Designing Russian cinema: the production artist and the material environment in silent era film
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
London ; New York
Bloomsbury Academic
2022
|
| Schriftenreihe: | KINO - the Russian and Soviet cinema
|
| Schlagwörter: | |
| Links: | https://doi.org/10.5040/9781350246393?locatt=label:secondary_bloomsburyCollections https://doi.org/10.5040/9781350246393?locatt=label:secondary_bloomsburyCollections https://doi.org/10.5040/9781350246393?locatt=label:secondary_bloomsburyCollections https://doi.org/10.5040/9781350246393?locatt=label:secondary_bloomsburyCollections |
| Abstract: | "This book highlights the significant role that production artists played when Russian cinema was still in its infancy. It uncovers Russian cinema's connections with other art forms, examining how production artists drew on both aesthetic traditions and modernist experiments in architecture, painting and theatre as they explored the new medium of cinema and its potential to engender new models of perception and forms of audience engagement. Drawing on set design sketches, archival documents and film-makers' memoirs, Eleanor Rees reveals how less-canonical films such as Behind the Screen (Kulisy ekrana, 1919) and Palace and Fortress (Dvorets i krepost, 1923), were remarkable from a design perspective, and also provides new readings of well-known films, such as Children of the Age (Deti veka, 1915) and Strike (Stachka, 1925). Rees brings to light information on significant but understudied figures such as Vladimir Egorov and Sergei Kozlovskii, and highlights the involvement of well-known figures such as Lev Kuleshov and Aleksandr Rodchenko. Unlike the majority of late Imperial directors and camera operators, many early-Russian production artists continued to work in cinema in the Soviet era and to draw on practices forged before the 1917 Revolution. In spanning the entire silent era, this book highlights the often overlooked continuities between the late-Imperial and early-Soviet periods of cinema, thus questioning traditional historical periodisations." |
| Umfang: | 1 Online-Ressource (xiv, 260 Seiten) |
| ISBN: | 9781350246393 9781350246379 9781350246386 |
| DOI: | 10.5040/9781350246393 |
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| 520 | 3 | |a "This book highlights the significant role that production artists played when Russian cinema was still in its infancy. It uncovers Russian cinema's connections with other art forms, examining how production artists drew on both aesthetic traditions and modernist experiments in architecture, painting and theatre as they explored the new medium of cinema and its potential to engender new models of perception and forms of audience engagement. Drawing on set design sketches, archival documents and film-makers' memoirs, Eleanor Rees reveals how less-canonical films such as Behind the Screen (Kulisy ekrana, 1919) and Palace and Fortress (Dvorets i krepost, 1923), were remarkable from a design perspective, and also provides new readings of well-known films, such as Children of the Age (Deti veka, 1915) and Strike (Stachka, 1925). Rees brings to light information on significant but understudied figures such as Vladimir Egorov and Sergei Kozlovskii, and highlights the involvement of well-known figures such as Lev Kuleshov and Aleksandr Rodchenko. Unlike the majority of late Imperial directors and camera operators, many early-Russian production artists continued to work in cinema in the Soviet era and to draw on practices forged before the 1917 Revolution. In spanning the entire silent era, this book highlights the often overlooked continuities between the late-Imperial and early-Soviet periods of cinema, thus questioning traditional historical periodisations." | |
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Datensatz im Suchindex
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| format | Electronic eBook |
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| id | DE-604.BV048536399 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T19:47:50Z |
| institution | BVB |
| isbn | 9781350246393 9781350246379 9781350246386 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033913008 |
| oclc_num | 1349539932 |
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| physical | 1 Online-Ressource (xiv, 260 Seiten) |
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| publishDate | 2022 |
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| publisher | Bloomsbury Academic |
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| series2 | KINO - the Russian and Soviet cinema |
| spelling | Rees, Eleanor Verfasser (DE-588)1247662500 aut Designing Russian cinema the production artist and the material environment in silent era film Eleanor Rees London ; New York Bloomsbury Academic 2022 1 Online-Ressource (xiv, 260 Seiten) txt rdacontent c rdamedia cr rdacarrier KINO - the Russian and Soviet cinema "This book highlights the significant role that production artists played when Russian cinema was still in its infancy. It uncovers Russian cinema's connections with other art forms, examining how production artists drew on both aesthetic traditions and modernist experiments in architecture, painting and theatre as they explored the new medium of cinema and its potential to engender new models of perception and forms of audience engagement. Drawing on set design sketches, archival documents and film-makers' memoirs, Eleanor Rees reveals how less-canonical films such as Behind the Screen (Kulisy ekrana, 1919) and Palace and Fortress (Dvorets i krepost, 1923), were remarkable from a design perspective, and also provides new readings of well-known films, such as Children of the Age (Deti veka, 1915) and Strike (Stachka, 1925). Rees brings to light information on significant but understudied figures such as Vladimir Egorov and Sergei Kozlovskii, and highlights the involvement of well-known figures such as Lev Kuleshov and Aleksandr Rodchenko. Unlike the majority of late Imperial directors and camera operators, many early-Russian production artists continued to work in cinema in the Soviet era and to draw on practices forged before the 1917 Revolution. In spanning the entire silent era, this book highlights the often overlooked continuities between the late-Imperial and early-Soviet periods of cinema, thus questioning traditional historical periodisations." Motion pictures / Russia Motion picture producers and directors / Russia Erscheint auch als Druck-Ausgabe, Festeinband 978-1-350-24636-2 Erscheint auch als Druck-Ausgabe, Broschur 978-1-350-24635-5 https://doi.org/10.5040/9781350246393?locatt=label:secondary_bloomsburyCollections Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Rees, Eleanor Designing Russian cinema the production artist and the material environment in silent era film |
| title | Designing Russian cinema the production artist and the material environment in silent era film |
| title_auth | Designing Russian cinema the production artist and the material environment in silent era film |
| title_exact_search | Designing Russian cinema the production artist and the material environment in silent era film |
| title_full | Designing Russian cinema the production artist and the material environment in silent era film Eleanor Rees |
| title_fullStr | Designing Russian cinema the production artist and the material environment in silent era film Eleanor Rees |
| title_full_unstemmed | Designing Russian cinema the production artist and the material environment in silent era film Eleanor Rees |
| title_short | Designing Russian cinema |
| title_sort | designing russian cinema the production artist and the material environment in silent era film |
| title_sub | the production artist and the material environment in silent era film |
| url | https://doi.org/10.5040/9781350246393?locatt=label:secondary_bloomsburyCollections |
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