The terrorist image: decoding the Islamic State's photo-propaganda
Gespeichert in:
Beteilige Person: | |
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Format: | Buch |
Sprache: | Englisch |
Veröffentlicht: |
London
Hurst & Company
2022
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Schlagwörter: | |
Links: | https://swbplus.bsz-bw.de/bsz1800516789inh.htm https://swbplus.bsz-bw.de/bsz1800516789kla.htm |
Abstract: | The summer of 2014–when the Islamic State seized Mosul, Iraq’s second city; captured vast swathes of eastern Syria; and declared itself a latter-day Caliphate–marked a turning point in the history of photography, one that pushed its already contested relationship with reality to its very limits. Uniquely obsessed with narrative, image management and branding, the Islamic State used cameras as weapons in its formative years as a Caliphate. The tens of thousands of propaganda photographs captured during this time were used to denote policy, to navigate through defeat and, perhaps most importantly, to construct an impossible reality: a totalising image-world of Salafi-Jihadist symbols and myths. Based on a deep examination of the 20,000 photographs Charlie Winter collected from the Islamic State’s covert networks online in 2017, this book explores the process by which the Caliphate shook the foundations of modern war photography. Focusing on the period in which it was at its strongest, Winter identifies the implicit value systems that underpinned the Caliphate’s ideological appeal, and evaluates its uniquely malign contribution to the history of the photographic image. The Terrorist Image travels to the heart of what made the Islamic State tick during its prime, providing unique insights into its global appeal and mobilisation successes. |
Beschreibung: | Literaturhinweise, Register |
Umfang: | xviii, 259 Seiten Diagramme, Fotografien 24 cm |
ISBN: | 9781787385672 |
Internformat
MARC
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520 | 3 | |a The summer of 2014–when the Islamic State seized Mosul, Iraq’s second city; captured vast swathes of eastern Syria; and declared itself a latter-day Caliphate–marked a turning point in the history of photography, one that pushed its already contested relationship with reality to its very limits. Uniquely obsessed with narrative, image management and branding, the Islamic State used cameras as weapons in its formative years as a Caliphate. The tens of thousands of propaganda photographs captured during this time were used to denote policy, to navigate through defeat and, perhaps most importantly, to construct an impossible reality: a totalising image-world of Salafi-Jihadist symbols and myths. Based on a deep examination of the 20,000 photographs Charlie Winter collected from the Islamic State’s covert networks online in 2017, this book explores the process by which the Caliphate shook the foundations of modern war photography. Focusing on the period in which it was at its strongest, Winter identifies the implicit value systems that underpinned the Caliphate’s ideological appeal, and evaluates its uniquely malign contribution to the history of the photographic image. The Terrorist Image travels to the heart of what made the Islamic State tick during its prime, providing unique insights into its global appeal and mobilisation successes. | |
583 | 1 | |a Archivierung/Langzeitarchivierung gewährleistet |f FID |2 pdager |5 DE-21 | |
653 | 2 | |a IS (Organization) | |
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856 | 4 | 2 | |m B:DE-21 |m V:DE-576 |u https://swbplus.bsz-bw.de/bsz1800516789kla.htm |v 20220704093729 |3 Klappentext |
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-033843329 |
Datensatz im Suchindex
_version_ | 1818989898026188800 |
---|---|
any_adam_object | |
author | Winter, Charlie |
author_GND | (DE-588)1161475966 |
author_facet | Winter, Charlie |
author_role | aut |
author_sort | Winter, Charlie |
author_variant | c w cw |
building | Verbundindex |
bvnumber | BV048465406 |
classification_rvk | AP 95240 MD 8920 |
ctrlnum | (OCoLC)1315539748 (DE-599)KXP1800516789 |
dewey-full | 770.95691 |
dewey-hundreds | 700 - The arts |
dewey-ones | 770 - Photography, computer art, cinematography |
dewey-raw | 770.95691 |
dewey-search | 770.95691 |
dewey-sort | 3770.95691 |
dewey-tens | 770 - Photography, computer art, cinematography |
discipline | Kunstgeschichte Allgemeines Politologie |
format | Book |
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id | DE-604.BV048465406 |
illustrated | Illustrated |
indexdate | 2024-12-20T19:45:47Z |
institution | BVB |
isbn | 9781787385672 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033843329 |
oclc_num | 1315539748 |
open_access_boolean | |
owner | DE-188 |
owner_facet | DE-188 |
physical | xviii, 259 Seiten Diagramme, Fotografien 24 cm |
publishDate | 2022 |
publishDateSearch | 2022 |
publishDateSort | 2022 |
publisher | Hurst & Company |
record_format | marc |
spelling | Winter, Charlie Verfasser (DE-588)1161475966 aut The terrorist image decoding the Islamic State's photo-propaganda Charlie Winter London Hurst & Company 2022 xviii, 259 Seiten Diagramme, Fotografien 24 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Literaturhinweise, Register The summer of 2014–when the Islamic State seized Mosul, Iraq’s second city; captured vast swathes of eastern Syria; and declared itself a latter-day Caliphate–marked a turning point in the history of photography, one that pushed its already contested relationship with reality to its very limits. Uniquely obsessed with narrative, image management and branding, the Islamic State used cameras as weapons in its formative years as a Caliphate. The tens of thousands of propaganda photographs captured during this time were used to denote policy, to navigate through defeat and, perhaps most importantly, to construct an impossible reality: a totalising image-world of Salafi-Jihadist symbols and myths. Based on a deep examination of the 20,000 photographs Charlie Winter collected from the Islamic State’s covert networks online in 2017, this book explores the process by which the Caliphate shook the foundations of modern war photography. Focusing on the period in which it was at its strongest, Winter identifies the implicit value systems that underpinned the Caliphate’s ideological appeal, and evaluates its uniquely malign contribution to the history of the photographic image. The Terrorist Image travels to the heart of what made the Islamic State tick during its prime, providing unique insights into its global appeal and mobilisation successes. Archivierung/Langzeitarchivierung gewährleistet FID pdager DE-21 IS (Organization) Photography / Political aspects / Syria Photography / Political aspects / Iraq Propaganda / Syria Propaganda / Iraq Erscheint auch als Online-Ausgabe 9781787388550 B:DE-21 V:DE-576 https://swbplus.bsz-bw.de/bsz1800516789inh.htm 20220704093729 Inhaltsverzeichnis B:DE-21 V:DE-576 https://swbplus.bsz-bw.de/bsz1800516789kla.htm 20220704093729 Klappentext |
spellingShingle | Winter, Charlie The terrorist image decoding the Islamic State's photo-propaganda |
title | The terrorist image decoding the Islamic State's photo-propaganda |
title_auth | The terrorist image decoding the Islamic State's photo-propaganda |
title_exact_search | The terrorist image decoding the Islamic State's photo-propaganda |
title_full | The terrorist image decoding the Islamic State's photo-propaganda Charlie Winter |
title_fullStr | The terrorist image decoding the Islamic State's photo-propaganda Charlie Winter |
title_full_unstemmed | The terrorist image decoding the Islamic State's photo-propaganda Charlie Winter |
title_short | The terrorist image |
title_sort | the terrorist image decoding the islamic state s photo propaganda |
title_sub | decoding the Islamic State's photo-propaganda |
url | https://swbplus.bsz-bw.de/bsz1800516789inh.htm https://swbplus.bsz-bw.de/bsz1800516789kla.htm |
work_keys_str_mv | AT wintercharlie theterroristimagedecodingtheislamicstatesphotopropaganda |