Between the eye and the world: the emergence of the point-of-view shot
The point-of-view shot is usually perceived as a 'natural' device, yet its naturalness is illusory. This book provides an answer to the question: 'Where does the point-of-view shot come from?' It investigates the emergence of this filmic form as the product of a culture and its h...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Bruxelles [u.a.]
Lang
2014
|
| Schriftenreihe: | Repenser le cinéma = Rethinking cinema
6 |
| Schlagwörter: | |
| Links: | http://d-nb.info/1071246917/04 |
| Zusammenfassung: | The point-of-view shot is usually perceived as a 'natural' device, yet its naturalness is illusory. This book provides an answer to the question: 'Where does the point-of-view shot come from?' It investigates the emergence of this filmic form as the product of a culture and its history, unravelling the difference between a point-of-view shot and a character’s subjective viewpoint. In so doing, it shows that what would become the point of-view shot developed from the interposition, between the eye and the world, of a prosthesis capable of modifying the conditions needed to access the visible, and thus to expand the potential of human vision. Moreover, the book offers inspiration for further research on modern (and postmodern) vision as a mediated vision, an important topic in contemporary debates in the digital media landscape. [Verlagsmeldung] |
| Umfang: | 241 S. Ill. |
| ISBN: | 9789052010359 |
Internformat
MARC
| LEADER | 00000nam a2200000 cb4500 | ||
|---|---|---|---|
| 001 | BV048762598 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | t| | ||
| 008 | 231022s2014 xx a||| |||| 00||| eng d | ||
| 020 | |a 9789052010359 |9 978-90-5201-035-9 | ||
| 035 | |a (DE-599)BVBBV048762598 | ||
| 040 | |a DE-604 |b ger |e rak | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-Po75 | ||
| 100 | 1 | |a Dagrada, Elena |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Between the eye and the world |b the emergence of the point-of-view shot |c Elena Dagrada |
| 264 | 1 | |a Bruxelles [u.a.] |b Lang |c 2014 | |
| 300 | |a 241 S. |b Ill. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a Rethinking cinema |v 6 | |
| 520 | |a The point-of-view shot is usually perceived as a 'natural' device, yet its naturalness is illusory. This book provides an answer to the question: 'Where does the point-of-view shot come from?' It investigates the emergence of this filmic form as the product of a culture and its history, unravelling the difference between a point-of-view shot and a character’s subjective viewpoint. In so doing, it shows that what would become the point of-view shot developed from the interposition, between the eye and the world, of a prosthesis capable of modifying the conditions needed to access the visible, and thus to expand the potential of human vision. Moreover, the book offers inspiration for further research on modern (and postmodern) vision as a mediated vision, an important topic in contemporary debates in the digital media landscape. [Verlagsmeldung] | ||
| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Point of view |g Film |0 (DE-588)1077024738 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Point of view |g Film |0 (DE-588)1077024738 |D s |
| 689 | 0 | 1 | |a Geschichte |A z |
| 689 | 0 | |5 DE-604 | |
| 830 | 0 | |a Repenser le cinéma = Rethinking cinema |v 6 |w (DE-604)BV023034774 |9 6 | |
| 856 | 4 | |u http://d-nb.info/1071246917/04 |3 Inhaltsverzeichnis | |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-034700771 | |
Datensatz im Suchindex
| _version_ | 1818991441422057472 |
|---|---|
| any_adam_object | |
| author | Dagrada, Elena |
| author_facet | Dagrada, Elena |
| author_role | aut |
| author_sort | Dagrada, Elena |
| author_variant | e d ed |
| building | Verbundindex |
| bvnumber | BV048762598 |
| ctrlnum | (DE-599)BVBBV048762598 |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01984nam a2200349 cb4500</leader><controlfield tag="001">BV048762598</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">231022s2014 xx a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789052010359</subfield><subfield code="9">978-90-5201-035-9</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048762598</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rak</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Po75</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Dagrada, Elena</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Between the eye and the world</subfield><subfield code="b">the emergence of the point-of-view shot</subfield><subfield code="c">Elena Dagrada</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Bruxelles [u.a.]</subfield><subfield code="b">Lang</subfield><subfield code="c">2014</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">241 S.</subfield><subfield code="b">Ill.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Rethinking cinema</subfield><subfield code="v">6</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The point-of-view shot is usually perceived as a 'natural' device, yet its naturalness is illusory. This book provides an answer to the question: 'Where does the point-of-view shot come from?' It investigates the emergence of this filmic form as the product of a culture and its history, unravelling the difference between a point-of-view shot and a character’s subjective viewpoint. In so doing, it shows that what would become the point of-view shot developed from the interposition, between the eye and the world, of a prosthesis capable of modifying the conditions needed to access the visible, and thus to expand the potential of human vision. Moreover, the book offers inspiration for further research on modern (and postmodern) vision as a mediated vision, an important topic in contemporary debates in the digital media landscape. [Verlagsmeldung]</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Point of view</subfield><subfield code="g">Film</subfield><subfield code="0">(DE-588)1077024738</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Point of view</subfield><subfield code="g">Film</subfield><subfield code="0">(DE-588)1077024738</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Repenser le cinéma = Rethinking cinema</subfield><subfield code="v">6</subfield><subfield code="w">(DE-604)BV023034774</subfield><subfield code="9">6</subfield></datafield><datafield tag="856" ind1="4" ind2=" "><subfield code="u">http://d-nb.info/1071246917/04</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034700771</subfield></datafield></record></collection> |
| id | DE-604.BV048762598 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T20:10:19Z |
| institution | BVB |
| isbn | 9789052010359 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034700771 |
| open_access_boolean | |
| owner | DE-Po75 |
| owner_facet | DE-Po75 |
| physical | 241 S. Ill. |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Lang |
| record_format | marc |
| series | Repenser le cinéma = Rethinking cinema |
| series2 | Rethinking cinema |
| spelling | Dagrada, Elena Verfasser aut Between the eye and the world the emergence of the point-of-view shot Elena Dagrada Bruxelles [u.a.] Lang 2014 241 S. Ill. txt rdacontent n rdamedia nc rdacarrier Rethinking cinema 6 The point-of-view shot is usually perceived as a 'natural' device, yet its naturalness is illusory. This book provides an answer to the question: 'Where does the point-of-view shot come from?' It investigates the emergence of this filmic form as the product of a culture and its history, unravelling the difference between a point-of-view shot and a character’s subjective viewpoint. In so doing, it shows that what would become the point of-view shot developed from the interposition, between the eye and the world, of a prosthesis capable of modifying the conditions needed to access the visible, and thus to expand the potential of human vision. Moreover, the book offers inspiration for further research on modern (and postmodern) vision as a mediated vision, an important topic in contemporary debates in the digital media landscape. [Verlagsmeldung] Geschichte gnd rswk-swf Point of view Film (DE-588)1077024738 gnd rswk-swf Point of view Film (DE-588)1077024738 s Geschichte z DE-604 Repenser le cinéma = Rethinking cinema 6 (DE-604)BV023034774 6 http://d-nb.info/1071246917/04 Inhaltsverzeichnis |
| spellingShingle | Dagrada, Elena Between the eye and the world the emergence of the point-of-view shot Repenser le cinéma = Rethinking cinema Point of view Film (DE-588)1077024738 gnd |
| subject_GND | (DE-588)1077024738 |
| title | Between the eye and the world the emergence of the point-of-view shot |
| title_auth | Between the eye and the world the emergence of the point-of-view shot |
| title_exact_search | Between the eye and the world the emergence of the point-of-view shot |
| title_full | Between the eye and the world the emergence of the point-of-view shot Elena Dagrada |
| title_fullStr | Between the eye and the world the emergence of the point-of-view shot Elena Dagrada |
| title_full_unstemmed | Between the eye and the world the emergence of the point-of-view shot Elena Dagrada |
| title_short | Between the eye and the world |
| title_sort | between the eye and the world the emergence of the point of view shot |
| title_sub | the emergence of the point-of-view shot |
| topic | Point of view Film (DE-588)1077024738 gnd |
| topic_facet | Point of view Film |
| url | http://d-nb.info/1071246917/04 |
| volume_link | (DE-604)BV023034774 |
| work_keys_str_mv | AT dagradaelena betweentheeyeandtheworldtheemergenceofthepointofviewshot |