Live visuals: history, theory, practice
Gespeichert in:
| Weitere beteiligte Personen: | , , , |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2023
|
| Schriftenreihe: | Routledge advances in theatre & performance studies
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033920500&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Abstract: | "This volume surveys the key histories, theories and practice of artists, musicians, filmmakers, designers, architects, and technologists that have worked and continue to work with visual material in real-time. Covering a wide historical period from Pythagoras' mathematics of music and colour in ancient Greece, to Castel's ocular harpsichord in the 18th Century, to the visual music of the mid-20th Century, to the liquid light shows of the 1960s, and finally to the virtual reality and projection mapping of present moment, Live Visuals is both an over-arching history of real-time visuals and audio-visual art, and also a crucial source for understanding the various theories about audio-visual synchronization. With the inclusion of an overview of various forms of contemporary practice in Live Visuals culture - from VJing, immersive environments, architecture to design - Live Visuals also presents the key ideas of practitioners who work with the visual in a live context. This book will appeal a wide range of scholars, students, artists, designers, and enthusiasts. It will particularly interest VJs, DJs, electronic musicians, filmmakers, interaction designers, and technologists." |
| Umfang: | xiv, 457 Seiten Illustrationen |
| ISBN: | 9781032252681 9781032252612 |
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| 520 | 3 | |a "This volume surveys the key histories, theories and practice of artists, musicians, filmmakers, designers, architects, and technologists that have worked and continue to work with visual material in real-time. Covering a wide historical period from Pythagoras' mathematics of music and colour in ancient Greece, to Castel's ocular harpsichord in the 18th Century, to the visual music of the mid-20th Century, to the liquid light shows of the 1960s, and finally to the virtual reality and projection mapping of present moment, Live Visuals is both an over-arching history of real-time visuals and audio-visual art, and also a crucial source for understanding the various theories about audio-visual synchronization. With the inclusion of an overview of various forms of contemporary practice in Live Visuals culture - from VJing, immersive environments, architecture to design - Live Visuals also presents the key ideas of practitioners who work with the visual in a live context. This book will appeal a wide range of scholars, students, artists, designers, and enthusiasts. It will particularly interest VJs, DJs, electronic musicians, filmmakers, interaction designers, and technologists." | |
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Datensatz im Suchindex
| _version_ | 1819244676290445312 |
|---|---|
| adam_text | CONTENTS List of Contributors Acknowledgements X xii Introduction: The Long History of Moving Images Becoming Alive Steve Gibson 1 PARTI The History of Live Visuals 7 1 Inventing Instruments: Colour-Tone Correspondence to Colour-Music Performance (Pre-1900) Maura McDonnell 9 2 Moving Towards the Performed Image (Colour Organs, Synesthesia and Visual Music): Early Modernism (1900—1955) Steve Gibson 41 3 Liquid Visuals: Late Modernism and Analogue Live Visuals (1950-1985) Steve Gibson 62 4 Scratch Video and Rave: The Rise of the Live Visuals Performer (1985—2000) Léon McCarthy and Steve Gibson 89
viii Contents 5 The Post-Conceptual Digital Era (2000—Present) Paul Goodfellow and Steve Gibson 109 PART II 133 The Theory of Live Visuals 6 Cross-Modal Theories of Sound and Image Joseph Hyde 135 7 Live Visuals in Theory and Art Paul Goodfellow 164 8 Live Visuals: Technology and Aesthetics Léon McCarthy 194 9 AVUIs: Audio-Visual User Interfaces: Working With Users to Create Performance Technologies Nuno N. Correia and A tau Tanaka 10 A Parametric Model for Audio-Visual Instrument Design, Composition and Performance Adriana Sá and Atau Tanaka 11 Presence and Live Visual Performance Donna Leishman 208 240 267 PART III The Practice of Live Visuals 287 12 VJing, Live Audio-Visuals and Live Cinema Steve Gibson and Stefan Arisona 289 13 Immersive Environments and Live Visuals Steve Gibson 308 14 Architectural Projections: Changing the Perception of Architecture With Light Simon Schubiger, Stefan Arisona, Lukas Treyer and Gerhard Schmitt 15 Design and Live Visuals Donna Leishman 335 352
Contents ix PART IV Interviews With Key Practitioners 375 16 Interview 1: Tony Hill, Expanded Cinema Pioneer Steve Gibson 377 17 Interview 2: Christopher Thomas Allen, Founder and Director, The Light Surgeons Steve Gibson 392 18 Interview 3: Greg Hermanovic, CEO, Derivative Steve Gibson 19 Interview 4: Markus Heckmann, Technical Director, Derivative; Programmer for Carsten Nicolai and Others Steve Gibson 20 Interview 5: Peter Mettler, Digital and Live Cinema Artist Steve Gibson Afterword Steve Gibson Index 407 422 437 450 453
|
| any_adam_object | 1 |
| author2 | Gibson, Steve Arisona, Stefan Leishman, Donna Tanaka, Atau ca. 20./21.Jh |
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| author_facet | Gibson, Steve Arisona, Stefan Leishman, Donna Tanaka, Atau ca. 20./21.Jh |
| building | Verbundindex |
| bvnumber | BV048544001 |
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| discipline | Kunstgeschichte |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
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| illustrated | Illustrated |
| indexdate | 2024-12-20T19:48:04Z |
| institution | BVB |
| isbn | 9781032252681 9781032252612 |
| language | English |
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| physical | xiv, 457 Seiten Illustrationen |
| psigel | BSB_NED_20230120 |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Routledge, Taylor & Francis Group |
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| series2 | Routledge advances in theatre & performance studies |
| spellingShingle | Live visuals history, theory, practice Lichtkunst (DE-588)4120673-3 gnd Musik (DE-588)4040802-4 gnd Live-Auftritt (DE-588)4570116-7 gnd Interaktive Kunst (DE-588)4557518-6 gnd Performance Künste (DE-588)4173750-7 gnd Visualisierung (DE-588)4188417-6 gnd |
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| title | Live visuals history, theory, practice |
| title_auth | Live visuals history, theory, practice |
| title_exact_search | Live visuals history, theory, practice |
| title_full | Live visuals history, theory, practice edited by Steve Gibson, Stefan Arisona, Donna Leishman and Atau Tanaka |
| title_fullStr | Live visuals history, theory, practice edited by Steve Gibson, Stefan Arisona, Donna Leishman and Atau Tanaka |
| title_full_unstemmed | Live visuals history, theory, practice edited by Steve Gibson, Stefan Arisona, Donna Leishman and Atau Tanaka |
| title_short | Live visuals |
| title_sort | live visuals history theory practice |
| title_sub | history, theory, practice |
| topic | Lichtkunst (DE-588)4120673-3 gnd Musik (DE-588)4040802-4 gnd Live-Auftritt (DE-588)4570116-7 gnd Interaktive Kunst (DE-588)4557518-6 gnd Performance Künste (DE-588)4173750-7 gnd Visualisierung (DE-588)4188417-6 gnd |
| topic_facet | Lichtkunst Musik Live-Auftritt Interaktive Kunst Performance Künste Visualisierung Aufsatzsammlung |
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