Conflict in my outlook:
Gespeichert in:
| Weitere beteiligte Personen: | , , |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
[Brisbane]
The University of Queensland Art Museum
2022
Melbourne, Australia Perimeter Editions |
| Ausgabe: | First edition |
| Schriftenreihe: | Perimeter editions
075 |
| Schlagwörter: | |
| Abstract: | We live in a hyper-mediated world. We are drowning in an ocean of images and information. Data is the new oil. Conflict in My Outlook brings together contemporary artworks and new texts that shed light on human experience in an era of ubiquitous networked technologies. From digital intimacies and the weaponisation of social media to invisible power structures, clickwork and the "gig" economy, contributors argue for a better future in the context of algorithmic racism, machine learning, and the new colonial frontiers of surveillance capitalism. Conflict in My Outlook takes a unique approach by focusing on contemporary art as a means to explore the techno-politics that define our age. Platforms such as Instagram and TikTok depend on us turning our lives into flows of images, while notoriously harvesting our data. This abundance of information is inextricably entwined with invisible power structures. It is precisely because of the invisibility of such technologies that images as carriers of meaning matter more than ever before. Co-published by Perimeter Editions (Melbourne) and The University of Queensland Art Museum. Exhibition: The University of Queensland Art Museum, St Lucia, Australia (30.07.2021-22.01.2022) |
| Beschreibung: | Impressum: Published in 2022 by the University of Queensland (UQ) Art Museum, and Perimeter Editions, Melbourne, Australia, on the occasion of "Conflict in My Outlook", a two-part exhibition series including "We met Online", 21 August 2020-1 March 2022 (online), and "Don't Be Evil", 30 July 2021-22 January 2022, at UQ Art Museum. - Exhibition curator: Anna Briers First edition of 700 |
| Umfang: | 136 Seiten Illustrationen |
| ISBN: | 9781922545091 1922545090 |
Internformat
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| 500 | |a First edition of 700 | ||
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Datensatz im Suchindex
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| author2_role | edt edt edt |
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| spelling | Conflict in my outlook edited by Anna Briers, Nicholas Carah & Holly Arden We met online Don't be evil First edition [Brisbane] The University of Queensland Art Museum 2022 Melbourne, Australia Perimeter Editions 136 Seiten Illustrationen txt rdacontent sti rdacontent n rdamedia nc rdacarrier Perimeter editions 075 Impressum: Published in 2022 by the University of Queensland (UQ) Art Museum, and Perimeter Editions, Melbourne, Australia, on the occasion of "Conflict in My Outlook", a two-part exhibition series including "We met Online", 21 August 2020-1 March 2022 (online), and "Don't Be Evil", 30 July 2021-22 January 2022, at UQ Art Museum. - Exhibition curator: Anna Briers First edition of 700 We live in a hyper-mediated world. We are drowning in an ocean of images and information. Data is the new oil. Conflict in My Outlook brings together contemporary artworks and new texts that shed light on human experience in an era of ubiquitous networked technologies. From digital intimacies and the weaponisation of social media to invisible power structures, clickwork and the "gig" economy, contributors argue for a better future in the context of algorithmic racism, machine learning, and the new colonial frontiers of surveillance capitalism. Conflict in My Outlook takes a unique approach by focusing on contemporary art as a means to explore the techno-politics that define our age. Platforms such as Instagram and TikTok depend on us turning our lives into flows of images, while notoriously harvesting our data. This abundance of information is inextricably entwined with invisible power structures. It is precisely because of the invisibility of such technologies that images as carriers of meaning matter more than ever before. Co-published by Perimeter Editions (Melbourne) and The University of Queensland Art Museum. Exhibition: The University of Queensland Art Museum, St Lucia, Australia (30.07.2021-22.01.2022) Geschichte 2000-2022 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Digitalisierung (DE-588)4123065-6 gnd rswk-swf Technik (DE-588)4059205-4 gnd rswk-swf Gesellschaft (DE-588)4020588-5 gnd rswk-swf (DE-588)4135467-9 Ausstellungskatalog 21.08.2020-01.03.2022 Online gnd-content (DE-588)4135467-9 Ausstellungskatalog University Art Museum 30.07.2021-22.01.2022 Brisbane gnd-content Kunst (DE-588)4114333-4 s Technik (DE-588)4059205-4 s Digitalisierung (DE-588)4123065-6 s Gesellschaft (DE-588)4020588-5 s Geschichte 2000-2022 z DE-604 Briers, Anna edt Carah, Nicholas (DE-588)1130280837 edt Arden, Holly edt University Art Museum (Brisbane) (DE-588)10141791-3 his Perimeter editions 075 (DE-604)BV044039710 75 |
| spellingShingle | Conflict in my outlook Perimeter editions Kunst (DE-588)4114333-4 gnd Digitalisierung (DE-588)4123065-6 gnd Technik (DE-588)4059205-4 gnd Gesellschaft (DE-588)4020588-5 gnd |
| subject_GND | (DE-588)4114333-4 (DE-588)4123065-6 (DE-588)4059205-4 (DE-588)4020588-5 (DE-588)4135467-9 |
| title | Conflict in my outlook |
| title_alt | We met online Don't be evil |
| title_auth | Conflict in my outlook |
| title_exact_search | Conflict in my outlook |
| title_full | Conflict in my outlook edited by Anna Briers, Nicholas Carah & Holly Arden |
| title_fullStr | Conflict in my outlook edited by Anna Briers, Nicholas Carah & Holly Arden |
| title_full_unstemmed | Conflict in my outlook edited by Anna Briers, Nicholas Carah & Holly Arden |
| title_short | Conflict in my outlook |
| title_sort | conflict in my outlook |
| topic | Kunst (DE-588)4114333-4 gnd Digitalisierung (DE-588)4123065-6 gnd Technik (DE-588)4059205-4 gnd Gesellschaft (DE-588)4020588-5 gnd |
| topic_facet | Kunst Digitalisierung Technik Gesellschaft Ausstellungskatalog 21.08.2020-01.03.2022 Online Ausstellungskatalog University Art Museum 30.07.2021-22.01.2022 Brisbane |
| volume_link | (DE-604)BV044039710 |
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