Uncanny cinema: agonies of the viewing experience
Gespeichert in:
Beteilige Person: | |
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Format: | Elektronisch E-Book |
Sprache: | Englisch |
Veröffentlicht: |
New York
Bloomsbury Academic
2023
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Schlagwörter: | |
Links: | https://doi.org/10.5040/9781501398773?locatt=label:secondary_bloomsburyCollections https://doi.org/10.5040/9781501398773?locatt=label:secondary_bloomsburyCollections https://doi.org/10.5040/9781501398773?locatt=label:secondary_bloomsburyCollections https://doi.org/10.5040/9781501398773?locatt=label:secondary_bloomsburyCollections |
Abstract: | "Murray Pomerance's latest book explores an encyclopedic range of films and television shows to demonstrate the difficulty of conveying the experience of viewing cinema through words and the medium of text. From On the Waterfront to Marriage Story, Uncanny Cinema illuminates that words and writing are in perilous waters when applied to cinema, similar to ungestured talk. The book begins with this problem using Julian Jaynes’s thoughts on vocality and imagination before delving into three exploratory ‘movements’ arranged to alternately challenge, inspire, and confound the reader to question if we know what we think we know or even see what we think we see. The viewer is faced with disturbances, ruptures, and surprises that occur during the viewing experience, which Pomerance analyzes to stretch the sense of what we do and do not (or, possibly, cannot) know, particularly as we think, talk, and write about cinema." |
Umfang: | 1 Online-Ressource (xiii, 330 Seiten) Illustrationen |
ISBN: | 9781501398773 9781501398766 9781501398759 |
DOI: | 10.5040/9781501398773 |
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520 | 3 | |a "Murray Pomerance's latest book explores an encyclopedic range of films and television shows to demonstrate the difficulty of conveying the experience of viewing cinema through words and the medium of text. From On the Waterfront to Marriage Story, Uncanny Cinema illuminates that words and writing are in perilous waters when applied to cinema, similar to ungestured talk. The book begins with this problem using Julian Jaynes’s thoughts on vocality and imagination before delving into three exploratory ‘movements’ arranged to alternately challenge, inspire, and confound the reader to question if we know what we think we know or even see what we think we see. The viewer is faced with disturbances, ruptures, and surprises that occur during the viewing experience, which Pomerance analyzes to stretch the sense of what we do and do not (or, possibly, cannot) know, particularly as we think, talk, and write about cinema." | |
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Datensatz im Suchindex
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any_adam_object | |
author | Pomerance, Murray 1946- |
author_GND | (DE-588)131867660 |
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indexdate | 2024-12-20T19:51:03Z |
institution | BVB |
isbn | 9781501398773 9781501398766 9781501398759 |
language | English |
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physical | 1 Online-Ressource (xiii, 330 Seiten) Illustrationen |
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publishDate | 2023 |
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publisher | Bloomsbury Academic |
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spelling | Pomerance, Murray 1946- Verfasser (DE-588)131867660 aut Uncanny cinema agonies of the viewing experience Murray Pomerance New York Bloomsbury Academic 2023 1 Online-Ressource (xiii, 330 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier "Murray Pomerance's latest book explores an encyclopedic range of films and television shows to demonstrate the difficulty of conveying the experience of viewing cinema through words and the medium of text. From On the Waterfront to Marriage Story, Uncanny Cinema illuminates that words and writing are in perilous waters when applied to cinema, similar to ungestured talk. The book begins with this problem using Julian Jaynes’s thoughts on vocality and imagination before delving into three exploratory ‘movements’ arranged to alternately challenge, inspire, and confound the reader to question if we know what we think we know or even see what we think we see. The viewer is faced with disturbances, ruptures, and surprises that occur during the viewing experience, which Pomerance analyzes to stretch the sense of what we do and do not (or, possibly, cannot) know, particularly as we think, talk, and write about cinema." Motion picture audiences / Psychology Television viewers / Psychology Motion pictures / Philosophy Television / Philosophy Erscheint auch als Druck-Ausgabe 978-1-5013-9874-2 https://doi.org/10.5040/9781501398773?locatt=label:secondary_bloomsburyCollections Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Pomerance, Murray 1946- Uncanny cinema agonies of the viewing experience |
title | Uncanny cinema agonies of the viewing experience |
title_auth | Uncanny cinema agonies of the viewing experience |
title_exact_search | Uncanny cinema agonies of the viewing experience |
title_full | Uncanny cinema agonies of the viewing experience Murray Pomerance |
title_fullStr | Uncanny cinema agonies of the viewing experience Murray Pomerance |
title_full_unstemmed | Uncanny cinema agonies of the viewing experience Murray Pomerance |
title_short | Uncanny cinema |
title_sort | uncanny cinema agonies of the viewing experience |
title_sub | agonies of the viewing experience |
url | https://doi.org/10.5040/9781501398773?locatt=label:secondary_bloomsburyCollections |
work_keys_str_mv | AT pomerancemurray uncannycinemaagoniesoftheviewingexperience |