Shakespeare's contested nations: race, gender, and multicultural Britain in performances of the history plays
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
London ; New York
Routledge
2022
|
| Schriftenreihe: | Routledge advances in theatre and performing studies
|
| Schlagwörter: | |
| Abstract: | Introduction: Representing the nation's history -- Staging the multiethnic nation: Boyd and Hytner at the millennial threshold -- Shakespeare and the cultural Olympiad: gender, race, and the British nation in the BBC's Hollow crown, series one -- Hollow refuge: the BBC's The Wars of the Roses and This fortress build by nature -- The disappearing Moor: race authenticity, and the nation's history in Wolf Hall and Bringing up the bodies -- The trouble with history: intersections of nation, race, and gender in King Charles III -- Epilogue: The case of two Richards "Shakespeare's Contested Nations argues that performances of Shakespearean history at British institutional venues between 2000 and 2016 manifest a post-imperial nostalgia that fails to tell the nation's story in ways that account for the agential impact of women and people of color, thus foreclosing promising opportunities to reexamine the nation's multicultural past, present, and future in more intentional, self-critical, and truly progressive ways. A cluster of interconnected stage and televisual performances and adaptations of the history play canon illustrate the function Shakespeare's narratives of incipient "British" identities fulfill for the postcolonial United Kingdom. The book analyzes treatments of the plays in a range of styles-staged performances directed by Michael Boyd with the Royal Shakespeare Company (2000-2001) and Nicholas Hytner at the National Theatre (2003, 2005), the BBC's Hollow Crown series (2012, 2016), the RSC and BBC adaptations of Wolf Hall and Bring Up the Bodies (2013, 2015), and a contemporary reinterpretation of the canon, Mike Bartlett's King Charles III (2014, 2017). This book will be of great interest to scholars and students of Shakespeare, theatre, and politics"-- |
| Umfang: | xi, 248 Seiten |
| ISBN: | 9780367488314 9781032252483 |
Internformat
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| 245 | 1 | 0 | |a Shakespeare's contested nations |b race, gender, and multicultural Britain in performances of the history plays |c L. Monique Pittman |
| 264 | 1 | |a London ; New York |b Routledge |c 2022 | |
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| 520 | 3 | |a Introduction: Representing the nation's history -- Staging the multiethnic nation: Boyd and Hytner at the millennial threshold -- Shakespeare and the cultural Olympiad: gender, race, and the British nation in the BBC's Hollow crown, series one -- Hollow refuge: the BBC's The Wars of the Roses and This fortress build by nature -- The disappearing Moor: race authenticity, and the nation's history in Wolf Hall and Bringing up the bodies -- The trouble with history: intersections of nation, race, and gender in King Charles III -- Epilogue: The case of two Richards | |
| 520 | 3 | |a "Shakespeare's Contested Nations argues that performances of Shakespearean history at British institutional venues between 2000 and 2016 manifest a post-imperial nostalgia that fails to tell the nation's story in ways that account for the agential impact of women and people of color, thus foreclosing promising opportunities to reexamine the nation's multicultural past, present, and future in more intentional, self-critical, and truly progressive ways. A cluster of interconnected stage and televisual performances and adaptations of the history play canon illustrate the function Shakespeare's narratives of incipient "British" identities fulfill for the postcolonial United Kingdom. The book analyzes treatments of the plays in a range of styles-staged performances directed by Michael Boyd with the Royal Shakespeare Company (2000-2001) and Nicholas Hytner at the National Theatre (2003, 2005), the BBC's Hollow Crown series (2012, 2016), the RSC and BBC adaptations of Wolf Hall and Bring Up the Bodies (2013, 2015), and a contemporary reinterpretation of the canon, Mike Bartlett's King Charles III (2014, 2017). This book will be of great interest to scholars and students of Shakespeare, theatre, and politics"-- | |
| 653 | 1 | |a Shakespeare, William / 1564-1616 / Dramatic production | |
| 653 | 1 | |a Shakespeare, William / 1564-1616 / Stage history | |
| 653 | 1 | |a Shakespeare, William / 1564-1616 / Film adaptations | |
| 653 | 1 | |a Shakespeare, William / 1564-1616 / Television adaptations | |
| 653 | 1 | |a Shakespeare, William / 1564-1616 / Histories | |
| 653 | 0 | |a National characteristics, British, in literature | |
| 653 | 0 | |a Theater / Casting | |
| 653 | 0 | |a Race in literature | |
| 653 | 0 | |a Sex role in literature | |
| 653 | 0 | |a Literature and history / Great Britain | |
| 653 | 2 | |a Great Britain / History / 1066-1687 / Historiography | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-003043065 |
| 940 | 1 | |q gbd_0 | |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-033692417 | |
Datensatz im Suchindex
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|---|---|
| any_adam_object | |
| author | Pittman, L. Monique 1969- |
| author_facet | Pittman, L. Monique 1969- |
| author_role | aut |
| author_sort | Pittman, L. Monique 1969- |
| author_variant | l m p lm lmp |
| building | Verbundindex |
| bvnumber | BV048312900 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PR3091 |
| callnumber-raw | PR3091 |
| callnumber-search | PR3091 |
| callnumber-sort | PR 43091 |
| callnumber-subject | PR - English Literature |
| classification_rvk | HI 3451 |
| ctrlnum | (OCoLC)1319821396 (DE-599)KXP1795027312 |
| dewey-full | 792.9/5 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.9/5 |
| dewey-search | 792.9/5 |
| dewey-sort | 3792.9 15 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines Anglistik / Amerikanistik |
| format | Book |
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| id | DE-604.BV048312900 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T19:41:38Z |
| institution | BVB |
| isbn | 9780367488314 9781032252483 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033692417 |
| oclc_num | 1319821396 |
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| physical | xi, 248 Seiten |
| psigel | gbd_0 |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Routledge |
| record_format | marc |
| series2 | Routledge advances in theatre and performing studies |
| spelling | Pittman, L. Monique 1969- Verfasser aut Shakespeare's contested nations race, gender, and multicultural Britain in performances of the history plays L. Monique Pittman London ; New York Routledge 2022 xi, 248 Seiten txt rdacontent n rdamedia nc rdacarrier Routledge advances in theatre and performing studies Introduction: Representing the nation's history -- Staging the multiethnic nation: Boyd and Hytner at the millennial threshold -- Shakespeare and the cultural Olympiad: gender, race, and the British nation in the BBC's Hollow crown, series one -- Hollow refuge: the BBC's The Wars of the Roses and This fortress build by nature -- The disappearing Moor: race authenticity, and the nation's history in Wolf Hall and Bringing up the bodies -- The trouble with history: intersections of nation, race, and gender in King Charles III -- Epilogue: The case of two Richards "Shakespeare's Contested Nations argues that performances of Shakespearean history at British institutional venues between 2000 and 2016 manifest a post-imperial nostalgia that fails to tell the nation's story in ways that account for the agential impact of women and people of color, thus foreclosing promising opportunities to reexamine the nation's multicultural past, present, and future in more intentional, self-critical, and truly progressive ways. A cluster of interconnected stage and televisual performances and adaptations of the history play canon illustrate the function Shakespeare's narratives of incipient "British" identities fulfill for the postcolonial United Kingdom. The book analyzes treatments of the plays in a range of styles-staged performances directed by Michael Boyd with the Royal Shakespeare Company (2000-2001) and Nicholas Hytner at the National Theatre (2003, 2005), the BBC's Hollow Crown series (2012, 2016), the RSC and BBC adaptations of Wolf Hall and Bring Up the Bodies (2013, 2015), and a contemporary reinterpretation of the canon, Mike Bartlett's King Charles III (2014, 2017). This book will be of great interest to scholars and students of Shakespeare, theatre, and politics"-- Shakespeare, William / 1564-1616 / Dramatic production Shakespeare, William / 1564-1616 / Stage history Shakespeare, William / 1564-1616 / Film adaptations Shakespeare, William / 1564-1616 / Television adaptations Shakespeare, William / 1564-1616 / Histories National characteristics, British, in literature Theater / Casting Race in literature Sex role in literature Literature and history / Great Britain Great Britain / History / 1066-1687 / Historiography Erscheint auch als Online-Ausgabe 978-1-003043065 |
| spellingShingle | Pittman, L. Monique 1969- Shakespeare's contested nations race, gender, and multicultural Britain in performances of the history plays |
| title | Shakespeare's contested nations race, gender, and multicultural Britain in performances of the history plays |
| title_auth | Shakespeare's contested nations race, gender, and multicultural Britain in performances of the history plays |
| title_exact_search | Shakespeare's contested nations race, gender, and multicultural Britain in performances of the history plays |
| title_full | Shakespeare's contested nations race, gender, and multicultural Britain in performances of the history plays L. Monique Pittman |
| title_fullStr | Shakespeare's contested nations race, gender, and multicultural Britain in performances of the history plays L. Monique Pittman |
| title_full_unstemmed | Shakespeare's contested nations race, gender, and multicultural Britain in performances of the history plays L. Monique Pittman |
| title_short | Shakespeare's contested nations |
| title_sort | shakespeare s contested nations race gender and multicultural britain in performances of the history plays |
| title_sub | race, gender, and multicultural Britain in performances of the history plays |
| work_keys_str_mv | AT pittmanlmonique shakespearescontestednationsracegenderandmulticulturalbritaininperformancesofthehistoryplays |