Crisis vision: race and the cultural production of surveillance
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Durham
Duke University Press
2022
|
| Schriftenreihe: | Errantries
|
| Schlagwörter: | |
| Abstract: | "In Crisis Vision, Torin Monahan uses critical arts projects as an entry point to investigate the racializing effects of contemporary surveillance. The book explores the surveillance vocabularies such artworks generate, the subjectivities and relationships they represent and catalyze, their assumptions and omissions, and their participation in the cultural production of surveillance as a social category. Monahan develops the concept of "crisis vision" to describe a pervasive, destructive way of seeing that amplifies differences among individuals and inspires the scapegoating of those marked as Other. Monahan turns to artwork that engages with opacity, an aesthetic intervention that interferes with crisis vision by rejecting authorized regimes of visibility. These artworks, including Kai Wiedenhöfer's WALLonWALL project, Dries Depoorter's Jaywalking project, and Dread Scott's installation Stop, challenge viewers to question their own place within inherently unjust social orders -- emphasizing ethical relations between strangers and thereby disrupting crisis vision"-- |
| Umfang: | xiii, 214 Seiten Illustrationen 24 cm |
| ISBN: | 9781478016113 9781478018759 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV048879649 | ||
| 003 | DE-604 | ||
| 005 | 20230428 | ||
| 007 | t| | ||
| 008 | 230328s2022 xx a||| b||| 00||| eng d | ||
| 020 | |a 9781478016113 |c hardcover |9 978-1-4780-1611-3 | ||
| 020 | |a 9781478018759 |c paperback |9 978-1-4780-1875-9 | ||
| 035 | |a (OCoLC)1365081644 | ||
| 035 | |a (DE-599)BVBBV048879649 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-255 | ||
| 100 | 1 | |a Monahan, Torin |e Verfasser |0 (DE-588)1043712429 |4 aut | |
| 245 | 1 | 0 | |a Crisis vision |b race and the cultural production of surveillance |c Torin Monahan |
| 264 | 1 | |a Durham |b Duke University Press |c 2022 | |
| 300 | |a xiii, 214 Seiten |b Illustrationen |c 24 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Errantries | |
| 505 | 8 | |a Avoidance -- Transparency -- Complicity -- Violence -- Disruption | |
| 520 | 3 | |a "In Crisis Vision, Torin Monahan uses critical arts projects as an entry point to investigate the racializing effects of contemporary surveillance. The book explores the surveillance vocabularies such artworks generate, the subjectivities and relationships they represent and catalyze, their assumptions and omissions, and their participation in the cultural production of surveillance as a social category. Monahan develops the concept of "crisis vision" to describe a pervasive, destructive way of seeing that amplifies differences among individuals and inspires the scapegoating of those marked as Other. Monahan turns to artwork that engages with opacity, an aesthetic intervention that interferes with crisis vision by rejecting authorized regimes of visibility. These artworks, including Kai Wiedenhöfer's WALLonWALL project, Dries Depoorter's Jaywalking project, and Dread Scott's installation Stop, challenge viewers to question their own place within inherently unjust social orders -- emphasizing ethical relations between strangers and thereby disrupting crisis vision"-- | |
| 648 | 7 | |a Geschichte 2000-2022 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Kunst |0 (DE-588)4114333-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Diskriminierung |0 (DE-588)4012472-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Politik |0 (DE-588)4046514-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Überwachung |0 (DE-588)4134175-2 |2 gnd |9 rswk-swf |
| 653 | 0 | |a Electronic surveillance / Social aspects | |
| 653 | 0 | |a Surveillance in art / Social aspects | |
| 653 | 0 | |a Art / Political aspects | |
| 653 | 0 | |a Art and race | |
| 653 | 0 | |a Social practice (Art) | |
| 653 | 0 | |a Art and society / History / 21st century | |
| 653 | 0 | |a SOCIAL SCIENCE / Privacy & Surveillance (see also POLITICAL SCIENCE / Privacy & Surveillance) | |
| 653 | 0 | |a ART / History / Contemporary (1945-) | |
| 653 | 0 | |a Art and race | |
| 653 | 0 | |a Art and society | |
| 653 | 0 | |a Art / Political aspects | |
| 653 | 0 | |a Electronic surveillance / Social aspects | |
| 653 | 0 | |a Social practice (Art) | |
| 653 | 4 | |a 2000-2099 | |
| 653 | 6 | |a History | |
| 689 | 0 | 0 | |a Kunst |0 (DE-588)4114333-4 |D s |
| 689 | 0 | 1 | |a Politik |0 (DE-588)4046514-7 |D s |
| 689 | 0 | 2 | |a Diskriminierung |0 (DE-588)4012472-1 |D s |
| 689 | 0 | 3 | |a Überwachung |0 (DE-588)4134175-2 |D s |
| 689 | 0 | 4 | |a Geschichte 2000-2022 |A z |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-4780-2338-8 |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-034144417 | |
Datensatz im Suchindex
| _version_ | 1818990449221697536 |
|---|---|
| any_adam_object | |
| author | Monahan, Torin |
| author_GND | (DE-588)1043712429 |
| author_facet | Monahan, Torin |
| author_role | aut |
| author_sort | Monahan, Torin |
| author_variant | t m tm |
| building | Verbundindex |
| bvnumber | BV048879649 |
| contents | Avoidance -- Transparency -- Complicity -- Violence -- Disruption |
| ctrlnum | (OCoLC)1365081644 (DE-599)BVBBV048879649 |
| era | Geschichte 2000-2022 gnd |
| era_facet | Geschichte 2000-2022 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03364nam a2200625 c 4500</leader><controlfield tag="001">BV048879649</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20230428 </controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">230328s2022 xx a||| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781478016113</subfield><subfield code="c">hardcover</subfield><subfield code="9">978-1-4780-1611-3</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781478018759</subfield><subfield code="c">paperback</subfield><subfield code="9">978-1-4780-1875-9</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1365081644</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048879649</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Monahan, Torin</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1043712429</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Crisis vision</subfield><subfield code="b">race and the cultural production of surveillance</subfield><subfield code="c">Torin Monahan</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Durham</subfield><subfield code="b">Duke University Press</subfield><subfield code="c">2022</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xiii, 214 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">24 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Errantries</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Avoidance -- Transparency -- Complicity -- Violence -- Disruption</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"In Crisis Vision, Torin Monahan uses critical arts projects as an entry point to investigate the racializing effects of contemporary surveillance. The book explores the surveillance vocabularies such artworks generate, the subjectivities and relationships they represent and catalyze, their assumptions and omissions, and their participation in the cultural production of surveillance as a social category. Monahan develops the concept of "crisis vision" to describe a pervasive, destructive way of seeing that amplifies differences among individuals and inspires the scapegoating of those marked as Other. Monahan turns to artwork that engages with opacity, an aesthetic intervention that interferes with crisis vision by rejecting authorized regimes of visibility. These artworks, including Kai Wiedenhöfer's WALLonWALL project, Dries Depoorter's Jaywalking project, and Dread Scott's installation Stop, challenge viewers to question their own place within inherently unjust social orders -- emphasizing ethical relations between strangers and thereby disrupting crisis vision"--</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 2000-2022</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Diskriminierung</subfield><subfield code="0">(DE-588)4012472-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Politik</subfield><subfield code="0">(DE-588)4046514-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Überwachung</subfield><subfield code="0">(DE-588)4134175-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Electronic surveillance / Social aspects</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Surveillance in art / Social aspects</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art / Political aspects</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art and race</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Social practice (Art)</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art and society / History / 21st century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">SOCIAL SCIENCE / Privacy & Surveillance (see also POLITICAL SCIENCE / Privacy & Surveillance)</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">ART / History / Contemporary (1945-)</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art and race</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art and society</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art / Political aspects</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Electronic surveillance / Social aspects</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Social practice (Art)</subfield></datafield><datafield tag="653" ind1=" " ind2="4"><subfield code="a">2000-2099</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">History</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Politik</subfield><subfield code="0">(DE-588)4046514-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Diskriminierung</subfield><subfield code="0">(DE-588)4012472-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Überwachung</subfield><subfield code="0">(DE-588)4134175-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Geschichte 2000-2022</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-1-4780-2338-8</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034144417</subfield></datafield></record></collection> |
| id | DE-604.BV048879649 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T19:54:33Z |
| institution | BVB |
| isbn | 9781478016113 9781478018759 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034144417 |
| oclc_num | 1365081644 |
| open_access_boolean | |
| owner | DE-255 |
| owner_facet | DE-255 |
| physical | xiii, 214 Seiten Illustrationen 24 cm |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Duke University Press |
| record_format | marc |
| series2 | Errantries |
| spelling | Monahan, Torin Verfasser (DE-588)1043712429 aut Crisis vision race and the cultural production of surveillance Torin Monahan Durham Duke University Press 2022 xiii, 214 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Errantries Avoidance -- Transparency -- Complicity -- Violence -- Disruption "In Crisis Vision, Torin Monahan uses critical arts projects as an entry point to investigate the racializing effects of contemporary surveillance. The book explores the surveillance vocabularies such artworks generate, the subjectivities and relationships they represent and catalyze, their assumptions and omissions, and their participation in the cultural production of surveillance as a social category. Monahan develops the concept of "crisis vision" to describe a pervasive, destructive way of seeing that amplifies differences among individuals and inspires the scapegoating of those marked as Other. Monahan turns to artwork that engages with opacity, an aesthetic intervention that interferes with crisis vision by rejecting authorized regimes of visibility. These artworks, including Kai Wiedenhöfer's WALLonWALL project, Dries Depoorter's Jaywalking project, and Dread Scott's installation Stop, challenge viewers to question their own place within inherently unjust social orders -- emphasizing ethical relations between strangers and thereby disrupting crisis vision"-- Geschichte 2000-2022 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Diskriminierung (DE-588)4012472-1 gnd rswk-swf Politik (DE-588)4046514-7 gnd rswk-swf Überwachung (DE-588)4134175-2 gnd rswk-swf Electronic surveillance / Social aspects Surveillance in art / Social aspects Art / Political aspects Art and race Social practice (Art) Art and society / History / 21st century SOCIAL SCIENCE / Privacy & Surveillance (see also POLITICAL SCIENCE / Privacy & Surveillance) ART / History / Contemporary (1945-) Art and society 2000-2099 History Kunst (DE-588)4114333-4 s Politik (DE-588)4046514-7 s Diskriminierung (DE-588)4012472-1 s Überwachung (DE-588)4134175-2 s Geschichte 2000-2022 z DE-604 Erscheint auch als Online-Ausgabe 978-1-4780-2338-8 |
| spellingShingle | Monahan, Torin Crisis vision race and the cultural production of surveillance Avoidance -- Transparency -- Complicity -- Violence -- Disruption Kunst (DE-588)4114333-4 gnd Diskriminierung (DE-588)4012472-1 gnd Politik (DE-588)4046514-7 gnd Überwachung (DE-588)4134175-2 gnd |
| subject_GND | (DE-588)4114333-4 (DE-588)4012472-1 (DE-588)4046514-7 (DE-588)4134175-2 |
| title | Crisis vision race and the cultural production of surveillance |
| title_auth | Crisis vision race and the cultural production of surveillance |
| title_exact_search | Crisis vision race and the cultural production of surveillance |
| title_full | Crisis vision race and the cultural production of surveillance Torin Monahan |
| title_fullStr | Crisis vision race and the cultural production of surveillance Torin Monahan |
| title_full_unstemmed | Crisis vision race and the cultural production of surveillance Torin Monahan |
| title_short | Crisis vision |
| title_sort | crisis vision race and the cultural production of surveillance |
| title_sub | race and the cultural production of surveillance |
| topic | Kunst (DE-588)4114333-4 gnd Diskriminierung (DE-588)4012472-1 gnd Politik (DE-588)4046514-7 gnd Überwachung (DE-588)4134175-2 gnd |
| topic_facet | Kunst Diskriminierung Politik Überwachung |
| work_keys_str_mv | AT monahantorin crisisvisionraceandtheculturalproductionofsurveillance |