Maya Plisetskaya, diva of dance: Bolshoi Theatre, 1945-1977
Gespeichert in:
Weitere beteiligte Personen: | , , , , , , , , , , |
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Format: | Elektronisch Video |
Sprache: | Englisch |
Veröffentlicht: |
[Place of publication not identified]
KMK
[2006]
EuroArts Music International [2006] |
Schlagwörter: | |
Links: | http://musik.proxy.fid-lizenzen.de/fid/medici-tv/edu.medici.tv/en/ballets/maya-plisetskaya-diva-of-dance https://edu.medici.tv/en/ballets/maya-plisetskaya-diva-of-dance |
Abstract: | Filmed at the Bolshoi at different stages of her art, the prima ballerina assoluta in all her glory. These filmed excerpts at the Bolshoi Theatre between 1945 and 1977 bear witness to the unique and eternal art of the prima ballerina assoluta Maya Plisetskaya: unique because of the height of her jumps, the incredible fluidity of her arms and the longevity of her career (she was born in 1925 and danced until she was seventy). Unique also because, like Maria Callas, another prima diva assoluta, she was able to reconcile the most amazing technique with the most dramatic expression; her dancing is intelligent. She entered the Bolshoi in 1943, she immediately became prima ballerina, but she was to pay for the crimes her mother and father did not commit (her father was executed in 1938 and her mother was sent to a gulag). Forbidden from touring in the West, she remained a prisoner behind the iron curtain until 1959. When the West discovered her, it was a triumph which she shared with her husband, the composer Rodion Shchedrin. We may admire Maya Plisetskaya through a dozen of her greatest roles created by famous choreographers such as Roland Petit and Maurice Béjart, or in ballets like Raymonda, Romeo and Juliet, Swan lake, Carmen and Don Quichotte. We also see her in what has become her visiting card The Dying Swan of which she gives an unforgettable interpretation |
Umfang: | 1 Online-Ressource (1 video file (51 min.)) sound, color |
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245 | 1 | 0 | |a Maya Plisetskaya, diva of dance |b Bolshoi Theatre, 1945-1977 |c KMK, EuroArts Music International ; Wolf Seesemann, director |
246 | 1 | 3 | |a Diva of dance |
246 | 1 | 3 | |a Bolshoi Theatre, 1945-1977 |
246 | 1 | 0 | |a Diva of dance |
246 | 1 | 0 | |a Bolshoi Theatre, 1945-1977 |
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505 | 8 | 0 | |t Prelude |r Johann Sebastian Bach -- |t Raymonda (excerpt) |r Aleksandr Konstantinovich Glazunov -- |t Carmen suite (excerpt) |r Georges Bizet -- |t Romeo and Juliet (excerpts) |r Sergei Prokofiev -- |t Swan Lake (excerpts) |r Pyotr Ilyich Tchaikovsky -- |t Don Quixote (excerpt) |r Léon Minkus -- |t The Dying Swan (excerpt) |r Camille Saint-Saëns -- |t Spartacus (excerpt) |r Aram Khachaturian -- |t Laurencia (excerpt) |r Alexander Krein -- |t Walpurgis Night (excerpt) |r Charles-François Gounod -- |t Isadora (excerpt) |r Claude Joseph Rouget de l'Isle |
511 | 0 | |a Maya Plisetskaya, dancer, interviewee | |
518 | |a Bolshoi Theatre, Moscow, Russia: | ||
520 | 3 | |a Filmed at the Bolshoi at different stages of her art, the prima ballerina assoluta in all her glory. These filmed excerpts at the Bolshoi Theatre between 1945 and 1977 bear witness to the unique and eternal art of the prima ballerina assoluta Maya Plisetskaya: unique because of the height of her jumps, the incredible fluidity of her arms and the longevity of her career (she was born in 1925 and danced until she was seventy). Unique also because, like Maria Callas, another prima diva assoluta, she was able to reconcile the most amazing technique with the most dramatic expression; her dancing is intelligent. She entered the Bolshoi in 1943, she immediately became prima ballerina, but she was to pay for the crimes her mother and father did not commit (her father was executed in 1938 and her mother was sent to a gulag). Forbidden from touring in the West, she remained a prisoner behind the iron curtain until 1959. When the West discovered her, it was a triumph which she shared with her husband, the composer Rodion Shchedrin. We may admire Maya Plisetskaya through a dozen of her greatest roles created by famous choreographers such as Roland Petit and Maurice Béjart, or in ballets like Raymonda, Romeo and Juliet, Swan lake, Carmen and Don Quichotte. We also see her in what has become her visiting card The Dying Swan of which she gives an unforgettable interpretation | |
650 | 7 | |a Ballets |2 Excerpts | |
650 | 4 | |a Dancers | |
650 | 4 | |a Dancers |z Russia |v Biography | |
650 | 4 | |a Dancers |z Russia |v Interviews | |
650 | 4 | |a Ballets |v Excerpts | |
653 | 1 | |a Pliset͡skai͡a, Maĭi͡a / 1925-2015 | |
653 | 1 | |a Shchedrin, Rodion Konstantinovich / 1932- | |
653 | 1 | |a Pliset͡skai͡a, Maĭi͡a / 1925-2015 | |
653 | 1 | |a Shchedrin, Rodion Konstantinovich / 1932- | |
653 | 2 | |a Russia | |
653 | 6 | |a Biographies | |
653 | 6 | |a Internet videos | |
653 | 6 | |a Interviews | |
653 | 6 | |a Internet videos | |
653 | 6 | |a Biographies | |
700 | 1 | |a Seesemann, Wolf |e Sonstige |4 oth | |
700 | 1 | |a Pliset͡skai͡a, Maĭi͡a |d 1925-2015 |e Sonstige |4 oth | |
700 | 1 | 2 | |a Bach, Johann Sebastian |d 1685-1750 |t Suites |m cello |n BWV 1007 |r G major |p Prélude |
700 | 1 | 2 | |a Glazunov, Aleksandr Konstantinovich |d 1865-1936 |t Raĭmonda |k Selections |
700 | 1 | 2 | |a Bizet, Georges |d 1838-1875 |t Carmen |k Selections |
700 | 1 | 2 | |a Prokofiev, Sergey |d 1891-1953 |t Romeo i Dzhulʹetta (Ballet) |k Selections |
700 | 1 | 2 | |a Tchaikovsky, Peter Ilich |d 1840-1893 |t Lebedinoe ozero |k Selections |
700 | 1 | 2 | |a Minkus, L. |d 1826-1917 |t Don Quixote |k Selections |
700 | 1 | 2 | |a Saint-Saëns, Camille |d 1835-1921 |t Carnaval des animaux |p Cygne |
700 | 1 | 2 | |a Khachaturi͡an, Aram |d 1903-1978 |t Spartak |k Selections |
700 | 1 | 2 | |a Kreĭn, Aleksandr Abramovich |d 1883-1951 |t Laurencia |k Selections |
700 | 1 | 2 | |a Gounod, Charles |d 1818-1893 |t Faust |p Ballet |
700 | 1 | 2 | |a Rouget de Lisle, Claude Joseph |d 1760-1836 |t Isadora |k Selections |
710 | 2 | |a Kultur.Medien.Konzepte (Firm) |e Sonstige |4 oth | |
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Datensatz im Suchindex
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---|---|
any_adam_object | |
author2 | Bach, Johann Sebastian 1685-1750 Glazunov, Aleksandr Konstantinovich 1865-1936 Bizet, Georges 1838-1875 Prokofiev, Sergey 1891-1953 Tchaikovsky, Peter Ilich 1840-1893 Minkus, L. 1826-1917 Saint-Saëns, Camille 1835-1921 Khachaturi͡an, Aram 1903-1978 Kreĭn, Aleksandr Abramovich 1883-1951 Gounod, Charles 1818-1893 Rouget de Lisle, Claude Joseph 1760-1836 |
author2_role | |
author2_variant | j s b js jsb a k g ak akg g b gb s p sp p i t pi pit l m lm c s s css a k ak a a k aa aak c g cg d l c j r dlcj dlcjr |
author_additional | Johann Sebastian Bach -- Aleksandr Konstantinovich Glazunov -- Georges Bizet -- Sergei Prokofiev -- Pyotr Ilyich Tchaikovsky -- Léon Minkus -- Camille Saint-Saëns -- Aram Khachaturian -- Alexander Krein -- Charles-François Gounod -- Claude Joseph Rouget de l'Isle |
author_facet | Bach, Johann Sebastian 1685-1750 Glazunov, Aleksandr Konstantinovich 1865-1936 Bizet, Georges 1838-1875 Prokofiev, Sergey 1891-1953 Tchaikovsky, Peter Ilich 1840-1893 Minkus, L. 1826-1917 Saint-Saëns, Camille 1835-1921 Khachaturi͡an, Aram 1903-1978 Kreĭn, Aleksandr Abramovich 1883-1951 Gounod, Charles 1818-1893 Rouget de Lisle, Claude Joseph 1760-1836 |
author_sort | Bach, Johann Sebastian 1685-1750 |
building | Verbundindex |
bvnumber | BV048408400 |
collection | ZDB-1-MTV |
contents | Prelude Raymonda (excerpt) Carmen suite (excerpt) Romeo and Juliet (excerpts) Swan Lake (excerpts) Don Quixote (excerpt) The Dying Swan (excerpt) Spartacus (excerpt) Laurencia (excerpt) Walpurgis Night (excerpt) Isadora (excerpt) |
ctrlnum | (ZDB-1-MTV)ocn956370659 (OCoLC)956370659 (DE-599)BVBBV048408400 |
format | Electronic Video |
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id | DE-604.BV048408400 |
illustrated | Not Illustrated |
indexdate | 2024-12-20T19:44:09Z |
institution | BVB |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033786875 |
oclc_num | 956370659 |
open_access_boolean | |
owner | DE-12 |
owner_facet | DE-12 |
physical | 1 Online-Ressource (1 video file (51 min.)) sound, color |
psigel | ZDB-1-MTV |
publishDate | 2006 |
publishDateSearch | 1945 |
publishDateSort | 1945 |
publisher | KMK EuroArts Music International |
record_format | marc |
spelling | Maya Plisetskaya, diva of dance Bolshoi Theatre, 1945-1977 KMK, EuroArts Music International ; Wolf Seesemann, director Diva of dance Bolshoi Theatre, 1945-1977 [Place of publication not identified] KMK [2006] EuroArts Music International [2006] ©2006 1 Online-Ressource (1 video file (51 min.)) sound, color tdi rdacontent c rdamedia cr rdacarrier Prelude Johann Sebastian Bach -- Raymonda (excerpt) Aleksandr Konstantinovich Glazunov -- Carmen suite (excerpt) Georges Bizet -- Romeo and Juliet (excerpts) Sergei Prokofiev -- Swan Lake (excerpts) Pyotr Ilyich Tchaikovsky -- Don Quixote (excerpt) Léon Minkus -- The Dying Swan (excerpt) Camille Saint-Saëns -- Spartacus (excerpt) Aram Khachaturian -- Laurencia (excerpt) Alexander Krein -- Walpurgis Night (excerpt) Charles-François Gounod -- Isadora (excerpt) Claude Joseph Rouget de l'Isle Maya Plisetskaya, dancer, interviewee Bolshoi Theatre, Moscow, Russia: Filmed at the Bolshoi at different stages of her art, the prima ballerina assoluta in all her glory. These filmed excerpts at the Bolshoi Theatre between 1945 and 1977 bear witness to the unique and eternal art of the prima ballerina assoluta Maya Plisetskaya: unique because of the height of her jumps, the incredible fluidity of her arms and the longevity of her career (she was born in 1925 and danced until she was seventy). Unique also because, like Maria Callas, another prima diva assoluta, she was able to reconcile the most amazing technique with the most dramatic expression; her dancing is intelligent. She entered the Bolshoi in 1943, she immediately became prima ballerina, but she was to pay for the crimes her mother and father did not commit (her father was executed in 1938 and her mother was sent to a gulag). Forbidden from touring in the West, she remained a prisoner behind the iron curtain until 1959. When the West discovered her, it was a triumph which she shared with her husband, the composer Rodion Shchedrin. We may admire Maya Plisetskaya through a dozen of her greatest roles created by famous choreographers such as Roland Petit and Maurice Béjart, or in ballets like Raymonda, Romeo and Juliet, Swan lake, Carmen and Don Quichotte. We also see her in what has become her visiting card The Dying Swan of which she gives an unforgettable interpretation Ballets Excerpts Dancers Dancers Russia Biography Dancers Russia Interviews Pliset͡skai͡a, Maĭi͡a / 1925-2015 Shchedrin, Rodion Konstantinovich / 1932- Russia Biographies Internet videos Interviews Seesemann, Wolf Sonstige oth Pliset͡skai͡a, Maĭi͡a 1925-2015 Sonstige oth Bach, Johann Sebastian 1685-1750 Suites cello BWV 1007 G major Prélude Glazunov, Aleksandr Konstantinovich 1865-1936 Raĭmonda Selections Bizet, Georges 1838-1875 Carmen Selections Prokofiev, Sergey 1891-1953 Romeo i Dzhulʹetta (Ballet) Selections Tchaikovsky, Peter Ilich 1840-1893 Lebedinoe ozero Selections Minkus, L. 1826-1917 Don Quixote Selections Saint-Saëns, Camille 1835-1921 Carnaval des animaux Cygne Khachaturi͡an, Aram 1903-1978 Spartak Selections Kreĭn, Aleksandr Abramovich 1883-1951 Laurencia Selections Gounod, Charles 1818-1893 Faust Ballet Rouget de Lisle, Claude Joseph 1760-1836 Isadora Selections Kultur.Medien.Konzepte (Firm) Sonstige oth EuroArts Music International GmbH Sonstige oth https://edu.medici.tv/en/ballets/maya-plisetskaya-diva-of-dance Verlag URL des Erstveröffentlichers Volltext digital rdatr video file |
spellingShingle | Maya Plisetskaya, diva of dance Bolshoi Theatre, 1945-1977 Prelude Raymonda (excerpt) Carmen suite (excerpt) Romeo and Juliet (excerpts) Swan Lake (excerpts) Don Quixote (excerpt) The Dying Swan (excerpt) Spartacus (excerpt) Laurencia (excerpt) Walpurgis Night (excerpt) Isadora (excerpt) Ballets Excerpts Dancers Dancers Russia Biography Dancers Russia Interviews |
title | Maya Plisetskaya, diva of dance Bolshoi Theatre, 1945-1977 |
title_alt | Diva of dance Bolshoi Theatre, 1945-1977 Prelude Raymonda (excerpt) Carmen suite (excerpt) Romeo and Juliet (excerpts) Swan Lake (excerpts) Don Quixote (excerpt) The Dying Swan (excerpt) Spartacus (excerpt) Laurencia (excerpt) Walpurgis Night (excerpt) Isadora (excerpt) Suites Raĭmonda Carmen Romeo i Dzhulʹetta (Ballet) Lebedinoe ozero Don Quixote Carnaval des animaux Spartak Laurencia Faust Isadora |
title_auth | Maya Plisetskaya, diva of dance Bolshoi Theatre, 1945-1977 |
title_exact_search | Maya Plisetskaya, diva of dance Bolshoi Theatre, 1945-1977 |
title_full | Maya Plisetskaya, diva of dance Bolshoi Theatre, 1945-1977 KMK, EuroArts Music International ; Wolf Seesemann, director |
title_fullStr | Maya Plisetskaya, diva of dance Bolshoi Theatre, 1945-1977 KMK, EuroArts Music International ; Wolf Seesemann, director |
title_full_unstemmed | Maya Plisetskaya, diva of dance Bolshoi Theatre, 1945-1977 KMK, EuroArts Music International ; Wolf Seesemann, director |
title_short | Maya Plisetskaya, diva of dance |
title_sort | maya plisetskaya diva of dance bolshoi theatre 1945 1977 |
title_sub | Bolshoi Theatre, 1945-1977 |
topic | Ballets Excerpts Dancers Dancers Russia Biography Dancers Russia Interviews |
topic_facet | Ballets Dancers Dancers Russia Biography Dancers Russia Interviews Ballets Excerpts |
url | https://edu.medici.tv/en/ballets/maya-plisetskaya-diva-of-dance |
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