Walter Ruttmann and the cinema of multiplicity: Avant-Garde - advertising - modernity
An early practitioner of experimental film, Walter Ruttmann made his well-known 'Berlin: Symphony of a Great City' in 1927 and later worked as an assistant to director Leni Riefenstahl during the production of 'Triumph of the Will.' Tracing Ruttmann's career from the 1920s t...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Amsterdam
Amsterdam University Press
[2014]
|
| Schriftenreihe: | Film culture in transition
|
| Schlagwörter: | |
| Links: | https://ebookcentral.proquest.com/lib/zikg/detail.action?docID=4391562 |
| Zusammenfassung: | An early practitioner of experimental film, Walter Ruttmann made his well-known 'Berlin: Symphony of a Great City' in 1927 and later worked as an assistant to director Leni Riefenstahl during the production of 'Triumph of the Will.' Tracing Ruttmann's career from the 1920s through the 1940s against the backdrop of a changing Germany, this book details the ideological and aesthetic shifts between the filmmaker's animation, montage works, and later propaganda films. In the process, it draws our attention to previously neglected bodies of film material and calls for a new focus on the institutional and financial contexts in which films are commissioned and distributed |
| Beschreibung: | Includes filmography Description based on print version record |
| Umfang: | 1 online resource (260 pages) illustrations |
| ISBN: | 9789048521890 |
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| 245 | 1 | 0 | |a Walter Ruttmann and the cinema of multiplicity |b Avant-Garde - advertising - modernity |c Michael Cowan |
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| 505 | 8 | |a Introduction : avant-garde, advertising and the managing of multiplicity -- Absolute advertising : abstraction and figuration in Ruttmann's animated product advertisements (1922-1927) -- The cross-section : images of the world and contingency management in Ruttmann's montage films of the late 1920s (1927-1929) -- Statistics and biopolitics : conceiving the national body in Ruttmann's hygiene films (1930-1933) -- "Uberall Stahl" : forming the new nation in Ruttmann's steel and armament films (1934-1940) -- Afterword : of good and bad objects | |
| 520 | |a An early practitioner of experimental film, Walter Ruttmann made his well-known 'Berlin: Symphony of a Great City' in 1927 and later worked as an assistant to director Leni Riefenstahl during the production of 'Triumph of the Will.' Tracing Ruttmann's career from the 1920s through the 1940s against the backdrop of a changing Germany, this book details the ideological and aesthetic shifts between the filmmaker's animation, montage works, and later propaganda films. In the process, it draws our attention to previously neglected bodies of film material and calls for a new focus on the institutional and financial contexts in which films are commissioned and distributed | ||
| 600 | 1 | 4 | |a Ruttmann, Walter |d 1887-1941 |x Criticism and interpretation |
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| 648 | 7 | |a Geschichte 1922-1940 |2 gnd |9 rswk-swf | |
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| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |a Cowan, Michael J. |t Walter Ruttmann and the cinema of multiplicity : Avant-Garde - advertising - modernity |d Amsterdam : Amsterdam University Press, [2014] |h 259 pages ; 24 cm |k Film culture in transition |z 9789089645852 |
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Datensatz im Suchindex
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| author | Cowan, Michael J. 1971- |
| author_facet | Cowan, Michael J. 1971- |
| author_role | aut |
| author_sort | Cowan, Michael J. 1971- |
| author_variant | m j c mj mjc |
| building | Verbundindex |
| bvnumber | BV048668818 |
| classification_rvk | AP 51400 |
| collection | ZDB-30-PAD |
| contents | Introduction : avant-garde, advertising and the managing of multiplicity -- Absolute advertising : abstraction and figuration in Ruttmann's animated product advertisements (1922-1927) -- The cross-section : images of the world and contingency management in Ruttmann's montage films of the late 1920s (1927-1929) -- Statistics and biopolitics : conceiving the national body in Ruttmann's hygiene films (1930-1933) -- "Uberall Stahl" : forming the new nation in Ruttmann's steel and armament films (1934-1940) -- Afterword : of good and bad objects |
| ctrlnum | (ZDB-30-PQE)EBC4391562 (ZDB-30-PAD)EBC4391562 (ZDB-89-EBL)EBL4391562 (OCoLC)1200245476 (DE-599)BVBBV048668818 |
| dewey-full | 791.430233092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.430233092 |
| dewey-search | 791.430233092 |
| dewey-sort | 3791.430233092 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | Geschichte 1922-1940 gnd |
| era_facet | Geschichte 1922-1940 |
| format | Electronic eBook |
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| id | DE-604.BV048668818 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T19:51:33Z |
| institution | BVB |
| isbn | 9789048521890 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034043408 |
| oclc_num | 1200245476 |
| open_access_boolean | |
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| physical | 1 online resource (260 pages) illustrations |
| psigel | ZDB-30-PAD KUBA2-ZDB-30-PAD-2024 ZDB-30-PAD BZI |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Amsterdam University Press |
| record_format | marc |
| series2 | Film culture in transition |
| spelling | Cowan, Michael J. 1971- Verfasser aut Walter Ruttmann and the cinema of multiplicity Avant-Garde - advertising - modernity Michael Cowan Amsterdam Amsterdam University Press [2014] 1 online resource (260 pages) illustrations txt rdacontent c rdamedia cr rdacarrier Film culture in transition Includes filmography Description based on print version record Introduction : avant-garde, advertising and the managing of multiplicity -- Absolute advertising : abstraction and figuration in Ruttmann's animated product advertisements (1922-1927) -- The cross-section : images of the world and contingency management in Ruttmann's montage films of the late 1920s (1927-1929) -- Statistics and biopolitics : conceiving the national body in Ruttmann's hygiene films (1930-1933) -- "Uberall Stahl" : forming the new nation in Ruttmann's steel and armament films (1934-1940) -- Afterword : of good and bad objects An early practitioner of experimental film, Walter Ruttmann made his well-known 'Berlin: Symphony of a Great City' in 1927 and later worked as an assistant to director Leni Riefenstahl during the production of 'Triumph of the Will.' Tracing Ruttmann's career from the 1920s through the 1940s against the backdrop of a changing Germany, this book details the ideological and aesthetic shifts between the filmmaker's animation, montage works, and later propaganda films. In the process, it draws our attention to previously neglected bodies of film material and calls for a new focus on the institutional and financial contexts in which films are commissioned and distributed Ruttmann, Walter 1887-1941 Criticism and interpretation Ruttmann, Walter 1887-1941 (DE-588)119053500 gnd rswk-swf Geschichte 1922-1940 gnd rswk-swf Experimental films Germany History and criticism Motion picture producers and directors Germany 20th century Film (DE-588)4017102-4 gnd rswk-swf Ruttmann, Walter 1887-1941 (DE-588)119053500 p Film (DE-588)4017102-4 s Geschichte 1922-1940 z DE-604 Erscheint auch als Druck-Ausgabe Cowan, Michael J. Walter Ruttmann and the cinema of multiplicity : Avant-Garde - advertising - modernity Amsterdam : Amsterdam University Press, [2014] 259 pages ; 24 cm Film culture in transition 9789089645852 |
| spellingShingle | Cowan, Michael J. 1971- Walter Ruttmann and the cinema of multiplicity Avant-Garde - advertising - modernity Introduction : avant-garde, advertising and the managing of multiplicity -- Absolute advertising : abstraction and figuration in Ruttmann's animated product advertisements (1922-1927) -- The cross-section : images of the world and contingency management in Ruttmann's montage films of the late 1920s (1927-1929) -- Statistics and biopolitics : conceiving the national body in Ruttmann's hygiene films (1930-1933) -- "Uberall Stahl" : forming the new nation in Ruttmann's steel and armament films (1934-1940) -- Afterword : of good and bad objects Ruttmann, Walter 1887-1941 Criticism and interpretation Ruttmann, Walter 1887-1941 (DE-588)119053500 gnd Experimental films Germany History and criticism Motion picture producers and directors Germany 20th century Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)119053500 (DE-588)4017102-4 |
| title | Walter Ruttmann and the cinema of multiplicity Avant-Garde - advertising - modernity |
| title_auth | Walter Ruttmann and the cinema of multiplicity Avant-Garde - advertising - modernity |
| title_exact_search | Walter Ruttmann and the cinema of multiplicity Avant-Garde - advertising - modernity |
| title_full | Walter Ruttmann and the cinema of multiplicity Avant-Garde - advertising - modernity Michael Cowan |
| title_fullStr | Walter Ruttmann and the cinema of multiplicity Avant-Garde - advertising - modernity Michael Cowan |
| title_full_unstemmed | Walter Ruttmann and the cinema of multiplicity Avant-Garde - advertising - modernity Michael Cowan |
| title_short | Walter Ruttmann and the cinema of multiplicity |
| title_sort | walter ruttmann and the cinema of multiplicity avant garde advertising modernity |
| title_sub | Avant-Garde - advertising - modernity |
| topic | Ruttmann, Walter 1887-1941 Criticism and interpretation Ruttmann, Walter 1887-1941 (DE-588)119053500 gnd Experimental films Germany History and criticism Motion picture producers and directors Germany 20th century Film (DE-588)4017102-4 gnd |
| topic_facet | Ruttmann, Walter 1887-1941 Criticism and interpretation Ruttmann, Walter 1887-1941 Experimental films Germany History and criticism Motion picture producers and directors Germany 20th century Film |
| work_keys_str_mv | AT cowanmichaelj walterruttmannandthecinemaofmultiplicityavantgardeadvertisingmodernity |