-588)172374723 edt Erscheint auch als Druck-Ausgabe 978-1-57113-437-0 https://doi.org/10.1017/9781571137142 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Screening war perspectives on German suffering World War, 1939-1945 / Motion pictures and the war War films / Germany / History / 20th century Suffering in motion pictures Psychic trauma in motion pictures Germans in motion pictures Opfer Sozialpsychologie, Motiv (DE-588)4512620-3 gnd Deutschlandbild (DE-588)4011893-9 gnd Film (DE-588)4017102-4 gnd Zweiter Weltkrieg Motiv (DE-588)4133624-0 gnd Psychisches Trauma Motiv (DE-588)4578384-6 gnd |
| subject_GND | (DE-588)4512620-3 (DE-588)4011893-9 (DE-588)4017102-4 (DE-588)4133624-0 (DE-588)4578384-6 (DE-588)4011882-4 (DE-588)4143413-4 |
| title | Screening war perspectives on German suffering |
| title_auth | Screening war perspectives on German suffering |
| title_exact_search | Screening war perspectives on German suffering |
| title_full | Screening war perspectives on German suffering edited by Paul Cooke and Marc Silberman |
| title_fullStr | Screening war perspectives on German suffering edited by Paul Cooke and Marc Silberman |
| title_full_unstemmed | Screening war perspectives on German suffering edited by Paul Cooke and Marc Silberman |
| title_short | Screening war |
| title_sort | screening war perspectives on german suffering |
| title_sub | perspectives on German suffering |
| topic | World War, 1939-1945 / Motion pictures and the war War films / Germany / History / 20th century Suffering in motion pictures Psychic trauma in motion pictures Germans in motion pictures Opfer Sozialpsychologie, Motiv (DE-588)4512620-3 gnd Deutschlandbild (DE-588)4011893-9 gnd Film (DE-588)4017102-4 gnd Zweiter Weltkrieg Motiv (DE-588)4133624-0 gnd Psychisches Trauma Motiv (DE-588)4578384-6 gnd |
| topic_facet | World War, 1939-1945 / Motion pictures and the war War films / Germany / History / 20th century Suffering in motion pictures Psychic trauma in motion pictures Germans in motion pictures Opfer Sozialpsychologie, Motiv Deutschlandbild Film Zweiter Weltkrieg Motiv Psychisches Trauma Motiv Deutschland Aufsatzsammlung |
| url | https://doi.org/10.1017/9781571137142 |
| work_keys_str_mv | AT cookepaul screeningwarperspectivesongermansuffering AT silbermanmarc screeningwarperspectivesongermansuffering |