Auf "durchaus rechtmässige Weise aus Frankreich in den Schweizer Kunsthandel gekommen"?: die Pariser Sammlungsankäufe des Kunsthaus Zürich und die Rolle der Zwischenhändler, 1940-1945 = "Arrived in the Swiss art trade from France in a perfectly legitimate way"? : the Paris collection acquisitions of the Kunsthaus Zürich and the role of the intermediaries, 1940-1945
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Paper |
| Sprache: | Deutsch |
| Veröffentlicht: |
[2022]
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| Schlagwörter: | |
| Abstract: | "Arrived in the Swiss art trade from France in a perfectly legitimate way"? - The Paris collection acquisitions of the Kunsthaus Zürich and the role of the intermediaries, 1940-1945 In the years 1940-1945, the Kunsthaus Zürich pursued a restrictive policy of purchasing works from abroad. The small number of purchases was mostly made through individual trusted art dealers active in Switzerland, such as Walter Feilchenfeldt or Fritz Nathan, who previewed the works locally. Thus, art dealers played a central role, and purchasing decisions were made based on their offers and recommendations. Of the approximately 200 paintings and sculptures that entered the Kunsthaus Zürich collection between 1940 and 1945, relatively few came from abroad, and only ten are known to have come from Paris collections or the Paris art trade. In this article the role of the middlemen is traced based on the example of recent findings on the provenance of two Renoir paintings which were acquired by the Kunsthaus in 1943 through the agency of Theodor Fischer, Fritz Nathan, and Charles Montag from Roger Dequoy, the then representative of the Wildenstein Gallery. Today we know that one of the two paintings was once in the collection of the Jewish art collector Marcel Kapferer who deposited it at Galerie Wildenstein in 1939, and the other painting could probably be matched to an entry in the stock book of the Parisian art dealer Raphaël Gérard. This article outlines how the two paintings then entered the collection of the Kunsthaus Zürich, why so many intermediaries were involved and how they also related to each other. |
| Umfang: | Illustrationen |
| ISBN: | 978-3-11-073760-8 |
Internformat
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| 245 | 1 | 0 | |a Auf "durchaus rechtmässige Weise aus Frankreich in den Schweizer Kunsthandel gekommen"? |b die Pariser Sammlungsankäufe des Kunsthaus Zürich und die Rolle der Zwischenhändler, 1940-1945 = "Arrived in the Swiss art trade from France in a perfectly legitimate way"? : the Paris collection acquisitions of the Kunsthaus Zürich and the role of the intermediaries, 1940-1945 |c Joachim Sieber |
| 246 | 1 | 1 | |a "Arrived in the Swiss art trade from France in a perfectly legitimate way"? |
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| 520 | 3 | |a "Arrived in the Swiss art trade from France in a perfectly legitimate way"? - The Paris collection acquisitions of the Kunsthaus Zürich and the role of the intermediaries, 1940-1945 In the years 1940-1945, the Kunsthaus Zürich pursued a restrictive policy of purchasing works from abroad. The small number of purchases was mostly made through individual trusted art dealers active in Switzerland, such as Walter Feilchenfeldt or Fritz Nathan, who previewed the works locally. Thus, art dealers played a central role, and purchasing decisions were made based on their offers and recommendations. Of the approximately 200 paintings and sculptures that entered the Kunsthaus Zürich collection between 1940 and 1945, relatively few came from abroad, and only ten are known to have come from Paris collections or the Paris art trade. In this article the role of the middlemen is traced based on the example of recent findings on the provenance of two Renoir paintings which were acquired by the Kunsthaus in 1943 through the agency of Theodor Fischer, Fritz Nathan, and Charles Montag from Roger Dequoy, the then representative of the Wildenstein Gallery. Today we know that one of the two paintings was once in the collection of the Jewish art collector Marcel Kapferer who deposited it at Galerie Wildenstein in 1939, and the other painting could probably be matched to an entry in the stock book of the Parisian art dealer Raphaël Gérard. This article outlines how the two paintings then entered the collection of the Kunsthaus Zürich, why so many intermediaries were involved and how they also related to each other. | |
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Datensatz im Suchindex
| _version_ | 1818990216934850560 |
|---|---|
| any_adam_object | |
| article_link | (DE-604)BV048532390 |
| author | Sieber, Joachim 1985- |
| author_GND | (DE-588)1043568026 |
| author_facet | Sieber, Joachim 1985- |
| author_role | aut |
| author_sort | Sieber, Joachim 1985- |
| author_variant | j s js |
| building | Verbundindex |
| bvnumber | BV048636302 |
| ctrlnum | (OCoLC)1357534193 (DE-599)BVBBV048636302 |
| era | Geschichte 1940-1945 gnd |
| era_facet | Geschichte 1940-1945 |
| format | Article |
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| institution | BVB |
| isbn | 978-3-11-073760-8 |
| language | German |
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| spelling | Sieber, Joachim 1985- Verfasser (DE-588)1043568026 aut Auf "durchaus rechtmässige Weise aus Frankreich in den Schweizer Kunsthandel gekommen"? die Pariser Sammlungsankäufe des Kunsthaus Zürich und die Rolle der Zwischenhändler, 1940-1945 = "Arrived in the Swiss art trade from France in a perfectly legitimate way"? : the Paris collection acquisitions of the Kunsthaus Zürich and the role of the intermediaries, 1940-1945 Joachim Sieber "Arrived in the Swiss art trade from France in a perfectly legitimate way"? [2022] Illustrationen txt rdacontent n rdamedia nc rdacarrier "Arrived in the Swiss art trade from France in a perfectly legitimate way"? - The Paris collection acquisitions of the Kunsthaus Zürich and the role of the intermediaries, 1940-1945 In the years 1940-1945, the Kunsthaus Zürich pursued a restrictive policy of purchasing works from abroad. The small number of purchases was mostly made through individual trusted art dealers active in Switzerland, such as Walter Feilchenfeldt or Fritz Nathan, who previewed the works locally. Thus, art dealers played a central role, and purchasing decisions were made based on their offers and recommendations. Of the approximately 200 paintings and sculptures that entered the Kunsthaus Zürich collection between 1940 and 1945, relatively few came from abroad, and only ten are known to have come from Paris collections or the Paris art trade. In this article the role of the middlemen is traced based on the example of recent findings on the provenance of two Renoir paintings which were acquired by the Kunsthaus in 1943 through the agency of Theodor Fischer, Fritz Nathan, and Charles Montag from Roger Dequoy, the then representative of the Wildenstein Gallery. Today we know that one of the two paintings was once in the collection of the Jewish art collector Marcel Kapferer who deposited it at Galerie Wildenstein in 1939, and the other painting could probably be matched to an entry in the stock book of the Parisian art dealer Raphaël Gérard. This article outlines how the two paintings then entered the collection of the Kunsthaus Zürich, why so many intermediaries were involved and how they also related to each other. Zusammenfassung in englischer Sprache Fischer, Theodor 1878-1957 (DE-588)1020734787 gnd rswk-swf Montag, Carl 1880-1956 (DE-588)1020052600 gnd rswk-swf Nathan, Fritz 1895-1972 (DE-588)116884916 gnd rswk-swf Feilchenfeldt, Walter 1894-1953 (DE-588)131409085 gnd rswk-swf Kunsthaus Zürich (DE-588)2016862-7 gnd rswk-swf Geschichte 1940-1945 gnd rswk-swf Kunsthandel (DE-588)4033647-5 gnd rswk-swf Erwerbung (DE-588)4015451-8 gnd rswk-swf Frankreich (DE-588)4018145-5 gnd rswk-swf Kunsthaus Zürich (DE-588)2016862-7 b Erwerbung (DE-588)4015451-8 s Frankreich (DE-588)4018145-5 g Kunsthandel (DE-588)4033647-5 s Geschichte 1940-1945 z DE-604 Feilchenfeldt, Walter 1894-1953 (DE-588)131409085 p Nathan, Fritz 1895-1972 (DE-588)116884916 p Montag, Carl 1880-1956 (DE-588)1020052600 p Fischer, Theodor 1878-1957 (DE-588)1020734787 p pages:185-201 Kunst und Profit / Elisabeth Furtwängler, Mattes Lammert (Hrsg.) Berlin ; Boston, [2022] Seite 185-201 (DE-604)BV048532390 978-3-11-073760-8 |
| spellingShingle | Sieber, Joachim 1985- Auf "durchaus rechtmässige Weise aus Frankreich in den Schweizer Kunsthandel gekommen"? die Pariser Sammlungsankäufe des Kunsthaus Zürich und die Rolle der Zwischenhändler, 1940-1945 = "Arrived in the Swiss art trade from France in a perfectly legitimate way"? : the Paris collection acquisitions of the Kunsthaus Zürich and the role of the intermediaries, 1940-1945 Fischer, Theodor 1878-1957 (DE-588)1020734787 gnd Montag, Carl 1880-1956 (DE-588)1020052600 gnd Nathan, Fritz 1895-1972 (DE-588)116884916 gnd Feilchenfeldt, Walter 1894-1953 (DE-588)131409085 gnd Kunsthaus Zürich (DE-588)2016862-7 gnd Kunsthandel (DE-588)4033647-5 gnd Erwerbung (DE-588)4015451-8 gnd |
| subject_GND | (DE-588)1020734787 (DE-588)1020052600 (DE-588)116884916 (DE-588)131409085 (DE-588)2016862-7 (DE-588)4033647-5 (DE-588)4015451-8 (DE-588)4018145-5 |
| title | Auf "durchaus rechtmässige Weise aus Frankreich in den Schweizer Kunsthandel gekommen"? die Pariser Sammlungsankäufe des Kunsthaus Zürich und die Rolle der Zwischenhändler, 1940-1945 = "Arrived in the Swiss art trade from France in a perfectly legitimate way"? : the Paris collection acquisitions of the Kunsthaus Zürich and the role of the intermediaries, 1940-1945 |
| title_alt | "Arrived in the Swiss art trade from France in a perfectly legitimate way"? |
| title_auth | Auf "durchaus rechtmässige Weise aus Frankreich in den Schweizer Kunsthandel gekommen"? die Pariser Sammlungsankäufe des Kunsthaus Zürich und die Rolle der Zwischenhändler, 1940-1945 = "Arrived in the Swiss art trade from France in a perfectly legitimate way"? : the Paris collection acquisitions of the Kunsthaus Zürich and the role of the intermediaries, 1940-1945 |
| title_exact_search | Auf "durchaus rechtmässige Weise aus Frankreich in den Schweizer Kunsthandel gekommen"? die Pariser Sammlungsankäufe des Kunsthaus Zürich und die Rolle der Zwischenhändler, 1940-1945 = "Arrived in the Swiss art trade from France in a perfectly legitimate way"? : the Paris collection acquisitions of the Kunsthaus Zürich and the role of the intermediaries, 1940-1945 |
| title_full | Auf "durchaus rechtmässige Weise aus Frankreich in den Schweizer Kunsthandel gekommen"? die Pariser Sammlungsankäufe des Kunsthaus Zürich und die Rolle der Zwischenhändler, 1940-1945 = "Arrived in the Swiss art trade from France in a perfectly legitimate way"? : the Paris collection acquisitions of the Kunsthaus Zürich and the role of the intermediaries, 1940-1945 Joachim Sieber |
| title_fullStr | Auf "durchaus rechtmässige Weise aus Frankreich in den Schweizer Kunsthandel gekommen"? die Pariser Sammlungsankäufe des Kunsthaus Zürich und die Rolle der Zwischenhändler, 1940-1945 = "Arrived in the Swiss art trade from France in a perfectly legitimate way"? : the Paris collection acquisitions of the Kunsthaus Zürich and the role of the intermediaries, 1940-1945 Joachim Sieber |
| title_full_unstemmed | Auf "durchaus rechtmässige Weise aus Frankreich in den Schweizer Kunsthandel gekommen"? die Pariser Sammlungsankäufe des Kunsthaus Zürich und die Rolle der Zwischenhändler, 1940-1945 = "Arrived in the Swiss art trade from France in a perfectly legitimate way"? : the Paris collection acquisitions of the Kunsthaus Zürich and the role of the intermediaries, 1940-1945 Joachim Sieber |
| title_short | Auf "durchaus rechtmässige Weise aus Frankreich in den Schweizer Kunsthandel gekommen"? |
| title_sort | auf durchaus rechtmassige weise aus frankreich in den schweizer kunsthandel gekommen die pariser sammlungsankaufe des kunsthaus zurich und die rolle der zwischenhandler 1940 1945 arrived in the swiss art trade from france in a perfectly legitimate way the paris collection acquisitions of the kunsthaus zurich and the role of the intermediaries 1940 1945 |
| title_sub | die Pariser Sammlungsankäufe des Kunsthaus Zürich und die Rolle der Zwischenhändler, 1940-1945 = "Arrived in the Swiss art trade from France in a perfectly legitimate way"? : the Paris collection acquisitions of the Kunsthaus Zürich and the role of the intermediaries, 1940-1945 |
| topic | Fischer, Theodor 1878-1957 (DE-588)1020734787 gnd Montag, Carl 1880-1956 (DE-588)1020052600 gnd Nathan, Fritz 1895-1972 (DE-588)116884916 gnd Feilchenfeldt, Walter 1894-1953 (DE-588)131409085 gnd Kunsthaus Zürich (DE-588)2016862-7 gnd Kunsthandel (DE-588)4033647-5 gnd Erwerbung (DE-588)4015451-8 gnd |
| topic_facet | Fischer, Theodor 1878-1957 Montag, Carl 1880-1956 Nathan, Fritz 1895-1972 Feilchenfeldt, Walter 1894-1953 Kunsthaus Zürich Kunsthandel Erwerbung Frankreich |
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