Literature, music, theatre?: the performative aspect of Rammstein's musical activity
Gespeichert in:
Beteilige Person: | |
---|---|
Format: | Hochschulschrift/Dissertation Buch |
Sprache: | Englisch |
Veröffentlicht: |
Berlin ; Bern ; Bruxelles
Peter Lang
[2022]
|
Schriftenreihe: | Studies in the new humanities
volume 4 |
Schlagwörter: | |
Links: | http://deposit.dnb.de/cgi-bin/dokserv?id=ad77ce0834384349a1f0f15dbf01614b&prov=M&dok_var=1&dok_ext=htm https://www.peterlang.com/document/1248600 https://d-nb.info/1259990893/04 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034073739&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
Umfang: | 339 Seiten Diagramme 22 cm, 511 g |
ISBN: | 9783631810064 3631810067 |
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Datensatz im Suchindex
_version_ | 1819346601110405120 |
---|---|
adam_text | TABLE
OF
CONTENTS
1.
INTRODUCTION
.........................................................................
9
2.
RESEARCH
DIRECTION
AND
LITERATURE
METHODOLOGY
.............
11
2.1.
INTERDISCIPLINARITY
AND
COMPARATIVE
STUDIES
.....................................
11
2.2.
THE
ANALYSIS
REGARDING
THE
INTERACTION
OF
LITERATURE,
MUSIC
AND
THEATRE
.................................................................................
14
2.3.
THE
RESEARCH
METHOD
AND
TOOLS
........................................................
18
3.
PERFORMATIVE
TURN
IN
THE
CONTEXT
OF
OTHER
RESEARCH
TURNS
......................................................................................
21
3.1.
PERFORMATIVE
TURN:
PERFORMATIVITY
AND
PERFORMANCE
.......................
24
3.2.
FROM
JOHN
L.
AUSTIN
TO
JUDITH
BUTLER:
MAINSTREAM
PERFORMATIVE
RESEARCH
...............................................................
28
3.3.
RITUAL
-
THEATRE
-
PERFORMANCE:
PERFORMANCE
RESEARCH
IN
TERMS
OF
VICTOR
TURNER
......................................................................
34
3.4.
CONCEPTS
OF
STAGE
PERFORMATIVITY
....................................................
41
3.5.
COMMUNICATION
ON
PERFORMANCE
STAGES
..........................................
43
3.6.
PERFORMATIVE
CHARACTER
OF
STAGE
PERFORMANCES
...............................
46
3.7.
STAGING FRAME
AND
ITS
ELEMENTS
........................................................
51
3.8.
THE
ROCK
SCENE
OF
THE
RAMMSTEIN
MUSIC
BAND
.................................
55
4.
LITERATURE
REVIEW
ON
THE
PERFORMATIVE
CHARACTER
OF
STAGE
SHOWS
BY
MUSIC
BANDS
...............................................
57
5.
ANALYSIS
OF
THE
ELEMENTS
OF
THE
STAGING
FRAME
OF
RAMMSTEIN
S
STAGE
PERFORMANCES
......................................
65
5.1.
SONG
ANALYSIS
INTRO
........................................................................
67
6
TABLE
OF
CONTENTS
5.1.1.
PERFORMATIVITY
IN
THE
SONG
INTRO
......................................
85
5.2.
SONG
ANALYSIS
SONNE/SUN
.................................................................
88
5.2.1.
PERFORMATIVITY
IN
THE
SONG
SONNE
...................................
99
5.3.
SONG
ANALYSIS:
WOLLT
IHR
DAS
BETT
IN
FLAMMEN
SEHEN?/DO
YOU
WANT
TO
SEE
THE
BED
IN
FLAMES?
....................................
101
5.3.1.
PERFORMATIVITY
IN
THE
SONG
WOLLT
IHR
DAS
BETT
IN
FLAMMEN
SEHEN
..............................................................
109
5.4.
SONG
ANALYSIS,
KEINE
LUST/NO
DESIRE
.......................................
ILL
5.4.1.
PERFORMATIVITY
IN
THE
SONG
KEINE
LUST
.........................
118
5.5.
SONG
ANALYSIS
SEHNSUCHT/LONGING
...........................................
120
5.5.1.
PERFORMATIVITY
IN
THE
SONG
SEHNSUCHT
.........................
127
5.6.
SONG
ANALYSIS:
ASCHE
ZU
ASCHE/ASHES
TO
ASHES
........................
129
5.6.1.
PERFORMATIVITY
IN
THE
SONG
ASCHE
ZU
ASCHE
.................
136
5.7.
SONG
ANALYSIS
FEUER
FREI/FIRE
FREE!
..........................................
138
5.7.1.
PERFORMATIVITY
IN
THE
SONG
FEUER FREI
.........................
143
5.8.
SONG
ANALYSIS
MUTTER/MOTHER
...................................................
145
5.8.1.
PERFORMATIVITY
IN
THE
SONG
MUTTER
...............................
153
5.9.
SONG
ANALYSIS
MEIN
TEIL/MY
PART
..............................................
154
5.9.1.
PERFORMATIVITY
IN
THE
SONG
MEIN
TEIL
..........................
166
5.10.
SONG
ANALYSIS
DU
RIECHTS
SO
GUT/YOU
SMELL
SO
GOOD
.................
168
5.10.1.
PERFORMATIVITY
IN
THE
SONG
DU
RIECHTS
SO
GUT
..............
180
5.11.
SONG
ANALYSIS
LINKS
2-3-4/LEFT
2,3,4
.........................................
182
5.11.1.
PERFORMATIVITY
IN
THE
SONG
LINKS
2-3-4
........................
194
5.12.
SONG
ANALYSIS
DU
HAST/YOU
HAVE
..............................................
196
5.12.1.
PERFORMATIVITY
IN
THE
SONG
DU
HAST
.............................
207
5.13.
SONG
ANALYSIS
HEIFISCH/SHARK
...................................................
209
5.13.1.
PERFORMATIVITY
IN
THE
SONG
HEIFISCH
.............................
221
5.14.
SONG
ANALYSIS
BUCK
DICH/BEND
DOWN
.......................................
223
5.14.1.
PERFORMATIVITY
IN
THE
SONG
BUCK
DICH
.........................
235
5.15.
SONG
ANALYSIS
OF
MANN
GEGEN
MANN/MAN
AGAINST
MAN
...........
237
TABLE
OF
CONTENTS
7
5.15.1.
PERFORMATIVITY
IN
THE
SONG
MANN
GEGEN
MANN
...........
244
5.16.
SONG
ANALYSIS
OHNE
DICH/WITHOUT
YOU
...................................
245
5.16.1.
PERFORMATIVITY
IN
THE
SONG
OHNE
DICH
.........................
255
5.17.
SONG
ANALYSIS
MEIN
HERZ
BRENNT/MY
HEART
BURNS
...................
257
5.17.1.
PERFORMATIVITY
IN
THE
SONG
MEIN
HERZ
BRENNT
.............
265
5.18.
SONG
ANALYSIS
AMERIKA/AMERICA
..............................................
267
5.18.1.
PERFORMATIVITY
IN
THE
SONG
AMERIKA
............................
277
5.19.
SONG
ANALYSIS
ICH
WILL/I
WANT
...................................................
279
5.19.1.
PERFORMATIVITY IN
THE
SONG
ICH
WILL/I
WANT
..................
288
5.20.
SONG
ANALYSIS
ENGEL/ANGEL
.......................................................
290
5.20.1.
PERFORMATIVITY
IN
THE
SONG
ENGEL
................................
299
5.21.
SONG
ANALYSIS
PUSSY/PUSSY
.......................................................
301
5.21.1.
PERFORMATIVITY IN
THE
SONG
PUSSY
................................
311
5.22.
SONG
ANALYSIS
FRIIHLING
IN
PARIS/SPRING
IN
PARIS
.......................
313
5.22.1.
PERFORMATIVITY
IN
THE
SONG
FRIIHLING
IN
PARIS
...............
320
6.
SUMMARY
AND
CONCLUSIONS
................................................
323
7.
SOURCES
.................................................................................
329
7.1.
PRIMARY
LITERATURE:
.......................................................................
329
7.2.
SECONDARY
LITERATURE:
...................................................................
329
7.3.
OTHER
SOURCES:
..............................................................................
336
INDEX
OF
NAMES
.......................................................................
337
|
any_adam_object | 1 |
author | Bagińska, Agnieszka |
author_GND | (DE-588)1031746005 |
author_facet | Bagińska, Agnieszka |
author_role | aut |
author_sort | Bagińska, Agnieszka |
author_variant | a b ab |
building | Verbundindex |
bvnumber | BV048807729 |
ctrlnum | (OCoLC)1371318759 (DE-599)DNB1259990893 |
dewey-full | 781.66078 |
dewey-hundreds | 700 - The arts |
dewey-ones | 781 - General principles and musical forms |
dewey-raw | 781.66078 |
dewey-search | 781.66078 |
dewey-sort | 3781.66078 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
format | Thesis Book |
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genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
genre_facet | Hochschulschrift |
id | DE-604.BV048807729 |
illustrated | Not Illustrated |
indexdate | 2024-12-20T19:52:28Z |
institution | BVB |
institution_GND | (DE-588)1065711506 |
isbn | 9783631810064 3631810067 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034073739 |
oclc_num | 1371318759 |
open_access_boolean | |
owner | DE-12 |
owner_facet | DE-12 |
physical | 339 Seiten Diagramme 22 cm, 511 g |
psigel | BSB_NED_20230301 |
publishDate | 2022 |
publishDateSearch | 2022 |
publishDateSort | 2022 |
publisher | Peter Lang |
record_format | marc |
series | Studies in the new humanities |
series2 | Studies in the new humanities |
spellingShingle | Bagińska, Agnieszka Literature, music, theatre? the performative aspect of Rammstein's musical activity Studies in the new humanities Rammstein Musikgruppe (DE-588)5507628-2 gnd Publikum (DE-588)4047764-2 gnd Interaktion (DE-588)4027266-7 gnd Rockkonzert (DE-588)4315367-7 gnd Show (DE-588)4219212-2 gnd |
subject_GND | (DE-588)5507628-2 (DE-588)4047764-2 (DE-588)4027266-7 (DE-588)4315367-7 (DE-588)4219212-2 (DE-588)4113937-9 |
title | Literature, music, theatre? the performative aspect of Rammstein's musical activity |
title_auth | Literature, music, theatre? the performative aspect of Rammstein's musical activity |
title_exact_search | Literature, music, theatre? the performative aspect of Rammstein's musical activity |
title_full | Literature, music, theatre? the performative aspect of Rammstein's musical activity Agnieszka Bagińska |
title_fullStr | Literature, music, theatre? the performative aspect of Rammstein's musical activity Agnieszka Bagińska |
title_full_unstemmed | Literature, music, theatre? the performative aspect of Rammstein's musical activity Agnieszka Bagińska |
title_short | Literature, music, theatre? |
title_sort | literature music theatre the performative aspect of rammstein s musical activity |
title_sub | the performative aspect of Rammstein's musical activity |
topic | Rammstein Musikgruppe (DE-588)5507628-2 gnd Publikum (DE-588)4047764-2 gnd Interaktion (DE-588)4027266-7 gnd Rockkonzert (DE-588)4315367-7 gnd Show (DE-588)4219212-2 gnd |
topic_facet | Rammstein Musikgruppe Publikum Interaktion Rockkonzert Show Hochschulschrift |
url | http://deposit.dnb.de/cgi-bin/dokserv?id=ad77ce0834384349a1f0f15dbf01614b&prov=M&dok_var=1&dok_ext=htm https://www.peterlang.com/document/1248600 https://d-nb.info/1259990893/04 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034073739&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
volume_link | (DE-604)BV048665087 |
work_keys_str_mv | AT baginskaagnieszka literaturemusictheatretheperformativeaspectoframmsteinsmusicalactivity AT peterlanggmbh literaturemusictheatretheperformativeaspectoframmsteinsmusicalactivity |