Reconsidering Anders Zorn's Omnibus paintings:
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch Paper |
| Sprache: | Englisch |
| Veröffentlicht: |
31 December 2021
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| Links: | https://doi.org/10.11588/riha.2021.0.85605 |
| Abstract: | This article reconsiders the relationship between Anders Zorn’s (1860–1920) Omnibus paintings. Two largescale versions exist for the Omnibus motif (Omnibus I and Omnibus II), both of which have historically been viewed as official works that were exhibited by Zorn during the years 1892–1893. Drawing upon recent technical analyses of the artist’s oil paintings, together with relevant archival sources, a discussion is put forward with the aim of reconfiguring the earlier Omnibus I (1891) version as an initial sketch (esquisse) to the later Omnibus II (1892). |
| Umfang: | 1 Online-Ressource (24 Seiten) Illustrationen |
| ISSN: | 2190-3328 |
| DOI: | 10.11588/riha.2021.0.85605 |
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| 520 | 3 | |a This article reconsiders the relationship between Anders Zorn’s (1860–1920) Omnibus paintings. Two largescale versions exist for the Omnibus motif (Omnibus I and Omnibus II), both of which have historically been viewed as official works that were exhibited by Zorn during the years 1892–1893. Drawing upon recent technical analyses of the artist’s oil paintings, together with relevant archival sources, a discussion is put forward with the aim of reconfiguring the earlier Omnibus I (1891) version as an initial sketch (esquisse) to the later Omnibus II (1892). | |
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| illustrated | Illustrated |
| indexdate | 2024-12-20T19:41:48Z |
| institution | BVB |
| issn | 2190-3328 |
| language | English |
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| physical | 1 Online-Ressource (24 Seiten) Illustrationen |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
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| spelling | Jansson, Emma Verfasser (DE-588)1181275563 aut Reconsidering Anders Zorn's Omnibus paintings Emma Jansson 31 December 2021 1 Online-Ressource (24 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier This article reconsiders the relationship between Anders Zorn’s (1860–1920) Omnibus paintings. Two largescale versions exist for the Omnibus motif (Omnibus I and Omnibus II), both of which have historically been viewed as official works that were exhibited by Zorn during the years 1892–1893. Drawing upon recent technical analyses of the artist’s oil paintings, together with relevant archival sources, a discussion is put forward with the aim of reconfiguring the earlier Omnibus I (1891) version as an initial sketch (esquisse) to the later Omnibus II (1892). number:259 year:2021 RIHA Journal München, 2021 259 (2021) (DE-604)BV036128042 2190-3328 (DE-600)2549868-X https://doi.org/10.11588/riha.2021.0.85605 Verlag kostenfrei Volltext |
| spellingShingle | Jansson, Emma Reconsidering Anders Zorn's Omnibus paintings |
| title | Reconsidering Anders Zorn's Omnibus paintings |
| title_auth | Reconsidering Anders Zorn's Omnibus paintings |
| title_exact_search | Reconsidering Anders Zorn's Omnibus paintings |
| title_full | Reconsidering Anders Zorn's Omnibus paintings Emma Jansson |
| title_fullStr | Reconsidering Anders Zorn's Omnibus paintings Emma Jansson |
| title_full_unstemmed | Reconsidering Anders Zorn's Omnibus paintings Emma Jansson |
| title_short | Reconsidering Anders Zorn's Omnibus paintings |
| title_sort | reconsidering anders zorn s omnibus paintings |
| url | https://doi.org/10.11588/riha.2021.0.85605 |
| work_keys_str_mv | AT janssonemma reconsideringanderszornsomnibuspaintings |