A philosophy of the screenplay:
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
New York
Routledge
2013
|
| Schriftenreihe: | Routledge studies in contemporary philosophy
49 |
| Schlagwörter: | |
| Links: | https://ebookcentral.proquest.com/lib/zikg/detail.action?docID=1114672 https://ebookcentral.proquest.com/lib/khifiit/detail.action?docID=1114672 |
| Umfang: | xiii, 270 p |
| ISBN: | 9780203069103 |
Internformat
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| 505 | 8 | |a Introduction -- Definition. What is a screenplay? An intentional-historical formalist definition -- Defending the definition: intentionality, history, and artifact concepts -- Art status -- The historical narrative approach to identifying art: exegesis and defense -- From playwriting to screenwriting: the historical narrative -- Ontology. Objections and ontology: (I) is the screenplay an autonomous work of art? -- Instructions and artworks: musical scores, theatrical scripts, architectural plans, and screenplays -- Objections and ontology: (II) is the screenplay literature? -- Towards an ontology of the screenplay -- Appreciation. The appreciation of the screenplay as literature | |
| 650 | 4 | |a Motion picture authorship | |
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Datensatz im Suchindex
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| author | Nannicelli, Ted |
| author_facet | Nannicelli, Ted |
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| contents | Introduction -- Definition. What is a screenplay? An intentional-historical formalist definition -- Defending the definition: intentionality, history, and artifact concepts -- Art status -- The historical narrative approach to identifying art: exegesis and defense -- From playwriting to screenwriting: the historical narrative -- Ontology. Objections and ontology: (I) is the screenplay an autonomous work of art? -- Instructions and artworks: musical scores, theatrical scripts, architectural plans, and screenplays -- Objections and ontology: (II) is the screenplay literature? -- Towards an ontology of the screenplay -- Appreciation. The appreciation of the screenplay as literature |
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| dewey-full | 808.2/3 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 808 - Rhetoric & collections of literature |
| dewey-raw | 808.2/3 |
| dewey-search | 808.2/3 |
| dewey-sort | 3808.2 13 |
| dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
| discipline | Literaturwissenschaft |
| format | Electronic eBook |
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| id | DE-604.BV048668232 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T19:51:32Z |
| institution | BVB |
| isbn | 9780203069103 |
| language | English |
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| physical | xiii, 270 p |
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| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Routledge |
| record_format | marc |
| series2 | Routledge studies in contemporary philosophy |
| spelling | Nannicelli, Ted Verfasser aut A philosophy of the screenplay Ted Nannicelli New York Routledge 2013 xiii, 270 p txt rdacontent c rdamedia cr rdacarrier Routledge studies in contemporary philosophy 49 Introduction -- Definition. What is a screenplay? An intentional-historical formalist definition -- Defending the definition: intentionality, history, and artifact concepts -- Art status -- The historical narrative approach to identifying art: exegesis and defense -- From playwriting to screenwriting: the historical narrative -- Ontology. Objections and ontology: (I) is the screenplay an autonomous work of art? -- Instructions and artworks: musical scores, theatrical scripts, architectural plans, and screenplays -- Objections and ontology: (II) is the screenplay literature? -- Towards an ontology of the screenplay -- Appreciation. The appreciation of the screenplay as literature Motion picture authorship Motion picture plays History and criticism |
| spellingShingle | Nannicelli, Ted A philosophy of the screenplay Introduction -- Definition. What is a screenplay? An intentional-historical formalist definition -- Defending the definition: intentionality, history, and artifact concepts -- Art status -- The historical narrative approach to identifying art: exegesis and defense -- From playwriting to screenwriting: the historical narrative -- Ontology. Objections and ontology: (I) is the screenplay an autonomous work of art? -- Instructions and artworks: musical scores, theatrical scripts, architectural plans, and screenplays -- Objections and ontology: (II) is the screenplay literature? -- Towards an ontology of the screenplay -- Appreciation. The appreciation of the screenplay as literature Motion picture authorship Motion picture plays History and criticism |
| title | A philosophy of the screenplay |
| title_auth | A philosophy of the screenplay |
| title_exact_search | A philosophy of the screenplay |
| title_full | A philosophy of the screenplay Ted Nannicelli |
| title_fullStr | A philosophy of the screenplay Ted Nannicelli |
| title_full_unstemmed | A philosophy of the screenplay Ted Nannicelli |
| title_short | A philosophy of the screenplay |
| title_sort | a philosophy of the screenplay |
| topic | Motion picture authorship Motion picture plays History and criticism |
| topic_facet | Motion picture authorship Motion picture plays History and criticism |
| work_keys_str_mv | AT nannicellited aphilosophyofthescreenplay |