Patterns on Maya’s veil: the distinction between "lifetime" and "posthumous" casts as fetish
Gespeichert in:
Beteilige Person: | |
---|---|
Weitere beteiligte Personen: | |
Format: | Elektronisch Paper |
Sprache: | Englisch |
Veröffentlicht: |
2022
|
Links: | https://doi.org/10.4324/9781003185697-13 https://ebookcentral.proquest.com/lib/zikg/reader.action?docID=6916256#ppg=128 https://doi.org/10.4324/9781003185697 |
Umfang: | Illustrationen |
ISBN: | 978-1-003-18569-7 |
DOI: | 10.4324/9781003185697 |
Internformat
MARC
LEADER | 00000naa a2200000 c 4500 | ||
---|---|---|---|
001 | BV048636980 | ||
003 | DE-604 | ||
005 | 20231004 | ||
007 | cr|uuu---uuuuu | ||
008 | 230109s2022 xx a||| o|||| 00||| eng d | ||
035 | |a (OCoLC)1357532777 | ||
035 | |a (DE-599)BVBBV048636980 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-255 |a DE-Y3 | ||
100 | 1 | |a Hartog, Arie |d 1963- |e Verfasser |0 (DE-588)121176983 |4 aut | |
245 | 1 | 0 | |a Patterns on Maya’s veil |b the distinction between "lifetime" and "posthumous" casts as fetish |c Arie Hartog ; translated from German by Deborah Shannon |
264 | 1 | |c 2022 | |
300 | |b Illustrationen | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
700 | 1 | |a Shannon, Deborah |0 (DE-588)1038541700 |4 trl | |
773 | 1 | 8 | |g pages:105-118 |
773 | 0 | 8 | |t Posthumous art, law and the art market / edited by Sharon Hecker and Peter J. Karol |d New York ; London, 2022 |g Seite 105-118 |k Routledge Research in Art History Ser. |w (DE-604)BV048636547 |z 978-1-003-18569-7 |
856 | 4 | |u https://doi.org/10.4324/9781003185697 |z URL des Erstveröffentlichers | |
912 | |a ebook | ||
940 | 1 | |q KUBA2-EK-ZDB-30-PQE | |
941 | |s 105-118 | ||
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-034011963 | |
966 | e | |u https://doi.org/10.4324/9781003185697-13 |l DE-Y3 |p ZDB-7-TAR |q KHI |x Verlag |3 Volltext | |
966 | e | |u https://ebookcentral.proquest.com/lib/zikg/reader.action?docID=6916256#ppg=128 |l DE-255 |p ZDB-30-PQE |q BZI |x Aggregator |3 Volltext |
Datensatz im Suchindex
_version_ | 1818990217978183680 |
---|---|
any_adam_object | |
article_link | (DE-604)BV048636547 |
author | Hartog, Arie 1963- |
author2 | Shannon, Deborah |
author2_role | trl |
author2_variant | d s ds |
author_GND | (DE-588)121176983 (DE-588)1038541700 |
author_facet | Hartog, Arie 1963- Shannon, Deborah |
author_role | aut |
author_sort | Hartog, Arie 1963- |
author_variant | a h ah |
building | Verbundindex |
bvnumber | BV048636980 |
collection | ebook |
ctrlnum | (OCoLC)1357532777 (DE-599)BVBBV048636980 |
doi_str_mv | 10.4324/9781003185697 |
format | Electronic Article |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01484naa a2200349 c 4500</leader><controlfield tag="001">BV048636980</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20231004 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">230109s2022 xx a||| o|||| 00||| eng d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1357532777</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048636980</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield><subfield code="a">DE-Y3</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Hartog, Arie</subfield><subfield code="d">1963-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)121176983</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Patterns on Maya’s veil</subfield><subfield code="b">the distinction between "lifetime" and "posthumous" casts as fetish</subfield><subfield code="c">Arie Hartog ; translated from German by Deborah Shannon</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2022</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Shannon, Deborah</subfield><subfield code="0">(DE-588)1038541700</subfield><subfield code="4">trl</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">pages:105-118</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">Posthumous art, law and the art market / edited by Sharon Hecker and Peter J. Karol</subfield><subfield code="d">New York ; London, 2022</subfield><subfield code="g">Seite 105-118</subfield><subfield code="k">Routledge Research in Art History Ser.</subfield><subfield code="w">(DE-604)BV048636547</subfield><subfield code="z">978-1-003-18569-7</subfield></datafield><datafield tag="856" ind1="4" ind2=" "><subfield code="u">https://doi.org/10.4324/9781003185697</subfield><subfield code="z">URL des Erstveröffentlichers</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ebook</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">KUBA2-EK-ZDB-30-PQE</subfield></datafield><datafield tag="941" ind1=" " ind2=" "><subfield code="s">105-118</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034011963</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.4324/9781003185697-13</subfield><subfield code="l">DE-Y3</subfield><subfield code="p">ZDB-7-TAR</subfield><subfield code="q">KHI</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://ebookcentral.proquest.com/lib/zikg/reader.action?docID=6916256#ppg=128</subfield><subfield code="l">DE-255</subfield><subfield code="p">ZDB-30-PQE</subfield><subfield code="q">BZI</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV048636980 |
illustrated | Illustrated |
indexdate | 2024-12-20T19:50:52Z |
institution | BVB |
isbn | 978-1-003-18569-7 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034011963 |
oclc_num | 1357532777 |
open_access_boolean | |
owner | DE-255 DE-Y3 |
owner_facet | DE-255 DE-Y3 |
physical | Illustrationen |
psigel | ebook KUBA2-EK-ZDB-30-PQE ZDB-7-TAR KHI ZDB-30-PQE BZI |
publishDate | 2022 |
publishDateSearch | 2022 |
publishDateSort | 2022 |
record_format | marc |
spelling | Hartog, Arie 1963- Verfasser (DE-588)121176983 aut Patterns on Maya’s veil the distinction between "lifetime" and "posthumous" casts as fetish Arie Hartog ; translated from German by Deborah Shannon 2022 Illustrationen txt rdacontent c rdamedia cr rdacarrier Shannon, Deborah (DE-588)1038541700 trl pages:105-118 Posthumous art, law and the art market / edited by Sharon Hecker and Peter J. Karol New York ; London, 2022 Seite 105-118 Routledge Research in Art History Ser. (DE-604)BV048636547 978-1-003-18569-7 https://doi.org/10.4324/9781003185697 URL des Erstveröffentlichers |
spellingShingle | Hartog, Arie 1963- Patterns on Maya’s veil the distinction between "lifetime" and "posthumous" casts as fetish |
title | Patterns on Maya’s veil the distinction between "lifetime" and "posthumous" casts as fetish |
title_auth | Patterns on Maya’s veil the distinction between "lifetime" and "posthumous" casts as fetish |
title_exact_search | Patterns on Maya’s veil the distinction between "lifetime" and "posthumous" casts as fetish |
title_full | Patterns on Maya’s veil the distinction between "lifetime" and "posthumous" casts as fetish Arie Hartog ; translated from German by Deborah Shannon |
title_fullStr | Patterns on Maya’s veil the distinction between "lifetime" and "posthumous" casts as fetish Arie Hartog ; translated from German by Deborah Shannon |
title_full_unstemmed | Patterns on Maya’s veil the distinction between "lifetime" and "posthumous" casts as fetish Arie Hartog ; translated from German by Deborah Shannon |
title_short | Patterns on Maya’s veil |
title_sort | patterns on maya s veil the distinction between lifetime and posthumous casts as fetish |
title_sub | the distinction between "lifetime" and "posthumous" casts as fetish |
url | https://doi.org/10.4324/9781003185697 |
work_keys_str_mv | AT hartogarie patternsonmayasveilthedistinctionbetweenlifetimeandposthumouscastsasfetish AT shannondeborah patternsonmayasveilthedistinctionbetweenlifetimeandposthumouscastsasfetish |