Conflict graffiti: from revolution to gentrification
Gespeichert in:
Beteilige Person: | |
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Format: | Buch |
Sprache: | Englisch |
Veröffentlicht: |
Chicago ; London
The University of Chicago Press
2021
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Schlagwörter: | |
Abstract: | "Graffiti is by nature a protean art. In movies, it is often the backdrop used to create a sense of danger and lawlessness. In bathroom stalls, it is the disembodied expression of gossip, lewdness, or confession. In protests, it is a resistive tool, visually displaying the cacophony of disparate voices and interests that come together to make up a movement. Every graffito has an unstable afterlife-fated to be added to, transformed, overlaid, photographed, reinterpreted, or painted over. In short, as this book artfully explains, graffiti makes for messy politics. It brings the unwieldiness of the crises it engages to the fore, giving shape to a conflict's evolving nature. The book closely examines the many permutations of graffiti in conflict zones-moving from the protest graffiti of the Black Lives Matter movement in Ferguson and the Arab Spring in Egypt to the tourist attraction murals on the Israeli Separation Wall, to the street art used for city rebranding and beautification in Detroit and post-Katrina New Orleans. Graffiti has played a crucial role in the revolutionary movements of these locales, but has also been variously appropriated, policed, and exported, ushering in postconflict consumerism, gentrification, militarization, and anaesthetized forgetting. Yet, the book concludes, as protest movements change and adapt in turn, graffiti is also uniquely suited to shapeshift with them, opening up new apertures of resistance with every wave"-- |
Umfang: | ix, 272 Seiten, 20 ungezählte Seiten Illustrationen 23 cm |
ISBN: | 9780226815664 0226815668 9780226815695 0226815692 |
Internformat
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520 | 3 | |a "Graffiti is by nature a protean art. In movies, it is often the backdrop used to create a sense of danger and lawlessness. In bathroom stalls, it is the disembodied expression of gossip, lewdness, or confession. In protests, it is a resistive tool, visually displaying the cacophony of disparate voices and interests that come together to make up a movement. Every graffito has an unstable afterlife-fated to be added to, transformed, overlaid, photographed, reinterpreted, or painted over. In short, as this book artfully explains, graffiti makes for messy politics. It brings the unwieldiness of the crises it engages to the fore, giving shape to a conflict's evolving nature. The book closely examines the many permutations of graffiti in conflict zones-moving from the protest graffiti of the Black Lives Matter movement in Ferguson and the Arab Spring in Egypt to the tourist attraction murals on the Israeli Separation Wall, to the street art used for city rebranding and beautification in Detroit and post-Katrina New Orleans. Graffiti has played a crucial role in the revolutionary movements of these locales, but has also been variously appropriated, policed, and exported, ushering in postconflict consumerism, gentrification, militarization, and anaesthetized forgetting. Yet, the book concludes, as protest movements change and adapt in turn, graffiti is also uniquely suited to shapeshift with them, opening up new apertures of resistance with every wave"-- | |
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653 | 0 | |a Art et conflits sociaux | |
653 | 0 | |a Art and social conflict | |
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653 | 0 | |a Graffiti / Social aspects | |
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Datensatz im Suchindex
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any_adam_object | |
author | Lennon, John 1975- |
author_GND | (DE-588)1063065100 |
author_facet | Lennon, John 1975- |
author_role | aut |
author_sort | Lennon, John 1975- |
author_variant | j l jl |
building | Verbundindex |
bvnumber | BV048286393 |
ctrlnum | (OCoLC)1334033157 (DE-599)BVBBV048286393 |
format | Book |
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id | DE-604.BV048286393 |
illustrated | Illustrated |
indexdate | 2024-12-20T19:40:51Z |
institution | BVB |
isbn | 9780226815664 0226815668 9780226815695 0226815692 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033666485 |
oclc_num | 1334033157 |
open_access_boolean | |
owner | DE-255 |
owner_facet | DE-255 |
physical | ix, 272 Seiten, 20 ungezählte Seiten Illustrationen 23 cm |
publishDate | 2021 |
publishDateSearch | 2021 |
publishDateSort | 2021 |
publisher | The University of Chicago Press |
record_format | marc |
spelling | Lennon, John 1975- Verfasser (DE-588)1063065100 aut Conflict graffiti from revolution to gentrification John Lennon Chicago ; London The University of Chicago Press 2021 ix, 272 Seiten, 20 ungezählte Seiten Illustrationen 23 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier "Graffiti is by nature a protean art. In movies, it is often the backdrop used to create a sense of danger and lawlessness. In bathroom stalls, it is the disembodied expression of gossip, lewdness, or confession. In protests, it is a resistive tool, visually displaying the cacophony of disparate voices and interests that come together to make up a movement. Every graffito has an unstable afterlife-fated to be added to, transformed, overlaid, photographed, reinterpreted, or painted over. In short, as this book artfully explains, graffiti makes for messy politics. It brings the unwieldiness of the crises it engages to the fore, giving shape to a conflict's evolving nature. The book closely examines the many permutations of graffiti in conflict zones-moving from the protest graffiti of the Black Lives Matter movement in Ferguson and the Arab Spring in Egypt to the tourist attraction murals on the Israeli Separation Wall, to the street art used for city rebranding and beautification in Detroit and post-Katrina New Orleans. Graffiti has played a crucial role in the revolutionary movements of these locales, but has also been variously appropriated, policed, and exported, ushering in postconflict consumerism, gentrification, militarization, and anaesthetized forgetting. Yet, the book concludes, as protest movements change and adapt in turn, graffiti is also uniquely suited to shapeshift with them, opening up new apertures of resistance with every wave"-- Graffito (DE-588)4021791-7 gnd rswk-swf Protest (DE-588)4157835-1 gnd rswk-swf Graffiti / Social aspects Graffiti / Political aspects Art and social conflict Political art Graffiti / Aspect social Graffiti / Aspect politique Art et conflits sociaux Graffito (DE-588)4021791-7 s Protest (DE-588)4157835-1 s DE-604 Erscheint auch als Online-Ausgabe 978-0-226-81567-1 |
spellingShingle | Lennon, John 1975- Conflict graffiti from revolution to gentrification Graffito (DE-588)4021791-7 gnd Protest (DE-588)4157835-1 gnd |
subject_GND | (DE-588)4021791-7 (DE-588)4157835-1 |
title | Conflict graffiti from revolution to gentrification |
title_auth | Conflict graffiti from revolution to gentrification |
title_exact_search | Conflict graffiti from revolution to gentrification |
title_full | Conflict graffiti from revolution to gentrification John Lennon |
title_fullStr | Conflict graffiti from revolution to gentrification John Lennon |
title_full_unstemmed | Conflict graffiti from revolution to gentrification John Lennon |
title_short | Conflict graffiti |
title_sort | conflict graffiti from revolution to gentrification |
title_sub | from revolution to gentrification |
topic | Graffito (DE-588)4021791-7 gnd Protest (DE-588)4157835-1 gnd |
topic_facet | Graffito Protest |
work_keys_str_mv | AT lennonjohn conflictgraffitifromrevolutiontogentrification |