Music and Power: The Power of Music: Music, War, and Revolution: Volume III
Gespeichert in:
| Weitere beteiligte Personen: | , , , , , , , , , , |
|---|---|
| Format: | Elektronisch Video |
| Sprache: | Englisch |
| Veröffentlicht: |
[Place of publication not identified]
Accentus
2018
|
| Schlagwörter: | |
| Links: | http://musik.proxy.fid-lizenzen.de/fid/medici-tv/edu.medici.tv/en/documentaries/musique-pouvoir-et-revolution-musique-et-pouvoir-partie-3 https://edu.medici.tv/en/documentaries/musique-pouvoir-et-revolution-musique-et-pouvoir-partie-3 |
| Abstract: | ""The word is indirect," says Schopenhauer; "music is direct. It speaks from one soul to another." This quotation illustrates the power of music, its capacity to express what cannot be expressed otherwise. More than perhaps any other language, however, music is subject to interpretation by those who hear it, and in the wrong hands its power can be mobilized toward dangerous ends. Musicians are thus confronted with a difficult choice: to ignore all nonmusical meanings in their art, or to contribute actively and directly to the conversation--for, as pianist Gabriela Montero says, "music reaches the core of who we are as human beings." How does music move and incite, and how is it affected by political and social powers? Is it more than an artform? How has it been diverted to personal ends--for better or worse--over the centuries? What is the scope and extent of its power? Can music change the world? Engaging with these and other questions, this final volume in a three-part documentary series on music, war, and revolution compares the present-day relationships between music and power to those in place during the time of the World Wars. From Germany to Venezuela and the Middle East, luminaries of the music world like Iván Fischer, Daniel Barenboim, and Anita Lasker-Wallfisch--one of the last surviving members of the Women's Orchestra of Auschwitz--reflect and share their experiences |
| Umfang: | 1 Online-Ressource (1 video file (55 min., 45 sec.)) sound, color |
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| 520 | 3 | |a ""The word is indirect," says Schopenhauer; "music is direct. It speaks from one soul to another." This quotation illustrates the power of music, its capacity to express what cannot be expressed otherwise. More than perhaps any other language, however, music is subject to interpretation by those who hear it, and in the wrong hands its power can be mobilized toward dangerous ends. Musicians are thus confronted with a difficult choice: to ignore all nonmusical meanings in their art, or to contribute actively and directly to the conversation--for, as pianist Gabriela Montero says, "music reaches the core of who we are as human beings." How does music move and incite, and how is it affected by political and social powers? Is it more than an artform? How has it been diverted to personal ends--for better or worse--over the centuries? What is the scope and extent of its power? Can music change the world? Engaging with these and other questions, this final volume in a three-part documentary series on music, war, and revolution compares the present-day relationships between music and power to those in place during the time of the World Wars. From Germany to Venezuela and the Middle East, luminaries of the music world like Iván Fischer, Daniel Barenboim, and Anita Lasker-Wallfisch--one of the last surviving members of the Women's Orchestra of Auschwitz--reflect and share their experiences | |
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Datensatz im Suchindex
| _version_ | 1818989800612429824 |
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| author2 | Prokofiev, Sergei Prokofiev, Sergei Wagner, Richard Strauss, Richard Montero, Gabriela Liszt, Franz Beethoven, Ludwig van Beethoven, Ludwig van Prokofiev, Sergei Wagner, Richard Bach, Johann Sebastian Wilhelm, Carl Liszt, Franz Wagner, Richard Landaeta, Juan José Smetana, Bedrich Wade, John Francis |
| author2_role | |
| author2_variant | s p sp s p sp r w rw r s rs g m gm f l fl l v b lv lvb l v b lv lvb s p sp r w rw j s b js jsb c w cw f l fl r w rw j j l jj jjl b s bs j f w jf jfw |
| author_additional | Sergei Prokofiev -- Richard Wagner -- Richard Strauss -- Gabriela Montero -- Franz Liszt -- Ludwig van Beethoven -- Johann Sebastian Bach -- Carl Wilhelm -- Juan José Landaeta -- Bedrich Smetana -- John Francis Wade |
| author_facet | Prokofiev, Sergei Prokofiev, Sergei Wagner, Richard Strauss, Richard Montero, Gabriela Liszt, Franz Beethoven, Ludwig van Beethoven, Ludwig van Prokofiev, Sergei Wagner, Richard Bach, Johann Sebastian Wilhelm, Carl Liszt, Franz Wagner, Richard Landaeta, Juan José Smetana, Bedrich Wade, John Francis |
| author_sort | Prokofiev, Sergei |
| building | Verbundindex |
| bvnumber | BV048409668 |
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| contents | Symphony No. 1 in D Major, Op. 25 "Classical" Cantata for the 20th Anniversary of the October Revolution, Op. 74 Imperial March (Kaisermarsch) Also sprach Zarathustra, Op. 30 ExPatria Hungarian Rhapsody No. 1, in D Minor Symphony No. 3 in E-flat Major, Op. 55 "Eroica" Symphony No. 9 in D Minor, Op. 125 Symphony No. 3 in C Minor, Op. 44 Parsifal, WWV 111 Cantata "Nun danket alle Gott" (Now thank ye all our God), BWV 192 Die Wacht am Rhein (The Watch on the Rhine) Symphonic Poem No. 3 "Les Préludes", S. 97 Lohengrin, WWV 75 Gloria al Bravo Pueblo (Glory to the Brave People), Venezuelan national anthem Má Vlast Adeste fideles |
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| format | Electronic Video |
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| spelling | Music and Power: The Power of Music Music, War, and Revolution: Volume III Maria Stodtmeier, director, Isa Willinger, director [Place of publication not identified] Accentus 2018 1 Online-Ressource (1 video file (55 min., 45 sec.)) sound, color tdi rdacontent c rdamedia cr rdacarrier Symphony No. 1 in D Major, Op. 25 "Classical" Sergei Prokofiev -- Cantata for the 20th Anniversary of the October Revolution, Op. 74 Sergei Prokofiev -- Imperial March (Kaisermarsch) Richard Wagner -- Also sprach Zarathustra, Op. 30 Richard Strauss -- ExPatria Gabriela Montero -- Hungarian Rhapsody No. 1, in D Minor Franz Liszt -- Symphony No. 3 in E-flat Major, Op. 55 "Eroica" Ludwig van Beethoven -- Symphony No. 9 in D Minor, Op. 125 Ludwig van Beethoven -- Symphony No. 3 in C Minor, Op. 44 Sergei Prokofiev -- Parsifal, WWV 111 Richard Wagner -- Cantata "Nun danket alle Gott" (Now thank ye all our God), BWV 192 Johann Sebastian Bach -- Die Wacht am Rhein (The Watch on the Rhine) Carl Wilhelm -- Symphonic Poem No. 3 "Les Préludes", S. 97 Franz Liszt -- Lohengrin, WWV 75 Richard Wagner -- Gloria al Bravo Pueblo (Glory to the Brave People), Venezuelan national anthem Juan José Landaeta -- Má Vlast Bedrich Smetana -- Adeste fideles John Francis Wade Iván Fischer ""The word is indirect," says Schopenhauer; "music is direct. It speaks from one soul to another." This quotation illustrates the power of music, its capacity to express what cannot be expressed otherwise. More than perhaps any other language, however, music is subject to interpretation by those who hear it, and in the wrong hands its power can be mobilized toward dangerous ends. Musicians are thus confronted with a difficult choice: to ignore all nonmusical meanings in their art, or to contribute actively and directly to the conversation--for, as pianist Gabriela Montero says, "music reaches the core of who we are as human beings." How does music move and incite, and how is it affected by political and social powers? Is it more than an artform? How has it been diverted to personal ends--for better or worse--over the centuries? What is the scope and extent of its power? Can music change the world? Engaging with these and other questions, this final volume in a three-part documentary series on music, war, and revolution compares the present-day relationships between music and power to those in place during the time of the World Wars. From Germany to Venezuela and the Middle East, luminaries of the music world like Iván Fischer, Daniel Barenboim, and Anita Lasker-Wallfisch--one of the last surviving members of the Women's Orchestra of Auschwitz--reflect and share their experiences documentaries Internet videos Stodtmeier, Maria Sonstige oth Willinger, Isa Sonstige oth Fischer, Iván Sonstige oth Prokofiev, Sergei Symphony No. 1 in D Major, op. 25 "Classical. Prokofiev, Sergei Cantata for the 20th Anniversary of the October Revolution, op. 74 Wagner, Richard Imperial March (Kaisermarsch) Strauss, Richard Also sprach Zarathustra, op. 30 Montero, Gabriela ExPatria Liszt, Franz Hungarian Rhapsody No. 1, in D Minor Beethoven, Ludwig van Symphony No. 3 in E-flat Major, op. 55 "Eroica. Beethoven, Ludwig van Symphony No. 9 in D Minor, op. 125 Prokofiev, Sergei Symphony No. 3 in C Minor, op. 44 Wagner, Richard Parsifal, WWV 111 Bach, Johann Sebastian Cantata "Nun danket alle Gott" (Now thank ye all our God), BWV 192 Wilhelm, Carl Wacht am Rhein (The Watch on the Rhine) Liszt, Franz Symphonic Poem No. 3 "Les Préludes", S. 97 Wagner, Richard Lohengrin, WWV 75 Landaeta, Juan José Gloria al Bravo Pueblo (Glory to the Brave People), Venezuelan national anthem Smetana, Bedrich Má Vlast Wade, John Francis Adeste fideles Accentus Sonstige oth https://edu.medici.tv/en/documentaries/musique-pouvoir-et-revolution-musique-et-pouvoir-partie-3 Verlag URL des Erstveröffentlichers Volltext digital rdatr video file rdaft |
| spellingShingle | Music and Power: The Power of Music Music, War, and Revolution: Volume III Symphony No. 1 in D Major, Op. 25 "Classical" Cantata for the 20th Anniversary of the October Revolution, Op. 74 Imperial March (Kaisermarsch) Also sprach Zarathustra, Op. 30 ExPatria Hungarian Rhapsody No. 1, in D Minor Symphony No. 3 in E-flat Major, Op. 55 "Eroica" Symphony No. 9 in D Minor, Op. 125 Symphony No. 3 in C Minor, Op. 44 Parsifal, WWV 111 Cantata "Nun danket alle Gott" (Now thank ye all our God), BWV 192 Die Wacht am Rhein (The Watch on the Rhine) Symphonic Poem No. 3 "Les Préludes", S. 97 Lohengrin, WWV 75 Gloria al Bravo Pueblo (Glory to the Brave People), Venezuelan national anthem Má Vlast Adeste fideles |
| title | Music and Power: The Power of Music Music, War, and Revolution: Volume III |
| title_alt | Symphony No. 1 in D Major, Op. 25 "Classical" Cantata for the 20th Anniversary of the October Revolution, Op. 74 Imperial March (Kaisermarsch) Also sprach Zarathustra, Op. 30 ExPatria Hungarian Rhapsody No. 1, in D Minor Symphony No. 3 in E-flat Major, Op. 55 "Eroica" Symphony No. 9 in D Minor, Op. 125 Symphony No. 3 in C Minor, Op. 44 Parsifal, WWV 111 Cantata "Nun danket alle Gott" (Now thank ye all our God), BWV 192 Die Wacht am Rhein (The Watch on the Rhine) Symphonic Poem No. 3 "Les Préludes", S. 97 Lohengrin, WWV 75 Gloria al Bravo Pueblo (Glory to the Brave People), Venezuelan national anthem Má Vlast Adeste fideles Symphony No. 1 in D Major, op. 25 "Classical. Cantata for the 20th Anniversary of the October Revolution, op. 74 Also sprach Zarathustra, op. 30 Symphony No. 3 in E-flat Major, op. 55 "Eroica. Symphony No. 9 in D Minor, op. 125 Symphony No. 3 in C Minor, op. 44 Wacht am Rhein (The Watch on the Rhine) |
| title_auth | Music and Power: The Power of Music Music, War, and Revolution: Volume III |
| title_exact_search | Music and Power: The Power of Music Music, War, and Revolution: Volume III |
| title_full | Music and Power: The Power of Music Music, War, and Revolution: Volume III Maria Stodtmeier, director, Isa Willinger, director |
| title_fullStr | Music and Power: The Power of Music Music, War, and Revolution: Volume III Maria Stodtmeier, director, Isa Willinger, director |
| title_full_unstemmed | Music and Power: The Power of Music Music, War, and Revolution: Volume III Maria Stodtmeier, director, Isa Willinger, director |
| title_short | Music and Power: The Power of Music |
| title_sort | music and power the power of music music war and revolution volume iii |
| title_sub | Music, War, and Revolution: Volume III |
| url | https://edu.medici.tv/en/documentaries/musique-pouvoir-et-revolution-musique-et-pouvoir-partie-3 |
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